Realist Art

Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...

David Roberts RA Interior Of The Mosque Of The Sultan Hassan 1796 - 1864 Subscription Edition lithograph Full plate: 220 Presented in a acid free mount Open media 1 in modal Regular...

Etching and drypoint, 1880. Signed by the artist in pencil, lower left. With the artist's red ink stamp in, lower right. From the edition of approximately 100. Sheet 19.5 x 9.75 ...

The sketch depicts a standing, full-length nude young woman seen from behind, positioned atop a sculptural pedestal. The pedestal features intricate depictions of flower vases. The e...

"Triplicate" is an original surrealist painting that offers a profound psychological and visual exploration of multiplicity and identity.The artwork introduces a dreamlike, enigmatic...

Gondolas moored in Venice, 1957. In the background is the Church of San Giorgio Maggiore, on San Giorgio Maggiore island. Slim Aarons Venice Gondolas Chromogenic Lambda print Printe...

Winter Wonderland oil/canvas 14 x 18 unframed, 19.5 x 23.5 framed An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautifully backlit w...

This is an original painting from the studio of Werner de Caro who was born on 22 October 1945 near Augsburg, Germany. Together with his parents, he emigrated to San Francisco when ...

Léon Gérard Crépy Lille 1872 – 1944 French Painter 'Young Girl with a Jug' Signature: signed top left 'LG. Crepy' Medium: oil on canvas Dimensions: image size 46,5 x 38,5 cm, frame...

ROBERT KENNETH WHITE (b. 1950) – “OAK CREEK CANYON” (AKA “TRAIL SIDE – LAGUNA HILLS”) ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A QUIET CALIFORNIA TRAIL SCENE IN...

This early 1970s photograph, taken by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art deale...

This early 1970s photograph, captured by society photographer Slim Aarons, features guests relaxing on the beach of a private island owned by Philippine Airlines President, Benigno T...

This early 1960s photograph, captured by society photographer Slim Aarons, features the Bahamas Speed Week in Nassau. This is an estate-stamped and hand-numbered edition of 150 with...

This early 1960s photograph, captured by society photographer Slim Aarons, features the Bahamas Speed Week in Nassau. This is an estate-stamped and hand-numbered edition of 150 with...

A woman sunbathing nude by Tom Darlington's pool in Carefree, Arizona, April 1967. Slim Aarons Sunbathing in Arizona Lambda Print More sizes available Slim Aarons Estate Edition 4...

This early 1970s photograph, captured by society photographer Slim Aarons, features the Harbour Island in the Bahamas. This is an estate-stamped and hand-numbered edition of 150 wit...

Pears, Grapes and Crystal Egg Tempera, Realism It is painted in egg tempera which goes back centuries in the art world. Notice the reflections in the painting. It appears to be 3...

Carlos Antonio Rancaño was born in Miami, FL. from Cuban/Panamanian parents. After graduating Cum Laude from MIU with a Bachelors Degree in Grap...

Signed bottom-left. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the purchaser. We carry out stringent ...

To see our other World War Two art, scroll down to "More from this Seller" and below it click on "See all from this Seller." Design for Bianchini Férier, Lyon for a silk scarf c. 19...

Philippe-Auguste Cattelain (1838-1893) Au Miserable Alexandre, Portrait of a young man signed and titled "Au misérable Alexandre (pas le grand)" -To the wretched Alexander (not the ...

circa 1959: Senator Jack Kennedy (President John F Kennedy) greeting old friends at an 'April in Paris' ball held in the Waldorf's Grand Ballroom, New York. 30 x 40 inches $3350 20...

Wonderful and rare early American modernist trompe l'oeil oil painting. Framed. Oil on canvas. Signed. Image size, 12H by 16L.

Paul MATHEY Paris, 1844 – Paris, 1929 Portrait of Brother Joseph, Superior General of the Congregation of the Brothers of the Christian Schools Oil on canvas...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mou...

