Naturalistic Art

Wild Pink & White Flowers with a Bee in an English Country Garden - Colourful Unique Original Painting by leading British Landscape Artist, Angela Wakefield. Art measures 16 x 2...

Blanche et Noire, de l'album «Toulouse-Lautrec, douze lithographies» 52,2 x 35,9 cm

Audrey Frank Anastasi is a prolific artist, working in painting, drawing, collage, mixed media, and printmaking. She is also a curator, gallerist, educator and arts advocate. Ms....

Una piccola e perfetta sfera in bronzo su base in legno è il supporto su cui poggiano tre api, anche esse in bronzo. Secondo lo spirito ludico di Jessica Carroll le api...

Douglas Van Howd. American ( b.1935 ). Zebra Mare And Foal. Oil On Board. Signed Lower Right. Image size 10.6 inches x 13.6 inches ( 27cm x 34.5cm ). Frame size 19.3 inches x 22 in...

Balloon raccoon wildlife portrait painting featuring a reflective animal figure with metallic golden tones, combining animal portraiture, humor and contemporary pop surrealist aesthe...

American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve and excite viewers. Best known for his industrial, waterfront scenes of New York between 1930-1970, Berger effortlessly captures a period when the technology and landscape of the city was rapidly changing. Although he paints scenes of a bygone era, Berger draws inspiration from the waterfronts near his home in New York’s Hudson River Highlands as well as historical sources in museums. Berger holds BFA and MFA degrees from Alfred University. Earlier in his career, the artist painted representational landscapes rendered in watercolor, a medium in which he achieved great success, sharing a sellout two-person show in Tokyo with Andrew Wyeth. In the mid-2000s, Berger transitioned to his signature industrial scenes of the city, employing oil on panel in a painterly manner influenced by the Hudson River and Brandywine schools...

Pair of large watercolors on paper one a Nutmeg shell and one Murex shell executed in a dramatic realistic style, signed by the artist Bonnie Smith and presented under glass in gilt ...

Original large format Qantas Japan Australia's Overseas Airline vintage travel poster. This antique poster is archival linen backed and in very fine condition. This image was al...

Otto Eichinger Austrian, 1922 – 2004 Still Life with Peaches Oil on panel 10 ¼ by 12 ¾ in, w/ frame 17 ¼ by 19 ¾ in Signed lower right Otto Eichinger was born in 1922 in Vienna, Au...

Etching on paper. Hand Signed and numbered. Edition of 23. Good conditions. Very fresh printing line. Catalogue Neri Pozza 290. Matted. Very good condition.

This artwork presents a hauntingly surreal scene that captivates the viewer's attention with its enigmatic composition. At the center, a pale figure emerges amongst a tangle of dark ...

Aquatint print of an owl perched on a branch with bright yellow eyes. The work is signed by the artist. It is framed in a wooden frame with a burlap matte. Artist Biography: Kaiko M...

This finely observed oil study of breaking waves, signed W. v Gegerfelt, captures the restless movement of the sea as it rolls toward the shore in layered, green-toned swells. The co...

Swimming in the open sea is a healing, gives a feeling of benefit from April to October, I enjoy entering the cold water of Roscoff and staying there...

David Bareford’s distinctive style incorporates traditional themes with spontaneity. About his work he comments, “The term inspiration is overworked and doesn’t apply to what I try ...

Pair of 'Peony' and 'Peony No.2' Each print 8x10" from limitd edition of 30. Photographed in London, United Kingdom 2023. It is a still life black and white film...

This is an original hand-colored lithograph entitled "Great American White Egret", No. 74, Plate 370, by John James Audubon from his "Birds of America" publication. It was lithograph...

Awakening II is a painting by Taïwanese artist Chen Yi Ching created with mineral pigments on Japanese paper mounted on wood. The painting is sold framed (white shadow box). The dim...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted. This original hand-colored Audubon egret...

This is an original rare first edition John James Audubon hand-colored lithograph entitled "Iceland or Gyr Falcon", No. 4, Plate 19 from Audubon's "Birds of America, lithographed, pr...

A set of four stipple-engraved plates printed in colours and finished by hand. Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...

This beautiful diptych captures the vibrant intricacy of coral reef ecosystems through layered textures and flowing organic forms. Bold strokes of pink, violet, ochre, and coral oran...

Louis-Aime Japy was a talented artist who painted nature with a great deal of sensitivity. He visited Italy at the beginning of his career and while he ma...

Poppy No.10 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-...

This artwork presents a captivating interplay of natural and man-made elements. A prominent feature is the depiction of a radiator in the lower left quadrant, rendered with soft, mut...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...

An original and authentic terracotta figurative group sculpture, by Albert Carrier-Belluse (1824-1887), titled "La Source", 1864. The sculpture depicts two putto or cherubs wearing ...

