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Portfolio 9 1967

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Untitled, from: Portfolio 9
Untitled, from: Portfolio 9

Untitled, from: Portfolio 9

By Sam Francis

Located in London, GB

, from: Portfolio 9, 1967 Technique: Original Hand Signed and Numbered Lithograph in Colours on Wove

Category

1960s Abstract Abstract Prints

Materials

Lithograph

We Are All One (from Portfolio 9)
We Are All One (from Portfolio 9)

We Are All One (from Portfolio 9)

By Richard Lindner

Located in New York, NY

Richard Lindner We Are All One (from Portfolio 9), 1967 Lithograph on wove paper Hand Signed and

Category

1960s Pop Art Figurative Prints

Materials

Lithograph

Black Curve from Portfolio 9
Black Curve from Portfolio 9

Black Curve from Portfolio 9

By Ellsworth Kelly

Located in West Hollywood, CA

Ellsworth Kelly Black Curve from Portfolio 9; 1967; Lithograph in colors; 17 x 21 7/8 inches

Category

1960s Prints and Multiples

Materials

Lithograph

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Portfolio 9 1967 For Sale on 1stDibs

You are likely to find exactly the portfolio 9 1967 you’re looking for on 1stDibs, as there is a broad range for sale. There are many Abstract, Pop Art and Surrealist versions of these works for sale. Adding a portfolio 9 1967 to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of gray, beige, black, blue and more. Finding an appealing portfolio 9 1967 — no matter the origin — is easy, but Sam Francis, Joseph Rozman, (after) Josef Albers, Micha Bar-Am and Salvador Dalí each produced popular versions that are worth a look. Frequently made by artists working in lithograph, paper and pigment print, these artworks are unique and have attracted attention over the years. A large portfolio 9 1967 can prove too dominant for some spaces — a smaller portfolio 9 1967, measuring 7.5 high and 7.5 wide, may better suit your needs.

How Much is a Portfolio 9 1967?

The price for an artwork of this kind can differ depending upon size, time period and other attributes — a portfolio 9 1967 in our inventory may begin at $1,000 and can go as high as $20,000, while the average can fetch as much as $5,000.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.