September 1968: Patrick, Earl of Lichfield, with a friend in Capri, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons ...

Gloria Schiff, the twin sister of Consuelo Crespi, with her pet dog and pet birds at Lyford Cay in the Bahamas. 40 x 40 inches $3950 30 x 30 inches $3350 24 x 24 inches $3000 Com...

Waiting In The Shade, Sardinia, Estate Edition, Portrait Photograph This late 1960s portrait photograph, captured by society photographer Slim Aarons, features a woman sheltering un...

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

This late-1960s photograph, taken by society photographer Slim Aarons, features holidaymakers in a motorboat off the Hotel du Cap-Eden-Roc in Antibes on the French Riviera. This is ...

Robin Cole's 2024 piece, "Remember When," is a poignant example of the artist's engagement with the classical landscape genre, presented in oil on mounted linen. The dimensions of th...

This superb British 1950's landscape oil painting is by noted artist Laurence Henry Irving. Painted in 1952 it is entitled verso as Elegy to a Dead Tree. In ...

A woman sunbathing nude by Tom Darlington's pool in Carefree, Arizona, April 1967. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Sunbathing in Arizona...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Adriaen Collaert (c. 1560-1618) after Maerten de Vos (1532 - 1603) 30. Iesus voce magna clamauit; Lazare, veni foras. Et statim proijt qui fuerat mortuus. Iohn. 11. From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm Framed The Raising of Lazarus...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

This expressive oval portrait, painted in oil on canvas in the late 19th century, is the work of an unknown master professionally proficient in the European academic school of painti...

A classic and elegant Venetian view with a period Barbizon, gold leaf frame! Sheppard did a series of these and two other American painter is more noted for their Venetian views than...

Jason Walker's (CAN based) "Liam" is a masterful photorealist oil portrait that depicts a middle-aged man, in the midst of deep philsophical thought. Jason Walker’s imagery reflects...

Daud Akhriev's (EUR and US based) "Evening Light, Florence" is an original, handmade oil painting that depicts a street within the terracotta lined walls of an Italian city. Artist Biography: The Soviet educational system singled out 8-year-old Daud Akhriev for special arts training. He painted and drew under the best painters and instructors for the next fourteen years. This culminated in a master’s degree from the Russian Academy in Leningrad (sic), after an obligatory two years in the Russian army. Though representational in orientation, Russian Academic philosophy encourages sampling, experimenting, and referencing styles and techniques from all of art history. The Russian academic training at its best imparts an artist a wide array of abilities honed to such that technical struggle is greatly reduced, leaving more time for experimentation and creativity. Akhriev, who enthusiastically cultivated all skills and styles while at the Academy, is an artist with public works in mosaic, oil on linen, water media, cast bronze monumental sculpture and ceramics. He is comfortable working in decorative styles, designing fabrics and patterns, and is equally at ease switching into Old Master oil painting. He admires Rembrandt and Schiele, Moser and Mailloll, Velasquez, Sargent and Sorolla. Akhriev is a Master Signature member of Oil Painters of America, the Artists Union of Russia, as well as the Association of Pastel Painters of Spain, the British Association of Modern Mosaicists, and the Society of American Mosaic Artists. He has won numerous prizes from the Salon International and International Masters Exhibitions in Texas, and at OPA regional and national exhibitions. He won Grand Prize from Pastel Magazine’s international 100 competition in 2015 and was twice honored again in 2017. Erlanger Hospital awarded Akhriev and team the creation of their non-denominational chapel which won “Ten Best Mosaic in Situ” in 2016 from the Society of American Mosaic Artists. He is an internationally renowned instructor of figurative and landscape painting and drawing. His work is published in several art books in Russian, Chinese and English. Magazines such as Fine Art Connoisseur, Pastel Journal and Artists Magazine have large features on his work. Currently his pastel paintings are at the Ming Gallery of Pastel Painting in Suzhou, China, by invitation, and are going to be in the inaugural exhibition of the new Chinese museum pastel painting throughout history through the present day. He has served as a juror for Oil Painters of America, and he frequently teaches masterclasses in Italy. The artist is a huge sports fan and loves film and travel. He speaks Russian, Ingush, English, basic Spanish, and can communicate using hand gestures in any other language. His extracurricular passion is teaching young artists. He resides in Tennessee and Andalusia, Spain with his artist wife, Melissa Hefferlin.

