Romantic Art

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series In Between Days Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Canvas measures 21.25" x 19.5" and the frame measures 30.5" x 25.5" x 3" Ferdinand Wagner II studied art initially with his father, a vocational art teacher. Later he attended the Munich Academy of Arts working closely with Karl von Piloty. Much of Wagner's career focused on commissions as a decorative painter. He did ceiling frescos...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series The Whispering Dark Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Katie Eleanor, ‘Your Hand, Your Tongue’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Follower of Claude Joseph Vernet (Early 19th Century)

Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd Series: No Innocent Land This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula. Print details: © Alex Boyd, Courtesy MMX Gallery Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist Image: 82 x 58 cm Frame: 116 x 91 cm Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass Shipping worldwide; the framed print would be crated and shipped by professional shipping company, Free delivery in London postcodes and in a selected areas in the UK. Free pick up from the gallery. About the Artist: ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020. A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications. WORK REPRESENTED IN THE FOLLOWING COLLECTIONS: The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A *** NO INNOCENT LAND The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera...

Hand-coloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo...

An original piece from the series “Sistine moodâ€

Oil on panel canvas :: Painting :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :: Canvas ...

„Patience is not simply the ability to wait - it's how we behave while we're waiting.“ The work of art is painted in the oil technique, with the application of relief details an...

Drawing by Jean-Baptiste Valadie

European artist (early 20th century) Two study portraits of Mas MarCo Kartodikromo (1890-1932) One inscribed Kartodikromo lower right Framed in ebonized frame with white mount. Pe...

Walter Henry Sweet's watercolor of the interior of Bramall Hall is both delicate and romantic. His characteristic soft pinks and greens illicit the grandeur of this Cheshire manor ow...

Mexican doorway in the vibrant residential community of Mirasol in Riberas del Pilar, Jalisco. :: Painting :: Romanticism :: This piece comes with an official certificate of authent...

George Tsui's imagination is filled with Chinese themes. The idea of creating his own brand of classic romanticism, unrestrained by conventional reality, w...

Il disegno in questione è molto probabilmente uno studio dal vivo per un ritratto da riportare successivamente in pittura, come si può notare dall'intensità dello sguardo e dall'alta...

This painting was published as the cover for An Unlikely Attraction by Melinda McRae, Signet Regency Romance, Signet Books, 1991. Illustration of a young couple. Signed lower r...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Pacific Ocean. It was a sunny day and the sky shone with joy. Clouds, like emerald facets, reflected the blue of the sea and the lines of the waves. The warm and favorable wind carefully held the wings of the sailboats...

Young couple getting married. Man putting the ring on his wife's finger. Signed upper right. As a young man, Rico Tomaso played piano in a small dance orchestra, wearing heavy...

Just three colors were employed, (yellow, blue and violet) in the creation of this acrylic piece where a pair of Orcas cruise the Salish Sea. BC's Coastal R...

Pencil on paper mounted on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenage...

Pencil on paper mounted on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenage...

My childhood memories. Remembering growing up with my grandfather who was my biggest influence and role model. :: Painting :: Romanticism :: This piece comes with an official certi...

This very modern drawing presents a view of Ariccia, a small town 25 kilometres south-east of Rome. The Palazzo Chigi (in which the film-maker Luchino Visconti would film a large part of The Leopard a century later) and the adjoining church are seen from the bottom of the ravine that surrounds the town. This drawing is a moving testimony to the attraction of the city for artists of the Romantic period, who established in Ariccia a vivid artists' colony. 1. Achille Bénouville...

Story illustration for Saturday Evening Post magazine, 1928. Image of woman seated on balcony, older man looking on. "I feel immensely flattered that you'...

This oil painting is part of the Overgrown series by artist. The Ambient Mushroom was painted in the artist's studio. The creation of this work was fueled by the whimsical atmosphere...

Dragonfly is an inspiration of a time when I was working. I was moving pipe and a dragonfly had landed on the sprinkler head. I knew that if left there the water would scare him away...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

A Flickering Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, ba...

