Art by Medium: Engraving
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Medium: Engraving
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Southwest View of Sherborne Abbey Church" (Plate 15)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1861-1870...
Category
1860s Victorian Art by Medium: Engraving
Materials
Engraving
70s Bronze Flower Sculpture Plaque limited edition Signed, Berkley Arts Foundry
By Ruth Asawa
Located in New York, NY
Ruth Asawa
Bronze Flower, 1979
Cast Bronze relief plaque with original presentation box
5 1/4 × 6 1/4 × 1/4 inches
Numbered from the Edition of 2500
Signed and dated 'Asawa 1979' (lower edge) incised in the bronze; numbered; stamped "Designed Exclusively for Crown Zellerbach Corporation"; foundry copyright
Cast at the Berkley Arts Foundry for Crown Zellerbach
Ruth Asawa's estate is represented by David Zwirner.
This beautiful, limited edition signed cast bronze flower plaque...
Category
1970s Abstract Art by Medium: Engraving
Materials
Bronze
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Art by Medium: Engraving
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Art by Medium: Engraving
Materials
Laid Paper, Engraving
La Seine à Courbevoie
Located in Middletown, NY
Etching and drypoint on heavy cream wove paper, 11 5/8 x 18 1/4 inches (295 x 460mm); sheet 16 3/4 x 22 1/2 inches (425 x 570 mm), full margins. A superb proof printed in bistre brow...
Category
Early 20th Century French School Art by Medium: Engraving
Materials
Handmade Paper, Drypoint, Etching
Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
By Mary Cassatt
Located in Storrs, CT
Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
Category
19th Century Impressionist Art by Medium: Engraving
Materials
Watercolor, Drypoint
$12,000 Sale Price
52% Off
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
17th Century Old Masters Art by Medium: Engraving
Materials
Laid Paper, Handmade Paper, Engraving
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Art by Medium: Engraving
Materials
Engraving, Woodcut
"Antonin Proust" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference: Delteil 10. Published in Paris in 1899 by H. Floury for Auguste Rodin "Statuaire" by Lon Maillard. This impression is prin...
Category
1890s Art by Medium: Engraving
Materials
Drypoint, Etching
'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category
1730s Realist Art by Medium: Engraving
Materials
Engraving
Composition III
Located in Paris, FR
Engraving
Handsigned by the artist in pencil
Edition : 13/95
76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper)
76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (image)
Arches paper
A...
Category
1970s Abstract Art by Medium: Engraving
Materials
Engraving
Monkeys, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Monkeys
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Art by Medium: Engraving
Materials
Engraving
Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801)
Title: "Loseley House, The Seat of James More Molyneux Esq."
Portfolio: The History and Antiquities of the County of Surrey
Year: 1804-1814 ...
Category
Early 1800s Victorian Art by Medium: Engraving
Materials
Engraving
Cambridge Midsummer Fair
Located in Middletown, NY
A peaceful image by Britian's first official war artist.
Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...
Category
Early 20th Century Realist Art by Medium: Engraving
Materials
Handmade Paper, Drypoint
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Art by Medium: Engraving
Materials
Paper, Drypoint, Etching
LOVE (Pink) sculpture, official replica with Indianapolis Museum of Art stamp
Located in New York, NY
Robert Indiana
LOVE (Pink), Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright, 2011
Brushed Aluminum (Pink) and Stamped with M...
Category
2010s Pop Art Art by Medium: Engraving
Materials
Metal
Ship of Fools Diptych, Old Masters Woodcut and Engraving by Albrecht Dürer
Located in Long Island City, NY
Albrecht Dürer, German (1471 -1528) - Diptych from First Edition of The Ship of Fools, Year: 1494, Medium: Woodcut and Engraving, Image Size: 7 x 12.25 inches, Frame Size: 10.75 ...
Category
15th Century and Earlier Old Masters Art by Medium: Engraving
Materials
Engraving, Woodcut
'Star', A running horse belonging to His Grace the Duke of Bridgewater
Located in Stoke, Hampshire
James Seymour (1702-1752)
'Star', A running horse belonging to His Grace the Duke of Bridgewater
Mezzotint by R. Houston
Image size 10 x 14 in
Framed size 13 x 17 in
James Seymour w...
