Romantic Art

Denis Auguste Raffet (1804-1860) Studies of a Tiroler Kaiserjäger, Signed and dated 1849 lower right Ink on paper 16.5 x 25.5 cm In a nice period frame : 33 x 42 cm Raffet had the occasion to draw studies of austrian soldiers as he took part as observer to the first Italian Independance War (1848-1849). It was the the first of many conflicts between the Kingdom of Sardinia , which later became the Kingdom of Italy , and the Austrian Empire. The Kaiserjäger (imperial hunters) were founded in 1815 by Emperor Franz I. It was a great honor to enter the Kaiserjäger as they were the only ones to be honored with the term "imperial". However, only Tyrolese, Voralbergers and Welschtirolers were allowed. They wore this characteristic hat as a parade headdress, it was made of matte black, waterproof felt. It consisted of a crown and brim adorned with a circular, green cord, the Jäger emblem and a plume of black rooster feathers. The hat cord was made of sheep's wool, and had a button and an acorn covered with a green wool. These two studies clearly evoke the interest of the artist for this part of their uniform. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...

Rare Collectible by Bengal School Artist Artist : Dipen Bose Medium : Watercolour on paper Size : 7.5 x 5 inches Paintings on both sides of the paper. ...

William Anslow Thornley (1857–1935) was a British marine and coastal painter, best known for his atmospheric views of shorelines, harbours, and estuaries around Britain. Born into a ...

German or Swiss School, probably Circle of Christoph Nathe (1753-1808)), around 1800; beautiful old master drawing/ aquatint, inscribed "P 50/ 1871 gekauf...

After Francois-Joseph Bosio (French, 1768-1845) "Henry IV of France" Patinated Bronze Sculpture, late 19th century, depicted as a child, on a square base, inscribed "Bosio". 46" H x ...

German or Danish School, 19th Century Coastal Scene with boat/ ship and fishermen very decorative cabinet piece in a golden frame The painting is very fine and goes with a very nice ...

Nell Brinkley was a pioneering woman illustrator for major national publications. She was famous for her "Brinkley Girl" and in the present work she exhibits a classic example. The m...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 OUTSIDE THE TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right) oil...

Matheus is greatly influenced by the city he now calls home -- New York has long been the epicenter of fashion, hip hop, and street art, where he feels his interest in contemporary a...

Matheus is greatly influenced by the city he now calls home -- New York has long been the epicenter of fashion, hip hop, and street art, where he feels his interest in contemporary a...

Follower of Claude Joseph Vernet (Early 19th Century)

Il disegno, matita su carta, raffigura un uomo barbuto, girato verso l'osservatore, che indossa una camicia con il colletto aperto ed è rappresentato con un'espressione di intenso st...

This impeccably rendered mid-century double portrait of a quarreling man and woman exhibits a supreme academic training knowledge lost in almost all contemporary art. It features an ...

John Henry Rollin Tilton American, 1828 - 1888 Ruins of Kom Ombo Oil on canvas Signed in hieroglyphics bottom right 31 1⁄2 x 49 1⁄2 inches Provenance: Private Collection, New York Ca...

Harlequin Clown entitled "Little Queen" by Italian/American artist Philippe Alfieri (1921-2009); limited edition lithograph titled & signed by the artist

This painting is oil paint on linen canvas mounted on wood framed in a reddish brown color frame Signed on reverse

Five papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ returning from hades.' -'...

A portrait of the mother Mary, oil on canvas, ready to hang. :: Painting :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready...

"Red Rose" is a painting about wondering if you are actually of value. The red rose is about beauty that is there but not always recognized or perceived. We are all beautiful even if...

Johannes Frederik Hulk Sr. (Dutch School 1829-1911) A member of the famous nineteenth-century family of artists, J.F. Hulk Sr concentrated mostly on painting town and vil...

This small drawing (pencil on paper, 25 x 19.5 cm) depicts a friar (who from the style of his tonsure and tunic would appear to be a Franciscan) on the left, seated in the act of rea...

