Abstract Art

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspiratio...

Masri (Lebanese, born 1965) "Colorful Stories" 2018 Acrylic paint, Oil paint, Mixed Media, Canvas, Stretcher bars The artist signed the back of the painting. "Colorful Stories" by M...

This is a beautiful painting of one big parrot sitting on a tree in the jungle. This original painting is elegant and a statement piece. Contemporary painting full of details and col...

Max Bill Composition with white center Color silkscreen Year: 1972 Edition: Edition for "Look at" Size: 23.3 × 23.3 inches Unsigned, unknown edition size (pres. ~2,000) - sometimes a...

The inspiration for this work is a recent trip I made to the fiordes on Norways north west coast . Beautiful houses in white and red line the waters edge . This restricted palette of...

This original abstract painting evokes a sense of ethereal calm, where soft whites and pale aqua tones drift together like whispers of clouds across the sky. The delicate layers and ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

This is an expressive original acrylic painting on canvas in a fantasy abstract style by Alan Nolan (American Artist) Titled "Volcanic Eruption" Bright colors make this painting ver...

The Taste of Wild Honey This work is part of the Infinity Map series, dedicated to exploring the inner world and the search for personal answers. Different facets of the inner self ...

Maurice Élie Sarthou (French, 1911-1999) "Composition" Edition 209/220, Abstract Lithograph signed and numbered in Pencil, 18.50 x 24.63, Late 20th Century, ca. 1960s Colors: Green, Black, Yellow, Purple, Orange Sarthou was born in Bayonne on January 15, 1911; an orphan following the death of his father during the First World War, he was raised by his mother and grandfather in Montpellier. After high school, in 1927, he obtained the authorization to enter the Beaux-Arts of the city provided he prepared architecture. After a year, he persuades his family to let him study at the painting studio. He first attended a training at the School of Fine Arts in Montpellier; Then in 1930, a fellow of the city of Montpellier as the ward of the nation, he entered the Beaux-Arts in Paris. In 1934, birth of Francine, his daughter. To make a living, he introduces himself to the drawing faculty. He was appointed to Bastia, then in 1937 to Bordeaux. In 1939, 1940 and 1941, he made war in the transmissions. In 1943, he became a member of the Société des Artistes Indépendants Bordelais, which regularly organizes exhibitions of Parisian artists (Bissière, Lhote, Walch, etc.); this has a positive influence on him; Artistic emulation allows him to assert his style even more intensely. In 1948 he met the writer Raymond Guérin who introduced him to Maurice Toesca, Marcel Arland and, later, Jean Paulhan. In 1950, he illustrated Raymond Guérin's book "Testamentary fragment". In 1949 he was chosen by Jacques Lassaigne, who came to Bordeaux to preside over the regional selection of the Prix de la Jeune Peinture. He won the price Drouant, the first mention of the price (fourth prize on more than 90 competitors, including Lagrange, Lapoujade, Rebeyrolle, also mentioned). In the jury, Gaston Diehl noticed him and invited him to the Salon de Mai of which he is the founder. It is the first manifestation of Sarthou with the Parisian public with two paintings: "Still life" and "Open window". He will participate in this show until 1963. He moved to Paris in 1950, where he was appointed professor of drawing at Lycée Henri IV, which allowed him to exhibit in the salons of the capital and to be more recognized. From 1950, around Jean Paulhan, meet at the arena of Lutetia, on Sunday morning, to play bowls: Maurice Toesca, Jerome Lindon, Yves Berger...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

Artist Comments
An expansive abstract view of vast blue rolling hills by artist Alicia Dunn. "I wanted to create a dreamscape that would resemble a landscape, or a landscape ...

(r)evolution 31 (Abstract painting) Pigmented Beeswax, Oil & Collage on Panel. Unframed. This painting is part of a series titled (r)evolution which started in 2014. This process...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Winter Tree in Moonlight by Lebadang (aka Hoi), Vietnamese (1922 - 2015) Year: circa 1970 Medium: Lithograph on Japon, mounted to Arches, signed in pencil Edition: EA Size: 25 x 39...

"Memory of Winter" is a tree landscape painting created with oil, acrylic and mixed media on canvas. The work captures the fragile moment between winter and spring, when nature begi...

Sunset Song Series stands as one of the most iconic works featured in the upcoming Summer Exhibition UK, 2025—a rare and luminous collection of latest artworks we’re thrilled to pres...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textu...

With Action, Canadian artist Ryan Van Der Hout creates a sense of motion in rigid steel. Paying homage to Eadweard Muybridge's seminal photographs, which first captured frame-by-fram...

