1990s Sculptures

Artist: Tom Suzuki, Japanese/American (1930 - 2006) Title: Untitled Year: 1995 Medium: Bronze, signature and number inscribed Edition: 3/4 Size: 31 in. x 8 in. x 8 in. (78.74 cm x 20...

Eric Rhein “Butterfly Girl” 1992-1995 Accompanied by a certificate of authenticity Steel, brass, and gold-filled wire, thread, glue, and found object...

"Dance Every Dance and Carry a Quiet Heart" by Denny Haskew Figurative Bronze Male and Female Busts, Companion pieces, Native American Dance= 24x17x17" ed/25 #8 of 25 available as pi...

Little sculpture by the south france sculptor Edmond Vernassa. Signed. Né à Nice, le 3 septembre 1926, Vernassa dessine et sculpte dès son plus jeune âge. Il obtient un CAP d’électr...

comes with original box. numbered on bottom

John Okulick, large colorful wood wall sculpture construction "Perfect Harmony" Hand signed and dated, 1999 Dimensions: H: 52 inches:...

Una Dia en el Parque Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze, signature and number inscribed Edition of XVII/XXX Size: 32 x 23 x 13.5 ...

A very rare original Price Price mug! Ken Price Wave Cup clay and glaze 3.5 x 5 x 4.25” 1992 Ken Price (1935 - 2012) received a BFA from the University of Southern California after ...

Steven Wolfe (American, 1955-2016) Untitled (Book Bookends), 1990 Bronze 6 1/4 x 7 x 4 inches Stamped: SW 1990 2/3 For more than two decades, Steve Wolfe (1955–2016) created sculptures and drawings of astounding craft and visual presence. Wolfe re-created worn books and used records, primarily from the 1960s and 1970s, that influenced his own personal and artistic sensibilities. Working in the tradition of trompe l’oeil, Wolfe created pieces that quite literally “fool the eye” on first inspection. Using a variety of materials and processes, including oil, acrylic, screen printing, lithography, modeling paste, canvas, wood and aluminum, Wolfe sculpted and painted precise and exacting three-dimensional replicas of books and records that possess a personal significance. Iconic titles include Oscar Wilde’s The Picture of Dorian Gray, Dostoyevsky’s Notes From Underground, Alfred Barr’s Cubism and Abstract Art and The Beatles’ Revolver...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

Stamped with the artist’s monogram, dated 94 and numbered 6/6 (on the reverse) Bronze, on York stone base Executed in 1994, this work is number 6 from an edition of 6. Provenance: ...

Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...

Provenance Acquired by the gallery directly from the artist Description Peter Brooke's Mayan Warrior depicts a solemn and dignified military subject. Historically, few Mayan warrior...

Unique brutalist abstract assemblage wall sculpture by Texas artist Ann Bengtson. The work incorporates a large swirl pattern at the top of the piece as w...

"Veteran of Wounded Knee" by Denny Haskew Figurative Bronze Bust of a Native American 10.5x23.5x19" Ed/20 "Proud Man look this way coyote sittin on your head, good for foolin the s...

Bent Wire Wall Sculpture Unsigned, from the artist collection. Walter Bastianetto is an Italian born sculptor who moved to Mexico in the 1970s and resided there. Well-known artist ...

Tony Berlant (b. 1941) is an American artist renowned for his painterly collages and intricate metal sculptures. His work combines various source materials notably fragments of metal...

Red, purple, and blue modernist biomorphic mobile sculpture by Jon Jon Krawczyk. Signed by the artist at the bottom of the piece. Artist Biography: A graduate of Connecticut College, Krawczyk has studied fine art throughout Europe and apprenticed with various acclaimed sculptors. He realizes his biomorphic sculptures by cutting sheet stainless steel or bronze and welding, pounding and shaping with focused heat. Each sculpture is therefore unique, as the works are never cast from a mold. Krawczyk draws inspiration from artists such as Picasso, Henry Moore and David Smith. He is not only influenced by the obvious masterful techniques of these artists, but also by their philosophies of the sculptural process. Jon Krawczyk works in stainless steel, either brushed or highly polished, and in bronze, to which he applies intense patinas of earth tones and bright blues and greens. These works appear to have the geological marks of boulders, as sentinels that look comfortable in natural environments, can be abstract tendrils or wispy smoke-like forms that defy gravity, or long, thin, yet powerful lines that seem to jump into the sky. His most recent highly polished stainless steel sculptures...

