Victorian Art

Artist/ School: F. E. Jamieson British 1895-1950, signed lower front Title: A Coastal View At Sunrise, Scottish harbour scene Medium: Oil on canvas,...

French Village Church and Garden Post Impressionist Landscape Scene (French, 20th century) Indistinctly signed lower left, dated ‘64 oil on paper laid on board, unframed Board: 10.5...

Castle Combe, The Cotswolds, England Donald Jennings (20th century) dated 1990 signed oil on canvas, framed inscribed verso framed: 26 x 36 inches canvas : 20 x 30 inches Provenance...

'Piazza di Monte Cavallo e Palazzo pontificio del Quirinale' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870. B...

Waving Goodbye Colin Impey (20th Century), British signed oil on canvas, unframed dated 2014 canvas: 16 x 20.5 the painting is in overall very good and s...

Alfred VICKERS Signed and Dated 1860 Oil on Canvas PS: 24 x 36" (61 x 91cm) OS: 33 x 45'' (83 x 113cm) 1786-1868 He was largely self-taught and was the father of a painting dy...

Artist/School: Frank Hider (1861 - 1933), signed, inscribed verso Title: Sunset on the waters Medium: oil on canvas, framed Framed: 21 x 25 inches Size:...

The Highland Loch by John Hamilton Glass (British, fl.1890-1925) signed oil on canvas, unframed canvas: 16 x 24 inches inscribed verso indistinctly provenance: private collection, En...

Artist/ School: David Hicks, British late 19th century, signed Title: The Scottish Highlands Medium: signed oil painting on canvas, oak wood framed Size: framed: 27.5 x 23.5 inch...

This is a pair of framed hand-colored engravings of an ancient vase in the Palizzy Wares style and a silver gilt tazza (cup) with a cover, both from the 16th century. These were engraved under the supervision of Philip De La Motte...

Stormy Seas at Dusk, Cornwall by George Henry Jenkins (British, 1843-1914) Signed oil on board, framed Framed: 12 x 18 inches Board: 9 x 15 inches Provenance: Private collection, South West England This dramatic seascape painting...

Highland Companions by A. J. Blackie (British, 20th century) signed oil on canvas, framed framed: 23 x 30.5 inches canvas: 20 x 28 inches Provenance: private collection, England Con...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

John Brandon Smith, John Brandon Smith is an English landscape artist of some renown. He concentrated on the waterways of England, Scotland and Wales. He was particularly interested in the effects of cascading water. This led to his being given the moniker 'Waterfall Smith'. He was fascinated by the spectacle of rivers in spate. Many of his paintings concentrated on the rivers Conway, Llugwy and Lledr in North Wales but he also painted the rivers of England and Scotland. Some of his more celebrated works show The Swallow Falls and Aysgarth Falls in North Yorkshire. He used many shades of green and blue on his small, jewel-like canvases. He would occasionally introduce the figure of a fisherman to provide perspective. His themes are characteristic of the Renaissance of the European Romantic Movement. He exhibited twenty-two works at The Royal Academy between 1860 and 1874. He also exhibited at Suffolk Street. This is a very rare large example of the painters work. It is framed in an Antique English frame

Pastoral Landscape with Figure and Cattle English School, mid 19th century signed lower front corner oil on canvas, framed Framed: 18 x 24.5 inches Canvas: 14 x 21 inches Provenance:...

Alfred Banner was an English landscape and figure painter. He often worked in a late Victorian style, with his compositions being young children enjoyi...

A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...

'Strepera Crissalis (Lord howe Island Crow-Shrike)' Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of N...

Artist/ School: F. E. Jamieson British 1895-1950 Title: The Highland River at Sunset Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Provenance...

A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...

The Woodland Cottage English artist (Suffolk School), 19th century oil on canvas, framed framed: 12.5 x 14.5 inches canvas: 10.5 x 12.5 inches provenance: private collection, Suffolk...

Oil on canvas, signed and dated lower right 1882 Image size: 36 x 29 inches (92 x 74 cm) Gilt Watts frame LITERATURE The Life and Work of Frank Holl, Ada ...

The Travelling Herd, Impressionist Landscape, Oil Painting, Signed English School, mid 19th century Oil painting on canvas, framed Framed size: 14.5 x 18.5 inches Majestic scenic oi...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Artist/ School: F. E. Jamieson British, faint signature Title: The Highland River Landscape Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Pro...

'Chiesa di St Maria-Sopra-Minerva. Veduta delle braccia di Croce' Santa Maria sopra Minerva is one of the major churches of the Roman Catholic Order of Preachers (better known as t...

Louis Lottier (1815-1892) French 'Merchants gathered on a beach with a town beyond Medium: oil on canvas, unframed. Size of panting 8.5" x 15" inches overall good and satisfactory c...

This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...

Artist/ School: Frank Murray, Scottish late 19th century Title: A figure returning a crofters cottage besides a river or lake in the Highlands. Medium: watercolour painting, frame...

A large antique Christian painting of the vision of Saint Francis French, 19th Century Frame: height 168cm, width 125cm, depth 5cm Canvas: h...

Artist/ School: Harry Pennell, British 19th century, signed lower corner Title: Tranquil Pastures Medium: signed oil painting on board, framed Size: ...

This beautiful Victorian oil painting titled "Roadside Inn in Hampshire" is attributed to the renowned British artist Henry Charles Woollett (c.1826-1893), and depicts a picturesque ...

'Portico D' Ottavia e Pescheria' Tinted lithograph by Eugene Ciceri after Felix Benoist (1813-1881), with figures by Bayot. From a French series titled 'Rome dans Sa Grandeur', cir...