"Spilled Wine" Spilled wine is an accident, a mistake, a moment after which everything changed. This is life, which we cannot control and cannot predict. A little drama, a little com...

Untitled Landscape, Woodstock, 1969 Oil on canvas, signed by Arthur Pinajian on the lower right. Includes a certificate of authenticity from the Estate of Arthur Pinajian. Arthur Pin...

This work explores memory as a path shaped not only by events, but also by people, encounters, and inner transformation. It speaks about how, when we look back, we begin to see a com...

All of us can change the past. We cannot take back what has happened, who we love, what we have done. Just like we cannot change our current situation. I think life is a funny thing,...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Artist Comments
Several shades of blue sweep across a lightly textured background. Bits of orange highlight the focal point, adding warmth to the composition. Sections of gray ...

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on board unframed: 7.75 x 7.75 inches condition: excellent provenance: all the paintings we have fo...

An original textured artwork handcrafted on canvas using clay, acrylic, and a glossy finish. The sculptural forms, rendered in pure white, evoke the graceful flow of draped fabric, c...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Good Inscription: Sig...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 11.75 x 11.75 inches condition: very good and impressive provenance: all the paintings we have for sale by this artist have come from the artists studio and are all featured in the artists Catalogue Raisonne. Jacques, Paul, Firmin Coulais is a French painter born on March 22 , 1955 in Fenioux ( Deux-Sèvres ) and died at the age of 56, the June 25 , 2011 in Niort (Deux-Sèvres). Born into a farming family, he was the seventh of eight children. Suddenly becoming a quadriplegic at the age of six following poliomyelitis, he overcame this handicap by building with determination an independent life centered on artistic practice and an intense social life. For more than thirty years his house and his workshop have been the center of attraction for many artists, art lovers or simply friends of Niort and all of France. Coulais began to paint with his mouth, as an autodidact. In 1978, he made the acquaintance of a plastic art teacher who advised him and engaged him on the path of watercolour. The freedom granted to him by this technique as well as the flexibility of its application fascinate him. This meeting and the friendship shared with his teacher, lead him and very quickly direct his work from figurative to abstraction in a way that he explores and that he will then find in the works of Kandinsky and Paul Klee. Admitted to the School of Fine Arts in Angoulême, he studied there from 1981 to 1984 and obtained the National Superior Diploma in Plastic Expression at the age of 31. A few years later, Jacques Coulais exhibited at the Museum of Niort and since then, his career has been punctuated by his participation in numerous exhibitions organized very regularly in various French cities as well as abroad. In the 1990s, the AAPBP, Association of Mouth and Foot Painting...

Color screenprint, 1972. Signed by the artist and dated in pencil, lower right margin. Numbered 24/60 in pencil lower left,. Printed and published by Workshop, Inc., Washington, D...

Abstract sculpture by American artist, Jack Youngerman (b.1926). Nexus, 1990. 24.5 inches. Aluminum, numbered 2/3. Signed and numbered on base. 1926 Born, St. Louis, Missouri; moved with family to Louisville, Kentucky in 1929 1943-44; 1946-47 Attended University of Missouri 1944-46 U.S. Navy, University of North Carolina 1947-49 Ecole des Beaux-Arts, Paris 1949-55 Lived and worked in Paris 1956 Returned to the United States; lived in New York City 1956-1995 1995-current Resides in Bridgehampton, New York ONE MAN EXHIBITIONS: 1951 Galerie Arnaud, Paris 1958 Betty Parsons Gallery, New York (1960, 1961, 1964, 1967, 1968) 1959 Museum of Modern Art, New York, "Sixteen Americans" 1962 Galerie Lawrence, Paris (also 1965) 1963 Galeria dell' Ariete, Milan Everett Ellen Gallery, Los Angeles, California The Phillips Collection, Washington, D. C. 1971 Pace Gallery, New York (also 1972, 1975) 1972 Portland Center for the Arts, Oregon Seattle Art Museum, Washington 1973 The Arts Club of Chicago, Illinois Galerie Denise Rene, Paris 1975 Hopkins Center, Dartmouth College, Hanover, New Hampshire 1976 Parrish Art Museum, Southampton, New York 1981 Washburn Gallery...

Kobi Raz (Israeli, born 1959) "Untitled" 2022 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. Kobi Raz employs a soft palette dominated by blue...

Abstract impressionist oil on paper on board by French artist Chantal Payet. Signed and dated April '96 to the reverse. An interesting and challenging Abstract Impressionist work in...

With vibrant layers of oil paint, sweeping brushstrokes, and thrown paint, Shaoul captures a love story on her painter’s palette through dynamic abstract expression. The artist reima...

