Negative Photograph

Rare Unique Photograph hand printed by artist. Comes with Original Negative!

Marrying an Apple Tree (Negative) - 2020 70x57cm, Edition 1/5. Giclée Print on Hahnemühle Fine Art Baryta (glossy), based on a Peel Apart Polaroid Film (not mounted). Signed on b...

Rare one of a kind photograph with original negative included on the back.

Laszlo Willinger Vivien Leigh, 1940 Original vintage photograph from the original negative Hand signed, framed Sheet dimensions: 12 x 9 inches Framed dimensions: 20.365 x 17.125 inches

An original vintage photograph from the original negative, shot by Laszlo Willinger in 1943.

This piece is an original vintage photograph printed from the original negative, shot by Laszlo Willinger c. 1940's.

This piece is an original photograph from the original negative taken by Laszlo Willinger circa 1940 and printed in 1989.

This piece is an original vintage photograph, from the original negative, shot by Laszlo Willinger in 1949.

An original photograph from the original negative shot by George Hurrell in 1936 and printed at a later date.

This piece is an original vintage photograph by Laszlo Willinger. It depicts "Old Hollywood" actress, Paulette Goddard, and was shot circa 1947. This piece is hand signed by the ph...

This piece is a diptych consisting of two original dye-transfer photographs from the original negatives by Milton Greene, shot in 1954 and published in 1978.

An original modern photograph printed from the original negative taken by Milton Greene in 1956, and printed in 1979.

This piece is an original photograph from the original negative, shot by Joe Waldorf in the 1970's.

This photograph of Marilyn Monroe was taken by photographer, George Barris, in 1962 on Santa Monica Beach in California. It is from a collection entitled "The Last Photos", which is ...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 on Santa Monica Beach in California. This photograph is from a collection entitled "The Last Photos...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 on Santa Monica Beach in California. This photograph is from a collection entitled "The Last Photos...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 in the North Hollywood home of Barris' close friend. Taken only two weeks before her death, this p...

Here, four black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the style of this negative photograph. Artist state...

Here, three black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the unique look of this negative photograph. Artis...

Here, three black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the unique look of this negative photograph. Artis...

Here, three black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the unique look of this negative photograph. Artis...

The original image was a medium format negative taken in 1960. :: Photograph :: Black & White :: This piece comes with an official certificate of authenticity signed by the artist ::...

This print was printed with ink jet printer on Luster print paper after scanning the negative into the computer. :: Photograph :: Black & White :: This piece comes with an officia...

Playing upon expectations, I’ve negatively pre-labeled my photographs complicating the judgment process and changing the tide on the observer.

Playing upon expectations, I’ve negatively pre-labeled my photographs complicating the judgment process and changing the tide on the observer.

A stunning hand printed photograph. Sepia toned. Negatives 1995 & 2006 Signed and dated on verso and recto.

Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame this image with the Kodak film rebate.

Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame this image with the Kodak film rebate.

Soft, muted tones and generous negative space lend the photograph a calm, minimalist character.

The contrast between dense evergreen foliage and the delicate silhouettes of bare deciduous trees creates depth, rhythm and visual balance, while subtle tonal transitions, intricate ...

Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame this image with the Kodak film rebate.

Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame this image with the Kodak film rebate.

Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame this image with the Kodak film rebate.

With its refined winter landscape, subtle contrast and generous negative space, the photograph reflects Berghammer’s minimalist approach to black-and-white landscape photography.

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...

Rather than merely documenting horses, he approaches them as a portrait photographer and sculptor might approach the human figure: studying gesture, proportion, texture, light, negat...