Category
18th Century Old Masters Art by Medium: Engraving
Materials
Mezzotint
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
Mid-18th Century English School Art by Medium: Engraving
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
Seals, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Seals
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Art by Medium: Engraving
Materials
Engraving
'Encircled' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...
Category
1940s Surrealist Art by Medium: Engraving
Materials
Engraving
Standing Female Nude
Located in Fairlawn, OH
Standing Female Nude
Drypoint, c. 1910
Unsigned
Estate authentication on verso (see photo)
Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see...
Category
1910s American Impressionist Art by Medium: Engraving
Materials
Drypoint
The Lovers
Located in New York, NY
Wood engraving on Japan paper, 1928. Edition of 100. Signed by the artist in pencil, lower right.
Framed dimension is 14.5 x 17.25 inches, with full margins.
Catalogue raisonne r...
Category
Early 20th Century American Modern Art by Medium: Engraving
Materials
Engraving, Woodcut
Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...
Category
2010s Realist Art by Medium: Engraving
Materials
Paper, Emulsion, Watercolor, Engraving, Etching, Monotype
Nature Morte country side farming scene
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.
Category
20th Century Abstract Expressionist Art by Medium: Engraving
Materials
Engraving, Lithograph
$320 Sale Price
30% Off
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving, Etching, Aquatint
Newspapers on the Table - Still Life Etching on Heavy Paper
Located in Soquel, CA
Newspapers on the Table - Still Life Etching on Heavy Paper, #20/150
Black and white etching by Darien Payne (American, b. 1951). This piece is a meticulously detailed depiction of ...
Category
1990s Photorealist Art by Medium: Engraving
Materials
Archival Paper, Drypoint, Etching
"Beam of Wind" 2004 signed original engraving limited edition 15x15in Mexican
Located in Miami, FL
Francisco Castro Leñero (Mexico, 1954)
"Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004
Engraving, aquatint on paper...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Ink, Etching, Aquatint
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Art by Medium: Engraving
Materials
Drypoint, Etching
$350 Sale Price
58% Off
Henry Bennet Earl of Arlington, English Civil War, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches.
Originally published 1739, this impression c1820.
360mm by 230mm (platemark)
Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...
Category
Early 19th Century Renaissance Art by Medium: Engraving
Materials
Engraving
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius)
Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni...
Category
Mid-18th Century Renaissance Art by Medium: Engraving
Materials
Engraving
LOVE replica sculpture Artist Copyright Indianapolis Museum & Foundation Stamped
Located in New York, NY
Robert Indiana
LOVE (Official Artist Copyright and Foundation Stamp), 2011
Brushed Aluminum sculpture (Red)
Stamped by artist's estate, Stam...
Category
2010s Pop Art Art by Medium: Engraving
Materials
Metal
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'256 Marcella rotunda'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fren...
Category
Early 20th Century Naturalistic Art by Medium: Engraving
Materials
Engraving, Lithograph
'Manhattan Old and New' — Vintage New York Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Art by Medium: Engraving
Materials
Drypoint
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
Mid-18th Century English School Art by Medium: Engraving
Materials
Laid Paper, Engraving, Watercolor
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Art by Medium: Engraving
Materials
Engraving, Mezzotint
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Mid-18th Century Old Masters Art by Medium: Engraving
Materials
Engraving, Etching
'Grand Central, Night' — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Art by Medium: Engraving
Materials
Drypoint
French 17th century garden design engraving by Jean Marot, circa 1665
By Jean Marot
Located in Melbourne, Victoria
'Veue en Perspective d'une grotte avec ses Jardinages invente par J Marot'. Signed in the plate lower right corner.
Jean Marot was a French architect, designer and engraver. His pri...
Category
17th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Jose Bedia, 'Nkunia Brava', 2019, Etching, 25.4x33.7 in
By Jose Bedia
Located in Miami, FL
Jose Bedia (Cuba, 1959)
'Nkunia Brava', 2019
etching, aquatint on paper Deponte 300 g.
25.4 x 33.7 in. (64.5 x 85.5 cm.)
