Expressionist Art

Perception is a painting that addresses individual perceptions about herself and how others see her. The subject in this painting gazes directly at the viewer to have eye-to-eye contact for an engaging conversation. She poses confidently and is ready for a dialogue. The motifs and icons generated from peacock feathers are used to weave the subject to further show the dignity of the personality. In the background of the painting are African icons to highlight the background of the subject. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Emmanuel Ibitoye hails from Aiyedun in the Oke-Ero Local Government Area of Kwara State Nigeria. He developed an interest in art right from primary school. He further fuelled his passion for art at Osi Central Secondary School, Osi. He proceeded to Osun State College of Education Ila-Orangun where he studied fine and Applied art from 2012 to 2015. He is an Art Educator and a multi-media painter who uses his art to address issues such as environmental decadence, culture, and racism. He believes that art is a tool that can be used to bring about environmental and human sanity, cultural integration, and the breaking of racial barriers. He uses his art to project the black race in a dignified manner, he is the exponent of Neo- black Renaissance Art...

Hollyhocks in the hedgerow is a joyful painting inspired by wild flowers in a Norfolk hedgerow. Rachael derives much of her inspiration from her life in Norfolk where she she enjoys...

- Title - The Art of Communication - Medium: acrylic on canvas - Support: stretched canvas, ready to hang, painted sides. - Size: 40" x 30" x 0.8" - Two coats of protective gloss...

In this oil painting, I've captured an intimate dance of grace and elegance. The natural fluidity of movement and the tender connection between these creatures embody harmony and ser...

In this oil painting, I sought to capture the elegance and tranquility of nature's beauty with a touch of vintage allure. The brushstrokes convey both the softness and the vibrancy o...

Artist Comments
Low buildings hide among nature in an abandoned day camp. The sunlight filters through the trees, painting the grass with a soft radiance. The expressive brus...

"Blue Towel" is an artistic composition that demands our attention. The woman wrapped in the titular blue towel stands as a metaphor for the delicate nature of the human condition. The choice of a towel, an item commonly associated with comfort, adds a layer of paradox, suggesting that beneath the surface, vulnerability and uncertainty may reside. The color blue further amplifies the artwork's emotive power. Blue, often associated with tranquility, introspection, and depth, offers a subtle insight into the subject's state of mind. It prompts us to consider the significance of self-reflection and the search for personal meaning that lies beneath the facade we present to the world. Bello's "Blue Towel" invites viewers to delve into the multifaceted nature of vulnerability and identity. The woman's posture and gaze suggest introspection as if she is immersed in deep thought, grappling with the layers that make up her sense of self. The vulnerability expressed in her body language encourages us to reflect on our own journeys of self-discovery and the masks we wear to shield our vulnerabilities from the world. The blue towel enveloping the lady can also be interpreted as a symbolic cocoon, representing a transformative stage in her life. It alludes to the moments of introspection and self-exploration that are essential for personal growth and understanding. Just as a caterpillar retreats into a cocoon before emerging as a butterfly, the woman in the artwork may be undergoing her own metamorphosis. Olamilekan Bello...

In this painting, I've depicted vibrant coral poppies blooming vigorously against a serene, softly blended background. The contrast between the vivid red hues of the flowers and the ...

White tulips on a pink background. Morning, spring. The painting is in a modern interior, the baguette is perfectly matched. Gentle morning lighting. Gorgeous beautiful white flowers...

This work symbolizes our wonderful, beautiful and fragile, like a crystal world. The magic field of solar dandelions from which it is impossible to take your eyes off. A short moment...

Artist Comments
A stylized wolf emerges from bold, angular brushstrokes. Its cool blue and icy white fur contrasts sharply against the glowing red backdrop. Layered paint and s...

"Ete Indien" by Armand Rottenberg (French 1903-2000) inscribed verso, oil painting on board, framed board: 52 x 39 inches frame: 53 x 40 inches Stunning original French expression...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In this oil painting, I infused the vibrant spirit of the macaw with a lively blend of expressionism and impressionism. The thick, textured strokes capture the dynamic essence of the...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Inspired by Rachaels winter dog walks along the Norfolk Broads with her lovely dog Sandy. Rachael Dalzell’s paintings are colourful and expressive. Her free and lively use of paint...

ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...

Norman Basil Town (British, 1915 – 1987) A biblical allegory Black and white gouache on paper 7.1/4 x 11.3/8 in. (18.4 x 29 cm.) Norman Basil Town (1905–1984) was a British artist k...

"Fantasy with Flowers" (series of 200+ pictures)   paper 41x58cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

"Purity" is a mesmerizing artwork that encapsulates the strength, grace, and inherent beauty of a black African woman. Through her direct gaze, the white dove, and the vibrant colors, the painting invites contemplation about the purity of the human spirit, the harmonious connection between humanity and nature, and the celebration of diversity and individuality. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

A woman is the most beautiful and wonderful tree planted in the garden of life by God. This world is totally beautiful and adorable with the gift of womanhood. She is not just a carrier of life or a nurturer but she is a guiding force, a homemaker, the backbone of every society. Being a woman is priceless! Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oluwaseun Ojebiyi is a promising young Nigerian visual artist who was born in the year 1996 into a family in Oyo state richly endowed with a unique artistic inclination. He is gifted with unusual energy and a future that sparkles with excellence. His works are at once artistic and realistic and laced with active energy with the characteristic of curiosity in figure study. He delivers his works through drawing and painting with mastery usage of charcoal, pastel, Oil paint, and acrylic. His expressive works bring back fond memories of childhood experiences. His works reveal the bond, teamwork, genuine love, selflessness, and other fine qualities in African culture. His palette which contains a variety of colors is a great asset for his delivery, with its rich Shade of hues. Oluwaseun inspiration is divine, He is also inspired by both past and everyday life experiences. Oluwaseun Ojebiyi had an HND in painting from The Polytechnic, Ibadan. He also served an apprenticeship under the renowned international artist Oluwole Omofemi...

"Always and Forever" is a captivating artwork that features a man and a woman, tenderly intertwined in an embrace that evokes a sense of timeless affection. The woman is positioned b...

In this artwork, I've captured the vivacious energy of coral poppies swaying in an unseen breeze. Utilizing an oil medium, I intertwined styles of expressionism, impressionism, and r...

The title, "Lady in Red," sets the tone for the artwork, drawing attention to the woman's commanding presence. Red is a color often associated with passion, power, and sensuality, and in this context, it symbolizes the woman's self-assurance and poise. Her choice of attire reflects her unapologetic embrace of femininity and her willingness to stand out with grace and charm. The sophisticated hairstyle of the young woman is a captivating element of the artwork. It showcases the artist's attention to detail and skill in portraying intricate features. The hairstyle's complexity symbolizes the complexity of the woman herself – a multi-faceted individual with dreams, aspirations, and a unique personality that shines through her every glance. In "Lady in Red," Daniel Oguche...

"Adventure Story" is a homage to the rich cultural traditions passed down through generations. The artwork's protagonist, a male hunter, stands as a representation of the deep-rooted connection between man and nature, as well as the preservation of traditional practices. The wooden local gun he carries symbolizes both the tools of his trade and the ancestral knowledge that has been handed down through time. Bello's artwork prompts us to appreciate the importance of preserving and honoring our cultural heritage. It serves as a reminder that our traditions, rituals, and stories hold invaluable wisdom and provide a link to our past, helping us understand who we are as individuals and as a collective. The central theme of "Adventure Story" revolves around the spirit of adventure, encapsulated by the hunter in the artwork. The headlamp tied around his head signifies his readiness to explore the unknown and face the challenges that lie ahead. It speaks of the courage to navigate unfamiliar territories and the determination to embrace new experiences. The headlamp, traditionally used to illuminate darkness, can also be interpreted metaphorically as a beacon of knowledge and enlightenment. It symbolizes the hunter's quest for wisdom and understanding, highlighting the importance of seeking knowledge as we venture into the uncharted territories of life. Olamilekan Bello...

