Surrealist Art

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Salvador Dali Don Juan: The Banquet (Le Banquet), Published 1970 Medium: Hand-Colored Drypoint Etching on Arches Paper Edition: 38/250 Artwork Size: 25 x 20 in Framed Size: 33 ...

Salvador Dali Faust: Portrait of Marguerite (Le Portrait de Marguerite), Published 1968-1969 Medium: Drypoint Etching with Roulette on Japon Edition: 88/145 Artwork Size: 15 x 1...

Salvador Dali Mythology: Argus in Black, Published 1963-1965 Medium: Copper and Drypoint Etching on Arches Paper Edition: 106/150 Artwork Size: 22 x 30 in Framed Size: 28.50 x ...

Leda Atomica by Salvador Dali Lithograph on BFK Rives Papier Dimensions of the print: 58 x 43 cm Dimensions of the sheet: 76 x 55 cm Dimensions with frame: 84.5 x 63.5 cm Edition of ...

Artist: Salvador Dali Title: The Golfer Medium: Lithograph in colors on Arches paper Year: 1973 Edition: XXVIII/CI Sheet Size: 23 7/8" x 18 7/8" Image Size: 19" x 16" Signature: Hand...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, cir...

-Pedro Friedeberg signed print featuring a fantastical architectural scene inspired by “Mickey”. Includes whimsical figures, optical art elements, and surreal details. framed in a ha...

Color lithograph on Arches wove paper, with watermark. Image dimension 51.5x43 cm. Published by Editions des Amis du Message Biblique. Edition of 200. Printed by Charles Sorlier an...

Artist: Salvador Dali Title: Thomas (Lancelot Healing Sir Urre) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 38/350 Frame S...

Guillaume Corneille (1922-2010) Cat and Bird at the Sunset, 1991 Original color lithograph Signed and dated in pencil Artist proof On vellum, 53 x 76 cm (c. 21 x 30 in) Very good ...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Anti-Umbrella with Atomized Liquid MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merrill Chas...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Cybernetic Lobster Telephone MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merrill Chase, Chi...

This exquisite lithograph by Andre Masson (1896–1987), titled Le depart (The Departure), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

The item is located in central London,UK WILL BE SHIPPED ROLLED. one-of-a-kind original oil paintings on canvas hand signed 200x130cm painting shall be shipped ROLLED, unfram...

Salvador Dali Mythology: Leda and Swan (Leda et le Cygne), Published 1963 -1965 Medium: Copper and Drypoint Etching with Hand-Coloring on Japon Edition: VII/XX Artwork Size: 30 ...

ARTIST: Salvador Dali TITLE: Florals Don Quixote MEDIUM: Etching on Heavy Arches Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 29.5" x 22" YEAR:...

ARTIST: Salvador Dali TITLE: Florals Tulips Girafe en Feu MEDIUM: Etching on Heavy Arches paper SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques International...

Joan Miró Litografia Original VI Color Lithograph Year: 1975 Size: 13.25 × 10 inches (33.65 x 25.4 cm) Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.35 Publisher: Ma...

The figurative surrealist paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing. This presence exposed Francisco to the world of figurative arts while...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian-governed academic setting. This presence exposed Franci...

Robin Hextrum's "Lord of the Wild Things" is an original oil painting on stretched canvas. Artist Statement: This painting is part of my "Magical Realism" series. This painting is b...

Joa Miro's rendering of a harpie, a creature with the head of a woman and the body of a bird, features minimal line and color but reflects the Surrealist style of the artist. La Ha...

Salvador Dali (1904-1989) - Sagittarius Etching from 1974. The edition HC IX/L on Guarro paper. Dimensions of work: 35 x 26.2 cm. Hand signed. Publisher: Léon Amiel, Paris - New...

Joan Miró, Design for a Tapestry Lithograph on paper Framed size: 62 x 82 cm The artwork is framed in a sustainably sourced, black gallery box frame with acrylic glazing. Design...

Etching and aquatint with embossing on laid paper. Sheet dimension: 65x46 ca.; Image dimension 30.4x18.6. Edition of 95/100. Hand signed and numbered in pencil. Slight foxing, pa...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Artist: Salvador Dali (1904-1989) Title: Femme à tete de Roses Year: 2004 Medium: Lithograph on wove paper Size: 30.25 x 22 inches Condition: Excellent Inscription: Unsigned and unnu...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Guillermo Meza (Mexican, 1917-1997) Sentada Desnuda, 1941 Oil on canvas Signed and dated lower right 23.5 in. h. x 19.5 in. w. 31 in. h. x 27 in. w., as framed He was born in México...

