Naturalistic Art

Coastal summer landscape with red cottage in the Swedish archipelago. Oil on canvas, signed Erik Abrahamsson (1871-1907). A coastal landscape depicting a traditional red cottage set ...

Waldwiese im bay. Wald (Forest Meadow in the Bavarian Forest). An oil on canvas, signed "Johannes Schütz". This landscape depicts a forest meadow in the Bavarian Forest, where a wind...

This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...

➡️ Landscape Woodland and waterfall⬅️ ⏩It is signed Degoul 1936⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐26x46cm /10.2x18.1 inch ...

➡️ Landscape Luminous naturalistist⬅️ ⏩It is signed Degoul 1936⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐35.1x52.6cm /13.8x20.7 i...

Fritz Diller (full name Johann Georg Friedrich Diller) (January 19, 1875 in Gerthausen; October 5, 1946 in Munich) was a German sculptor, medalist, and porcelain artist. He was the e...

Signed and dated "C. Leroy 1840" in the lower right corner. A finely executed floral still life depicting an elegant arrangement of camellias and daisies in a transparent glass vase, set upon a wooden surface. The composition is carefully balanced, with lush pink camellia blossoms contrasted against the delicate white petals of daisies, creating both visual richness and botanical variety. The artist demonstrates a high level of technical skill in the rendering of textures: the velvety softness of the camellia petals, the crisp structure of the daisies, and the subtle reflections and refractions within the glass vessel. The dark, neutral background enhances the luminosity of the flowers, a compositional device rooted in traditional European still life painting. The palette is harmonious and refined, combining warm pinks and greens with deep, earthy browns. Fine craquelure across the surface attests to the painting’s age and authenticity, while contributing to its visual character. This work reflects the enduring tradition of 19th century naturalist and academic still life painting, appealing to collectors of classical floral compositions and decorative fine art. floral still life painting, camellia painting oil, daisies still life, 19th century flower painting...

This unique cyanotype monotype diptych explores repetition and subtle variation through layered blue fields and softly undulating white forms. Evoking both modernist abstraction and ...

'Blattpflanzen I' (Leaf Plants) German chromolithograph, circa 1910. Key in German to the varieties at the bottom of the image. Central vertical fold as issued. 245mm by 305mm (s...

Julien Dupre (French, 1857–1910) Pastoral Scene Oil on canvas Signed lower left 20 x 25.5 inches 33.5 x 39.25 inches, framed Julien Dupré was a French painter, born in Paris on Ma...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Summer Landscape with Red Farmhouse and Lake, ca. 1900. This idyllic summer landscape signed by Elias Erdtman (1862-1945) depicts a gently rolling countryside under a bright blue sky...

Poppy No.6 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

Venus Trap Bloom is a bold diptych that reimagines botanical forms through vibrant color and dynamic brushwork. Oversized leaves and exotic blossoms—some reminiscent of Venus flytrap...

Baobab N11 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a w...

Pair of small oil paintings (studies) by Oscar Julius Paulsen (1860-1932) depicting a plum branch, the other a cherry branch with fruit. Both have light backgrounds and are mounted i...

Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known as "verdures". These d...

'Common Flax' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...

Red Marine Flora is a vibrant marine-inspired abstract that celebrates the organic beauty of underwater plant life. Rich reds, corals, and earthy tones intertwine with cooler greens ...

Explorer in an Alpine Landscape - Early 20th Century Oil Painting Antique landscape painting by an unknown artist, likely early 20th century or late 19th century. Painting is unsign...

'Persian Cyclamen' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amat...

'Shooting an African Buffalo' Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...

'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

Coral Forest Triptych is a beautiful original triptych that explores the energy of organic forms through repeated lines and gestures. Branch-like shapes weave across the paper in shi...

Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known as "verdures". These d...

This an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865...

This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...

A fine small plein air study of three women picking flowers on the meadow next to white cliffs and sea. In the horizon where the sky ends, the contours of mainland is visible as a sh...

Painted plein air in oil on panel, this work captures the landscape of the artist’s childhood home, rendered directly from life. The immediacy of outdoor observation is evident in th...

This is a Flemish style tapestry reproduction of the Jagaloon tapestries created to decorate the interiors of the royal Wawel Castle in Kraków, P...

'Wild Mustard (Brassica sinapistrum. Boiss.)' Colour lithograph, 1909.