Pieter Caspar Christ (Dutch, 1822 - 1888) This Romantic painter of cityscapes and landscapes received his artistic education from his ...

Painting, 19th century, oil on canvas, "Young woman at the well" Signed, B. Kern. Dimensions with frame 61cm x 75cm

L. Franssen Mother and child with a rose Oil on wood, 44,5 x 33,5 cm signed The artist of this outstanding painting is completely unknown so far. There is no entry under "L. Franssen" in any encyclopaedia or reference work. There was a Dutch artist, Jan Fransen (1604/5 - ca. 1646), who was mainly based in Amsterdam. According to Thieme/Becker, he created numerous paintings with biblical depictions, study heads and still lifes. However, it could also have been Jan Franssen or Frantzen, who was not born until 1644 but was also active in Amsterdam. However, no confirmed works by either artist are known. Just as interesting as the attribution is the depiction: a young woman holds her child on her lap while she prepares a meal on a hob. At the same time she holds a rose in her hand. Most likely, Mary is depicted here with the young Jesus...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

Oil on panel canvas :: Painting :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :: Canvas ...

A romance novel cover for Scandalous Bride by Diana Hamilton, published by Harlequin for their Scandals series, 1997. Signed Lower Right Man and woman lying in bed...

„Patience is not simply the ability to wait - it's how we behave while we're waiting.“ The work of art is painted in the oil technique, with the application of relief details an...

Pieter Plas placed himself with this pastoral scene in the tradition of the 17th-century painters and draughtsmen such as Nicolaes Pietersz Berchem, Karel du Jardin, Marcus de Bye an...

Signed Pencil Drawing by Andreas Geist, a German painter of animals and theatre sceneries. Andreas Geist was born as the son of the painter Joseph Gei...

Guignet was born in Annecy and grew up in the city of Autun. He was a friend of Hippolyte Michaud. He was a rather popular orientalist painter in h...

Mexican doorway in the vibrant residential community of Mirasol in Riberas del Pilar, Jalisco. :: Painting :: Romanticism :: This piece comes with an official certificate of authent...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 OFRECIENDO UNA COPA unsigned oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

Encounter the resonant blend of motion and music in 'The Nomadic Virtuoso,' a captivating painted metal sculpture by Arthur Waagen. This art piece from the late 19th century depicts ...

This painting was published as the cover for An Unlikely Attraction by Melinda McRae, Signet Regency Romance, Signet Books, 1991. Illustration of a young couple. Signed lower r...

A Pair of Drawings, Framed Signed and dated 1855 Chalk in black, brown wash, heightened with white, on paper each sheet, 46 x 31 cm . Framed. Two Landscape and Sea View Old Master Drawings, Paris, 18th Century, by Mozin Charles Louis Mozin (* 12 March 1806 in Paris; † 7 November 1862 in Trouville-sur-Mer) was a French painter. He is the grandfather of the Post-Impressionist Fernand Piet. The brother of the composer Théodore Mozin was a pupil of Xavier Leprince. He is considered the "discoverer" of Trouville-sur-Mer, which developed into a popular seaside resort at the end of the 19th century. At the age of nineteen, he first came to the fishing village on the coast...

Oil on canvas framed representing a monk reading sitting on a chair in the taste of François Granet.

Mountain ranges are among my favourite sights. Their majesty rises across the horizon and reminds me of how magnificent powerful nature is. Rocks literally thrusted from the ground ...

Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 COURTSHIP signed "Alonso Pérez" (lower left) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: 28...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. In this image, Stanley documented the encounter with the Gros Ventre people at Milk River. The explorers were invited to the Gros Ventres camp and the two groups exchanged gifts in friendship. The Stevens Party provided "... blankets, shirts, calico, knives, beads, paint, powder, shot, tobacco, hard bread, etc." The image likewise alludes to how, in 1855, Isaac Stevens, concluded a treaty (Stat., L., XI, 657) to provide peace between the United States and the Blackfoot, Flathead and Nez Perce tribes. The Gros Ventres signed the treaty as part of the Blackfoot Confederacy, whose territory near the Three Fork area became a common hunting ground for the Flathead, Nez Perce, Kootenai, and Crow Indians. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Distribution of Goods to the Gros Ventres' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXI' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix...

