Cubist Art

On the Brink of a New Year This pastel drawing ‘Neo Deco – 28-12-24’ is a test really. At Brugman Art I found this new mix media paper made by Clairfontaine. Sturdy and nice 250g/m2 paper that comes in different colours. Lately I am having fun doing pastels again. That must be have been motivated by last month’s live model drawing sessions held in ‘De Blauwe Tram’. So there I am, on the brink of a new year. All things in due order: a brand new page I built on my website and enough artworks created in December. After a couple of months I picked up oil painting again. My project ‘In Hoc Signo’, based on a drawing under the same name, is waiting for completion. In between I had some spare time to do a little drawing. This is the result. Need for Speed Another reason for this pastel drawing was the speed I made last pastels with: within one hour. It made me realize how much fun it is to create a sort of ‘on a whim’. Basically with the same intent I made ‘Neo Deco – 04-11-24’. There is no real innovation in these, only cubist styling I applied. That’s enough for me for the moment. Normally I always striving for incorporating something new. Just like some kind of genetic mutation in each consecutive work. However, not this time. Instead, I tried to feel how this new paper would react to my chalks. Quite nicely I must say. Green Paper The paper itself has not an impressive tooth but it clings on pigment particles efficiently nonetheless. My eye felt on the green paper in the block. The result is a bit magical. The female form I forged looks like a green bronze statue...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

This reproduction of Picasso's poster Relais de Jeunesse is redrawn and measures 12.5 x 9.25 inches. It is part of the book Art in Posters by André Sauret, published in 1959. The boo...

Le Groupe Lithograph, 1963 Signed and numbered in pencil, lower right Edition: 75 (68/75) see photo Publisher: Erker Presse, St. Gallen blindstamp lower left. see photo From the suit...

"The Canal" by Geneviève Zondervan (French 1922-2013) stamped verso oil painting on canvas canvas: 8.75 x 10.5 inches Original oil painting on canvas by the French artist, Genevièv...

Edmund D. Kinzinger was born in 1888, in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service. Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. About this period of Kinzinger's work, Philip Van Keuren...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Leonard Waegell Edmondson (1916-2002). Ceramic with sgraffito and fired opaque polychrome. 6.5 inches tall. 4.5 inches circumference. Excellent condition with no damage or restoratio...

Modernist abstract composition signed Geist. Oil on board, circa 1950. Signed lower right. Displayed in a wood frame. Excellent ready to hang condition.

This striking poster, titled The Painter, was published by La Fête de l’Humanité in 1970, based on an original drawing by Pablo Picasso. The poster is an offset lithograph in color, ...

Krol also designed and engraved medals for the Paris mint, painted murals for various schools throughout France, created tapestries, and produced over 200 works in enamel. His work ...

Georges Braque (1882-1963) Cubist Profile in grey Original lithograph (Mourlot workshop) Signed with the artist stamp Numbered / 230 On Arches vellum 31 x 24 cm REFERENCES : - Cat...

Fabulous cubist wood cut of a Mexican village. It is titled tropical Mexico and is by the artist Jacob Heller. Really kool sky with lines for rain and ovals for clouds.There is not m...

Very nice original poster of David Hockney, Images and thoughts for Vogue magazine at the Claude Bernard gallery. David Hockney was born in 1937 in Brad...

beautiful painting by the french painter Malaussena representing a landscape in autumn. Signed and dated 1951. Exposed in Italy according to a label on the back. It comes framed.

Pablo Picasso, Spanish (1881 - 1973) - Les Vendangeurs (34). Year: 1959 (printed 1962), Medium: Linocut, Image Size: 10.5 x 13 inches, Size: 12.5 x 15 in. (...

Paper Size: 12.5 x 9.5 inches ( 31.75 x 24.13 cm ) Image Size: 8 x 6.75 inches ( 20.32 x 17.145 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additio...

Original screen print after a painting realized by J. Gris 1924, printed in 1986. Limited edition of 600 prints, hand numbered in pencil. Includes a contemporary wooden frame 45x32...

Matador and Bull (37) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

This is a book titled "Plakate Affiches Posters," published by Droste Verlag, Düsseldorf, in 1963. Featuring 138 reproductions of posters, it offers a curated selection by Christoph ...

Maison de la Pensée Française is a 1958 lithograph by Pablo Picasso, produced by Mourlot in Paris. It is referenced in several key catalogues documenting Picasso’s lithographic work:...

Roger de la Fresnaye The Card Players Stone lithograph after a painting Printed in Mourlot workshop On Arches vellum 65 x 50 cm (c. 26 x 20 inch) Ex...