REDOUTÉ, Pierre-Joseph. Crinium Giganteum Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of...

Poppy No.11 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 100 x 100 cm and is part of an exclusive series of 10 prints, each han...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Apauly-Tustennuggee, A Creek Chief" after a painting by Charles Bird King from McKenney and Hall's "History of the Indian Tribes of North America", published in Philadelphia by Daniel Rice and James G. Clark in 1843. McKenney described him as “a chief and a warrior...a firm, brave man - and of good sense.” This original McKenney and Hall large hand-colored folio-size engraving measures 20" high and 14" wide. The print is in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Texan Lynx", No. 19, Plate XCII, 92, from Audubon's "Quadrupeds of North America", printed and colored by J.T. Bowen and published in Philadelphia from 1849-1854. The lithograph depicts a Texan Lynx laying on the ground with hills in the background. This antique hand colored Audubon quadruped lithograph is presented with the original descriptive text pages 293-296 from Audubon's 19th century publication. The print is in excellent condition, including the striking hand coloring. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...

This black-and-white photograph was made using an analogue large-format camera, allowing for precise tonal separation and fine surface detail. A slow, fine-grain film was used to ret...

Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...

This original painting by Romina Milano evokes a living, coral-like network—an abstracted ecosystem where branching forms and fluid lines suggest growth, interconnection, and renewal...

Naturalistic wildlife painting of three white lotus waterlily flowers. Signed in the lower right corner and hung in a complimentary silver frame. Without Frame: H 30 in. x W 40 in. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

The botanical world is brimming with powers. Aided by sunlight, plants can draw their own image. The pioneers of photographic technique were in awe of this phenomenon. With a little ...

Eric Forlee American, b. 1949 Cheetah Oil on canvas 24 by 36 in, w/ frame 34 by 46 in Signed and dated ‘Eric Forlee 90’ A painter of large wild African animals from portraits to pa...

A German copper-line engraving with original hand-colouring of butterflies. Printed on hand made laid paper. Engraved by JC Bock. From Eugenius Esper's "Die Schmetterlinge in Abbild...

Signed lower right, 'W.H. McConnell' (American, 19/20 century) and dated 1936. A member of the Association of United Scenic Artists in Hollywood, W.H. McConnell worked as a backdrop...

Harvard University etching dedicated to Frank Freed. The work is signed by the artist along with the dedication. The etching is not framed. Artist Biography: Frank C. Dill was born in 1910. He was a Houston, Texas painter...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Miami Beach by DJ Leon. Archival C-print photograph of Miami Beach, Florida's idyllic beach and aquamarine ocean, mounted on sintra, and facemounted in plexiglas....

Etching by Gustave Greux after A. von Pettenkofen, realized in the late 19th Century. A finely executed historical print depicting a group of Hungarian volunteer horsemen galloping ...

Early 19th century ink drawing of Chartres Cathedral by English artist Samuel Prout. The work focuses on the large scale architectural elements of the cathedral with small figures st...

Winter sun and shadows is a landscape painting by contemporary Scottish artist Jonathan Shearer, often inspired by the more impetuous side of nature. The artist represents here a for...

This is a large original hand-colored aquatint etching entitled "The Mountains of Samayut" (Ethiopia) drawn by Henry Salt and engraved by D. Havell. It was ...

This beautiful painting explores organic growth through bold, biomorphic forms that evoke coral, foliage, and underwater ecosystems. Saturated reds, blues, and pinks interweave with ...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Sea Otter", No. 28, Plate CXXXVII, from Audubon's "Viviparous Quadrupeds of North America", prin...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Nine-banded Armadillo", No. 30, Plate CXLVI, from Audubon's "Viviparous Quadrupeds of North Amer...

Munier, Emile (French, 1840-1895), Young Woman by the Well, 1889, oil on canvas,  signed and dated lower center, 40.5 x 27.25 inches (102.3 by 69 cm.), framed 47.25 x 33.75 inches (1...

Walter Blackman American, 1847-1928 Young Beauty Oil on canvas 20 by 16 in, w/ frame 32 by 28 in Studied under Gerome, Paris Exhibited: Society of American Painters 1878 Paris Sal...

Beautiful early 20th century figurative landscape of a woman carrying a basket of wood kindling by a rushing river, high in the Italian hills by Enrique Brocco (Italian, 20th Century...

'Schmarotzerpflanzen I' (Parasitic plants) German chromolithograph, circa 1910. Central vertical fold as issued. 245mm by 305mm (sheet)

Caught, Trapped Rock & Balance is a set of three drawings by contemporary British artist Peter Brooke-Ball. For the sculptor, drawing is often the starting point to develop a sc...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...