Noche de Bodas (Silver) Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze with silver plating, signature and number inscribed Edition of 11/75 S...

Tango Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture, signature and numbering inscribed Edition of I/L Size: 32.25 x 16 x 8.5 in. (...

Artist: Ellen Brenner-Sorensen, American Title: Woman with Rose in Her Hair Medium: Bronze Sculpture with Patina Size: 45 in. x 17 in. x 8 in. (114.3 cm ...

Artist: Stefan Vladescu, Romanian (1952 - ) Title: Teutonia Year: 1992 Medium: Bronze Sculpture on marble base, signed and dated Size: 18.5 x 10 x 9 inches Base 2 x 11 x 10 inches

Artist: T. Galbreath Title: Squirrel I Year: 1997 Medium: Bronze Sculpture, Signature and number inscribed Edition: 71/100 Size: 7 in. x 3 in. x 3 in. (17.78 cm x 7.62 cm x 7.62 cm)

Modern abstract mixed media sculpture by Texas artist McKay Otto. The work features steel arms twisting out of a wood center pillar that is attached to a cement base. Signed, dated, ...

Odchodzacy (Departure II), wool, cotton & stilon, 92" x 36", 1993. This large figurative, abstract tapestry was done by textile artist, Lilla Kulka (b. 1946, Krakow, Poland). Arti...

An original unique bronze and patina abstract sculpture by Roberley Bell. This dynamic work from the artist's "Lake Erie and Other Waters" series can be h...

Sculpture - original. Numbered 1/4. Founder GODAR. Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the en...

31" in height roughly 12-15" wide Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) 2003 Metallic paint, acid etched on aluminum, wood Hand signed and dated on side Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

Rusted steel patina 48 inches high and approx. 30 inches wide. Indoor or outdoor sculpture.

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

'Vela' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. This part of the series was inspired by astronomy and the distant galaxies and s...

'Al Okab' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. This part of the series was inspired by astronomy and the distant galaxies an...

A life-sized fiberglass sculpture of a horse, unsigned. This specific breed of horse the sculpture is based on is called Quarter Horse. Many visitors to ...

"Nike" by Mark Leichliter one-of-a-kind abstract Sculpture ​ 14"x10"x4" Carved Limestone ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in nearby Fort Collins....

An accumulation sculpture of paintbrushes by the great accumulator sculptor, Arman. This work features 13 paintbrushes with various shades of paint in oranges, greens, and reds again...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes I Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20,...

David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Buddhist and avid surfer as well as a sculptor, Anderson has given way to 4 decades of work that revere beauty in nature and beauty in industry within his signature aesthetic. For Anderson, steel girders, dry leaves, machine parts and distant train lights are equally as compelling as strawberry flowers, begonias, Asian antiquities and the night sky. Editing down to essential form while adding a touch of embellishment allows his work to embody both minimalist formal truth and decorative adornment. Anderson’s art practice is a beauty-driven way of knowing the world. BIOGRAPHY 1946 Born in Los Angeles 1967-1971 San Francisco Art Institute Currently lives and works in Santa Cruz, California. SELECTED AWARDS AND GRANTS 1993 John Michael Kohler Art Center Residency 1988 National Endowment for the Arts, individual fellowship 1986 Pollack-Krasner Foundation, individual grant 1981 National Endowment for the Arts, individual fellowship 1974 National Endowment for the Arts, individual fellowship SELECTED ONE PERSON EXHIBITIONS 2018 “Snow Pictures”, Columbus Museum, Columbus, Georgia 2014 “Ranchland”, The Great Highway Gallery, San Francisco, CA “The Manresa Seasons”, New Museum Los Gatos, Los Gatos, CA 2013 “Altitude”, Robischon Gallery, Denver, CO “to Morris Graves”, The Morris Graves Museum, Eureka, CA 2012 “Travel: Rome”, Namche, Bellas Artes Gallery, Santa Fe, NM 2011 Selections from “to Morris Graves”, Anderson Ranch Art...