Paysage de la Cote d'Azur 65 x 54 cm Oil and Acrylic on Canvas Paysage de la Côte d'Azur captures a Mediterranean port town from an elevated, shifting viewpoint — rooftops, facades,...

Artist: David Fox (American, 1920-2011) Title: Seascape, Geometric Figure #2 Year: c.2000 Medium: Acrylic on paper Paper: Watercolor paper Image size: 10 x 8 inches Paper ...

Artist: Andre Minaux, French (1923 - 1986) Title: Helene from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x 19...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

Golden - 01-02-21 One Color is No Color This pastel is in line with my previous pastel drawing 'Golden - 28-01-21' but that one looks rather monochrome. Time it was to add some m...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Vintage signed large abstract oil painting. Oil on canvas. Signed.

Color Theoretical Challenges This oil painting ‘Neo Deco – 10-07-25’ demonstrates everything I know about color theory. In fact, it’s a search to converge all 6 main colou...

Vintage signed American school guitar still life oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 22L x 18H.

Pablo PICASSO (after) Woman Portrait Lithograph (Mourlot workshop) On wove paper 70 x 50 cm (c. 28 x 20 in) REFERENCES : Catalogue raisonné Cwiklitzer #386 Original vintage lithogr...

A Culmination This oil painting ‘Neo Deco – 27-08-25’ is the result of 13 previous graphite pencil drawings of Assia Granatouroff. Finally colour has touched her sweet featu...

An original modern cubist oil painting by American artist John W. Hatch created in 1948.

This vibrant lithograph, created by Pablo Picasso in 1968, was designed to promote a show at the Centre Culturel International. The artwork is a striking example of Picasso's innovat...

Abella. Original landscape cubist acrylic painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the och...

gouache on paper maroufflé on canvas. not framed. *Paul Rigoulet, peintre abstract français, né en 1924 à Samöens (Haute-Savoie). Il fait ses études à l'école nationale supérieure des Beaux-Arts de Paris, atelier Jean Souverbie...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Untitled is a drawing realized by Ossip Zadkine (1890 - 1967), in 1946. Mixed media on paper. 45.50 x 61.70 cm. Signature and year lower right. Work archived at The Zadkine Resea...

The lithograph was published by Louis Broder in Paris and printed by Fequet & Baudier, also in Paris. Reference: Czwiklitzer #255 The image measures 28 1/4 x 18 1/2 inches and feat...

Jacques VILLON Reading Man, 1962 Original lithograph (Mourlot workshop) Printed signature in the plate On tinted vellum 32 x 24 cm (c. 13 x 10 in) Excellent condition

Abstracted Cubist Turkey Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abs...

Le jouer de luth is a modern artwork realized by Ossip Zadkine in 1965. Black and white lithograph. Hand signed and dated on the lower margin. Artist's proof. Includes frame

La obra va firmada por el artista en la parte inferior y fechada del año 1976 En la parte trasera, va nuevamente firmada, fechada y titulada El estado de conservación es bueno Se ...

La obra va firmada por el artista en la parte inferior y fechada del año 1990 El estado de conservación es bueno Se presenta enmarcada la obra (sin cristal) Medidas de la obra: 70...

Work on paper Brown and gold wooden frame with glass window 69.5 x 90 x 5 cm

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Dr Mens III, 1918-1919 oil on board 70 x 50 cm stamp signed painted c. 1918-1919 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Roger de la Fresnaye Cubist Interior with Rose Bouquet Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Ar...

John Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching. Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...

Artist: Pablo Picasso Title: Square Head of a Man with Joined Eyebrows (Plate V) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

This artwork titled "Lettera Amorosa" 1963, is an original color lithograph on Japan nacre paper by renown French artist Georges Braque, 1882-1963. It is hand signed and numbered 42/...

Bela de Kristo Nature morte, circa 1956 Signed lower right Oil on board 19 5/8 x 11 3/4 inches Provenance: Alexander Kahan Fine Arts, New York Private ...

Brightly colored interior scene with a green chair by an Michael William Eggleston (American, 20th Century). An interior of room is depicted at a skewed angle, with bold, bright shapes. At the front of the composition is a bright green round chair...

after Georges BRAQUE Mythology : Hera MEDIUM : Lithograph PRINTER : Atelier Art-Litho EDITOR : Armand ISRAEL, Paris SIGNATURE : Printed LIMITED : 399 copies unumbered PAPER : Arches...

The freedom of the seas (original title: La Liberté des Mets) is a vintage exhibition catalogue realized in 1960. Mixed colored offset and lithographs realized in the occasion of th...

Nude in the Garden Abstract Expressionist Original Acrylic Painting on Paper Brightly colored abstract composition by Michael William Eggleston (American, 20th Century). a nude woma...