Conceptual Art

Chris Levine - EQUANIMITY_2022 70 Date of creation: 2022 Medium: Screenprint on Somerset Satin paper Edition number: 2/5 Size: 47 x 38 cm Condition: New in mint conditions, never fra...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The painting “My Best” - where chickens appear as women - symbolizes the relationship between a man and a woman. A man leading a chicken on a leash symbolizes his attitude towards hi...

large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

"Random Thought," a captivating creation by artist John Ali, invites viewers into the enigmatic realm of introspection. The artwork features a young man, his head covered with nylon, adorned by an intricate African bead necklace...

Screeh print with holes on BFK Rives. Realized in occasion of the exhibition at Galleria Il Quadro Biella. Published by Silvio Zamorani Editore.

This painting was exhibited at the art exhibition in Innsbruck (Contemporary Art Fair 2019), as well as in Marbella (Excellence Art gallery), Florence (Art Expertise), and Madrid (APPA art gallery). "Remember?" is a conceptual science painting...

The rooster and the hen, as symbols of parental care, embody adults’ responsibility toward future generations, emphasizing that true value lies not in material possessions, but in th...

Hyperrealistic bronze female head sculpture with hollowed skull evokes mystery and organic patina. Soño (24 × 17 × 22 cm) by Aldonza is cast by the artist using the traditional lost-...

This artwork is painted in the form of a classical school board with math equations. It is a part of the Science Art Collection by Anastasia Vasilyeva...

John Giorno LET IT COME LET IT GO, 2017 Watercolor on handmade paper Hand signed and dated by the artist on the back of the artwork. The frame features a die-cut window on the back t...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Fresh to market - UNIQUE! Mel Bochner UNNAMEABLE Monoprint with collage, engraving and embossment on hand- dyed Twinrocker handmade paper Signed in graphite recto Frame included - he...

George Peabody Library Baltimore 62.5 x 50 inches ed. of 10 $6000 74.9 x 60 inches ed. of 7 $9000 87.3 x 70 inches ed. of 5 $11000 signed an...

This large-scale architectural photograph by German photographer Reinhard Görner depicts the Francke Foundations library in Halle, Germany. Arches open like portals into the interior, bringing public cultural heritage into private space in the rich, aged tones of wood and marble, taupe, blue and gray. Reinhard Görner is known for invoking an atmosphere of awe, meditation and contemplation through crisp, richly detailed scenes of grand historical and cultural public narratives. This effect is enhanced through aesthetically striking compositions, which might include stunningly perfect (or interestingly-off) symmetry, portals through a series of doorways, and other careful choices of perspective and scale. Reinhard Görner Francke Foundations II Halle, Germany 2014 50 x 52.6 inches ed. of 10 $6,000 60 x 63.2 inches ed. of 7 $9,000 70 x 73.7 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Halle, Germany, Large-Scale Photography, Large-scale German photography, German Libraries, German Monuments...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and ...

A composition resembling a collage, created by American Pop Artist Robert Rauschenberg. Multiple images of noteworthy American figures, such as the Kennedy family, are overlaid above...

Reinhard Görner Salle Labrouste Library Paris, France 50" x 62.5" Edition of 10 60" x 75" Edition of 7 70" x 87.5" Edition of 5 signed and numbered...

Lithograph on paper realized in 1972. Edition of 500, hand signed and numbered in pencil. Published b Giulio Bolaffi Editore. Excellent condition.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Space concept  is an artwork realized by Lucio Fontana in 1967.  Lithograph, 1967. Hand signed and numbered 32/150. Edition of 150. Ref. 2006 Lucio Fontana. Graphics, multiples an...

This large-scale architectural photograph by German photographer Reinhard Görner depicts the Francke Foundations library in Halle, Germany. The artist is praised for crisp, rich deta...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

C-type print/Diasec

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

"Souvenirs of Beauty" is a captivating portrayal of a woman steeped in tradition and grace, adorned in a rich green headwrap and matching attire that exudes elegance. Her deep brown ...

It is hard to characterize John Baldessari’s varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his ap...

Surflow - Surfing Art - Figurative - Oil Print By Marc Zimmerman Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His colo...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Flavius Valerius Claudius Constantinus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition:...

2011 Lithograph in colors, on wove paper Sheet: 29 x 28 in. (73.7 x 71.1 cm) Signed, dated, and numbered 'CTP 4' (apart from the edition of 50) in pencil, lower margin published by H...

This captivating oil on canvas, titled "A Big Catch," invites you to ponder the bravery of pursuing your aspirations. The surreal and symbolic elements blend with a pop art sensibili...

This painting is an allegory for the modern life of a woman in the context of urbanization and mass culture, or an expression of the contrast between the natural and the artificial, ...

Morgan Library II New York signed and numbered on label, verso In Morgan Library II, Reinhard Görner captures the intimate grandeur of one of New York’s most exquisite interiors. B...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

The main idea of the painting is the diversity of the female essence and the freedom of choice, which is an important part of modern life. The painting's storyline presents a metaph...

"Niemand and Soldier Duo" is of a limited edition of 25 works, edition 20/25 and signed. The Duo will be shipped directly from the artist's studio in Slovakia to your location. Ship...

Original French poster: CORDIAL TOPAZE; Marie Brizard & Roger Bordeaux wine; original lithographic French 1924 antique poster. Signed but an illegible signature. Size: 18" x 24"...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Overall Size: Height 200cm x Width 300cm ( The painting consists of 2 parts, one part: 200x150cm ) Overall Size: Height 78,7402 Inch x Width 118,11 Inch ( The painting consists o...

From a series of whimsical conceptual motivational messages on classic Americana billboard signs in iconic landscapes of the American West BACK IN 10 by Frank Schott 58 x 77.33 inc...

From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authentic...

Artist: Christo, Title: Running Fences White Series: Running Fences Date: 1976 Medium: Offset Lithograph Dimensions: 25" x 39" Signature: Signed...

The Tender Weight of Waiting captures a moment of calm shaped by unseen expectations. Surrounded by books centered on love, marriage, and self-preparation, the subject retreats into ...

From a series of whimsical conceptual motivational messages on classic Americana billboard signs in iconic landscapes of the American West BACK IN 10 ...

Black And White Minimal Painting is an original artwork realized by TUSET in 2019. The work is unframed but has a rigid support on the back. The title of this works is "From the A...

Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...

Reinhard Görner Phillips Exeter Academy Library 3 sizes available 60 x 50 inches ed. of 10 $6,000 70 x 58.5 inches ed. of 7 $9,000 80 x 66.8...

This work is the result of an artistic residence outside his "study”.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

The Silent Grace captures the serene profile of a woman, adorned in a bright yellow dress and matching hat, embellished with vibrant patterns. Her deep purple complexion contrasts be...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

Reinhard Görner Toreno Biblioteca del Senado, Madrid 2017 50 x 59.7 inches ed. of 10 $6,000 60 x 71.7 inches ed. of 7 $9,000 70 x 83.6 inches ed. of 5 $11,000 signed and numbered...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

The painting “Everyday Frames” explores the theme of restrictions on women's freedom through the prism of everyday life. The yellow and white cells are both a visual reminder of ever...