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Gildea And Walker

Oversize 19th Century English Chinoiserie Platter Bates Gildea & Walker
Oversize 19th Century English Chinoiserie Platter Bates Gildea & Walker

Oversize 19th Century English Chinoiserie Platter Bates Gildea & Walker

Located in Austin, TX

In 1878 James Gildea joined the partnership of Bates and Walker, in 1881 Bates left the partnership and Gildea & Walker continued together, in 1885 James Gildea continued the busines...

Category

Antique 1870s English Aesthetic Movement Platters and Serveware

Materials

Ceramic

Large Plate by Gildea & Walker Melbourne pat'n pottery, Aesthetic movement 1881
Large Plate by Gildea & Walker Melbourne pat'n pottery, Aesthetic movement 1881

Large Plate by Gildea & Walker Melbourne pat'n pottery, Aesthetic movement 1881

Located in Lincoln, Lincolnshire

This is a large Earthenware ( pottery) Plate in the Melbourne Pattern, made by Gildea & Walker in 1881 as a testament to the Aesthetic Movement.

Category

Antique Late 19th Century English Aesthetic Movement Pottery

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Earthenware, Pottery

Recent Sales

2 Large Aesthetic Movement --Melbourne Pattern Meat Platters
2 Large Aesthetic Movement --Melbourne Pattern Meat Platters

2 Large Aesthetic Movement --Melbourne Pattern Meat Platters

By Gildea & Walker

Located in Southampton, NY

2 Large English Aesthetic Meat Platters in the Melbourne Pattern; By Gildea & Walker. Dated Aug. 27 1881. Black Transferred Printed on Ivory Ground.

Category

Antique 19th Century British Aesthetic Movement Platters and Serveware

Materials

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Extensive Aesthetic Movement Dinner Service By Gildea & Walker
Extensive Aesthetic Movement Dinner Service By Gildea & Walker

Extensive Aesthetic Movement Dinner Service By Gildea & Walker

By Gildea & Walker

Located in Southampton, NY

English Aesthetic Movement Extensive Dinner Service In the Melbourne Pattern By Gildea & Walker --Dated Aug. 27 1881. Polycrome Painted in Mustard Yellow, French Blue, Brown, & Black...

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Antique 19th Century British Aesthetic Movement Tableware

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A Close Look at Aesthetic-movement Furniture

In 1880, polymath designer William Morris declared: “If you want a golden rule that will fit everybody, this is it: Have nothing in your houses that you do not know to be useful or believe to be beautiful.” His words encapsulated the Aesthetic Movement, which prized beauty above all and blurred the lines between fine art and the decorative arts, particularly through lavishly crafted furniture pieces.

The Aesthetic Movement, whose major proponents included author Oscar Wilde, flourished from the 1860s to the 1880s and was mostly popular in England and the United States. Design expositions like the 1876 Centennial International Exhibition in Philadelphia, as well as the publishing of how-to books for interior design, helped disseminate Aesthetic Movement bedroom furniture, serveware, coffee tables and other items, especially to the middle class.

The establishment of new art museums, art clubs and a rising passion for collecting at the time contributed to a growing appreciation for art. Morris’s founding of Morris & Co. in 1862 and the commercializing of this “cult of beauty” by the Liberty store in London, starting in the late 19th century, further disseminated the idea of a domestic space that was thoughtfully and floridly designed.

Leading Aesthetic Movement furniture designers included E.W. Godwin, who drew on Japanese influences and whose work reflected a wider enthusiasm for imported East Asian art. British designer Christopher Dresser created textiles, ceramics and more that were also inspired by Japanese decorative art but were representative of additional diverse design sources that ranged from Egypt to Mexico.

The Aesthetic Movement’s eclecticism resulted in dazzling interiors. Japanese fans were positioned on Renaissance-inspired cabinets with brass hardware, while mantels made of rich walnut or finely carved ebonized wood and adorned with painted Minton tiles mingled with cast-iron chairs against a backdrop of floral wallpaper. In 1881, in New York City, stenciled checkerboard motifs and painted floral murals could be found under an opalescent glass chandelier in a luxurious dressing room designed by German émigré cabinetmaker-decorator George Alfred Schastey. Amid the rise of the industrial age, the style’s promotion of art in everyday life would inform the Arts and Crafts Movement and Art Nouveau.

Find a collection of antique Aesthetic Movement seating, tables, decorative objects and other furniture and antiques on 1stDibs.

Finding the Right Serveware, Ceramics, Silver And Glass for You

Your dining room table is a place where stories are shared and personalities shine — why not treat yourself and your guests to the finest antique and vintage glass, silver, ceramics and serveware for your meals?

Just like the people who sit around your table, your serveware has its own stories and will help you create new memories with your friends and loved ones. From ceramic pottery to glass vases, set your table with serving pieces that add even more personality, color and texture to your dining experience.

Invite serveware from around the world to join your table settings. For special occasions, dress up your plates with a striking Imari charger from 19th-century Japan or incorporate Richard Ginori’s Italian porcelain plates into your dining experience. Celebrate the English ritual of afternoon tea with a Japanese tea set and an antique Victorian kettle. No matter how big or small your dining area is, there is room for the stories of many cultures and varied histories, and there are plenty of ways to add pizzazz to your meals.

Add different textures and colors to your table with dinner plates and pitchers of ceramic and silver or a porcelain lidded tureen, a serving dish with side handles that is often used for soups. Although porcelain and ceramic are both made in a kiln, porcelain is made with more refined clay and is more durable than ceramic because it is denser. The latter is ideal for statement pieces — your tall mid-century modern ceramic vase is a guaranteed conversation starter. And while your earthenware or stoneware is maybe better suited to everyday lunches as opposed to the fine bone china you’ve reserved for a holiday meal, handcrafted studio pottery coffee mugs can still be a rich expression of your personal style.

“My motto is ‘Have fun with it,’” says author and celebrated hostess Stephanie Booth Shafran. “It’s yin and yang, high and low, Crate & Barrel with Christofle silver. I like to mix it up — sometimes in the dining room, sometimes on the kitchen banquette, sometimes in the loggia. It transports your guests and makes them feel more comfortable and relaxed.”

Introduce elegance at supper with silver, such as a platter from celebrated Massachusetts silversmith manufacturer Reed and Barton or a regal copper-finish flatware set designed by International Silver Company, another New England company that was incorporated in Meriden, Connecticut, in 1898. By then, Meriden had already earned the nickname “Silver City” for its position as a major hub of silver manufacturing.

At the bar, try a vintage wine cooler to keep bottles cool before serving or an Art Deco decanter and whiskey set for after-dinner drinks — there are many possibilities and no wrong answers for tableware, barware and serveware. Explore an expansive collection of antique and vintage glass, ceramics, silver and serveware today on 1stDibs.