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Jean Miro Spanish Abstract Lithograph Chevauchee Bleu Brun Signed 55/75, 1969
Jean Miro Spanish Abstract Lithograph Chevauchee Bleu Brun Signed 55/75, 1969

Jean Miro Spanish Abstract Lithograph Chevauchee Bleu Brun Signed 55/75, 1969

Located in Toledo, OH

Jean Miro signed and numbered 55/75 lithograph titled Chevauchee Bleu Brun. Blue field with green

Category

Vintage 1960s Spanish Modern Contemporary Art

Materials

Paper

Femme et Chien devant la Lune
Femme et Chien devant la Lune

Femme et Chien devant la Lune

By Joan Miró

Located in New York, NY

/60 in pencil by Miro. Published by Adlan, Barcelona. Ink stamp on the reverse indicating the printers

Category

1930s Surrealist Abstract Prints

Materials

Color, Stencil

Le Delire du Couturier, Bleu, Rouge, Vert
Le Delire du Couturier, Bleu, Rouge, Vert

Le Delire du Couturier, Bleu, Rouge, Vert

By Joan Miró

Located in Wien, 9

signed on lower right, numbered 2/30 lower left

Category

1960s Surrealist Abstract Prints

Materials

Color, Lithograph

Le Rebelle, Dupin 439 (large hand signed aquatint etching)
Le Rebelle, Dupin 439 (large hand signed aquatint etching)

Le Rebelle, Dupin 439 (large hand signed aquatint etching)

By Joan Miró

Located in Aventura, FL

Surrealism. Representative of his ability to conjure evocative space, Miró’s famed triptych Blue I,II,II

Category

1960s Surrealist Abstract Prints

Materials

Paper, Lithograph

Fotoscop, Maeght 939 (rare hand signed lithograph)
Fotoscop, Maeght 939 (rare hand signed lithograph)

Fotoscop, Maeght 939 (rare hand signed lithograph)

By Joan Miró

Located in Aventura, FL

. Representative of his ability to conjure evocative space, Miró’s famed triptych Blue I,II,II (1961) portrays a

Category

1970s Surrealist Abstract Prints

Materials

Paper, Lithograph

Homenatge a Joan Prats, Mourlot 852 (hand signed lithograph)
Homenatge a Joan Prats, Mourlot 852 (hand signed lithograph)

Homenatge a Joan Prats, Mourlot 852 (hand signed lithograph)

By Joan Miró

Located in Aventura, FL

Surrealism. Representative of his ability to conjure evocative space, Miró’s famed triptych Blue I,II,II

Category

1970s Surrealist Abstract Prints

Materials

Paper, Lithograph

Liberté des libertés
Liberté des libertés

Joan MiróLiberté des libertés, 1971

$5,019

H 18.51 in W 14.57 in

Liberté des libertés

By Joan Miró

Located in Paris, FR

“Liberté des libertés” is a “book-painting” in which five prints by Miro illustrate the collection of poems

Category

1970s Abstract Prints and Multiples

Materials

Lithograph

Nébuleuse (Nebula), 1958
Nébuleuse (Nebula), 1958

Joan MiróNébuleuse (Nebula), 1958, 1958

$8,000Sale Price|33% Off

H 25.5 in W 19.5 in

Nébuleuse (Nebula), 1958

By Joan Miró

Located in Palo Alto, CA

Miró. Composed of red, blue, yellow and green circles floating along a black ring, these elements orbit

Category

1950s Modern Abstract Prints

Materials

Lithograph

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Miro Blue For Sale on 1stDibs

Find the exact miro blue you’re shopping for in the variety available on 1stDibs. You can easily find an example made in the Surrealist style, while we also have 9 Surrealist versions to choose from as well. You’re likely to find the perfect miro blue among the distinctive items we have available, which includes versions made as long ago as the 20th Century as well as those made as recently as the 21st Century. On 1stDibs, the right miro blue is waiting for you and the choices span a range of colors that includes blue, black, white and orange. Creating a miro blue has been a part of the legacy of many artists, but those crafted by Joan Miró, Mark Shaw and (after) Joan Miró are consistently popular. Artworks like these — often created in lithograph, digital print and giclée print — can elevate any room of your home.

How Much is a Miro Blue?

The average selling price for a miro blue we offer is $1,546, while they’re typically $185 on the low end and $17,875 for the highest priced.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.