"Duduyemi" captures the enduring resilience that black women possess in the face of adversity. The artwork depicts a black woman with a serene expression, exuding strength and grace....

"Measuring Blue" is a mixed media 3-dimensional collage with creatively hand-made oversized objects of a school ruler, dominos, and matches. These objects were hand crafted by the ar...

" I wanted to find a symbol of strength and resiliency for NYC and through the framing of the Empire State Building by the Manhattan Bridge, and I believe it is represented here. The...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Norman Basil Town (British, 1915 – 1987) Covering sorrow Ink on paper 7 x 11.3/4 in. (17.8 x 29.5 cm.) Norman Basil Town (1905–1984) was a British artist known for his evocative rel...

Artist Comments
Red and gold poppies burst from a purple vase, their vibrant hues contrasting sharply with deep green leaves and a similarly toned background. Yelena Sidorova...

Symphony of Summer is inspired by a hazy meadow on a warm summer’s day… Much of Rachael’s work is based on her life in Norfolk, where she is surrounded by nature and enjoys dog walk...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "The Songs of Songs of King Solomons" Year: 1975 Medium: Color lithograph Edition: Numbered LVII/C in pencil Paper: Jap...

I've poured my soul into this canvas, blending the visceral textures of oil with the fluid beauty of nature. My brushstrokes convey a dance between realism and impressionism, where l...

This painting conveys the enthusiasm for freedom of self-expression regardless of the restriction to decide what you are and what you want to express by the way you dress and the way...

The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster was everywhere, as the Bolsheviks struggled to win the Civil War against the Whites and fought the Poles over control of the Ukraine and parts of modern day Belarus. The early Soviet poster - an incredible 3600 designs - was remarkable for its revolutionary fervor and biting wit. Powerful visual symbols were invented, like the red star and hammer and sickle. These four posters are as follows: 1." May 1st All Russian Subbotnik " is a Russian poster promoting the first all Russian Subbotnik held on May 1st, 1920 in which Vladimir Lenin was in attendance. "Subbotnik" were weekend days of unpaid, volunteer community service work following the October Revolution which eventually became obligatory. By Russian artist Dmitry Moor 2. " Anniversary of Vsevobuch--Develop and Learn to Defend Freedom"    celebrates the second anniversary of the implementation of universal military training and says ‘2nd Anniversary of Vsevobuch, Develop and Learn How To Defend Freedom. Artist unknown 3." Devil Doll "    The Devil Doll' (January 1920) shows a soldier pointing his bayonet at a looming monster in the first panel. However, in the second it turns out to be the weak and insignificant enemies of the state behind a pathetic mask and cloak.  Russian artist Dmitri Moor 4. " Forward to defend the Ural"    ’By Russian artist A. Petroff ( pseudonym for Alexander Aspit ) from the ´´Plakate der Russichen Revolution 1917 - 1929´´ Dmitry Moor was a Russian graphic artist, poster designer and cartoonist, also known as D. Moor ("Д. Моор"). During the 1900s and 1910s he was a comic pioneer, making satirical comics ridiculing the Czarist regime and censorship. Under the Soviet regime he became one of the most celebrated propaganda artists. Both during the First and the Second World War he ridiculed the German army. In his work Moor often made use of sequential illustrated narratives or comics. He was the house cartoonist of magazines like Budilnik and later Bezbozhnik. Alexander Petrovich Apsit was born in Riga on 25th March, 1880. He moved to Saint Petersburg in 1894 and attended art school and became a student of Lew Dmitriew-Kawkaski. Aspit worked for various Russian magazines and on the outbreak of the First World War was employed by the government to design war posters. After the Bolshevik Revolution Apsit was commissioned by the State Publishing House to design revolutionary posters.

Impressionistic sunny painting with lilacs branches is very cozy, perfect gift, looks great in the interior will delight You and Your loved ones and be sure to give positive. May is ...

