Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Angel - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Angel - Original Etching by James Neagle - 1810
By James Neagle
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Desperation - Original Etching by John Hall - 1810
By John Hall 3
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait of Abbe Raynal - Etching After Thomas Trotter - 1810
By Thomas Trotter
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait of a Man - Etching by James Caldwall - 1810
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
"Lady, " an English Terrier
Located in Columbia, MO
"Lady, " an English Terrier 1887 Etching 3 x 5
Etching
Portrait of J....I - Etching by James Caldwall - 1810
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait of a Man - Etching by John Thornthwaite - 1810
By John Thornthwaite
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portrait of a Man - Etching by John Hall - 1810
By John Hall 3
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Skulls - The Physiognomy - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Bust and Cupid - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Hands - The Physiognomy - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Physiognomy - Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Rest - Original Etching by Isaac Taylor - 1810
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Physiognomy - Profiles - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Animals Muzzles - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Profile - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Portrait - Etching by Thomas Holloway - 18th Century
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Portrait - Original Etching by Thomas Vivares - 1810
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Physiognomy - Silhouette Etching by Thomas Holloway - 1810
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Portrait after Raphael - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Portrait of a Man - Etching by John Hall - 1810
By John Hall 3
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
The Portrait - Etching by Thomas Holloway - 18th Century
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Last Supper - Etching by Thomas Holloway - 1810
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Profile - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Profile - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Portraits after Vandyke - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Surviving - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
Skulls of Beasts - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English e...
Etching
The Cats Let Out of the bag, or the Rats in Dismay - English, early 19th cent.
Located in Middletown, NY
London: The Satirist, 1811. Etching with aquatint on buff wove paper with an 1808 watermark, 9 3/4 x 13 inches (248 x 330 mm), wide margins. Scattered paper repairs on the verso, as...
Etching, Aquatint
Strange Figures - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Representation of Love - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Historical Scene - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Portraits of Men - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Grotesque Scene - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Historical Men - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
William Tell - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's english e...
Etching
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
Once built for curbs and handrails, these boards now hang beside blue-chip works in major museums and collectors’ homes.
A planet-wide celebration feels fitting for an artist who saw connections everywhere: between paint and photography, art and life, self and surroundings.
The sculptural lithograph is part of the inimitable artist’s “Ruckus” series, now on view at the Brooklyn Museum.
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
Get to know the key movements and artists who have influenced visual culture for more than a century.
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
This set of recipes and original prints might not make you a better chef. But it will make you smile.
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.