Impressionist Art

Lucien Neuquelman, French (1909 - 1988) - Spring Walk, Year: 1938, Medium: Oil on Canvas, signed and dated lower right, Size: 13 x 9.5 in. (33.02 x 24.13 cm), Frame Size: 20.5 x ...

still life. mimosas and fruits. original impressionist oil canvas painting.. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Ma...

A Southern Coastal Landscape by Charles Bisschops. This oil on canvas, signed L. Ch. Bisschops, depicts a southern coastal scene with a beach bordered by trees. Across the bay, mount...

"Maui Shores" Hawaiian Islands Splendor in Koa Wood Frame circa 1965 Exceptional painting of the Maui Shores Beach by William Henry Blackman (American, b. 1930) he was born in San Diego, CA in 1930. He spent most of his early years in West Los Angeles. Blackman began painting at age 12. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. He studied at Woodbury College where he learned advertising and graphic arts. Framed in Hawaiian Koa wood frame. Exhibited City Art Galleries Honolulu. Image 24" x 36" Frame, 27.5 x 36" x 2"D In 1960 he bought a home with his wife Shirley in the San Fernando Valley and worked as an advertising manager. His position put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. Note: the original Aaron Brothers Art Galleries Certificate included with the painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes and Padre Island seascapes were popular in the Dallas showroom. He was also represented by the Davis Gallery in Honolulu. A good relationship with "Barney" Davis continued after the closing of the Aaron Brothers Wholesale Division in 1980. He painted for the Davis Gallery for about 8 years until they closed due to illness. Afterwards, he was contacted by Kobayashi Art Enterprises and has been represented by them. In 1980 he began teaching in private studios around the country, demonstrating his method of painting. During the latter part of the 80's he was approached by Susan Scheewe Publishing to author and illustrate a book showing his way of painting. The first was published in 1990 and he has authored four other books since then. He provided demonstrates for six different instructional video tapes that were produced by his artist friend Gary Jenkins. William Blackman...

Medium: original lithograph. Published in Paris in 1904 by Revue de l'art ancien et moderne. This impression was printed on china paper, and mounted along the top edge by the publish...

This exquisite antique oil painting beautifully captures the serenity and charm of a pastoral countryside. A winding dirt road draws the viewer’s eye past quaint thatched cottages n...

Title: French Impressionist Oil Painting of Sailboats in Regatta at Saint-Lunaire Bay By Fanch Lel (French b. 1930) Size: 4.5 x 6.25 inches (height x width) Signed: Yes Oil painting ...

Joaquim Marsillach i Codony (1905-1986) - Landscape with characters Oil on canvas Oil measures 46x55 cm. Frame measures 69x78 cm. Marsillach Codony...

This vibrant artwork showcases an exhilarating scene of sailboats cutting through shimmering waters. Painted in an exuberant array of colors, the sails burst with dynamic hues—rangin...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

"This painting was created in the morning on the island of Oahu during the winter storm season," said Daria about this artwork. "I went out to paint after noticing soft lilac shadows...

Women Figurative Art Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2025 Style: Impressionism, Title: Fleeting Spring Si...

In this pastel titled "Late Autumn", the artist explores high-contrast values and atmospheric perspective. The composition utilizes a low horizon line to give prominence to a restles...

Gorgeous mid century San Francisco Bay seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Signed "H. Ray" lower right and on verso. Texture added...

This captivating artwork showcases a serene lakeside landscape, masterfully rendered in vibrant hues and dynamic brushstrokes. The foreground bursts with colorful wildflowers and tex...

A very rare and exceptional work by one of America's most versatile and interesting American Impressionists. This was done on an early trip the artist made to Spain. The artist live...

Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michael Budden that showcases a beautifully lit sundown and an egret catching the ligh...

Impressive early American impressionist winter landscape snow scene oil painting. Framed. Oil on canvas. Image size, 20H by 24L.

Nicely painted American school sunset sailboat seascape. Oil on board. Framed. Signed.

