Cubist Art

This exquisite lithograph by Georges Braque (1882–1963), titled Sans titre (Untitled), from Les Paroles Transparentes (The Transparent Words), originates from the May 11, 1955 issue ...

This exquisite lithograph by Georges Braque (1882–1963), titled Sans titre (Untitled), from Les Paroles Transparentes (The Transparent Words), originates from the May 11, 1955 issue ...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

Isabelle Graham Allison (Reese) (1927-2005). Calla Mayor, Venice ca. 1950s. Oil on canvas measuring 12 x 28 inches; 13 x 29 inches framed. Signed lower right. The artist lived and ...

Cubist composition French School, late 20th century indistinctly signed oil on board, framed with glass cover framed: 13 x 13 inches board: 9.5 x 9.5 inches Provenance: private colle...

Vibrant Cubist Still Life Painting by A. Derek Ching (20th Century) Bold yet nuanced, this rare original gouache on paper, created by American artist A. Derek Ching (USA, 20th Centu...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage aux coquelicots (Landscape with Poppies), originates from the 1968 folio Varengeville, published by Maeght ...

This is a book titled "Plakate Affiches Posters," published by Droste Verlag, Düsseldorf, in 1963. Featuring 138 reproductions of posters, it offers a curated selection by Christoph ...

Dakar is a lithographic poster by Pablo Picasso, engraved by Henri Deschamps and printed at Mourlot in 1972. The collaboration with Henri Deschamps and the prestigious Mourlot prin...

This exquisite lithograph after Fernand Leger (1881–1955), titled Acrobates et musiciens (Acrobats and Musicians), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. Acrobates et musiciens exemplifies Leger’s dynamic integration of human movement, geometric rhythm, and vibrant color—hallmarks of his post-Cubist visual language. The composition celebrates modern vitality and the harmony of mechanized and organic forms, capturing the artist’s enduring fascination with energy, structure, and the human figure in motion. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, translating Leger’s bold visual vocabulary into a masterful graphic work. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Acrobates et musiciens (Acrobats and Musicians), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 270 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose bold, mechanized aesthetic made him one of the most influential figures of modern art. A pioneer of Cubism alongside Pablo Picasso and Georges Braque, Leger developed a distinctive style that celebrated modern life through rhythmic forms, tubular figures, and vibrant color contrasts. His compositions combined industrial precision with human warmth, reflecting both the dynamism and optimism of the 20th century. Influenced by and in dialogue with leading artists such as Henri Matisse, Alexander Calder, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Leger bridged the gap between Cubism, abstraction, and the rise of modern design. His work extended into murals, sculpture, and film, uniting fine art with architecture and everyday life. Represented in major museums worldwide—including MoMA, the Guggenheim, the Centre Pompidou, and the Tate—Leger’s art continues to captivate collectors for its clarity, structure, and vitality. The highest price ever paid for a Fernand Leger artwork is approximately $70 million USD, achieved in 2012 at Christie's New York for Contraste de formes (1913). Fernand Leger Acrobates et musiciens, Leger Derriere le Miroir, Leger Maeght Editeur Paris, Leger Mourlot...

Stunning original cubist abstract painting by the very well listed French abstract and surrealist artist, Roger Herson (1922-2008). The painting is signed to the lower right corner. The painting has excellent provenance, having come from the artists estate. Roger Herson (1922-2008) was a French abstract, cubist and surrealist painter from Rouen, France. Influenced by Picasso, Braque and Léger, he infuses the canvas with a frenzied and tonic movement, a rigorous construction and a personal graphic power. Painter of woman, desire and fantasies, Herson draws his inspiration from the verve and surrealist movement inspired by Georgio de Chirico...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: The Dance, 1934 Technique: Original Hand Signed Etching with Aquatint on paper Paper...

Cubist Composition French, contemporary indistinctly signed oil painting mounted in a card frame, framed glass covering framed: 21 x 25 inches inner frame: : 20 x 24 inches Provenan...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Saltimbanque, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Saltimbanque reflects Picasso’s enduring fascination with circus performers—a theme that recurred throughout his career as a metaphor for the artist’s own life and emotional world. The figure’s delicate poise and introspective expression capture both melancholy and grace, merging humanity and artistry in a timeless meditation on performance, solitude, and creative spirit. Executed as a lithograph and pochoir on velin paper, this work measures 18.75 x 12.63 inches, overall; 7.38 x 4.92 inches, image (47.6 x 32.1 cm; 18.75 x 12.50 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Saltimbanque, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 18.75 x 12.63 inches, overall; 7.38 x 4.92 inches, image (47.6 x 32.1 cm; 18.75 x 12.50 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs & Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picasso’s prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picasso’s originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheon’s art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artist’s postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheon’s broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Saltimbanque...

Artist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...

A bold and evocative pastel on paper by British artist John Alfred Begg (1903–1974), this striking Cubist nude study reflects the artist's Brutalist sensibility through angular forms...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Pommes (Apples), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 e...

This stunning post-cubist and colorist still life oil on board painting is by A. Rigollot (France, 20th Century). Colorist painting is characterized by intense color use, which becom...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

Presenting a just discovered master level abstract painting, Green Forrest, by American artist Robert McIntosh (1916-2010.) Green Forrest is an original mixed media painting on hea...

Very finely executed modernist ballet scene. Pastel and gouache on paper. Handsomely framed. Image size, 12H by 16L.

Robert Marc (French, 1943-1993) Untitled (9690) collage 36 x 55 cm (14⅛ x 21⅝ in.) signed ‘ROBERT MARC’ (lower centre) Price: £9,000 GBP Provenance: Estate of the Artist Forum Gall...

