MO ASLEEP
By David Hockney
Located in Portland, ME
Petersburg Press. 27 x 21 inches, 680 x 535 mm. (plate), 35 1/2 x 27 3/4 inches (sheet).Mo McDermott was
1970s Figurative Prints
Etching, Aquatint
MO ASLEEP
By David Hockney
Located in Portland, ME
Petersburg Press. 27 x 21 inches, 680 x 535 mm. (plate), 35 1/2 x 27 3/4 inches (sheet).Mo McDermott was
Etching, Aquatint
$160,604
H 25.75 in W 21.88 in
Portrait of Peter, Ink Drawing by David Hockney, 1972, Signed, 21.88 x 25.75 in.
By David Hockney
Located in PARIS, FR
Nid du Duc, near Saint-Tropez. Hockney's assistant, Mo McDermott, recreated the pose of the man
Paper
Mo McDermott
By David Hockney
Located in Tallinn, EE
David Hockney (Bradford 1937 – lives in Beuvron-en-Auge, Normandy). ”Mo McDermott”. 1976
Lithograph
Sold
H 32.5 in W 23.75 in
David Hockney Mo McDermott figure drawing artist portrait black and white pencil
By David Hockney
Located in New York, NY
“Friends”, this portrait of the artist Mo McDermott features the artist sitting on a chair in profile
Lithograph
$2,800
H 17.75 in W 16 in
Rapunzel, Rapunzel, let down your hair David Hockney Brothers Grimm Fairy Tales
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel, which he chose for its popularity. When illustrating the princ...
Etching, Aquatint
RECLINING FIGURE (GREGORY EVANS)
By David Hockney
Located in Portland, ME
Hockney, David. RECLINING FIGURE. Etching and sugarlift aquatint in black, 1974. Edition of 75 published by Petersburg Press, London and printed on Inveresk paper. Signed, dated and ...
Etching, Aquatint
$10,000Sale Price|20% Off
H 30 in W 22.25 in
David Hockney - Yves Marie - 1974 Lithograph - HAND SIGNED
By David Hockney
Located in Brooklyn, NY
David Hockney's Yves Marie (1974) is a signed lithograph measuring 30 x 22.25 inches (76.2 x 56.515 cm). This piece is part of a limited edition of 75 prints, and is in mint conditio...
Lithograph
$44,595
H 29.53 in W 22.52 in
Panama Hat with a Bow Tie on a Chair, from The Geldzahler Portfolio
By David Hockney
Located in London, GB
Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...
Etching, Aquatint
The art of David Hockney is always engaging in its pleasant ambiguities: his prints, drawings and paintings are warm but somehow aloof; filled with light yet often dark and brooding in subject; simple, frank and mundane, but also ethereal and complex. The artist’s stature in the contemporary art world is such that, in a 2011 survey of one thousand British painters and sculptors, he was named the most influential British artist of all time.
Hockney grew up in Bradford, in the northern English county of Yorkshire, studying at the Bradford School of Art from 1953 to ’57, and at the Royal College of Art in London from 1959 to 1962. Though he was educated in art at a time when abstraction dominated the field, Hockney stuck resolutely to figurative painting and drawing.
Hockney's early paintings suggest a search for a style, veering from Expressionism to a grotesquerie suggestive of James Ensor. But Hockney found himself almost the moment he arrived in Los Angeles, in 1963. The move from the gray and rainy Britain to a world of bright sunshine and sparkling water brought Hockney a sense of freedom and an artistic epiphany. He would spend most of the next five years in L.A., painting luminous pictures, such as A Bigger Splash (1967), of things that made him happy: swimming pools, manicured lawns, palm trees, stucco buildings and luxuries like shower stalls. Hockney also painted people, almost always his friends. His California portraits such as Beverly Hills Housewife (1966) are considered to be his finest work. They are at once grandly scaled, intimate and poetic.
In the 1970s, Hockney moved back to Britain and spent much of his time on photography and printmaking. He returned to painting in the 1980s, and to subjects like still lifes, seascapes and portraits. Hockney has always been fascinated by the use of technology in art — he’s credited with inventing the technique of joining Polaroid photos in a collage to form a panoramic picture — and has been using the Brush app to paint on an iPad. Because he is prolific and works in a wide range of mediums, Hockney’s art is available at many price points. His consistently striking and provocative work should have a place in any comprehensive collection of contemporary art.
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