Naturalistic Art

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

This unique cyanotype monotype diptych explores repetition and subtle variation through layered blue fields and softly undulating white forms. Evoking both modernist abstraction and ...

Explorer in an Alpine Landscape - Early 20th Century Oil Painting Antique landscape painting by an unknown artist, likely early 20th century or late 19th century. Painting is unsign...

A late 19th century or early 1900´s seascape with waves, beach and sailing ships. This finely executed seascape depicts big blue-green waves breaking against a sandy shoreline, rende...

Julien Dupre (French, 1857–1910) Pastoral Scene Oil on canvas Signed lower left 20 x 25.5 inches 33.5 x 39.25 inches, framed Julien Dupré was a French painter, born in Paris on Ma...

This original triptych by Romina Milano presents a vibrant botanical landscape rendered in expressive, fluid brushwork. Stylized tropical blooms unfold across three panels, creating ...

Baobab N2 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a wo...

Venus Trap Bloom is a bold diptych that reimagines botanical forms through vibrant color and dynamic brushwork. Oversized leaves and exotic blossoms—some reminiscent of Venus flytrap...

Sculpture of a walking tiger in dark patinated bronze by Johan Axel Wetterlund (1858-1927), signed J. A. Wetterlund, mounted on a black-painted wooden base. This finely modelled bro...

Poppy No.6 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

Edward Niemann Junior Signed Antique oil painting on canvas Picture size: 24 x 42 inch (61 x 107 cm) Frame size: 31 x 49 inch (79 x 125 cm) Landscape and marine painter Addresses:...

Poppy No.9 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

"Retro Overlaps II" is a unique handmade cyanotype on watercolor paper, presented as a striking abstract triptych. The artist layers fluid, organic shapes in luminous shades of blue ...

'Picotees' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

'Clematis' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Coral Forest Triptych is a beautiful original triptych that explores the energy of organic forms through repeated lines and gestures. Branch-like shapes weave across the paper in shi...

“Colorful Marine Vegetation” is a vibrant diptych by Romina Milano, evoking the organic rhythm of underwater flora through bold linework and joyful chromatic contrasts. The two pane...

Dimension with frame: 45 x 67 x 2 cm This atmospheric classical pastoral landscape oil painting depicts a tranquil rural scene at sunset, where cattle gather along a winding country...

This vibrant triptych evokes an abstract coral garden, where branching forms and primary tones echo the delicate complexity of marine ecosystems. Layered, hand-drawn shapes suggest c...

'Euphorbiaceen' (Euphorbia) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

'Winter Jasmine' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateu...

'Ixia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and ...

'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

'Common Flax' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...

Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known as "verdures". These d...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...

This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...

A beautiful original oil painting by Swedish artist Per Julius (b.1951). Julius is best known for his beautiful depictions of the Scandinavian nature and t...

'Poppy’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle phot...

A really charming and beautifully executed study of a horse by this very talented artist. A most attractive picture of this noble creature in ready to hang condition Rafael Mckenzi...

In this piece, I've poured my soul into capturing the essence of movement and freedom. With each stroke of acrylic and oil, I've blended realism with a hint of impressionism to embod...

'Zierpilanzen II' (Ornamental Plants) German chromolithograph, circa 1910. Key in German to the varieties at the bottom of the image. Central vertical fold as issued. 245mm by 30...

'1-4 Morchella Lutescens 5-7 Morchella Abietina' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific...

'Ubersichtskarte Des Mondes' (Overview Map of the Moon) German chromolithograph, circa 1895. 245mm by 305mm (sheet). Central vertical fold as issued.

'Magdalen Hall' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm (platemark) 200mm ...

Exclusive limited edition cyanotype diptych. Details: + Title: Duo of Egyptian Palms + Year: 2024 + Edition Size: 20 + Medium: Cyanotype on Watercolor Paper...

A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall lithograph is presented in a cream-colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

'Coupled Poppies' 2023 97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP Canvas fixed on bamboo fixtures, to be and hanged as a scroll. Photograph is signed a...

This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

English painter (late 19th century) - Landscape with Highland herd at the lake. 102 x 77 cm without frame, 108 x 82 cm with frame. Antique oil painting on canvas, in a gilded woode...

This striking work captures the beauty and vitality of coral reefs through bold abstraction and a masterful use of color. The vivid contrast of primary red and fiery oranges creates ...

This is a sensitive small-scale study portrait of a young girl, executed in warm monochrome brown tones. Painted during the second half of the 19th century, oil on paper and mounted ...

This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...

Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known as "verdures". These d...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes offer a glimpse into the hidden depths of nature, with the cyanotype process lending a sense of mystery and wonder to the images, while the lush blues of cyanotypes imitate the sky and clouds perfectly. These triptychs are perfect for anyone who loves to surround themselves with the beauty of nature, and they make an excellent centerpiece for any beautifully designed space. Details: + Title: Desert Palm Trio + Year: 2024 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...

In Yellow Coral Bouquets, botanical forms expand into luminous structures that recall coral formations and marine life. Rendered in vibrant yellows, reds, and warm earth tones, the s...

Oil on canvas 60x60 cm

This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870. The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition. This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...

Contemporary oil on canvas, this very large painting has fine naturalistic detail, with deep sky tones, rich coloring, crisp trees/leaves and lines of lighted meadow reflected in the...

A fine small plein air study of three women picking flowers on the meadow next to white cliffs and sea. In the horizon where the sky ends, the contours of mainland is visible as a sh...

Rich and detailed country landscape by an unknown artist (19th Century). A grove of large oak trees is carefully rendered on the right side of the composition. In the center, there a...

"Hibiscus Oasis IV" is an abstract expressionist painting by Romina Milano where a dance of blue gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mila...

"Springtime Mushroom Harvest I" is a illustration style painting diptych by Romina Milano that captures the whimsical essence of nature's bounty through two panel paintings . Each pa...

Herman Österlund (1873-1964) Sweden Ocean View from the West Coast, 1916 oil on canvas signed and dated Herman Österlund 1916 canvas dimensions 14.37 x 16.73 inches (36.5 x 42.5 cm...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

This is an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sio...

This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background. This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page. John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy. As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...