Op Art

Artist: Babe Shapiro, American (1937 - 2016) Title: Purple v. 1 Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Image Size: 28 x 28 inches Size: 35 x 3...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches ...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches Size: ...

Pol Bury (Belgian, 1922-2005) screen print of Statue of Liberty Hand signed and numbered 27/ 62 in pencil Dimensions: 24.25 X 17.5 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Pol Bury (Belgian, 1922-2005) Screen print of Brooklyn Bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Dawn of a New Era Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 145 Image Size: 18 x 25 inches Size: 22 x ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Safe Harbor Year: 1988 Medium: Serigraph, signed, titled, dated, and numbered in pencil Edition: 11/100 Size: 22 x 30 in. (55.88 x ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Desert Icon VI Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Size: 20 x 20 ...

This abstract screenprint was created in 1981 by American Optical artist Evelyn B. Johnson. It is signed and numbered 17/25 in pencil, and the plate size is 25.5 x 25.5 inches. It is...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Bill Komodore - Optical Art Series - Large Geometric Abstract Oil Painting An electrifying example of Bill Komodore’s masterful engagement with Op Art, this geometric abstraction pu...

An acrylic painting by Roy Ahlgren from 1971. A geometric abstract painting utilizing bright contrasting color blocks in a modern form. Signed verso, unframed. Artist: Roy Ahlgre...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Julian Stanczak Aerial, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. EA #3 Pencil signed and numbered Julian Stanczak (Polish, November 5, 1928 – March 25, 2017) was a Polish-born American painter and printmaker who is considered a central figure of the Op art movement in the U.S. during the 1960s and 1970s. Described as an artist whose work "evinced a tremendous geometric inventiveness", Stanczak is primarily known for his large-scale polychromatic abstract compositions made using acrylic paint on canvas in which he explored the perceptual dimensions of color.[3] Born in 1928 in Borownica, Poland, Stanczak survived a Siberian labor camp during World War II where he lost the use of his right arm. He retrained himself to paint left-handed and emigrated to the United States in 1950, where he eventually became a citizen. In 1956, Stanczak received an M.F.A. from Yale University, where he studied with Josef Albers and Conrad Marca-Relli, and was roommates with fellow abstract painter Richard Anuszkiewicz. The term "Op art", since used to describe a short-lived movement of 1960s and 1970s, originated from Stanczak's work when the Minimalist artist and sculptor Donald Judd used it in his critical review of the 1964 exhibition titled Julian Stanczak: Optical Paintings at Martha Jackson Gallery in New York. Stanczak achieved broader commercial recognition after being featured in the landmark 1965 exhibition The Responsive Eye created by curator William C. Seitz at the Museum of Modern Art in New York. As the popularity of Op art diminished in the late 1970s, Stanczak remained active as a painter and continued to exhibit his work, but became progressively separated from mainstream contemporary art in the U.S. In addition to being a practicing artist, Stanczak served as a faculty member at the Art Academy of Cincinnati from 1957 to 1964 and, later, as Professor of Painting at the Cleveland Institute of Art from 1964 to 1995. In 2013, he was awarded an honorary doctorate from Case Western Reserve University in Ohio. Stanczak lived and worked in Seven Hills, Ohio with his wife, the sculptor Barbara...

Victor Vasarely “Zebra” 1977 Porcelain Rosenthal Ed. 2761 of 3000 14 x 12 in

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Signed, dated, titled and numbered in pencil Edition: 150 (80/150) 15 color silk screen 12" round Provenance: Estate of the Artist By decent

Moon Rays Graphic Construction (three sheets layered in a shadow box presentation), 1967 Signed lower right. Editioned lower left. (see photos) Edition: 60 f...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Modern blue, green, and orange abstract op art landscape. Through using 3-dimensional elements and realistic shading techniques, Kidd is able to great an undulating, futuristic lands...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Signed in pencil lower right Published by Eugene Schuster, London Art Printer: Vistec, Rochester, New York Regular edition unrealized per Stanczak web site This annotated "H.C." ...

