Romantic Art

In ancient Greek religion and mythology, Demeter is the Olympian goddess of the harvest, presiding over the cycle of life and death.

This bronze sculpture by Auguste Moreau is a beautiful work from the Romanticism period. Auguste was the third son of sculptor and painter ...

Richard Westall, R.A. (1765-1836) Venus signed and dated ‘R. Westall 1794’ (lower right) pencil and watercolour, with white heightening image 11 ⅞ x 15 ¼ in. (30.2 x 38.7 cm.) frame ...

"Obscurity" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, Oil on canvas About the artwork: Editio...

Coast by Rosemary Houghton [2020] original Oil Image size: H:93 cm x W:93 cm Complete Size of Unframed Work: H:90 cm x W:90 cm x D:4cm Frame Size: H:93 cm x W:93 cm x D:5cm Sold Fra...

"The Dordogne river passing by Civrac" blues and violets colours representing a very romantic and naif landscape by Sheila Querre Dimension art cm: 80 H x 65 W Dimension art inc...

A late 19th-century cabinet-sized oil on chamfered mahogany panel showing an elegant interior with a maid-servant contemplating a copy of the Venus de Milo. Signed lower left, "E. ...

19th Century French school, Two italian women in a landscape, oil on canvas 59 x 43.5 cm Bears a signature and a date on the lower left (see photograph please) but barely lisible ...

"She was a woman" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: ...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 THE CARD GAME signed, located & dated "Joaq. D. Becquer. Sevilla - 1849." (lower left) oil on ...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 OUTSIDE THE TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right) oil...

"Ceremony" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition...

Here is a set of four 18th century Italian paintings depicting various romantic dramas. All four painted in old world style and presented in the original stretchers and frames. Findi...

"Paradox" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition ...

"Paradox" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition ...

Antoine Georges Rochegrosse 1859-1938 French "La Sultane" Oil on canvas Signed upper right Canvas: 18 7/8" high x 25 1/4" wide Frame: 31 1/2" high x 37 5/8" wide Georges Rochegrosse was one of the most prestigious painters of his time. Adulated and covered with honors, he was nonetheless an archaeologist. He painted great reconstructions of classical antiquity but also more intimate and sensual...

Golden orange light caresses a street musician as he serenades the public. We can not actually hear his music but the way the picture has been crafted in beautiful tones of orange a...

Swan Scalabre "Jeunesse n°7" Oil on Wood 10.25 x 10 in, framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates...

Antique, romantic oil painting, 19th century. Old hunting lodge at the lake. The painting with frame is displayed smaller in the interior preview, because the dimensions were measur...

Romantic School, circa 1860 A pavilion in a garden , an animated view Pen and black ink, black ink wash on paper 19.5 x 26.5 cm In good condition, slightly undulating. Framed : 39 x ...

Swan Scalabre "Triptyque Jour de Fête" Oil on Wood 6 x 4.5 in Each 6 x 13.5 in. Overall Born in the Alpes de Haute Provence region of France in 1977,...

Flowers were one of Culver's favorite subject. This stunning portrait of a red flower draws the viewer into its very center as powerfully as any flower portrait by Georgia O'Keeffe. It is the idyllic flower that can be described as in the romantic style wherein the subject depicted is a more desired or dramatic version of what actually is. It is signed and dated by the artist on the lower left. This piece has been professionally reframed with acid-free matting and museum glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles Culver...

"The Rest" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition...

Contemporary oil on canvas of a landscape titled 'La Routo Bagnado' by French artist Jean Pellegrin,signed bottom right and also titled, dated 2014 and signed to the reverse. Pelleg...

Unknown title (castle with wall, stream and footbridge) Watercolor on laid paper, mounted to support of old Albumin photograph mount Signed and dated lower left (see photo) The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's Condition: Mounted to verso of albumin photograph mount (see photo) Glue residue outside of image/sheet on recto Colors fresh No other issues to note David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter. His son, known as David Cox the Younger (1809-1885), was also a successful artist. Early life in Birmingham, 1783–1804 Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...

French school 19th century, An italian bandit, 1864, watercolor on paper On the reverse of the sheet (now under the back of the frame) an annotation, "Rome 1864" 25,5 x 21.5 cm (v...

"Those from the past" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwo...

Achille Devéria (1800-1857) A galant scene pencil on paper Some stains (see photographs please) Bears the stamp of the Achille Deveria Estate Sale o...

Swan Scalabre "Jour de Fête I" Oil on Wood 6 x 4.5 in Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women, port...

LIQUID PASSION Photographic print Wood boxed float mounted frame, non reflective glass. Size 43” x 57.3”, $ 8000, Edition 4 of 10 in total (All sizes) Others Sizes in the edition: 33...

"My valley" oil on canvas by French artist Sheila Querre Dimension: 65 cm H x 92 cm W x 3 cm D The colours of the original work are lighter than those on the photo. The picture is i...

Charles H. Wells (1832–1884), most often known simply by C.H. Wells, was an American artist active in Philadelphia. The publication of this wood engraving made this view of George Wa...

