New York Etching

He was Born in 1939 in Pittsburgh, Pennsylvania, but now lives and works in both Madrid and Sitges, Spain Conde is self-taught, with the exception of anatomy studies with Stephen Ro...

He was Born in 1939 in Pittsburgh, Pennsylvania, but now lives and works in both Madrid and Sitges, Spain Conde is self-taught, with the exception of anatomy studies with Stephen Ro...

Louis, Missouri, USA 1993 Expansion of Furniture and Jewelry Lines 1991 One Person Show - Tamames Gallery, Madrid, SPAIN 1989 One Person Show - Wenniger Graphics, Boston, Massachuset...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Electric Donjon from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed...

Published in the artwork series Giacomo Manzù: “Fifteen original etchings and aquatints”, by Touchstone Suite, New York, 1970.

Published by 2RC Edizioni d’Arte – Roma and by Sidney Janis Gallery – New York. This etching is from the series “Portraits”.

Later, he worked with Frederick Keppel to sell his etchings in New York. As a member of the American Watercolor Society, the National Arts Club, and the New York Watercolor Club, he ...

They shared interests in watercolor painting and etching and together were instrumental in founding the American Society of Painters in Water Color in 1867 and the New York Etching C...

Metropolitan Museum of Art, New York Etchings including The Large Tree and The Ferry (View of the Tiber in the Campagna).

They shared interests in watercolor painting and etching and together were instrumental in founding the American Society of Painters in Water Color in 1867 and the New York Etching C...

They shared interests in watercolor painting and etching and together were instrumental in founding the American Society of Painters in Water Color in 1867 and the New York Etching C...

They shared interests in watercolor painting and etching and together were instrumental in founding the American Society of Painters in Water Color in 1867 and the New York Etching C...

A set of two large etchings by famed American artist Jim Dine (1935- ) titled "Blue (Diptych)" which appears to be based on his sublime 1980 painting "A Tree that Shatters the Danci...

Please look at all photos and view our other listing of L. Meslay etchings of New York and Washington D.C. Measurements: 16 inches high x 12 inches wide.

Two of his oil paintings are on loan from the Hudson River Museum and can be seen at Yonkers City Hall. The New York Historical Society has a large assortment of his etchings of New ...

Oil Refinery Etching & Drypoint, c. 1931 Unsigned Provenance: Estate of the Artist New York Financial Institution The etching appears to show a petroleum bulk-s...

Marin returned permanently to the USA in 1911, settling in New York and devoting his entire career to painting and etching cityscapes, landscapes, and seascapes.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

He was Born in 1939 in Pittsburgh, Pennsylvania, but now lives and works in both Madrid and Sitges, Spain Conde is self-taught, with the exception of anatomy studies with Stephen Ro...

He was Born in 1939 in Pittsburgh, Pennsylvania, but now lives and works in both Madrid and Sitges, Spain Conde is self-taught, with the exception of anatomy studies with Stephen Ro...

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

Schutz was commissioned by The New York Times to make etchings of New York and other American cities.

A demonstration print executed in front of a live audience in New York City in 1933. Etching on cream laid paper, 6 7/8 x 4 7/8 inches (178 x 127 mm); sheet 11 7/8 x 8 3/16 inches (...

New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins.

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins.

An evening view of lower Manhattan rooftops, looking north towards Times Square and kleig lights in the distance. New York: 1974. Etching on white wove paper, 7 1/8 x 11 15/16 inche...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

A lower Manhattan landscape as it existed in 1922, with Trinity Church and City Hall visible in the background. New York: c 1922 Etching with aquatint on heavy-weight cream wove pap...

Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates...

Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J.

A bright and silvery impression with warm plate tone by a female icon of the Union Square group. New York: Associated American Artists, 1943. Etching on cream wove paper, 5 7/8 x 3 ...

Clemente divides his time between New York, Rome and India. He has exhibited at Blain Southern Gallery, London and Berlin; James Cohan Shanghai, Daniel Templon, Paris; and Mary Boone...

New York, circa 1940 Etching with aquatint in colors on cream laid paper with a partial watermark and a deckle edge, 11 3/4 x 8 1/4 inches (297 x 208 mm), full margins.

A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...

Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates...

Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates...

Beginning in the early 1920's he exhibited his marine paintings and watercolors at Grand Central Galleries in New York. He also started making etchings and won first prize at the Chi...

Beginning in the early 1920's he exhibited his marine paintings and watercolors at Grand Central Galleries in New York. He also started making etchings and won first prize at the Chi...

New York: Sidney Lucas & The Paris Etching Society, c1970.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Margulies would later teach at City College of New York. Margulies mastered lithography and etching and became a well-known portrait painter.

New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933.

New York: Sylvan Cole, 1929. Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...

Following his service as a fighter pilot in World War I, he married artist Grace Parmelee and continued his career as a commercial illustrator in New York City. In the early 1920s, ...

Known for street scene paintings and etchings of New York City as well as coastal marine views on both sides of the Long Island Sound, Frederick Hunter lived at Ossining, Cold Spring...