This early-1980s photograph, taken by society photographer Slim Aarons, features Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco...

Alice G. Gropper (late nineteenth century) Deer in the Forest Oil on canvas, 12 1/4 x 10 1/2 inches FRAMED: 14 1/2 x 16 1/2 inches (approx.) Inscribed on stretcher: (in ink) "Alice ...

Robin Cole's (Us based) "Raspberry Greens" is an original, handmade oil painting that depicts a small patch of foliage and leaves with contending light and shadows dotting their form...

Botanical subjects are my primary inspiration. I find immense joy in capturing the colors and textures of nature through still-life settings. Exhibiting them at the George Billis Gal...

George Bunzl Portrait of a Small Boy Gelatin silver print 4 3/4 x 3 7/8 in. Framed: 11 1/2 x 10 3/4 x 1 1/8 in. Provenance: Private New York Collection Reader's Digest Collection ...

Mystery Artist Untitled (Lion Family), c. late 20th/early 21st century Oil on canvas board Sight: 27 1/2 x 21 1/2 in. Framed: 31 x 25 x 1 1/4 in. Signed lower right: Susan Helen Fros...

C.Z. Guest, 1955: The American socialite with a Great Dane at her ocean-front estate, Villa Artemis, in Palm Beach, Florida, 1955 Slim Aarons C.Z. Guest With Her Great Dane, 1955 La...

Artist: T. Galbreath Title: Squirrel I Year: 1997 Medium: Bronze Sculpture, Signature and number inscribed Edition: 71/100 Size: 7 in. x 3 in. x 3 in. (17.78 cm x 7.62 cm x 7.62 cm)

Charles Lewis Fussell (American, 1840–1909) Sheep Wandering through a Gully Watercolor on paper, 9 x 12 inches FRAMED: 19 x 22 inches (approx.) Signed and dated at lower left: "C. L...

This late-1960s photograph, captured by society photographer Slim Aarons, features Jill Council relaxing with a drink by a swimming pool in Bermuda, November 1969. This is an estat...

Mickalene Thomas Portrait de Priscilla Le Petit Chien, 2012 Pigment print on 100% cotton rag paper Edition 141/150 Frame included with official COA affixed to the back Hand numbered ...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

A enchanting & intimate 19th century Swiss pastel portrait painting of a beautiful young girl, circa 1870, attributed to the celebrated Swiss artist Albert Anker (1831-1910). The pai...

Acrylic painting on canvas panel :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

Jules GENESTE Libourne, 1826 – Castillon-La-Bataille, 1889 The Well Oil on wood Signed lower left “J. GENESTE”30 x 38 cm (41 x 49 cm with the frame) Beautiful old gilt rod Very good ...

Pereniv Castle 40×60 Through the soft glow of oil paint, the soul of the old Pereniv Castle comes alive — a silent witness of bygone eras that rises in Vynohradiv as a monument to a...

Artist: Telly Mia Title: Fertility Venus Medium: Bronze Sculpture, signature inscribed Size: 20 in. x 11 in. x 10 in. (50.8 cm x 27.94 cm x 25.4 cm)

Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets a movement; and places it in nature an...

When I chose the reference, I wanted to paint a tiger roaring so powerfully that the sound waves would spread across the water. But at the last moment, that idea started to feel a bi...

Euphémie MURATON (1840-1914) STILL LIFE WITH FRUITS Oil on canvas signed lower left 29 x 48 cm Period frame Born Camille Euphémie Duhanot, in 1854 she married the painter Alphonse ...

Publisher GKM. Unframed. Edition of 150 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, between torment and...