Naturalistic Art

Ohara Koson, 'Egrets in Rain' also 'White Herons and Willow in Rain', color woodblock, 1926. Signed 'Shoson' with the artist's, red seal 'Shoson', lower right. A fine, early impress...

Coastal summer landscape with red cottage in the Swedish archipelago. Signed and dated "Erik Abrahamsson Storvik Aug 1900", oil on canvas. A coastal landscape depicting a traditional...

Details: Title: Tropical Hibiscus Garden Medium: Acrylic Painting and India Ink on Watercolor Paper Size: Size: 40x55.2 Inches (100x140cm), each panel measures 40x28 Inches (100x70 c...

Waldwiese im bay. Wald (Forest Meadow in the Bavarian Forest). An oil on canvas, signed "Johannes Schütz". This landscape depicts a forest meadow in the Bavarian Forest, where a wind...

Summer Landscape with Red Farmhouse and Lake, ca. 1900. This idyllic summer landscape signed by Elias Erdtman (1862-1945) depicts a gently rolling countryside under a bright blue sky...

About this work: Before he became the celebrated chronicler of Montmartre’s nightlife, Lautrec was surrounded by a different kind of spectacle. At his family’s estates, the young art...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

➡️ Landscape Woodland and waterfall⬅️ ⏩It is signed Degoul 1936⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐26x46cm /10.2x18.1 inch ...

This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...

Signed and dated "C. Leroy 1840" in the lower right corner. A finely executed floral still life depicting an elegant arrangement of camellias and daisies in a transparent glass vase, set upon a wooden surface. The composition is carefully balanced, with lush pink camellia blossoms contrasted against the delicate white petals of daisies, creating both visual richness and botanical variety. The artist demonstrates a high level of technical skill in the rendering of textures: the velvety softness of the camellia petals, the crisp structure of the daisies, and the subtle reflections and refractions within the glass vessel. The dark, neutral background enhances the luminosity of the flowers, a compositional device rooted in traditional European still life painting. The palette is harmonious and refined, combining warm pinks and greens with deep, earthy browns. Fine craquelure across the surface attests to the painting’s age and authenticity, while contributing to its visual character. This work reflects the enduring tradition of 19th century naturalist and academic still life painting, appealing to collectors of classical floral compositions and decorative fine art. floral still life painting, camellia painting oil, daisies still life, 19th century flower painting...

This artwork is composed of four individual panels that together create one continuous composition. Overall dimensions: 170 × 200 cm. At Escat Gallery we are committed to maintainin...

Baobab N11 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a w...

'Blattpflanzen I' (Leaf Plants) German chromolithograph, circa 1910. Key in German to the varieties at the bottom of the image. Central vertical fold as issued. 245mm by 305mm (s...

Three botanical studies, watercolor on paper, mounted together in a single frame. Signed and dated Ester Brunstedt, 1898 on the reverse. This elegant group of three botanical waterco...

Nicholas Trofimuk is a fine art photographer and Master Printer whose work spans black-and-white landscapes, archival pigment color prints, and his signature "Vibographs." Raised in ...

Pair of small oil paintings (studies) by Oscar Julius Paulsen (1860-1932) depicting a plum branch, the other a cherry branch with fruit. Both have light backgrounds and are mounted i...

Fritz Diller (full name Johann Georg Friedrich Diller) (January 19, 1875 in Gerthausen; October 5, 1946 in Munich) was a German sculptor, medalist, and porcelain artist. He was the e...

Poppy No.6 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

Explorer in an Alpine Landscape - Early 20th Century Oil Painting Antique landscape painting by an unknown artist, likely early 20th century or late 19th century. Painting is unsign...

'Persian Cyclamen' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amat...

'Common Flax' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...

Red Marine Flora is a vibrant marine-inspired abstract that celebrates the organic beauty of underwater plant life. Rich reds, corals, and earthy tones intertwine with cooler greens ...

Coral Forest Triptych is a beautiful original triptych that explores the energy of organic forms through repeated lines and gestures. Branch-like shapes weave across the paper in shi...

Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known as "verdures". These d...

'Shooting an African Buffalo' Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...

Ivan Bergdahl (1929-2021) Sweden Sunset, Svolvær, Lofoten (Solnedgång, Svolvær, Lofoten) oil on board signed Ivan Bergdahl unframed: 25.5 x 37.5 cm (ca 10.04 x 14.76 inches) framed: 36.5 x 48 cm (ca 14.37 x 18.90 inches) Essay: Ivan Bergdahl, a renowned Swedish painter born in 1929, captures the essence of the Nordic landscape...

This charming landscape painting, clearly influenced by the style of the French artist Théodore Rousseau, captures the tranquil beauty of nature with an emphasis on detail and atmosp...

'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

This an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865...

"After the Storm" is the title of this oil painting on canvas by the Swedish artist Hjalmar Berghcrantz (1889–1961). Signed and dated 1917. The artwork depicts a rugged landscape whe...

An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...

This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...

This is a Flemish style tapestry reproduction of the Jagaloon tapestries created to decorate the interiors of the royal Wawel Castle in Kraków, P...

"Tropical Abundance IIII" is a botanical painting triptych by Romina Milano where a dance of tropical flowers unfolds across colorful brushstrokes infused with raw emotion. Romina ...