Excited to share my latest artwork, "Golden Roses I". This piece features gold gilding and calligraphy on a round canvas with a Chinoiserie touch, adding a romantic flair to any decor. Measuring 20cm in radius and 1.5cm in depth, this acrylic painting shines with a soft luster, enhancing the golden moment of opportunity as beautifully described by William James, ''To improve the golden moment of opportunity, and catch the good that is within our reach, is the great art of life.' Golden Roses I (2021) is not just a painting; it's a piece of art signed by me and comes with a Certificate of Authenticity, ensuring its uniqueness and value. Art enthusiasts, feel free to explore this creation and immerse yourself in the elegance of "Golden Roses I". Art © 2019-2022 Fuen Chin...

Paperback Cover Cover of "Dark Fire," Harlequin Books Signed Lower Right Man and Woman holding each other

mixed media on paper; unframed full sheet 22.5 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint ...

mixed media on paper; unframed full sheet 22.5 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint ...

mixed media on paper; unframed full sheet 22.5 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint ...

mixed media on paper; unframed full sheet 22.5 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint ...

mixed media on paper; unframed full sheet 22.5 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint ...

The romantic merges with the classic in Mitchell Funk's 1970s interpretation of the Brooklyn Bridge. With a long lens, Funk incorporates the emotionally joyful colors of out-of-focu...

mixed media on paper image size: 7.25 x 13.25 inches Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated...

mixed media on paper; unframed signed lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated wi...

mixed media on paper; unframed signed lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated wi...

Billionaires' Row skyscrapers shimmer in a rich golden light with later afternoon rainbow. The warm colors of the Central Park South skyline are offset by the vibrant green of the great lawn. It acts as a counterpoint to the buildings. At the end of the rainbow lies a lot of golden buildings. This is one of the most appropriate places for a rainbow to end. The pot of gold...

Signed and dated on lower right, numbered on verso, 2/15 other size available, unframed, printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk brings the compositional ...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

A long lens isolates three nude chubby child figures from the Angel of the Waters Bronze Statue in Central Park. They are juxtaposed with three modern-day figures in a rowboat. The...

Couple standing beside a tree Signed lower right Henry Patrick Raleigh was one of the most prolific of all our illustrators. In spite of this...

Golden orange light caresses a street musician as he serenades the public. We can not actually hear his music but the way the picture has been crafted in beautiful tones of orange a...

A romance novel cover for Scandalous Bride by Diana Hamilton, published by Harlequin for their Scandals series, 1997. Signed Lower Right Man and woman lying in bed...

Medium: Oil on Canvas Signature: Signed Upper Left This illustration appeared in Edmond War's story, Speak Only With Your Heart, McCall's magazine, 1942. From the Estate of Charles Martignette. Won the Harvard Award in 1929; Newspaper Award in 1936 and was elected to the Society of Illustrations Hall of Fame in 1980. Saul Tepper was born on the Lower East Side of New York City, and remained a New Yorker all his life. As a youngster, Tepper was awarded a correspondence course from the Landon School of Art. He also studied at The Cooper Union, the Art Students League, and at the Grand Central School of Art, under Harvey Dunn. Tepper first worked as a letterer in a fashion catalog...

Balantine books Signed lower right. Robert Berran has been a prolific romance and historical book cover illustrator since the 1970s.

This illustration was published as the paperback cover of, Build Me a Dream (Silhouette Special Edition series) by Pat Warren, Silhouette Books, 1989 A young man holding a young w...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series In Between Days Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series Story Lines Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Lost Venice highlights the Renaissance past of a city that Hadley visited often as a child and where she later lived and worked. Her ethereal, sepia-toned photographs capture the all...

Signed and numbered Fine art print on Hahnemuhle photo rag paper Tim Bret-Day always felt like the odd one out and connected with the outsiders. Tim's dad was French, chic, and gre...