11 color screen print Signed, dated, titled and numberedin pencil Edition: 150 (9/150) Provenance: Estate of the Artist By Decent

Step into the mesmerizing world of EXIT, the original acrylic painting on canvas meticulously crafted and shaped by the divine proportions of the golden rectangle. Inspired by the Re...

Signed, titled, numbered and dated in pencil Edition: 150 Serigraph on paper Sheet: 22 1/4 x 30"

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

11 value silkscreen print Signed, dated, titled and numbered in pencil by the artist. Edition of 150, plus 20 AP's as is here AP XV/XX. Provenance: Estate of the Artist By dece...

Signed and numbered in pencil Publisher: Eugene Shuster, London Arts Printer: Vistec Graphics, Rochester, New York Stamp verso: London Arts Copyright 1980 Edition: 175 (85/175)

TECHNICAL INFORMATION: Julian Stanczak Diamonds Floating in Orange 1970 Silkscreen 28 1/4 x 28 1/4 in. Edition of 135 Pencil Signed and Numbered Accompanied with COA by Gregg Shien...

Striking 3-dimensional acrylic and wood on canvas sculpture by renowned Colombian painter an sculptor, Omar Rayo. Signed, titled, inscribed "New Yo...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Gull Point Year: 1987 Medium: Silkscreen, signed, numbered, dated, and titled in pencil Edition: 100 Image Size: 25.5 x 18 inches ...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Artist: Patrice Breteau, French (1942 - ) Title: Cracked Shell Medium: Acrylic on Canvas, signed and dated l.r. Size: 30 x 30 in. (76.2 x 76.2 cm) Frame: 31.5 x 31.5 inches

Rose Horizontal, 2018 Bridget Riley Screenprint in colours, on Fabriano 5 paper Signed, titled, dated and numbered from the edition of 75 Printed by A...

In Didem Yagci’s artwork “Aurora,” she intricately layers cut wood panels on plaster, creating a mesmerizing symmetrical design. The wall sculpture is anim...

Screen printing on BFK Rives paper, edited in 1975. Limited edition of 200 copies , numbered as 42/200 in lower left corner.
 Hand-signed by artist in pencil in the lower right corne...

This artwork titled "Awakening" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 70/150 in pencil...

This artwork titled "Terrestrial Decade" 1982 is a color serigraph on wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 65/130 ...

This artwork titled "Sunspot" c.1980 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, titled, and numbered 3/30 in pencil by the ...

A vintage screen print poster after minimalist, op artist Joseph Albers from 1968. The piece advertises and exhibit of paintings and graphic works at Denise Rene, a Paris Art Galler...

Victor Vasarely (1906 – 1997) Composition Cinétique Serigraph in colors on wove paper, 1970 29 x...

Abstract composition in purple is an screen print realized by Victor Debach in 1970s. 50x70 cm. Edition 14/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 21/100 Handsigned in pencil on the right lower margin. Excellent conditions.

RICHARD ANUSZKIEWICZ American, 1930 - 2020 SOFT BLUE signed, dated and numbered “© RICHARD ANUSZKIEWICZ / 1984 / 737” (on the reverse) acrylic on canvas 48 x 60 inches (122 x 152.5 c...

Purple Composition is a contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower rig...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored serigraph on paper. Hand signed on the lower right margin. Num...

Surface couleur (Colour surface) Coloured screen print on paper, edited in 1997.
 Limited edition of 50 copies , numbered as 32/50 in lower left corner. 
Hand-signed by artist in pe...

Start, 2000 Bridget Riley Screenprint in colours, on paper Signed, titled, dated and numbered from the edition of 200 Printed by Artizan Editions, Hove Image: 34.8 × 38 cm (13.7 × 1...

Disconnected Circles is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition...

Hidden Flowers is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 20/50...