Elegant Floral Still Life French School, mid 20th century signed oil on canvas, unframed Canvas : 39.5 x 32 inches Provenance: private collection, France Condition: very good conditi...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: Flowers Valley, Size: 43.5" x 6...

The Belle Epoque Lady French School, signed and dated 1907 oil painting on canvas: 24 x 19.5 inches antique original gilt frame: 29 x 24 inches condition:...

Antique French impressionist signed landscape oil painting. Oil on board. Signed. Framed. Image size, 15.5L x 11.5H.

Marina. original acrylic expressionist painting

This piece is a pertinent example of David Smira's sought after works, depicting a lakeside view with flowers and figures scene through out the garden. The artist is sketching his mo...

Watercolor on paper sold with frame (wooden frame with glass) Total size with frame 33x43 cm

Kirsten Savage is one of Colorado’s top representational artists. As an avid world traveler and experienced mountaineer, Kirsten spends her time seeking out beautiful spaces where th...

Antique Italian seascape oil painting. Oil on board. Framed. Signed. Handsomely framed in wide giltwood molding. Excellent condition, ready to hang and enjoy.

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Fishing Boat, Size: 21" x 30" x ...

This artwork titled " Sunshine" c.1970 in an oil on canvas by noted Ukrainian artist Yuri Andreevich Kovalenko, 1931-2004. The canvas size is 27.5 43.5 inches. It is in very good condition. About the artist: Painter, graphic artist, sculptor. Born in the Ukrainian city of Pryluky, Chernihiv region. Graduated from the Leningrad Institute of theatre, music and cinematography. Participated in regional exhibitions in Odessa and in Republican and all-Union. A number of solo exhibitions in museums of Odessa. Participated in the movement of non-conformists. Works are in private collections of Ukraine, USA, Canada, Holland, France, Israel, and in the museums of Ukraine. He studied at the Odessa theatre art...

Spring Farm Study oil/panel 8x12 image unframed, 13.38 x 17.8 framed, Spring Farm is a beautiful impressionistic landscape oil painting that I did on location near my studio in 2016....

Leigh Ann Van Fossan's "Le Jardin de Monet, III" is an original, handmade oil painting that depicts an impression of a lily pond. Van Fossan was born in Vail, Colorado, and began o...

Winter Farm oil/canvas panel 9 x 12 image unframed. 15.38 x 18.38 framed signed LR This is a scene of a farm near my studio called the KnowWhere Farm where I have visited many times ...

This artwork "l'Entree du Port, Netherland" c. 1930 is an original color aquatint on wove paper by French/Armenian artist Heran Chaban, 1887-1939. It is h...

Early American impressionist landscape painting. Framed. Possibly signed verso. Oil on board.

Title: Venice Grand Canal Waterfront Study Signed Watercolour Painting By Tony Herbert (1927-2024) Medium: Watercolor on paper Size: 11.75 inches (height) x 9.5 inches (width) Condit...

Charming mid century country landscape with cottage with thatched roof and chickens foraging. Signed "H. H." and dated "1955." Condition: good; some edge and corner wear consistent w...

In crafting this painting, I sought to capture the serene yet powerful transition of day into night. The cypress, steadfast and majestic, stands against a vividly mellow sky, symboli...

"Sunset" by Barbara Hack is an original landscape painting depicting a brilliant sunset. This piece is framed and ready to hang. Barbara Hack’s work is an ongoing reflection on peo...

autumn landscape, minimalist painting, fall season, countryside house, fine art, collectible painting, American artist, American art, contemporary landscape, small oil painting, inte...

Autumn Farm oil/panel 11 x 18 unframed, 17 x 24 framed Autumn Farm is an impressionistic landscape plein air oil painting that I did on location near my studio in 2015. The painting ...

A stunning oil painting depicting figures in a garden picking flowers executed in the 20th Century. Duteurtre was known for his charming intimate figurative scenes portraying life in Europe. He was active, picking up subjects from the markets, beaches, parks, restaurants, and home life. This painting comes housed in a stunning carved giltwood frame. Signed lower left. Art measures 20 x 24 inches Frame Measures 26 x 30 inches Pierre Eugene Duteurtre...