Josef Zenisek (1855–1944) Portrait of a Young Woman with Red Scarf, circa 1900 Oil on canvas Signed lower left This beautifully rendered portrait by Josef Zenisek captures the pois...

The Harvest Workers English School, 19th century, unsigned oil on canvas, unframed canvas: 24 x 16.5 inches provenance: from a collection in England condition: very good and sound co...

Artist: Edward Robert Smythe (British, 1810–1899) Medium: Oil on canvas Size: 16 x 18 inches (framed) Signature: Signed lower left Condition: Presented in good condition Provenance: ...

Artist/ School: F. E. Jamieson (British 1895-1950), signed with the artists pseudonym 'McGregor'. Title: Sunset in the Scottish Highlands Medium: signed oil painting on board, fra...

Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...

'First Violin' Chromolithograph, 1884, after Ape (Carlo Pellegrini 1839-1889) Vanity Fair portrait of Alfred (1844-1900), the second son of Queen Victoria. He was known as the Duke...

Wonderful English Victorian River Landscape. Thomas O Hume was an English landscape painter who exhibited from 1864-1892. He showed his paintings at t...

Playful Terriers English artist, early 20th century Oil painting on board, framed Framed: 16 x 19.5 inches Board: 11.5 x 14.5 inches Condition: The painting is in very good condition...

This finely painted pastoral scene is attributed to Charles Towne, one of the leading animal and landscape painters of the late 18th and early 19th centuries. The composition depicts...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Tranquil Pastures English School, 19th century oil painting on canvas, unframed canvas: 30 x 40 inches provenance: private collection, England condition: overall very good - small ...

Alfred Seifert Czech, (1850-1901) Portrait of a Young Woman with a Pearl Necklace & Rose Oil on panel, signed Image size: 15.5 inches x 12 inches Size including frame: 23 inches x...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chapu (1833-1891) and Marius Jean Antonin Mercié (1845-1916). Dalou was hugely influential and was a founding member of the Société des Artistes Français and later a founder of the Société Nationale des Beaux-Arts. He was officially rewarded with the highest rank of the Légion d'Honneur two years before his death, with the inauguration of the Triumph of the Republic, in 1899. He started his artistic training in 1852 at the Petite Ecole after being encouraged to do so by Jean-Baptiste Carpeaux, where he studied drawing and modelling. Carpeaux continued to support Dalou throughout his career and influenced his sculpture greatly. Dalou began employment in the field of decorative sculpture working for two companies in Paris, Lefèvre and Favière goldsmiths. During this time he contributed towards the architectural features of Hôtel de la Païva, the then home of the infamous French courtesan Esther Lachmann known as La Païva. Dalou's unique approach lay in his broad range of subject, painterly and sculptural source material, though which he absorbed an impressive spectrum of inspiration. The work of an eighteenth-century sculptor, Louis-François Roubiliac, played a significant role in Dalou's artistic development, whose sculptures he studied whilst in London. Dalou's work includes friezes, maquettes, reliefs, and individual bronze figures. He is known for Baroque-inspired allegorical group compositions, as much as for his depictions of the French rural labouring classes. Dalou encouraged students of art to free themselves from the constraints of established traditions, with his style and teachings thought to have awakened a new generation of young British sculptors whose work was later aligned to the New Sculpture movement. This rough plaster model was kept in the studio of Alfred Drury...

Thomas Sutherland (1785-1838) after Thomas Whitcombe (1760-1824) 'Capture of the La Vengeance, Aug 21st, 1800' Colour aquatint engraving from 'The N...

Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...

George Bernard ONeil 1828-1917 Oil on canvas, signed & dated (18)76 lower right Image size: 22 ½ x 17 inches Original frame The painting depicts the arrival of the new teacher, a curious pupil peeps around a door to see her, while her friends look through the open door to the classroom to catch a glimpse. The artist has gone to great lengths with the painting, such as the highly detailed Dutch tiles on the bottom right of the picture or the window above the door in the background. O'Neil often painted works with several doorways leading off and giving a sense of depth to the work. The use of light and shadow is also cleverly depicted across the work, one light source arrives from where the viewer stands filling the room and the new teacher with light, while the other window above the door in the background also gives a warm glow. George Bernard O'Neill was born on 17th July 1828 in Dublin the ninth of fifteen children of Bernard and Sarah O...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

Artist/ School: Norman A.Olley (British, 20th century) dated 1994 and inscribed verso Title - The Keels Game, traditional English village tavern scene...

The image shows a captivating early 20th-century Scottish river landscape painting by Joseph Henderson, a renowned Scottish artist celebrated for his evocative depictions of nature, ...

Fishing the Highland Stream by George Henry Jenkins (British, 1843-1914) signed oil on board, framed framed: 16 x 24 inches board: 12 x 20 inches Provenance: Private collection, Engl...

William Shayer Senior Oil on Canvas. Signed bottom right Canvas Size: 30 x 40" (76 x 102cm) Outside Frame Size: 39 x 49" (99 x 125cm) 1787-1879 William Shayer was born in Southam...

'Porto di Ripetta. Veduta presa dalla scala della Chiesa di S. Rocco' Tinted lithograph by Philippe Benoist (1813-1881). Figures by Bayou. From a French series titled 'Rome dans Sa...

'The Century Atlas. Missouri. Northern Part.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.

The Close of the Day by Spencer Coleman, British b. 1952 signed oil on canvas, unframed canvas: 20 x 30 inches condition: very good provenance: private...