Forms And Surfaces Door Pull

a commanding, gallery-worthy form—standing an impressive 89 inches tall with elegantly arched side

defined by flush panel doors with block pulls, a detail that became a signature of the atelier. Inside

is pulled out a little first. A landscape of rivers and ruins appears as the central motif in the

the reverse “1951 – Fez, Morocco.” The cupboard’s simple geometric form, elongated wooden pulls and

A fine quality Mahogany Partners Desk from Niagara Furniture with raised door panels and a rich

style gold tooling. The brass pulls complement the desk, while paneling forms the sides of the desk

mahogany in the drawer and door panels displays a rich color and a fine grain that are offset by the

across the bottom and feet. 1 small break to beaded edge of pull out secret.  Expected surface marks and

walnut burl wood, showcasing the movement’s characteristic balance between streamlined form and

features two brass pulls and hardware. The leather writing surface is embossed with a 23 carat gold leafed

across its sharply linear form. The four paneled doors are faced in sepia-hued birdseye maple, their

with four cabinet doors and three vertically arranged drawers down the middle. Each door is elegantly

veneer that flows like a landscape across the surface. Behind the left door are five drawers with

, showcasing the movement’s characteristic balance between streamlined form and decorative surface. Each

(circa 1900–1930). The façade is defined by turned bamboo-form pilasters and applied crossed bamboo

pulls. The lower double doors open to one shelf, the sides with turned supports. Raised on carved front

doors, the one on the left opens to reveal three pull-out drawers and storage below and the door on the

animate the surface without overwhelming the purity of the form. As with the finest Brazilian rosewood

almost like a graphic pattern across doors and drawers. That mix of modern form, expressive wood, and

grain from top to bottom, with wood-inlay door panels forming a refined diamond pattern in contrasting

white lacquered sliding doors, creating a refined two-tone composition. The clean, rectilinear form is

features a softly bowed façade with paneled doors, classical pilaster divisions, and finely carved

cast bronze drawer pulls shaped like stylized swan heads — an elegant neoclassical touch with

gently arched glazed doors that soften the linear structure. The proportions are well balanced, and the

form the writing surface, supported by sliding pulls on each side. The interior is finely veneered with

A masterclass in restraint and proportion, this long-form credenza by Cimo exemplifies the quiet

visual surface with a warm, deep patina that accentuates the natural grain patterns and tonal variations

chest features two paneled double-door cabinets surrounded by a total of twenty-one drawers of varying

experimentation in material, form, and color. It channels the futurist spirit while celebrating Loewy’s industrial

aesthetic as well as traffic flow. The right door opens to reveal three surfaces, while the left rounded

aesthetic as well as traffic flow. The right door opens to reveal three surfaces, while the left rounded

accents and simple round pulls, embodying the refined elegance of Émile-Jacques Ruhlmann’s iconic Art Deco

cubby flanked with column forms. With the desk down the maximum depth is 32”; the writing surface is 28

visual impact of the piece. The upper portion is enclosed by two large paneled doors, showcasing clean

repeated in the form of a beater strip between the lower two doors as well as framing the door panels and

piece’s sculptural surfaces. Wear is minimal and respectful: the green plastic doors show some minor

Magnificent figured wood draws the eye across its three-door buffet form, enhanced by a medium

Antique French Louis XIV Walnut Round Side Marble Top Buffet combines beauty and elegance with form

paneled doors and drawers with simple round pulls, lending subtle architectural interest without

that sometimes take the form of leaves. Going further up we see two small drawers that can be pulled

(pull, slide, lift) is designed to suit cabinetry, sliding doors, and sash windows. Each piece is sand

surprising storage while creating a traffic-friendly form ideal for busy families and passageways. Four

geometric relief. Two symmetrical doors are adorned with deeply carved concentric medallions, each centered

gadrooned edge around the top presides over three pull out marble inset surfaces ideal for entertaining or

An elegant and well-proportioned satinwood compactum wardrobe of architectural form, finely

. Drawers and doors are fitted with ornate filigree brass hardware and round drop / knocker pulls. The case

In name and form it refers to prehistoric constructions, primordial architectural assemblages

grandeur. The front elevation is composed of deeply carved panels in geometric relief—each blocklike form

drawer fronts below forming a deep secretaire drawer containing a writing slide with a hinged, ratcheted

featuring a subtle grid-like pattern highlighted in soft red undertones. This striking surface treatment

the 1940s exemplifies the era’s pursuit of modern form through noble material. Crafted from solid oak

storing larger silver serving pieces. It retains the original octagonal stamped brass pulls and

, it features a beveled surface with a little contour at the middle overlooking the three spacious

A large 19th century mahogany Sheraton Revival inlaid display cabinet of serpentine form, the

as the exhibition style open-chest rectangular box form, elaborately decorated, featuring visually

: Aluminum Also available in XL dimensions 20.5 x 2.6 x 1.6 cm PSL handle (Pull, Slide, Lift) This

: Bronze Also available in XL dimensions 20.5 x 2.6 x 1.6 cm PSL Handle (Pull, Slide, Lift) This