"Duality" Black & White Nude Photography 49" x 39" in Ed. 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

ARTIST: Salvador Dali TITLE: Portrait of Autumn MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: HC 49/65 MEASUREMENTS: 21.23" x 29.1" YEAR: 1980 FRAMED...

Jean Solombre, French (1948 - ) - Incomparable Chant D'été De L'azur, Year: 1981, Medium: Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: 1...

ANDRE LANSKOY (French / Russian 1902-1976) 1966 Original color lithograph on watermarked Arches paper The title sheet was hand signed in pencil on the justification page by the arti...

Joan Miro (1893-1983) - Litografía original VI Lithograph from 1972. Dimensions of work: 32 x 24.5 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. The ...

The item is located in London, will be shipped stretched, ready to be framed/ hung unframed. the item is located in central London.UK can be picked up/shipped. oil on canvas orig...

Medium: original lithograph. This Wifredo Lam surrealist print was issued in 1974 for XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/4 x 9 3/8 inches (310 x 238 mm). No...

This artwork titled, "l'Arcangelo (The Archangel)" from the suite, "lLes Vitaux" 1973 is an original colors lithograph on watermarked Arches paper by artist Salvador Dali 1904-1989....

Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...

Mid Century Nocturnal Surrealist Oil Painting--San Francisco Unreal Dreams by Russell Tripp Dramatic and atmospheric San Francisco surrealist figurative painting by Russell R. Tripp...

ARTIST: Salvador Dali TITLE: The 10 Commandments Platinum Bas Relief MEDIUM: Bas Relief SIGNED: Not hand signed. The Bas Relief bears the artist signature toward the left side a...

Nadezda's beautiful new oil on panel painting "Smoking Lady" (2024) is an abstract portrait of a woman wearing a black dress smoking inside of her brightly colored house, she is stan...

original painting on canvas certificate of authenticity located in central London,UK unframed the item will be shipped rolled 180x220cm

-Pedro Friedeberg signed print featuring a collection of various dogs. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and gold ...

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

Title: The Petrified Origin Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on canvas Dimensions: 25.6 x 31.9 in (65 x 81 cm) Date: 1967 Condition: Unframed Signature: Signed lower right: Pitxot Provenance: Private collection Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity. 📝 Work Description In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time. Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate. 👤 About the Artist Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe. His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time. 🎭 Connection with Salvador Dalí Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death...

This exquisite lithograph by Joan Miro (1893–1983), titled Le Soleil Noir (The Black Sun), from the folio Derriere le miroir, No. 151–152, originates from the 1965 edition published ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled Femme et oiseau dans la nuit (Woman and Bird in the Night), from the album XXe Siecle, Nouvelle serie No. 8, or...

Artist Mati (Abdul) Klarwein Title: The Good Life Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 3/300 Hand embellished by the artis...

Salvador DALI (1904-1969) Casanova : Snail lady, 1967 Original etching Signed in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog raisonné Field #67-...

This exquisite lithograph by Joan Miro (1893–1983), titled L’Oiseau s’envole sur la zone poussée d’or sur les collines ensoleillées (The Bird Flies Over the Golden Zone on the Sunlit...

This limited-edition Dibond UV print belongs to Natasha Lelenco’s Fetiches series, an artistic exploration of portraiture intertwined with organic motifs. Numbered 24 of 25, each pri...

Joan Miro, L’Oro dell’Azzurro (Framed) Giclee print Framed in a sustainably sourced black frame gallery with UV protection acrylic glazing 67 x 80 cm 'The Gold of the Azure' w...

Artist: Salvador Dali (1904-1989) Title: Antiombrelle à atomiseurs de liquides (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid atomizer anti-shade, ...

Ian Hugo, 'Together', from the portfolio 'Ten Engravings'. engraving, 1946, edition 50. Signed, dated, titled, and numbered '22/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with wide margins (2 7/8 to 5 1/2 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 7/8 x 4 7/8 inches (149 x 124 mm); sheet size 15 x 11 1/8 inches (381 x 283 mm). Collection: Indianapolis Museum of Art. Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...