This reproduction of Picasso's poster Relais de Jeunesse is redrawn and measures 12.5 x 9.25 inches. It is part of the book Art in Posters by André Sauret, published in 1959. The boo...

Pablo Picasso (after) Pottery and Fauns (Madoura), 1961 Original linocut (printed in Arnera studios, Vallauris) Printed signature in the plate On vellum 11 x 23.2 cm (c. 4.3 x 9 in)...

Krol also designed and engraved medals for the Paris mint, painted murals for various schools throughout France, created tapestries, and produced over 200 works in enamel. His work ...

This impression is signed and numbered 24/25. The references for this work are: Auberty & Perussaux 191 and Ginestet & Pouillon E. 277. This is one of Jacques Villon’s gr...

La Chèvre-Feuille is an original Modern Rare book illustrated by Pablo Picasso and written by Georges Hugnet (11 July 1906 – 26 June 1974) in 1943 . Origina...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...

Roger de la Fresnaye National Day Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 65 x 50 cm (c. 26 x 20 inch) Excelle...

This exquisite lithograph and pochoir after Georges Valmier (1885–1937), titled Femme assise (Seated Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Artist/ School: French cubist/ abstract artist, signed, circa 1970's Title: Blue & white flowers in a vase Medium: oil painting on canvas, framed fram...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Dans l’Atelier de Picasso. Original page from the portfolio, executed as a stone lithograph after Picasso (d’après Deschamps), printed and published by Fernand Mourlot, Paris. The sh...

Cubist Portrait of a Woman signed, 'Samson' British, 20th century oil painting on board, framed frame: 18.5 x 14.5 inches board: 16 x 12 inches provenance: private collection, UK con...

Joseph Kardonne (1911-1985). Nude Woman, 1966, 9 x 14 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Born in Newark...

This exquisite lithograph by Fernand Leger (1881–1955), titled Composition sur fond rouge (Composition on a Red Background), from the folio Derriere le miroir, L’art abstrait, No. 21-22, originates from the 1949 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1949. The composition exemplifies Leger’s distinctive modernist vision, uniting color, structure, and rhythm into a celebration of harmony between abstraction and industrial dynamism. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Fernand Leger (1881–1955) Title: Composition sur fond rouge (Composition on a Red Background), from the folio Derriere le miroir, L’art abstrait, No. 21-22 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1949 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 90. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, L’art abstrait, No. 21-22, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1949 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold color contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately 70 million USD, achieved in 2017 at Christie’s New York for Contraste de formes (1913). Fernand Leger Composition...

Elegant Portrait signed by Therese Hummel (French, 1911-1999) oil on canvas, unframed dated 1937 canvas : 29 x 24 inches Provenance: private collection of this artists work, Paris C...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. As with many artists, his earliest style was more realist imagery, transitioning through his intense fascination with the cubist avant-garde movement, into specific cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. "Blue Pacific...

Mâtinée à l’atelier (Morning at the Studio) Acrylic on canvas 40 × 32 cm Mâtinée à l’atelier presents a modern cubist interior scene drawn from the artist’s studio, approached as a...

Artist: Jacques Villon, French (1875 - 1963) Title: Maternite Year: 1952 Medium: Etching, signed in pencil Edition: 75 (un-numbered) Image Size: 11 x 7.5 inches Size: 16 x 13 in. (40...

double-sided c.1950's drawing by Spanish artist, Federico Castellon (1914-1971). Ink on wove paper, sheet measures 10 x 13 inches; 21.5 x 24.5 inches in wood frame. Excellent condition with no restoration or damage. Signed with artist's chop in red ink seal that he used in Asia. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950. Birth place: Almeria, SpainDeath place: New York, NYAddresses: NYC (immigrated 1921; citizen, 1943)Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950. Member: NA; SAGAWork: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.). Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...

Cubist Still Life (51) John F. Leonard American (1921–1987) Date: 1964 Oil on Board, signed and dated l.r. Size: 16.5 in. x 13 in. (41.91 cm x 33.02 cm) Frame Size: 18 x 14 inches

Artist/ School: French School, mid 20th century Title: Nude Figure in Interior Medium: oil painting on board, unframed . Size: : 13.5 x 10.5 inches Provenance: private collection...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...

Contemporary cubist acrylic on canvas by French artist Lombardo. Signed bottom right. This artwork masterfully captures an abstract maritime scene, characterized by vivid geometric...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

First edition exhibition poster/lithograph published for the Festival D’Avignon. Featuring a striking image originally used in a poster created by Pablo Picasso in 1964, titled "Le C...

This is an incredible painting done after Picasso 1929 reclining woman painting. That painting is locatedin a museum somewhere in Europe I believe. This o...

Georges BRAQUE Tribute to Cezanne : the Apples, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 39...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

Fabulous cubist wood cut of a Mexican village. It is titled tropical Mexico and is by the artist Jacob Heller. Really kool sky with lines for rain and ovals for clouds.There is not m...

"Coloured Horizons" is a painting by Spanish artist Natalia Roman. This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves ...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

Artist/ School: Albert Coste (French 1896-1985), signed lower right. Born 8 November 1895, in Marseilles; died 22 August 1985, in Marseilles. Albert Cos...

This watercolour is hand signed by the arist at the lower right corner 'Bela Kadar'. It is also signed on the second composition, verso. Provenance: The estate of the artist. The co...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Artist/ School: French School, signed and dated 89' Title: abstract/ cubist landscape in greens and yellows Medium: oil on canvas, unframed Canvas: 18 x 25.5 inches Provenance: ...

Clara Deike (American, 1881-1964) My Studio Stove, 1936 Oil on canvas Signed and dated lower right, titled verso 23.5 x 19.5 inches 29.75 x 25.5 inches, f...