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Vanity Fair Spy Lithographs

Mr. Chauncey M. Depew - Original Lithograph by Spy for Vanity Fair - 1889
Located in Roma, IT
, realized by the illustrator Spy for Vanity Fair newspaper, issue of October 26th 1889, and published by
Category

1880s Modern Figurative Prints

Materials

Lithograph

Sam Loates Spy Vanity Fair Nov 5th 1896
Located in Bristol, CT
1896 Print Sz: 14 1/2"H x 9"W Mat Sz: 20"H x 12 7/8"W Samuel Loates (1865–1932) was a British Thoroughbred horse racing jockey who was the Champion Jockey of 1899 in his home coun...
Category

1890s Figurative Prints

Materials

Lithograph

"Johnny" Reiff Spy Vanity Fair August 23rd 1900
Located in Bristol, CT
1900 Sz: 15"H x 10 1/8"W John "Knickerbocker" Reiff (1885 - 1974), often called Johnny, was an American flat racing jockey, whose greatest successes came in Great Britain where he ...
Category

Early 1900s Figurative Prints

Materials

Lithograph

James Woodburn Spy Vanity Fair June 21 1890
Located in Bristol, CT
1890 Sz: 20"H x 12 7/8"W James Woodburn 1863-1919 Born at York on September 20, 1863, James began life as a doctor’s errand boy but, wanting to become a jockey, he ran away from ...
Category

1890s Figurative Prints

Materials

Lithograph

'The Huntsman' Vanity Fair cartoon by Sir Leslie "Spy" Ward
By Sir Leslie Ward
Located in London, GB
Sir Leslie 'Spy' Ward for Vanity Fair Magazine The Huntsman 1 November 1884 Lithograph Depicting
Category

1890s Victorian More Art

Materials

Lithograph

Vanity Fair Caricature, Rev. Edgar Sheppard "A Great Marrier" by Spy
By Sir Leslie Ward
Located in Alamo, CA
Vanity Fair color chromolithograph caricature of Rev. Edgar Sheppard "A Great Marrier" by Spy
Category

Late 19th Century Victorian Portrait Prints

Materials

Lithograph

The President of St John's College Oxford Vanity Fair Spy magazine Leslie Ward
By Sir Leslie Ward
Located in London, GB
Leslie 'Spy' Ward Vanity Fair Magazine President of St john's College Oxford 1 April 1893 Lithograph
Category

1890s Victorian More Art

Materials

Lithograph

Recent Sales

Vanity Fair Caricature, Frederick Temple, Archbishop of Canterbury "Just" by Spy
By Sir Leslie Ward
Located in Alamo, CA
Vanity Fair color chromolithograph caricature of Reverend Frederick Temple, Archbishop of
Category

Late 19th Century Victorian Portrait Prints

Materials

Lithograph

Vanity Fair Caricature, Benjamin Harrison "Revised Version of the Bible" by Spy
By Sir Leslie Ward
Located in Alamo, CA
Vanity Fair color chromolithograph caricature of Benjamin Harrison, "The Revised Version of the
Category

Late 19th Century Victorian Portrait Prints

Materials

Lithograph

Vanity Fair Caricature, The Reverend Arthur Tooth "The Christian Martyr" by Spy
By Sir Leslie Ward
Located in Alamo, CA
Vanity Fair color chromolithograph caricature of The Reverend Arthur Tooth "The Christian Martyr
Category

Late 19th Century Victorian Portrait Prints

Materials

Lithograph

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Vanity Fair Spy Lithographs For Sale on 1stDibs

On 1stDibs, there are several options of vanity fair spy lithographs available for sale. A selection of these works in the styles can be found today in our inventory. These items have been made for many years, with versions that date back to the 19th Century alongside those produced as recently as the 20th Century. Vanity fair spy lithographs available on 1stDibs span a range of colors that includes gray and more. Many versions of these artworks are appealing in their rich colors and composition, but Sir Leslie Ward produced especially popular works that are worth a look. Each of these unique pieces was handmade with extraordinary care, with artists most often working in lithograph. Some vanity fair spy lithographs are too large for some spaces — a variety of smaller iterations, measuring # 10.13 inches across, are available.

How Much are Vanity Fair Spy Lithographs?

Prices for pieces in our collection of vanity fair spy lithographs start at $110 and top out at $1,075 with the average selling for $166.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.