Diva Suite

Born Romain de Tirtoff (1892–1990) in St. Petersburg, Russia, to an aristocratic family, the artist known as Erté — a pseudonym derived from the French pronunciation of his initials — was a Renaissance man of the art and design world. He worked in graphic arts, interior design, fashion, jewelry and set design for the stage and silver screen, becoming a leader of the Art Deco style.

Moving to Paris in 1912, Erté worked as a fashion designer under couturier Paul Poiret before securing a job with Harper’s Bazaar as a cover artist. Over 22 years, Erté created more than 240 magazine covers alongside his ongoing work in fashion design.

Extending his prolific career into theater sets, costumes, prints and lithographs, Erté became one of the most famous artists of the era. His style — a combination of the nature-inspired flourishes of Art Nouveau and bold, geometric linework — directly contributed to the birth of Art Deco, earning him the nickname “the Father of Art Deco.”

After a lull of creative production in the 1940s and 1950s, Erté reentered the public eye in the 1960s, when a renewed interest in Art Deco had taken shape.

Creating colorful lithographs, bold serigraphs (silk-screen prints) and bronze sculptures, he contributed to a resurgence of the style in France and beyond. This late-life acclaim for his art led to exhibitions in museums and galleries all over the world as well as his first published monograph in 1970. That same year he was awarded the title of Chevalier du Mérite Artistique et Cultural and in 1976 was named Officier des Arts et Lettres by the French government.

Today, Erté’s works are in the collections of the Metropolitan Museum of Art and the Cooper Hewitt, Smithsonian Design Museum, in New York, the Victoria and Albert Museum in London and LACMA in Los Angeles.

On 1stDibs, browse a collection of Erté art, including fine art prints, paintings and other works.

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.