'Wild Mustard (Brassica sinapistrum. Boiss.)' Colour lithograph, 1909.

'Blood Hound' Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803. Philip Reinagle was one of the best of the sporti...

'Ancienne Race de Wiltshire (The Old Wiltshire Breed)' Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by Wil...

Realistic figurative portrait of an indigenous Native American man by American artist Kenneth Su. The work features a man dressed in traditional clothing with large rock formations i...

Sting Rays, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collect...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall lithograph is presented in a cream-colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

Poppy No.4 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 100 x 100 cm and is part of an exclusive series of 10 prints, each hand...

14.25 X 12.5 with frame. 8.75 X 7.25 without frame

This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...

A beautiful original oil painting by Swedish artist Per Julius (b.1951). Julius is best known for his beautiful depictions of the Scandinavian nature and t...

This late 19th-century oil painting by Danish artist Harald Foss (1843-1922) depicts the gentle surroundings of Ørslev Monastery in Jutland, where fresh Spring leaves begin to unfurl...

Painted plein air in oil on panel, this work captures the landscape of the artist’s childhood home, rendered directly from life. The immediacy of outdoor observation is evident in th...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Ro-Hon, An Ioway Warrior", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Tah-Ro-Hon is wearing a feathered multicolored headdress, long ornamental earrings, a chain necklace, a presidential piece medal on a ribbon necklace and he holds a multicolored staff with feathers. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10" high and 7" wide. There is a tiny spot of red paint adjacent to a red feather hanging...

This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...

This is an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sio...

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

Nordic winter landscape with low growing pines and spruces rising from softly undulating snow covered ground and rocks. In the distance, dark forests and snow clad mountains emerge along the horizon beneath a pale blue sky. Executed with expressive brushwork and a restrained yet luminous palette, the painting captures the stillness and clarity of the Scandinavian winter. Oil on canvas mounted on board, signed John Öhwall. John Öhwall (1883–1957) was a Swedish painter best known for his realistic and atmospheric depictions of the Nordic landscape, particularly scenes from Bohuslän and Skåne. His art is characterized by vigorous brushwork, restrained yet expressive coloration, and a strong sensitivity to seasonal light and the quiet monumentality of the Scandinavian countryside. Öhwall was born in Skåne, and initially trained as a decorative painter before turning to fine art. In 1903 he began his artistic studies under the influential Swedish painter Carl Wilhelmson in Gothenburg, whose teaching had a lasting impact on his artistic development. Between 1908 and 1914, Öhwall undertook extensive walking journeys through Germany, Austria, Switzerland, France, and Italy while pursuing independent artistic studies. During this period he also studied for an extended time at the Academy of Fine Arts in Dresden and at Chrakovsky’s painting school in Rome. During the war years, from 1914 to 1917, he periodically continued his studies at Wilhelmson’s painting school in Stockholm. In the early 1920s he permanently settled on the Swedish west coast, a region that would provide inspiration for many of his most important landscape paintings. Öhwall made his debut as an exhibitor at Gummesons Konsthall during the 1910s, followed by solo exhibitions in Gothenburg, Oslo, and Norrköping. Together with Tor Otto Fredlin...

English painter (late 19th century) - Landscape with Highland herd at the lake. 102 x 77 cm without frame, 108 x 82 cm with frame. Antique oil painting on canvas, in a gilded woode...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Sheet size 28 x 38 1/2 inches (711 x 978 mm). Rendering by A. Berger after Joseph Fleischmann. Published in "Hartinger's Wandtafeln Zoologie" (Hartinger's Zoological Wall Charts) by "Verlag von Carl Gerold's Sohn, Wien" (Published by Carl Gerold's Son, Vienna), 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The composition is exceptionally accomplished. Rather than depicting the whale as a specimen, Fleischmann presents it as a monumental living creature within its Arctic environment. The distant sailing ship and whaleboats establish scale, while the drifting pack ice, seabirds, and subdued northern light create an atmospheric narrative. The image succeeds equally as a work of natural history and as a decorative maritime print. ABOUT THE ARTIST Josef Fleischmann was an Austrian painter, illustrator, and lithographic designer active in Vienna during the late nineteenth and early twentieth centuries. Working at a time when Vienna stood among Europe's foremost centers of chromolithographic printing, he became known for producing richly detailed natural history illustrations that combined scientific accuracy with exceptional artistic craftsmanship. Fleischmann worked for the distinguished Viennese publisher Carl Gerold's Sohn, contributing illustrations to the celebrated educational series Hartinger's Wandtafeln, a collection of zoological and botanical wall charts produced for schools, universities, and scientific institutions throughout the Austro-Hungarian Empire. Printed by the renowned lithographic establishment of Albert Berger...

Wood-engraving. 1870. From the Illustrated London News of 26 March 1870 (text on the reverse). 275mm by 400mm (sheet)

This is an original rare and extremely collectible first edition John James Audubon hand-colored royal octavo lithograph entitled "Great North Diver or Loon", No. 96, Plate 476, from...

Poppy No.7 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "Least Bittern, 1. Male, 2. Female, 3. Young", No. 74, Plate 366, from Audubon...