Aba Linus's "The More I See" presents a visually striking portrayal of a young boy in a contemplative state. The artist skillfully captures the nuances of hu...

Cloaks 3: Expose" is a poignant and powerful artwork that speaks to the issue of oppression, marginalization, and societal judgment. The painting features a figure draped in a cloak, standing, and pointing. The cloak in the painting represents the societal pressure to conform, and the figure represents the consequences of not conforming. The painting is a powerful representation of the consequences of non-conformity, and the emotional weight that comes with it. The artwork is a reminder of the power of societal judgment and the role it plays in oppressing those who do not conform. The figure's stance and body language convey a sense of defeat and shame, reflecting the psychological and emotional toll that comes with societal judgment. The impact of societal norms and the fear of rejection that comes with not conforming. The painting is not just a representation of oppression and societal pressure, but it is also an example of artistic excellence. The intricate details of the cloak, the figure, and the crowd demonstrate the artist's mastery of the craft. The use of light and shadow is also exemplary, creating a sense of depth and emotion that draws the viewer into the painting. Moreover, the painting is a call to action, urging us to challenge societal norms and expectations that oppress and marginalize individuals. It is a call for empathy, compassion, and understanding, and a reminder that everyone deserves to be accepted and loved for who they are, regardless of whether they conform to societal norms or not. In conclusion, "Cloaks 3: Expose" is a powerful work of art that speaks to the issue of oppression, marginalization, and societal judgment. It is a poignant reminder of the power of societal norms and the consequences of not conforming. It is also an example of artistic excellence, showcasing the artist's skill and creativity. The painting is a call to action, urging us to challenge societal norms and expectations and embrace empathy, compassion, and understanding. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Victor Chigozie Anachuna...

In this artwork, I've poured my soul into capturing the essence of a rustic Italian landscape, where the vibrant poppy fields dance under the sun's warm embrace. The path meanders, i...

A strong modernist oil painting depicted in 1963 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his figures in water landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

Riddle 3. A modern abstract painting created with drops and splashes of paint that sparkle and shimmer! Colors overlap each other and also match with different spots. Many colored dr...

In this painting, I've woven a tapestry of emotions using acrylic and oil, bridging realism with vibrant expressionism and impressionism's soft touch. Capturing the serene yet lively...

The eagle, a symbol of strength, freedom, and keen observation, has been revered across cultures and throughout history. With its piercing eyes, commanding presence, and unparalleled aerial prowess, it embodies the beauty and grace of nature. In "My Dear Lady," Bright Toh ingeniously combines the eagle's regal qualities with the elegance and vulnerability of the human form, seamlessly merging the earthly and the ethereal. One cannot help but be immediately drawn to the artwork's vibrant color palette. Bright Toh's deliberate choice of bold hues, such as royal blues, fiery reds, and golden yellows, electrifies the composition and infuses it with energy. The juxtaposition of these vivid colors creates a striking contrast against the serene background, amplifying the visual impact of the artwork and making it a feast for the eyes. The positioning of the eagle-headed human...

"Cap of Many Colors" is a captivating artwork that features a man wearing a colorful cap that is reminiscent of a rainbow. The piece is both visually striking and thought-provoking, leaving a lasting impression on viewers long after they have finished admiring it. Created by Rotimi Godwin...

Pencil drawing on wove paper, realized in 1926 ca during the so called "Berlin Period" of Grosz. Lower left inscribed "N°. 19 / Cassirer". Verso with estate stamp and the number "5/...

Gbelekale Azeez's "Yet, I Shine Brighter" is a powerful artwork featuring a woman who radiates strength, resilience, and beauty. The piece is a celebra...

In the realm of art, the interplay between subject and background can create captivating narratives that resonate with viewers on multiple levels. Adewuyi Theophilus...

The painting "Exhilaration" depicts a black African woman who is radiating with joy and happiness, and it can serve as a reminder to individuals that there are moments of pure joy an...

This artwork, titled "Le Travesti" (The Transvestite) from the suite "Mon Cirque" 1968, is an original color lithograph on Arches paper by renown French artist Bernard Buffet, 1928-...

