$2,975
H 27 in W 29 in D 1 in
19th Century Etching of the Ancient Caracalla Baths in Rome by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
Caracalla" (The baths of Caracalla) was created by Luigi Rossini and included in his publication "Le
Etching
$3,175
H 27 in W 29.07 in D 0.5 in
Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome
Etching
$3,275
H 27.5 in W 37.13 in D 0.88 in
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
to influence and inspire architects, artists and those who love Rome. Rossini was born in Rome and
Etching
View of the Temple of Camene Rome
By Luigi Rossini
Located in New York, NY
"View of the Temple of Camene" in Rome engraved 1823 by Luigi Rossini. In Roman mythology, the
Etching
Unavailable
H 20.25 in W 26.5 in
Ruins of the Golden House of Nero, on Monte Palatino, Rome
By Luigi Rossini
Located in New York, NY
" (Ruins of the Golden House of Nero, on Monte Palatino) by Luigi Rossini. The Golden House of Nero was a
Etching
Unavailable
H 20.75 in W 29 in
Frontal View of the Maritime Theater at Hadrian's Villa near Rome, Italy
By Luigi Rossini
Located in New York, NY
1825 original engraving by Luigi Rossini. "Avannzi dell' Anfitreatro creduto Marittimo in Villa
Engraving
Unavailable
H 21.5 in W 17.5 in
View of One of the Minor Naves of the Temple of Peace, Rome
By Luigi Rossini
Located in New York, NY
Original etching by Luigi Rossini entitled "Veduta d'una delle Navate Minori del Tempio della Pace
Engraving
Unavailable
H 18 in W 23 in
Interior of the Colosseum in Rome, excavated in 1813 and reconstructed in 1814
By Luigi Rossini
Located in New York, NY
of the Colosseum in Rome, excavated in 1813 and reconstructed in 1814); interior of the Colosseum
Etching
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H 13.39 in W 18.51 in
1800 Colosseum Landscape Realist in Rome Engraving Luigi Rossini on Paper
By Luigi Rossini
Located in Roma, IT
Luigi Rossini Like his predecessor Giovanni Battista Piranesi, Rossini focused on extant antique
Engraving
Sold
H 9.06 in W 13.78 in D 0.04 in
Ancient Rome - Offset After Luigi Rossini - Early 20th Century
By Luigi Rossini
Located in Roma, IT
Ancient Rome is a a vintage offset print realized in the Early 20th Century after Luigi Rossini
Offset
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H 18.51 in W 13.39 in D 0.4 in
View of the Pantheon in Rome Engraving Signed and Dated Luigi Rossini
By Luigi Rossini
Located in Roma, IT
Luigi Rossini Like his predecessor Giovanni Battista Piranesi, Rossini focused on extant antique
Engraving
Sold
H 29.5 in W 30.88 in D 1.5 in
The Column of Trajan in Rome, 19th Century Framed Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
Early 19th century etching entitled "Veduta dello scavo del Foro Trajano" from Luigi Rossini's "Le
Etching
Sold
H 13.39 in W 18.51 in D 0.4 in
View of the Capitoline Hill in Rome Engraving Signed and Dated Luigi Rossini
By Luigi Rossini
Located in Roma, IT
Luigi Rossini Like his predecessor Giovanni Battista Piranesi, Rossini focused on extant antique
Engraving
Pantheon, Rome
By Luigi Rossini
Located in New York, NY
Verduta dell' Interno del Panteon di Marco Agrippa, Roma, engraved 1823 by Luigi Rossini. He is
Paper
The City Wall of Rome near the Celimontana Gate
By Luigi Rossini
Located in New York, NY
Luigi Rossini. Rossini is best known for his etchings of ancient Roman architecture. Rossini was
Etching
The Viminal Hill, Rome
By Luigi Rossini
Located in New York, NY
“Il Monte Viminale" engraved 1821 by Luigi Rossini. He is best known for his etchings of ancient
Engraving
The City Wall of Rome near the Celimontana Gate
By Luigi Rossini
Located in New York, NY
Luigi Rossini. Rossini is best known for his etchings of ancient Roman architecture. Rossini was born
Etching
$197,572
H 47.75 in W 66.5 in
Grand 19th Century English Marine Painting in Stunning Light
By John Wilson Ewbank
Located in London, GB
John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; L...
Oil
$17,287
H 25 in W 28.75 in D 1 in
Fine 17th Century Dutch Old Master Oil on Panel Angelic Visitation to Figures
By Rembrandt van Rijn
Located in Cirencester, Gloucestershire
The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...
Oil, Wood Panel
$1,500
H 4.75 in W 4.13 in
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4 x 4 1/8 inches (120 x 105 mm), ...
Handmade Paper, Etching, Laid Paper
$2,000
H 15.88 in W 24.13 in
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From...
Etching
$5,298
H 11.42 in W 13.39 in
Landscape With Pan and Syrinx, Flemish School From the 1600s, Oil on Copper
Located in Stockholm, SE
Flemish School, 1600s Landscape With Pan and Syrinx painted around the 1600s oil on copper 19 x 23.5 cm frame 29 x 34 cm Hand-made oak frame by Swedish frame maker Christer Björkma...
Copper
The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Handmade Paper, Laid Paper, Etching
$3,975
H 31.25 in W 40 in D 1 in
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, g...
Etching
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.