Ettore Sottsass Dresser

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

• Emerges during the 1960s; popularity explodes during the ’80s
• A reaction to prevailing conventions of modernism by mainly American architects
• Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
• Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
• Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
• Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
• Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

• Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
• Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
• Unconventional proportions and abundant ornamentation
• Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

• Ettore Sottsass
• Robert Venturi
• Alessandro Mendini
• Michele de Lucchi
• Michael Graves
• Nathalie du Pasquier

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Antique, new and vintage dressers are a staple in any household. Whether it’s a 19th-century solid pine or oak Welsh kitchen dresser you’re using to store tableware or a Broyhill Brasilia highboy in your bedroom, these furniture fixtures are essential for making the most of your space.

The first step in finding the perfect dresser is considering your particular needs. Most tall dressers offer anywhere from five to seven drawers, essentially allowing for the organization of an entire wardrobe, while shorter, waist-height dresser varieties can be equipped with a convenient vanity mirror.

A highboy dresser is usually around six feet tall, with some versions standing even taller at seven feet or so. Highboys, which began to appear with frequency during the early 17th century in England, are essentially very tall dressers with lots of drawers, whereas a lowboy is a different type of storage furniture in that it's a dressing table with one or two rows of drawers. 

When shopping for your antique or vintage dresser, consider those that bear the hallmarks of solid construction. Good furniture means making an investment, and solid hardwood pieces of maple, walnut or cherry will prove far more durable than a bedroom dresser made of particleboard.

If you’re looking for a mid-century modern case piece that boasts a subdued pairing of wood grains and uncomplicated drawer pulls, browse elegant dressers designed by Florence Knoll, Harvey Probber, Paul McCobb and other furniture makers associated with the celebrated style on 1stDibs. 

Dressers characterized by bolder designs are also popular: Not only will your new piece of furniture be a storage solution, but it'll also make a statement.

Art Deco furniture makers preferred to work with dark woods and typically incorporated decorative embellishments. An ornately carved French or Italian Art Deco dresser complete with vanity mirror and cabriole scrolled feet might better complement the other pieces in your home. Alternatively, if you favor sumptuous antique furniture with curving lines and floral flourishes, the collection on 1stDibs also includes sophisticated 1800s-era Victorian walnut dressers and washstands with marble tops.

After all, a good case piece isn’t merely for minimizing clutter in your space. The style of your chosen dresser and its specific attributes should add something to your decor and your home. Modern creations include one-of-a-kind shapes, like the venturesome chests of drawers in leather, marble and wood crafted by the likes of Roberto Cavalli.

Explore a broad array of antique and vintage dressers today on 1stDibs.