Swan Scalabre "Jour de Fête n°1" Oil on Wood 10 x 13.75 in Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women,...

Swan Scalabre "Jour de Fête II" Oil on Wood 6 x 4.5 in Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women, por...

Denis Auguste Raffet (1804-1860) Studies of characters Black pencil and watercolor on paper 18.5 x 25.5 cm Stamp of the Raffet Estate Sale (1911) on the lower right In good condition, foxings on the original mount Framed 34 x 40 cm Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established.[ Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...

Antique oil painting, atmospheric seascape. 19th century. Oil on canvas. Unsigned. Dimensions without frame 80 cm x 122 cm. The painting and the frame are in an age-appropriate co...

The River Barge Pen and ink on paper on laid paper, mounted in English drum mount , c. 1810 Unsigned Condition: Slight sun staining to sheet and mount in th...

Beautiful Orientalist painting - The Framed size: 47 inches x 34.5 inches. Magnificent ornate Frame The paint surface looks like the style of William-Adolphe Bouguereau Signed lower right. Provenance: Gallery Label with inventory number: Size on label is in centimeters, which indicates the painting came from a United Kingdom art gallery. Subsequently, Robert Funk Fine Art...

Many of you clicking on this pen-and-ink of a pretty Edwardian-era lady are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the...

Restrained landscape with a child playing with a cat by an unknown artist. Although nearly monochromatic, there is exquisite details in the foliage in the foreground. to the left. In...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. In this image, Stanley shows an encampment of the people known as the Red River of the North hunters. They were generations of European and mixed-race trappers who lived on the frontier and had Indian wives and mixed-race children. They had come to the area for bison hunting, as the herds were still vast on the prairies. In the image, the figures and their encampment are dwarfed by the vast landscape around them, indicating the sublimity of these new American territories. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Camp Red River Hunters' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XII' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

France middle of 19th century (1843 ?) A set of 6 drawings Landscapes, trees, farms Brown ink and brown ink wash on paper Dimensions vary : Farms and buildings ( x 3) : 27 x 34 cm A...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 RIDERS PASSING BY A TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla, 1847." (lower l...

'Un fiacre a l'heure... (Emotions Parisiennes)' is an excellent example of the satirical caricatures produced by Honoré Daumier. The title, which translat...

A dynamic mid 20th century copy of a lithograph that depicts Englishmen on horseback giving chase with a pack of beagle-type dogs running in the background. by John Frederick Herring...

William Henry James Boot 1848 - 1918 Kirkstall Abbey Oil on canvas, monogrammed lower right and dated 1876 Image size: 24 x 36 inches (61 x 91.5 cm) Exhibited Royal Academy, 1878 no. 692 Much like his contemporary, John Atkinson Grimshaw, Boot appears to have been influenced by the Pether family who were renowned painters of nocturnes. He was a book illustrator as well as a renowned oil and watercolour artist, producing engravings for the London Illustrated News and Art Journal. He wrote 'Trees and How to Paint Them' in 1883. Boot was born in Manchester. He exhibited at the Royal Academy from 1874 to 1884, showing mainly English and Continental landscapes. He is known to have travelled extensively in Germany, France and North Africa. Boot was a member of the Royal Society of British Artists and of the Arts Club, who listed him as a "painter and writer on Gothic architecture". Boot also painted domestic genre and interior scenes but tended to concentrate on landscapes. Boot lived and married in London. He is buried with his wife in Hampstead. The subject of this painting, Kirkstall Abbey in Yorkshire, was a place Boot often visited. Three figures to the right gaze admiringly at the view, with the moonlight reflected on the path they stand on. THIS PAINTING IS IN THE 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' EXHIBITION CURRENTLY SHOWING AT DARNLEY FINE ART...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Past Bloom I - Contemporary Black & White Polaroid Original Photograph. Pia Clodi’s works encompass moments and experiences from her travels, throughout her time as a photographer. ...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

This is a limited edition print from a painting by Heine Hartwig (1937- ) depicting a Native American encampment in a meadow at the base of majestic moun...

The Condition is fair. work has been slightly over-cleaned. A heavy layer of glossy varnish. The surface of the canvas is undulated and most apparent from extreme side view . Yet in...

This is an original unique oil painting by the artist, Edward Antoon Portielje, a late nineteenth-, early twentieth-century Belgian painter from Antwerp, who showed an interest in se...

This artwork titled "Peaches" 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 548/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.5 x 21 inches, sheet size is 23.5 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

Daniel Ludwig. Residue of Yesterday- this work of art is an original oil painting on linen. Size: H:76 cm x W:61 cm Daniel Ludwig is an American figurative artist who lives and wor...

This artwork titled "Le Vieux Chalet" is an original serigraph by Russian artist Liudmilia Kondakova, born 1956. It is signed and numbered 90/100 in in white pencil by the artist. Th...

"Rift Valley, Sonde 5" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with bas-relie...

Robert Gemmell Hutchison was born and educated in Edinburgh. He began work as a seal engraver, although his real love was painting and he later studied art at The Board of Manufactur...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in a glassworks. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...