Blue Rain Glaze on White, Dutch Series (28.5 x 21.5 x 2.5 inches, each) Publication, Jun Kaneko, Dutch Series Between Light and Shadow, page 48 b. 1942, Nagoya, Japan Jun Kaneko’s ...

white pine bark and vine

The sculpture "APPLE OF PARADISE" was created by Yevgeniy Prokopov in 1996, then it was repeatedly exhibited at his personal exhibitions both in Ukraine and abroad. The first time it was presented at the author's personal exhibition at the National Museum Taras Shevchenko...

"Carry a Quiet Heart" by Denny Haskew Figurative Bronze Bust, Native American (companion piece is Dance Every Dance) 23x13x13" ed/25 #8 of 25 available "I carry a quiet heart and se...

Publisher GKM. Limited Edition 11/30 ex. Free shipment worldwide. Acquired directly from the artist. Arman explores reality. He strives to transform and sublimate artefacts into wor...

An original unique bronze and silver leaf abstract sculpture by Roberley Bell. This dynamic work from the artist's "Lake Erie and Other Waters" series can...

Curtis Jere Untitled (Figure) Sculpture and base are metal, base appears to be aluminum Signed and dated as shown in photograph Curtis Jeré was the shared pseudonym of two artists,...

An important large scale terracotta sculpture from the artist's Galaxy Series.

Oil painting on wood panel Unique work Hand-signed lower right by the artist

Philippe Chambault The artist was born August 9, 1930, in Châtenay-Malabry (Hauts-de-Seine), where he did his primary schooling. Then he studied art at the School of Applied Arts in Paris, and especially at the woodcarving workshop. In 1954, he entered the studio of the sculptor Georges Serraz (the author of Christ-Roi des Houches), and he replaced Henri Dunand, who returned to Vallorcine to run the family business (this is also his friendship with the latter who is the cause of his installation as a secondary residence in Vallorcine, from 1961). He meets the sculptor Louis Derbré, become one of the leaders of the figurative renewal, and befriends him. It is at his instigation that he participates in different salons. He won two national awards: the Fénéon Fellowship in 1956 and the Vikings Prize in 1957. In 1961, he joined J. Balme, a medal publisher in Saumur. Since then, he has created the creations of this house: commemorative medals.On the other hand, Philippe Chambault has kept a small activity as an independent sculptor, often in sacred art. His most important work, created for a Strasbourg seminar, is a three-meter-high wooden and copper crucifix...

"Casas Grandes Pottery" is a signed hand-built ceramic vessel with slip glaze created by Benito Morass. It features an abstract geometric design ...

Relic 1999, painted porcelain plate, dia. 31 cm Relic, the painted porcelain plate from 1999, is a captivating piece of art that showcases a black and white surreal composition. Wit...

Artist: Thom Cooney-Crawford, American (1944 - ) Title: Four Earth Signs: Out of the Bronze Tree Lunette Medium: Bronze Sculpture, signature and number insc...

Artist: Kuno Lange, German (1950 - ) Title: Mother and Newborn Year: 1997 Medium: Bronze Sculpture, signature and number on base Edition: 2/9 Size: 28 in. x 7 in. x 3.5 in. (71.12 cm...

This pair of bronze sculptures by Catherine Lee, from 1995, is a minimalist abstract that would work well in any contemporary space. Artist:...

"Duet" by Isobel Folb Sokolow Welded found metal steel and gold leaf Sokolow creates both abstract and figurative metal sculpture for indoor display. Abstract, Dancing, Dancers, Pe...

The modern Sculpture " Pregnant woman ” is a limited edition piece, created by David Marshall in 1999, cast in , brass, lost wax technique, in our foundry, handcrafted by the Arti...

Robert Winslow's 'Vessel" is carved from fine grain black Pennsylvania granite. Winslow's signature stonework is apparent in this finely polished granit...

Ruth Duckworth Untitled Form (INV# NP5225) porcelain, stoneware, and glaze 7 x 16 x 7" 1999 signed by artist provenance: Garth Clark Gallery New York RUTH DUCKWORTH Ruth Duckworth ...