Edition of 30
Unframed
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint
Man Ray 'Le Mannequin' aquatint engraving - 1975
By Man Ray
Located in Pembroke Pines, FL
Man Ray
'Le Mannequin'
Aquatint/Engraving
1975
Edition: From the rare limited edition of 150
Size: 50x35 CM.
Signed and numbered in pencil by the artist
Published by Cleto Polcina E...
Category
1970s Contemporary Art by Medium: Engraving
Materials
Engraving, Etching, Aquatint
$2,999 Sale Price
25% Off
Mexican Artist ¨Transición sepia¨ signed limited edition original art print
Located in Miami, FL
Juan Sebastian Barbera (Mexico, 1964)
'Transicion sepia (b/n)', 2004
engraving on paper Guarro Super Alpha 250g.
19.7 x 27.6 in. (50 x 70 cm.)
Edition o...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint, Screen
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Art by Medium: Engraving
Materials
Engraving, Woodcut
Langur monkey, mid 19th French century animal engraving
Located in Melbourne, Victoria
'Semnopitheque a croupion - Semnopithecus Leucoprymnus, Otto' (Langur)
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Art by Medium: Engraving
Materials
Engraving
Calm Water Blue Tones Diptych of Japanese Zen Pond Ripples, Feng Shui Cyanotype
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This diptych is titled "Japanese Zen Pond Ripples", and shows ripples of water from a calming pond.
Details:
+ Title: Ja...
Category
2010s Abstract Art by Medium: Engraving
Materials
Photographic Film, Emulsion, Watercolor, C Print, Color, Engraving, Lith...
Ulysses Deriding Polyphemus: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...
Category
Mid-19th Century Romantic Art by Medium: Engraving
Materials
Engraving, Etching
Madame Helleu Looking at Watteau drawings at the Louvre..
Located in Storrs, CT
Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...
Category
Late 19th Century Impressionist Art by Medium: Engraving
Materials
Drypoint, Color
$6,500 Sale Price
45% Off
A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category
1780s Art by Medium: Engraving
Materials
Engraving
Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Art by Medium: Engraving
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category
1990s Contemporary Art by Medium: Engraving
Materials
Mezzotint, Aquatint
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Mid-18th Century Rococo Art by Medium: Engraving
Materials
Engraving, Etching
A Man of Mangea 1784 final voyage of Captain Cook by John Webber
By John Webber
Located in Paonia, CO
A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...
Category
1780s Realist Art by Medium: Engraving
Materials
Engraving
Fugue (Are these boats running away from the others)
By Anne Dykmans
Located in New Orleans, LA
In Anne Dykmans' "Fugue", sailing vessels race across the seas. This impression is #65 of 75 and is signed, titled and dated by the artist.
Anne Dykmans (Belgian, b. 1952)
Anne Dykma...
Category
1990s Contemporary Art by Medium: Engraving
Materials
Mezzotint
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving, Etching, Aquatint
Portrait of James McBey.
Located in Storrs, CT
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Category
1930s American Modern Art by Medium: Engraving
Materials
Drypoint, Etching
The Giant Wheel (Carceri IX), (2nd State)
Located in Chicago, IL
This is a second state impression from three states.
Category
Mid-18th Century Old Masters Art by Medium: Engraving
Materials
Engraving, Etching
Mrs. Hezekiah Brown
Located in Bournemouth, Dorset
Mrs. Hezekiah Brown
Image: 19.0 x 11.2 cm
Mount: 31.8 x 23.0 cm
Wood engraving
1932
One of Fourteen Wood Engravings, from drawings made on Orient Line Cruises by Robert Gibbings...
Category
1930s Modern Art by Medium: Engraving
Materials
Wood, Engraving
$89 Sale Price
20% Off
Picasso Painter with Nude Female Models, Drypoint on Wove
Located in San Francisco, CA
Nudes were a consistent subject throughout the world-famous artist's long career. One of the earliest examples, done in 1895 when Picasso was 15, appears in the opening pages of the ...
Category
1960s Modern Art by Medium: Engraving
Materials
Paper, Drypoint
Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Engraving art for sale on 1stDibs.
Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.