Post-Impressionist Art

Oil on board Board size: 12 x 16 inches Framed size: 17.25 x 21.5 inches Signed lower left

French Post Impressionist oil on canvas landscape by Jacques Begas. Signed bottom right, titled to rear stretcher and with exhibition number. Fine stretcher with 'keys'. Begas has captured all the colours and charm of a rural Southern French landscape, the olive grove in the foreground, ochre red earth of the hills and fields beyond, Cyprus trees...

Signed verso, 'Ant McNaught', (American, born 1952), inscribed '(After Derain, 1905)', and with edition number '27' inscribed over limitation of '375', titled 'Port de Vendres' and dated 2020. Framed dimensions: 34.5 x 3 x 40.25 inches. A substantial, Post-Impressionist harbor scene showing a sun-drenched view of the Port of Vendres in the South of France with sailing boats moored to the wharves and a view beyond towards terracotta roofs against verdant, green hills, all beneath a late sunset sky. A bright and breezy, full-size (24" x 30") giclée of the artist's original 2020 oil painting...

The 18x26 painting by William Meyerowitz is a captivating piece featuring a group of horses. The painting showcases the artist's ability to capture the beauty and grace of these maje...

Calanques Mediterranean seascape with two sailboats. This painting representing a Mediterranean seascape is a tribute to the sea and to travels...

Original oil painting on artist canvas board painting by the California artist, Fern F. Cunningham. Signed lower right. Titled in pencil on stretcher verso. Circa 1940. Condition is very good. Recently professionally cleaned. The painting is housed in its original period frame. Overall framed measurements are 14.5 by 17.5 inches. Provenance: A Sarasota, Florida collector. Fern Cunningham Stone (1889-1975). She was born in Defiance, Ohio on August 4, 1889. A painter, she specialized in impressionist still life works, landscapes, and seascapes of California. Born Fern F. Smith, she married Napoleon Arthur...

An outstanding example of the new-impressionist work of Rodolphe Wytsman . This large canvas depicts a tranquil summer day on the Meuse river near the town of Dave. Wytsman painted a number of landscapes in this area between 1910 and 1911 at the height of his artistic career. The use of colour and neo-impressionist execution are testament to his position as one of the finest Belgian painters of this period alongside Van Rysselberghe, Claus, Montigny and Georges Morren...

Signed lower left, "Di Gesu" for Victor Di Gesu (American, 1914-1988), with estate stamp, verso, and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attend...

Signed lower right, 'Danail Ochkov' (Bulgarian-American, born 1977) and dated 2003. Born in Bulgaria, Danail Ochkov studied fine art at St. Cyril and St. Methodius University in Sof...

"Vernazza" is an beautiful hand pulled serigraph created from the oil painted on location in Cinque Terre, Italy by Maria Bertran. This Contemporary Impressionist painting captures a...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A loose study of a woman seated in a dress, resting her chin on her hand and recli...

Anders Ståhl, Swedish painter, born 1966. Since modernism, outdoor painting has largely been forgotten by professional painters, but the Swedish artist Anders Ståhl keeps the historical tradition of Plein Air alive. Not least when it comes to partly lost working methods in the field. For Anders, this has been a most natural way of creating since childhood; to interpret what he sees and feels, by drawing and painting.  Quickly capturing impressions in the field is one of the most demanding ways of painting you can imagine, since you are simultaneously fighting against both time and the elements. Back in the comfort of the studio, there is so much more time to interpret and perhaps work with larger formats. Anders has a strong artistic relationship with painters from the mid-1800s to the early 1900s, especially the French impressionists and Nordic landscape...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A sensitively colored and modeled monotype by this Paris-trained, California Post-...

A black businessman is captured dashing down the street against a colorful wall. The image is slightly blurred, adding a sense of beauty and moodiness to the image and creating harm...

Anders Ståhl, Swedish painter, born 1966. Since modernism, outdoor painting has largely been forgotten by professional painters, but the Swedish artist A...

"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...

