Cristian Mohaded Vases and Vessels

Handmade slab built monumental Brutalist pottery vase. Meticulously decorated and glazed with organic and geometric patterns and shapes. Applied neck. Signed and dated, Inge, 70 a th...

Contemporary Danish tall textured white ceramic vase with two round spouts on a base of two round spheres. Very sculptural in design. Smaller version available S5602 Two available an...

A large and stylish Italian porcelain twin handled pedestal vase hand painted with landscape scenes by Mangani and dating from the 20th century. This tall and elegant vase stands rai...

Pair of planters made by Marc Du Plantier (1901 -1974). The design has an Egyptian inspiration, the pots are made of terracotta and the base is bronze with...

Beautiful elegant porcelain glossy black and white interior double twisted head vase circa 1960's by Franciscan China.

A very nice vintage double handled California studio pottery ceramic vase by Catalina Pottery, circa 1930s. Great look and form on this gorgeous robin egg blue and white vessel. The piece is in very good vintage condition with no chips or cracks and measures 4.5"W x 4"D x 6"H. Hard to find piece of Catalina Pottery! #2943 Catalina Pottery (or Catalina Island Pottery) is the commonly used name for Catalina Clay Products, a division of the Santa Catalina Island Company, which produced brick, tile, tableware and decorative pottery on Santa Catalina Island, California. Catalina Clay Products was founded in 1927 by William Wrigley, Jr. of the Wrigley chewing gum family. He built a tile and brick pottery factory on a beach located near Avalon, Santa Catalina Island. The new pottery...

A pair of Chinese blue and white twin handled vases depicting dragons. The background color is a pale duck egg.

This milk glass vase is in a Brutalist design and was made in Germany around 1970. Its surface is reminiscent of ice or bark, giving this vase a highly textured and interesting surface. This vase, while having a rather tough-looking design, still remains soft and clean due to its white color and rounded edges. This creates a very interesting juxtaposition that will add a cool and contemporary vibe to your interior. This ice or bark glass...

Organically shaped pottery vase with satin black glaze and brutalist decor that doubles as holes for cut flower arrangement. Designed by danish ceramist Aage Würtz in the early 1970s...

Set of two red and white porcelain vases, outlined in black, made in France. Hollow interior. Representing two expresive and detailed faces resembling teatrical masks, one on each side, with a base stamp signed by Aladin at the bottom. By: Aladin Material: porcelain, paint, ceramic Technique: molded, pressed, unglazed, hand-painted, painted Dimensions: 4 in x 9 in Date: early 20th Century...

Beautiful crystal vase made in Germany circa 1980s by Warmensteinach, great condition no chips or cracks.

An organic and Brutalist style vase with Medallion motif on front and verso. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...