Post-War Art

"Ritratto di fanciullo" in gesso di h. 44 cm, risalente al 1959. Viene riportato nell'Inventario dell'artista al n. 69 ed è accompagnato dall'autentica del professor Marco Fagioli.

Alberto Rizzo, Incontro 1967 Screen Print Unsigned with Certificate of Authenticity All are unsigned. Alberto Rizzo was a multi award winning Master Photographer and Artist, His ...

Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 50 years ago, in 1972, it was q...

A painting by Jae Kon Park. "Life and Roots" is an abstract painting, oil on canvas in a blues and yellows by Korean, Post-War artist Jae Kon Park. The artwork is unsigned. Born in S...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

The extremely rare, complete collection of 28 artists original graphics, the first signed edition before the second poster edition of 4000, with varying edition numbers including Artist’s Proofs, from the total edition of 200, each hand signed and numbered or inscribed, 1969 - 1972, printed on varying papers, published by the Organising Committee for the Games of the XXth Olympiad and F. Bruckmann, Germany, with 2 additional screenprints of the Emblem by Victor Vasarely, 1972, signed from the edition of 200, on wove paper, each sheet, various measurements. (30 works) The 1972 Olympic Committee commissioned 28 international artists to each produce an original print for the Munich Games that year. The artists were given unprecedented freedom to explore their personal perspectives of the Olympic spirit using their own unique styles and methods. Departing from the traditional subject matter and style of past Olympic prints, the artists produced works which ranged from abstraction to realism, and from collage to op-art. The Committee specifically commissioned world-renowned artists to produce this series in order to destigmatise the idea that fine art should be reserved for private enjoyment. Instead, these posters demonstrated that art can exist comfortably in the public sphere, serving both as art and advertisement and echoing the founder of the modern Olympics, Pierre de Coubertin...

This coastal scene features a woman standing on a hill looking at the ocean and a beached, broken down row boat in the grass in the foreground. Seagulls fly above the scene. By Charl...

This desert landscape features a railroad extending away from the viewer. Brown grass and shrubs cover the landscape. The mountains in the distance glow purple with the sunset. 8.5" ...

This still-life watercolor painting singles the portion of a scene visible through a windshield of a truck. Inside, an array of items sit on the dashboard. A cowboy had and a constru...

Wayne Thiebaud Dark Gumball Machine, 1964/ 2017 Hard ground and soft ground etching 18h x 12w in

A painting by Willem de Kooning. "Woman in a Rowboat" is an abstract, oil on paper laid on masonite painting executed in a lush and swirling palette primarily of greens, whites, beiges and yellow and depicting an abstracted, nude woman in a boat by Post War artist Willem de Kooning. "Woman in a Rowboat" is a seminal work by de Kooning that has a new fluidity which relates to his next major series of Woman paintings which he began in 1964. Signed lower left, "de Kooning.” Provenance: Allan Stone Gallery, New York Private Collection, New York Private Collection, Arizona Exhibition: North Hampton, Smith College Museum of Art; Cambridge, The New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Willem de Kooning: a Retrospective from Public and Private Collections, April – June 1965 (Cambridge only) New York, Allan Stone Gallery, De Kooning/Cornell, February – March 1965 Rotterdam, Museum Boijmans Van Beuningen, American Paintings, September - October 1966, cat. no. 26 Dublin, The Royal Dublin Society, Rosc'67:The Poetry of Vision, November – December 1967, p. 201, illustrated Detroit, J.L. Hudson, Willem de Kooning: Three Decades of Painting, March – April 1968, no. 31 (exhibition checklist) Easthampton, Gild Hall...