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David Roberts Nazareth

Nazareth. David Roberts Holy Land lithograph, 1844.
By David Roberts
Located in Melbourne, Victoria
'Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts
Category

Mid-19th Century Victorian Landscape Prints

Materials

Lithograph

Convent of the Terra Santa, Nazareth. David Roberts Holy Land lithograph, 1844.
By David Roberts
Located in Melbourne, Victoria
'Convent of the Terra Santa, Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David
Category

Mid-19th Century Victorian Landscape Prints

Materials

Lithograph

Recent Sales

Convent of the Terra Santa Nazareth
By David Roberts
Located in New York, NY
Original hand-colored lithograph by David Roberts (1796 – 1864) published by F.G. Moon, 1844. The
Category

1840s Realist Prints and Multiples

Materials

Lithograph

People Also Browsed

Gaza, Palestine, Holy Land. David Roberts lithograph, 1843.
By David Roberts
Located in Melbourne, Victoria
'Gaza', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s producing waterc...
Category

Mid-19th Century Victorian Landscape Prints

Materials

Lithograph

David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
By David Roberts
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ la...
Category

1840s Realist Landscape Prints

Materials

Lithograph

'The Seine in Winter', School of Paris, Tonalist, Snowy French Landscape, Mood
By Charles Gordon Harris
Located in Santa Cruz, CA
'The Seine in Winter' by Charles Gordon Harris. School of Paris, Tonalist, Snowy French Landscape, Mood ---- Signed lower right, 'Charles Harris', for Charles Gordon Harris (America...
Category

1950s American Impressionist Landscape Paintings

Materials

Oil, Fiberboard

Hidden Valley, San Anselmo, Marin County, California
Located in San Francisco, CA
Artist: Jack Wisby– American (1869 - 1940) Title: Hidden Valley, San Anselmo, Marin, California Year: 1909 Medium: Oil on Canvas Size: 20 x 28 inches. Framed size: 30 x 38 inches Si...
Category

Early 1900s Realist Landscape Paintings

Materials

Canvas, Oil

Jupiter 7, Geometric Abstract Serigraph by Rafael Bogarin
By Rafael Bogarin
Located in Long Island City, NY
Artist: Rafael Bogarin Title: Jupiter 7 Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 295 Paper Size: 22.5 x 28.5 inches
Category

1980s Conceptual Abstract Prints

Materials

Screen

The Pool of Bethesda- Jerusalem
By David Roberts
Located in London, GB
THE POOL OF BETHESDA- JERUSALEM Subscription and first edition lithographs in stock Full plate: 12 Presented in a acid free mount £1,200 Published by F.G. Moon & Son, London 1842-4...
Category

19th Century Victorian Landscape Prints

Materials

Lithograph

Landscape #IV
By Thomas Monaghan
Located in San Francisco, CA
This artwork "Landscape #IV' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The i...
Category

21st Century and Contemporary American Impressionist Landscape Prints

Materials

Monotype

Landscape #IV
Landscape #IV
$625
H 15 in W 22 in D 0.01 in
'Industrial Complex'
Located in Santa Cruz, CA
Signed lower right, 'Peter Baczek' (American, born 1945) and dated 1983; additionally titled, lower left, 'Industrial Complex' with number and limitation, lower center, '14/80'. Pape...
Category

1980s Landscape Prints

Materials

Paper, Etching, Aquatint

'Industrial Complex'
'Industrial Complex'
$1,250
H 11.75 in W 17.75 in
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Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.