John Sloan Etchings

John Sloan (1871-1951) etching created 1916. Edition: 100 Titled: “McSorley’s Back Room” Plate size

Original etching by John Sloan (1871-1951) In good condition, framed. Depicts a mother helping her

"Man Monkey" is an original etching by John Sloan. The artist signed the piece in the lower right

-window frame size References: • Morse, Peter. John Sloan's Prints: A Catalogue Raisonné of the Etchings

John Sloan, 1871-1951 Shine, Washington Square, 1923 Etching 5 X 7 inches Sloan-5 Signed lower

"The Row at the Picnic" is an original etching by John Sloan. This piece depicts a fight that broke

John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were

1920 Social Realism Etching by John French Sloan titled "Bandits Cave" Compelling etching by John

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of

By John Sloan American Realist From the early 20th century Ashcan School which focused on capturing

John Sloan ((1871-1951), Westminster Abbey, c. 1891, the complete set of13 etchings, ribbon bound

Sloan, John. ARCH CONSPIRATORS. Morse 183 Etching, 1917.Edition of 100. Signed by Sloan, titled

Sloan, John. GREETINGS, 1915 or MOTHER AND CHILD AT THE WINDOW. Morse 170. Etching, 1914. Edition

Sloan, John. INVITATION TO STUDIO PARTY. Morse 200. Etching, 1921. Edition of 100 of which only 75

Sloan, John. TURNING OUT THE LIGHT. M. 134. Etching, 1905. 5 x 7 inches; 127 x 178 mm. (plate), 9

Sloan, John. MAN, WIFE AND CHILD. Morse 135. Etching, 1905. Titled, signed, and inscribed "100

(Sloan, John). FIRE CAN. Etching, 1920. m. 199. 95 x 61mm; 3 3/4" x 2 3/8", signed and inscribed in

Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th

Sloan, John. BARBER SHOP. Etching and aquatint, 1915, (Morse 173), 3rd (final) state, Only 35 were

Sloan, John. FUN, ONE CENT. Etching, 1905. Morse 131. 2d (published) state. One of the plates from

" impressions, this being one. Reference: Peter Morse, John Sloan's Prints: A Catalogue Raisonne of the

John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100

Sloan, John. HEAD WITH NECKLACE. Morse 163. Etching, 1913. Edition of 100, of which only 75 were

John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right

John Sloan (1871-1954), The Green Hour (or Angna Enters in “The Green Hour”), etching, 1930, signed

John Sloan (1871-1951), Romany Marye in Christopher Street, 1922, etching, signed in pencil lower

Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all

Sloan, John. MAN MONKEY. M.130. Etching, 1905. Edition of 100, Signed by Sloan. Dated in the lower

Sloan was so fond of this composition that he made a painting after the etching ten years after its

John Sloan (1871-1951), Nude on Stairs, etching, 1930, signed in pencil lower right margin, titled

John Sloan (1871-1951), Subway Stairs, etching, 1926, signed, titled and inscribed “working proof 1

Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236. Etching, 1928. Edition of

John Sloan (1871-1954) etching, James B. Moore, Esq., signed in pencil lower right and inscribed

Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206. Etching, 1923. Signed, titled and inscribed "100

John Sloan (1871-1951), Hell Hole, 1917, etching and aquatint, signed bottom right, titled bottom

John Sloan (American 1871 – 1954), Fashions of the Past, etching and aquatint, 1926, signed and

Invitation to a party on the occasion of John and Dolly Sloan's twenty-fifth wedding anniversary

John Sloan, 'Nude at Piano', 1933, etching, edition 100, (only 85 printed), Morse 265. Signed

Sloan, John. SISTERS AT THE WINDOW. Etching, 1923 (M. 208). 5" x 4", signed and titled in pencil

John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190

1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the

Boston: Frederick J. Quinby Company, 1904. Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x

Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right

Sloan, John. RENDEZVOUS (Small). Morse 227. Etching, 1926. Second State, with the pupil added to

their stories. Sloan made two oil paintings of the subject; but for the etching, he decided to make "a

Man, Wife and Child Etching, 1905 Signed and titled in pencil by the artist below image (see photo

Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8

Fifth Avenue Critics. 1909. Etching. Morse 128.x/xi. 6 x 8 (sheet 9 3/4 x 12 1/4). Edition 100 in

John Sloan (1871-1951); "Fifth Avenue Critics" ethcing, on wove paper, signed in pencil and

, Pennsylvania, John Sloan became one of the major early 20th- century figures in New York, pioneering the Social