Anders Ståhl, Swedish painter, born 1966. Since modernism, outdoor painting has largely been forgotten by professional painters, but the Swedish artist A...

Signed lower right, 'Monteagudo' for Philippe Monteagudo (French, 1936-2016) and dated 1968. A panoramic winter view of St. Marks Square in Venice with numerous pedestrians gathered...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A Post-Impressionist figural monotype showing a woman standing beneath a tree in t...

Georgij Moroz (1937/2015) Luminosa opera di Moroz ,fiori di ciliegio Bianchi I fiori ritratti da Moroz sono molto spesso dipinti allo stato di NATURA non in un vaso Amava molto la ...

Ivana Milosevic creates vibrant, yet soothing water landscapes that emphasize color and texture. She uses palette knives and brushes to carve details into layers of paint. They refle...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: Tranquil River Medium: oil on board, unframed Size: board: 13 x 9.5 inches Provenance...

A luminous landscape painting of an aspen forest with white tree trunks and vibrant fall foliage in orange and gold. The distant background features a purple, Rocky Mountain vista...

Otto Lindberg was a Swedish artist born in Söderhamn in 1880. Lindberg was known for his landscapes and marine paintings. He studied at the Royal Academy of Fine Arts in Stockholm an...

By Virginia Conroy Dedini (American, 1922-2006). Titled lower left, 'Mitsuko ''Okaido Born''' and dated August 1976. Exhibited: Carmel Art Associati...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Midi Piccadilly (Londres Royaume Uni) by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ ...

ARTIST: Angus Maywood McEwan RSW (1963-) Scottish TITLE: “Wormits Bay Sunset” SIGNED: lower left MEDIUM: watercolour SIZE: 45cm x 38cm inc frame CONDITION: excellent PRICE: £24...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on panel Oil size 27x22 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at th...

Pierre GARCIA FONS Portrait : Fruit and Mirror Original oil painting Signed bottom right Signed and titled on the back On canvas 73 x 54 cm (c. 28 x 21 inch) PROVENANCE : Collectio...

Signed fauvist figurative oil on panel by French painter Louis Valtat. This stunning piece depicts a nude orchestra with the conductor in the foreground. The musicians are playing ce...

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...

"Provençal Landscape with Cypress Trees In Summer" Henri Brun-Marin ca. 1930s Oil on canvas, signed lower right (21 x 14 1/4 27 1/2 20 3/4 frame) Charming mid-20th century painting...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on panel Oil size 27x22 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at th...

Artist: Charles Cobelle, French (1902 - 1994) Title: Paris Street Scene Year: circa 1968 Medium: Acrylic on Canvas, signed l.r. Image Size: 15 x 30 inches Frame Size: 23 x 37 i...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

KEES VAN DONGEN (ROTTERDAM, 1877 – MONACO, 1968) Nature morte avec poupée 1908 Période fauve Huile sur toile 61 x 46 cm. Signée en bas à droite « Van Dongen » et inscrit « Margoden » au dos. Provenance Collection Ezra et Cécile Zilkha. Cette œuvre sera incluse dans le Catalogue raisonné digital Van Dongen en cours de réalisation par...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Village in Normandy by Paulémile Pissarro (1884 - 1972) Watercolour, ink and charcoal on paper 40 x 31.2 cm (15 ³/₄ x 12 ¹/₄ inches) Signed lower left, Paulémile Pissarro Executed ...

Post-impressionist work by early 20th-century French painter Gaston Balande

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A loose, Post-Impressionist study of a woman, shown nude and standing, while resti...

Beautiful acrylic paint on canvas painting of the Eiffel Tower in Paris in twilight with figures walking along the flower stall lined boulevard. Signed lower right. Condition is excellent. Circa 1975. Matted and framed in a thin contemporary antique gold frame. Overall framed measurements are 15.5 by 18.5 inches. Provenance: A Sarasota, Florida collector. I. Costello is known for his historic paintings of European cities. The Eiffel Tower is a wrought-iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel...