Very impressive early 20th century impressionist winter landscape. A view of the Palisades. Great color and a panoramic view. Nicely framed.

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Sold and sent unframed -V...

Edouard MANET The Absinthe Drinker, 1860 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : Catalog raisonnes Guerin n°9 and F...

Signed divisionist style oil on panel landscape circa 1906-1907 by French Neo-Impressionist painter Henri Edmond Cross. This brightly painted piece depicts a view Saint Tropez. This...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Paper Year: 2025 Style: Figurative art Title: Nude Size: 16" x 12" x 0.1'' inch...

These flowers seem to drift in quiet light, as if the morning learned how to whisper through petals. Soft pink tones glow like remembered tenderness, fragile yet endlessly alive. Eac...

Limited edition giclée print, created with archival inks on canvas, with hand-applied brush textures that enhance the handcrafted quality of the artwork. - 70x90 cm + 5 cm from eac...

This captivating artwork presents a serene winter landscape of a quaint village nestled beside a tranquil, reflective body of water. The vibrant hues of the village houses contrast b...

In this passionate oil creation, I infused the canvas with the serene beauty of an awakening spring nestled in a cozy village. The majestic mountains stand as silent guardians over t...

John Marin, 'Bridge, Venice', etching, 1907, Zigrosser 59. Signed in pencil. Signed and dated 'Marin 07' in the plate, lower center; titled 'Le Pont Venezia' in the plate lower right. A superb, delicately inked impression, on antique cream laid paper, the full sheet with margins (5/8 to 3/4 inches); slight lightening to the paper within the original mat opening, otherwise in excellent condition. Printed by George Haskell, New York. Matted to museum standards, unframed. Image size 5 x 7 1/16 inches; sheet size 6 5/8 x 8 11/16 inches. Literature: 'John Marin: Peintre Graveur', Charles Saunier, L' Art Décoratif, Paris, January, 1908 (illustrated). 'The Complete Etchings of John Marin', Carl Zigrosser, Philadelphia Museum of Art, 1969 (illustrated). Impressions of this work are in the following museum collections: Art Institute of Chicago (Stieglitz Collection), Cleveland Museum of Art, Fine Arts Museums of San Francisco, Metropolitan Museum of Art, and the Philadelphia Museum of Art. ABOUT THE ARTIST "How to paint the landscape: First, you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape." —John Marin “I would say to a person who thinks he wants to paint, go and look at the way a bird flies, a man walks, the sea moves. There are certain laws, certain formulae. You have to know them. They are nature's laws and you have to follow them just as nature follows them... You don't create the formulae... You see them." —John Marin, conversation with Dorothy Norman...

Montmartre French school, 20th century Signed lower corner oil on board, framed framed: 12 x 14 inches board: 8 x 10 inches private collection, France the pa...

Alson Clark’s Autumn, St. Lawrence River (1916) is a celebration of seasonal color and painterly assurance, created during a highly productive summer spent along the St. Lawrence Riv...

Artist: Vahe Yeremyan Title: Waterlilies Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 56" x 39" x 1" inch (142 x 100 x 3cm) Presentation: Unframed, Gallery Wrapp...

Title: French Impressionist Oil Painting of a Sunlit Village Scene By Fanch Lel (French b. 1930) Size: 5.25 x 5.75 inches (height x width) Signed: Yes Oil painting on board, unframed...

Porsche 911 – Fluid Memory in Gold From the series: “Whisper of 911” This original artwork is part of a ten-piece series dedicated to the iconic Porsche 911 — not as a literal automo...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Image size, 11H by 14L.

This artwork Titled "Mount Shasta in Spring" c.1970 is an oil painting on canvas by California artist Robert Wagner. It is signed at the lower right corner by the artist. The canvas ...

Wonderful moody French landscape of country house and farm in Yonne by Ronald Greg (British/Canadian, b. 1929), 1969. Signed and dated lower right and on verso. Presented in vintage ...