Gram Glover's House on Bragg's Island
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Gram Glover's House on Bragg's Island, 1976 etching, aquatint
1980s Figurative Prints
Lithograph
Gram Glover's House on Bragg's Island
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Gram Glover's House on Bragg's Island, 1976 etching, aquatint
Lithograph
Captain Blackwood
By David Fertig
Located in New York, NY
): David Fertig; inscribed (on the back, in charcoal pencil): "Captain Blackwood" British Captain Henry
Edward and Molly
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Edward and Molly, 1989 Etching and aquatint 19 3/4 x 32 in
Lithograph
September 3rd: Uncle Dan Sturge Home from the Labrador
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 September 3rd: Uncle Dan Sturge Home from the Labrador, 1975
Lithograph
Molly Glover leaving Bragg’s Island
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 MOLLY GLOVER LEAVING BRAGG’S ISLAND, 1985 Etching 22 x 27 3/4
Lithograph
Uncle Sam Kelloway
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Uncle Sam Kelloway, 1989 etching, aquatint in colours 15 3/4 x
Lithograph
Captain Jesse Winsor Home in Wesleyville
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Captain Jesse Winsor Home in Wesleyville, 1975 etching
Etching
untitled
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Untitled watercolour on paper 22 x 28 in signed and dated 1981
Watercolor
Captain Llewellyn Kean
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Captain Llewellyn Kean 2003 Etching 14 1/2 x 11 in signed
Lithograph
Study for Safe Harbour
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Study for Safe Harbour, 1980 etching, aquatint in colours 5 x
Lithograph
Survivor Drifting
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Survivor Drifting, 1970 Etching 19 7/8 x 15 7/8 in signed
Lithograph
Study for Bax Ford
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Study for Bax Ford, 1979 Etching 9 3/4 x 8 in signed, titled
Lithograph
The seabird hunter
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 THE SEABIRD HUNTER, 1978 Etching 19 3/4 x 31 1/2 in 50 x 80 cm
Lithograph
Lost party at sea, the sign
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Lost party at sea, the sign etching and aquatint 8 x 8 3/4
Lithograph
The seabird hunter
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 THE SEABIRD HUNTER, 1978 Etching 19 3/4 x 31 1/2 in 50 x 80 cm
Lithograph
Sealer’s Dream
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 "Sealer’s Dream" etching and aquatint 20 x 16 in (plate size
Lithograph
Night Island
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Night Island 1982 etching, aquatint in colours 10.75 x 13.75
Etching
Ephraim Kelloway's Door
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Ephraim Kelloway's Door, 1981 etching, aquatint in colours 32
Lithograph
Dante's Barque
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Dante's Barque, 2011 etching, aquatint in colours 8 x 12 in
Etching
Bragg's Island
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Bragg's Island, 2007 etching, aquatint in colours 5.75 x 4.5
Etching
Captain Noah Bishop's Visitation at the Icefields
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Captain Noah Bishop's Visitation at the Icefields, 1979
Lithograph
Grenfell Rescued
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 "Grenfell Rescued" etching and aquatint 22 x 28 in signed and
Lithograph
Study For Man Warning Two Boys
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Study For Man Warning Two Boys Etching 11 x 14 in titled
Lithograph
Edward and Molly
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Edward and Molly, 1989 Etching and aquatint 19 3/4 x 32 in
Lithograph
Breakers
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 BREAKERS, 1976 etching, aquatint in colours 7.75 x 9.75 in
Etching
Crossing the Reach
Located in Westmount, QC
David Blackwood, Canadian, 1941-2022 Crossing the Reach, 2009 etching, aquatint in colours 7 x 12
Etching
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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