Lithograph, 1969 Handsigned by the artist in pencil and numbered 26/80 Publisher : Galerie Im Erker (Saint-Gallen) Printer : Erker-Press (Saint-Gallen) Catalog : [Schneider 76] 87....

Artist/ School: French School, signed lower left, circa 1970's Title: The Interior. Medium: oil painting, on canvas, framed. Size: frame: 25 x 41inches painting: 23.5 x...

Richard Andres American, 1927-2013 Reflections, 1985 acrylic and ink on paper mounted on canvas signed lower right, signed, dated and titled verso 52.5 x 72.5 inches 53 x 73 inches, ...

This stunning X-large hand drawn with original charcoal line drawing and hand painted with original oil and gesso paint; it is the No 2 of the only 10 Limited Editions; The colours...

Stunning hand-pitched Raku metallic glazed, speckled stoneware ceramic sculpture by Jessamyn Go. Jessamyn Go's work is deeply rooted in the visceral, meditative experience of workin...

Untitled XLVI is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 280 × 200 cm (110.2 × 78.7 in). The artwork is signed, sold unframed and c...

Multicolored abstract by Aptos, California artist Sandra Marie Lobue-Erba (American, 1945-2007). Signed "S. LoBue" lower right. Presented in a metal frame. Image size, 24"H x 30"L. ...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 9.75 inches condition: excellent provenance: all the paintings we ...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Staatliche Werkkunstschule Kassel (Prefatio)" Year: 1957 Medium: Original Relief Print (Letterpress), Exhibition Poster on light wove paper Limited edition: Unknown Printer: Staatliche Werkkunstschule Kassel, Kassel, Germany Publisher: Staatliche Werkkunstschule Kassel, Kassel, Germany Sheet size: 24.75" x 17.63" Image size: 11.75" x 15.63" Condition: A few faint handling creases. Never framed, has been professionally stored away for decades. In excellent condition Extremely rare Notes: Provenance: private collection - Nuremberg, Germany. Poster produced for a special exhibition of Albers' work "Early Pictures from the Twenties and New Works" at the Staatliche Werkkunstschule Kassel from May 28 - June 8, 1957. The image featured on this poster is Albers' 1942 lithograph edition "Prefatio", (Danilowitz No. 103, page 76), from his 1942 "Graphic Tectonics" series of 9 lithographs, (Danilowitz No. 100-108, page 74-79). Printer's imprint upper right. This is an extremely rare poster being if not the, one of the, earliest documented Josef Albers exhibition...

This artwork is a diptych and will be shipped rolled in a protective tube at no additional cost. Shipping the canvases unstretched is the safest method for international transport an...

Mirko Baricchi (born 1970) is an accomplished Italian painter who currently lives and works between Vicenza and La Spezia, regions located in Veneto and Liguria, Italy, respectively....

by Iryna Burda: The Depths of the Subconscious Iryna Burda’s work resonates with Jungian archetypes, particularly the fish as a symbol of the subconscious, intuition, and deep psyc...

OLIVIER SCHNEIDER Untitled (Abstract), 1995 32.0 x 32.0 acrylic on paper, mounted on wood board ink signed and dated verso Olivier Schneider delivers a unique and colorful abstract ...

Gouache & Ink abstracts from the Mid-20th Century are unique. This is by Dutch artist Andrus Theodore Vossen born in the Netherlands in 1893 and he died in 1963. It is pencil sig...

Artist: Gene Davis Title: Green Giant Year: 1980 Medium: Lithograph on Arches, signed and numbered in pencil verso Edition: 250 Paper Size: 26 x 28.5 inches

Color screenprint, 1972. Signed by the artist and dated in pencil, lower right margin. Numbered 24/60 in pencil lower left,. Printed and published by Workshop, Inc., Washington, DC...

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This is a beautiful patchwork piece by Zita Chocarro. Her exploration of color plays with form and contrast, as the intersection of the shapes she uses masterfully come together to ...

This work is about a sound that has already disappeared, yet continues to exist as a trace. I am interested not in the moment itself, but in what remains after: vibration, residual m...

This is a one of a kind original oil painting by San Diego artist, Julia San Roman. Its dimensions are 20x20 It is framed in neutral wooden frame. A certificate of authenticity will ...

This sculpture can also be made to order in the dimensions specified. Please contact the gallery for further details. At Escat Gallery we are committed to maintaining the highest s...

The Shape of Memory embodies Lisa Pressman’s long investigation into how memory lives within the body, surface, and time. This sculptural mixed media work is both painting and object...