In this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect. Andre Elbaz uses as his subject figures walking in old city Jerusalem. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967". Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Title: *An Intimate Moment* Artist: Pedro Creixams (1893-1965) Technique: Oil on canvas Dimensions: 18.1 x 15 inches Condition: Unframed Style: Expressionist portrait with ...

Music Piano - original expressionist acrylic canvas painting. framed Original work by RAVENTOS. Musical abstract composition. Perfect state .RAVENTÓS Mª Assumpció – (San Sadurní d’A...

Art is a medium through which artists can express their creativity and imagination. It is a platform to showcase their emotions, thoughts, and ideas. One such artwork that captures the attention of many is "Queen Kong," a bright and colorful piece featuring an elephant head with its tusk on a human body carrying a bunch of bananas on her head, and backing a baby with the head of an antelope. At first glance, "Queen Kong" appears to be a surreal and whimsical image. The image depicts a human figure with an elephant head, which is holding a bunch of bananas on her head, and backing a baby with the head of an antelope. The vibrant colors of the artwork immediately grab the viewer's attention, creating a joyful and playful atmosphere. The baby antelope's head on the human body evokes a sense of innocence and purity, while the elephant's head with its tusk represents strength and power. However, upon closer inspection, the artwork reveals itself to be more than just a whimsical image. The title of the artwork, "Queen Kong," is a play on the popular character King Kong, which is known for its immense strength and power. The artwork portrays the queen as an epitome of strength, carrying a bunch of bananas, which symbolizes her ability to provide for her family. The artwork also celebrates the beauty of diversity and unity. The fusion of animal and human forms represents the interconnectedness of all living beings. The baby with the head of an antelope symbolizes the innocence and beauty of nature, while the human body signifies our ability to adapt and evolve as a species. The elephant head represents the strength and wisdom of the animal kingdom, reminding us of the importance of protecting and preserving the natural world. The bright colors of the artwork also carry significant meaning. The vivid hues of blue, and pink evoke a sense of joy and vitality, creating a whimsical and playful atmosphere. The use of color and pattern is also a nod to the rich cultural traditions of the artist's homeland, imbuing the piece with a sense of cultural identity and heritage. In conclusion, "Queen Kong" is a remarkable piece of art that conveys a deep sense of interconnectedness and the power of the human spirit. Through its fusion of animal and human forms, it celebrates diversity and unity, reminding us of the importance of protecting and preserving the natural world. The artwork also celebrates the beauty of adaptation and evolution, encouraging us to embrace the infinite potential of the human imagination. As such, it is a masterpiece that is sure to captivate and inspire art lovers for generations to come. Bright Toh work portrays the exquisite synergy that exists between the evolving African man, wildlife, and their common environment, through the possession of totems as a liaison to his ancestries, which is a core aspect of his identity and cultural heritage. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born on the 6th of August 1994 in Buea, Bright Toh holds a Bachelor’s degree in Engineering Electrical and Electronics Engineering from the University of Buea. Notwithstanding his Engineering academic background, Toh is a self-taught visual artist. Bright Toh is a visual artist with artistry portraying the exquisite synergy that exists between the evolving African man, wildlife, and their common environment, through the possession of totems as a liaison to his ancestries, which is a core aspect of his identity and cultural heritage. He is a 2022 ‘Last Picture Show’ Lagos Edition (Collective exhibition) Participant. He also won the UNHCR Global Youth With Refugee Art...

Artist Comments
Artist Srinivas Kathoju captures the beauty of vast open fields, mountains, and distant horizons in this painting. Sweeping clouds fill the sky, reflecting th...

Carnival of colour. Inspired by Rachaels life in Norfolk where she she enjoys dog walks along the North Norfolk coast and working in her studio close to the Norfolk Broads. Surrounde...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

This is an exclusive handprinted limited edition cyanotype. "Fireworks Lights" is a minimal cyanotype diptych that shows path of the fireworks over the sky. Details: + Title: Firew...