Still-life with teapot. Figurative and colorful Oil on canvas Painting in Fauvist style. Author: Elena Negueroles (Spain) Measurements in centimeters:...

A beautiful 1930's French post-impressionist oil on canvas depicting the Pont Royal bridge on the river Seine in Paris, by Bertrand Py. Excellent quality a...

Anders Ståhl, Swedish painter, born 1966. Since modernism, outdoor painting has largely been forgotten by professional painters, but the Swedish artist Anders Ståhl keeps the historical tradition of Plein Air alive. Not least when it comes to partly lost working methods in the field. For Anders, this has been a most natural way of creating since childhood; to interpret what he sees and feels, by drawing and painting.  Quickly capturing impressions in the field is one of the most demanding ways of painting you can imagine, since you are simultaneously fighting against both time and the elements. Back in the comfort of the studio, there is so much more time to interpret and perhaps work with larger formats. Anders has a strong artistic relationship with painters from the mid-1800s to the early 1900s, especially the French impressionists and Nordic landscape...

Léon Frédéric (1856-1940) Vallée de Nafraiture signed with the estate stamp at the lower left Oil on canvas transfered on panel 29.5 x 44.55 cm Certific...

This is a watercolour painting by Dutch painter Frits Goosen. He painted it on one of his many trips to the UK when he comes to bring me new paintings and then to find somewhere int...

This painting features hues of yellow and green. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

Carmen Espel (1926) - Still life with the sea in the background Oil on canvas - Hand signed Oil measures 54x73 cm. Frameless. Contemporary Barcelona pai...

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Ernst Link (Swiss, ∗ 14th of October, 1874 in Windisch, † 29th of June, 1935 in Bern) Stöckli with Clothesline • Oil painting on canvas approx. 25.5 x 26.5 cm • Pine frame approx. 34.5 x 35.5 cm (obvious signs of age) • Signed lower right A most pleasant depiction of a typical ‘Stöckli’ in bright sunshine with the a few shirts on the washing line, somewhere in the Canton of Berne in Switzerland. Such small cottages would sit next to the large farmhouses and upon retirement the old couple would move into it, to make room for the next generation to take up residence in the main building and run the farm. The Painting is in pleasingly good and clean condition, with no damage or restoration Ernst Linck was an important representative of the "Berner Schule" (Bernese school) led by the famous Ferdinand Hodler, which also included Traugott Senn, Emil Cardinaux, Eduard Boss...

The Banks of the Seine signed by Édouard Righetti (1924-2001) dated 1959 or 1960 framed oil painted on canvas, beautifully painted. very good conditio...

Charles Wittman (French, 1876 - 1953) The entrance to a Venetian palazzo Oil on canvasboard 11 x 14 in. (27.8 x 35.6 cm.)

Landscape. Oil on panel, 23 x 31 cm. Framed 46 x 54 x 6 cm. ( In inches: 9 x 12.2 In / framed 18.11 x 21.26 x 2.36 ) Signed down right angle. Author Simó Busom (Barcelona- Spain 1927-2020), a landscape painter, trained at the Baixas Academy. He began with watercolors, and from an initial figurative art, influenced by the work of the Catalan artist Ramon Rogent, he evolved towards post-cubism and finally returned to figurative art. In 1964 he held his first exhibition at the prestigious Sala Parés in Barcelona and, from that moment on, he became part of the group of young painters linked to this gallery. In 1955 he received the Barcelona City...

Original oil on artist canvas board of a sunset on a rural country lane by the American artist, Margaret E. Nugent. Signed lower left and verso as well. Circa 1940. Condition of pain...

Artist/ School: Suzanne Crochet (French c. 1930) French Impressionist artist Title: Boats in the Harbour Medium: oil on board, unframed and double sided image board: 9.5 x 13 inc...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence (Russian/French) Title: The Ride Le Chevaucheé, 1970 Technique: Original ...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960 These are not individually hand signed or numbered. On BFK Rives French velin art paper Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse. He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist. From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married. In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis. Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov. During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes. In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday. Bonnard particularly used the model of Japanese art in a series...