'Clematis' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

A beautiful original oil painting by Swedish artist Per Julius (b.1951). Julius is best known for his beautiful depictions of the Scandinavian nature and t...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Ivan Bergdahl (1929-2021) Sweden Sunset, Svolvær, Lofoten (Solnedgång, Svolvær, Lofoten) oil on board signed Ivan Bergdahl unframed: 25.5 x 37.5 cm (ca 10.04 x 14.76 inches) framed: 36.5 x 48 cm (ca 14.37 x 18.90 inches) Essay: Ivan Bergdahl, a renowned Swedish painter born in 1929, captures the essence of the Nordic landscape...

Realistic figurative portrait of an indigenous Native American man by American artist Kenneth Su. The work features a man dressed in traditional clothing with large rock formations i...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

Lofty set of eight hand colored prints depicting exotic seashells from around the world as identified by the original naturalists. Presented under glass with marbleized matting and s...

In Poppies and Wildflower, Romina Milano presents a vibrant diptych where expressive florals evoke the intimacy of springtime. Blooming poppies and delicate wildflowers rise in rhyth...

Two Spaniels on Red Cloth by Hilton Lark Pratt (1838-1873) Scottish artist, is in clear rich red, black and white colors with a softer-toned landscape on the side. The Spaniels are r...

This charming landscape painting, clearly influenced by the style of the French artist Théodore Rousseau, captures the tranquil beauty of nature with an emphasis on detail and atmosp...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a paint...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Title: Poppy Year: 2023 Location: Photographed in London, United Kingdom Edition: Limited to 15 Medium: Giclée print on Hahnemühle Photo Rag Baryta 308 gsm fine art paper Camera: Lar...

Baobab N2 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a wo...

Arvid Mauritz Lindström (1849–1923), a Fall Landscape The painting presents a vast autumn landscape illuminated by the soft glow of a setting sun. At the center, a stream winds its w...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

'Algen I' (Seaweeds) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

'Mode degl' Indiani in Mechoacan' / 'Idoli del Messico'' Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, publishe...

Signed and titled in pencil. Inscribed "192/285." Edition 285.

'Laelias and Cattleyas' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Italian painter (19th-20th century) - Still life with vase of flowers. 83 x 62 cm without frame, 96.5 x 76.5 cm with frame. Antique oil painting on wood, in a wooden frame (not sig...

Fine painting of iconic Iona Island coast by celebrated Scottish artist Duncan Cameron (1837-1916). Renowned for his landscape paintings, this work captures the natural light on the sea, sand and rocks with splashes of rich color under a big sky. Iona off the west coast of Scotland, has attracted artists for for its dramatic scenery and northern light, including the Scottish Colourists who favored the fresh pure light. The cliffs and coastal rocks are reminiscent of works by Samuel Peploe, John MacLauchlan Milne, Francis Cadell, and Duncan Fergusson of this fabled island. In 1876 Cameron won a Gold Medal for landscape painting, at the Crystal Palace exhibition. The year after this painting (circa 1870s) Cameron began exhibiting in the Royal Academy, Society of British Artists, and Royal Scottish Academy, showing his work consistently from 1880. Other venues for exhibiting his work include the Glasgow Institute, Walker Art Gallery in Liverpool, Manchester City Art Gallery, and the Royal Hibernian Academy. His work is sold today in Fine Art Galleries in the UK and in Saltire Gallerie, USA. His landscape paintings are widely acclaimed, and this landscape painting of considerable size and detail is a fine example. Born in Perthshire, Cameron studied in Dundee and in South Kensington, London. He later died in Edinburgh. The highest auction sale of his work reached nearly 20,000 GBP. He was widely acclaimed as a landscape artist, painting Scottish farmlands and haystacks, coastal scenes and lochs. In this work the colors of the sea change from blue to green with white crests of waves. The rocks have splashes of red, rust and orange, and the beach has red and green in the sand. Water laps at the edge of beach and rock. A sailboat is a focal point, with distant sailboats on the water, and a rowboat by the central sailboat. A hill rises behind the beach painted...

A delicately executed atmospheric watercolor by Vilhelm Pacht depicting morning mist in Östervold, Copenhagen. In the diffused haze, a tram passes through while two women stand besid...

'Cactus' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand an...

This handmade monotype cyanotype presents a serene composition of layered blue forms that evoke distant mountain ridges dissolving into atmosphere. Built through subtle tonal transit...

This original triptych by Romina Milano presents a vibrant botanical landscape rendered in expressive, fluid brushwork. Stylized tropical blooms unfold across three panels, creating ...