The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Before the printmaking boom of the 1830s, however, such inexpensive memorial images were not widely available. These prints became popular as ways of remembering loved ones, an alternative to portraiture of the deceased or to meticulous hand-embroidered memorials often made by female academy students. In the image, the urn-topped monument contains a space where a family could inscribe the name and death dates of a deceased loved one, though this example was never used. In the variations of this image type produced by the Kellogg...

Fine Watercolour Drawing by Alexandre Jules Monthelier. He was a French Artist who worked in France and created many drawings of famous landscape and sceneries (e.g. the cathedral of...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Lieutenant Crovers Despatch – Return of Governor Stevens to Fort Benton' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXXVII' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

Otto Wilhelm Eduard Erdmann was born in 1834 in Leizpig, Germany. He is best known for his fine interior and genre scenes, often including figures. This original oil is a prime examp...

"Full Personality," by John Taintor Foote and illustrated by Henry P. Raleigh for the Saturday Evening Post, January 28, 1933. "I've come to drown myself -- will you help?" Henry Patrick Raleigh...

Hand-coloured unique portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Katie Eleanor, ‘Your Hand, Your Tongue’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

A familiar scene to all New Yorkers and millions of tourists is pictured in a way that none see with their own eyes in person. This luminous image of the Billionaires Row skyline is ...

Story illustration for Saturday Evening Post magazine, 1928. Image of woman seated on balcony, older man looking on. "I feel immensely flattered that you'...

Mt Ranier, WA... winter 2019. :: Painting :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :...

My childhood memories. Remembering growing up with my grandfather who was my biggest influence and role model. :: Painting :: Romanticism :: This piece comes with an official certi...

Herman Frederick Ten Kate 1822 - The Hague - 1891 Interior Scene Watercolor on paper 9 1/4 x 13 1/4 inches (23.4 x 33.6 cm) Framed: 17 x 21 ½ inches (43 x 54.6 cm) Signed lower right Provenance: Private Collection, USA Herman Ten Kate spent most of his life in The Hague although he did occasionally travel to Amsterdam and Haarlem. He was a member of the Royal Academy in Amsterdam in 1847. He was a student of Cornelis Krusemans from 1837 to 1841. Ten Kate generally depicted friendly genre scenes as well as scenes with soldiers inspired by the 80 years war. His work is generally of watercolor and lithographs. Our sheet offers a quiet scene in which two gentlemen are featured, each sporting the extravagant hats, vests and tall boots typical of the 19th century, inspired by the 17th century Guardroom scenes. One man rests against the back of a chair, his face marked with a serious expression, his left hand gesturing toward the other man seated at the table. The seated figure wears a rather bemused expression as he composes a letter, apparently taking delight in his endeavor. The two figures are surrounded by various objects cluttering the room, which Ten Kate employs for the specific means of compositional balance. The various interior elements -- a long wooden table...

This oil painting is on 12x12x1.5 gallery wrapped canvas and it's done in a style of romantic surrealism. The sides of the canvas are painted white and will be shipped ready to hang....

Initialed center right. Saul Tepper was born on the Lower East Side of New York City, and remained a New Yorker all his life. As a youngster, Tepper was awarded a correspondence course from the Landon School of Art. He also studied at The Cooper Union, the Art Students League, and at the Grand Central School of Art, under Harvey Dunn. Tepper first worked as a letterer in a fashion catalog...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Past Bloom I - Contemporary Black & White Polaroid Original Photograph. Pia Clodi’s works encompass moments and experiences from her travels, throughout her time as a photographer. ...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...