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Artist: Doug Freed
Boundaries
By Doug Freed
Located in Tulsa, OK
For nearly twenty years, Doug made non-objective grid structured paintings. He started to see references to landscape in these works. He has literalized those references by painting ...
Category
21st Century and Contemporary Doug Freed Paintings
Materials
Paper, Oil
SIGNIFY
By Doug Freed
Located in Tulsa, OK
Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the sof...
Category
21st Century and Contemporary Abstract Expressionist Doug Freed Paintings
Materials
Canvas, Oil
Hem
By Doug Freed
Located in Tulsa, OK
For nearly twenty years, Doug made non-objective grid structured paintings. He started to see references to landscape in these works. He has literalized those references by painting ...
Category
21st Century and Contemporary Doug Freed Paintings
Materials
Paper, Oil
DIGNITY
By Doug Freed
Located in Tulsa, OK
Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the sof...
Category
21st Century and Contemporary Abstract Expressionist Doug Freed Paintings
Materials
Canvas, Oil
Essence
By Doug Freed
Located in Tulsa, OK
For nearly twenty years, Doug made non-objective grid structured paintings. He started to see references to landscape in these works. He has literalized those references by painting ...
Category
21st Century and Contemporary Doug Freed Paintings
Materials
Canvas, Oil
Cycle
By Doug Freed
Located in Tulsa, OK
For nearly twenty years, Doug made non-objective grid structured paintings. He started to see references to landscape in these works. He has literalized those references by painting ...
Category
21st Century and Contemporary Doug Freed Paintings
Materials
Canvas, Oil
NIGHT FALL- DARK
By Doug Freed
Located in Tulsa, OK
Night Fall Dark by artist Doug Freed is a green, yellow, and purple contemporary landscape that measures 17 x 14 and is priced at $1,200.
Artist Statement
For nearly twenty years, ...
Category
21st Century and Contemporary Modern Doug Freed Paintings
Materials
Oil, Canvas
FOREST STUDY -YELLOW
By Doug Freed
Located in Tulsa, OK
Artist Statement
For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes.
I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger.
I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to
distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The
compositions are about ambiguities of form and void, foreground and background and surface and deep space.
My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity.
My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition.
SELECTED PUBLIC COLLECTIONS
K.U. Medical Center, Wichita, KS
Museum of Art & Archeology University of Missouri, Columbia, Missouri
Hoecht Marion Roussel (Commission), Kansas City, Missouri
FBL Financial Group, Des Moines, IA
Kemper Museum of Contemporary Art, Kansas City, Missouri
Wichita Center for the Arts, Wichita, Kansas
Daum Museum of Contemporary Art, Sedalia, Missouri
The Newark Museum, Newark, New Jersey
St. Louis Art Museum, St. Louis, Missouri
Springfield Art Museum, Springfield, Missouri
Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri
Arkansas Art Center, Little Rock, Arkansas
College of Architecture and Design, Kansas State University, Manhattan, Kansas
Fort Hays, Kansas State University, Hays, Kansas
Memorial Union Collection, University of Missouri, Columbia, Missouri
Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas
Hutchinson Community College, Hutchinson, Kansas
Johnson County Community College, Overland Park, Kansas
Lincoln College, Lincoln, Illinois
State Fair Community College, Sedalia, Missouri
Hallmark Cards Inc., Kansas City, Missouri
Sprint Corporation, Kansas City, Missouri
MacGraw Hill Publishing Co., New York City, New York
Pioneer Hybrid, Des Moines, Iowa
Pella Corporation, Pella, Iowa
Fort Smith Public Library (Commission), Fort Smith, Arkansas
Deloitte & Touche (Commission), St. Louis, Missouri
Publishing Enterprises, Inc. (Commission), Sedalia, Missouri
Parks & Recreation Department, Columbia, Missouri
United Telephone Systems, Inc., Kansas City, Missouri
American Family Doctors, National Headquarters, Kansas City, Missouri
DST Corporation, Kansas City, Missouri
Crown Center, Hallmark Art Collection, Kansas City, Missouri
Hewlett Packard Corporation, St. Louis, Missouri
Emerson Electric (Commission), St. Louis, Missouri
Mark Twain Bank, Creve Coeur, Missouri
Boone County Bank, Columbia, Missouri
Landmark Bank, Madill, Oklahoma
Septagon Industries (Commission), Sedalia, Missouri
KEO Building Corporation (Commission), Sedalia, Missouri
D & W Leasing, Sedalia, Missouri
1st National Bank, Rockford, Illinois
Mark Twain Bank Shares, Ladue, Missouri
Bank of Olathe, Olathe, Kansas
Blue Cross/Blue Shield of Missouri, St. Louis, Missouri
Cessna Aircraft...
Category
21st Century and Contemporary Modern Doug Freed Paintings
Materials
Canvas, Oil
TENABLE
By Doug Freed
Located in Tulsa, OK
Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the grey area between traditional landscape painting and its abstraction into color fields.
Artist Statement
For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes.
I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger.
I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to
distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The
compositions are about ambiguities of form and void, foreground and background and surface and deep space.
My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity.
My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition.
SELECTED PUBLIC COLLECTIONS
K.U. Medical Center, Wichita, KS
Museum of Art & Archeology University of Missouri, Columbia, Missouri
Hoecht Marion Roussel (Commission), Kansas City, Missouri
FBL Financial Group, Des Moines, IA
Kemper Museum of Contemporary Art, Kansas City, Missouri
Wichita Center for the Arts, Wichita, Kansas
Daum Museum of Contemporary Art, Sedalia, Missouri
The Newark Museum, Newark, New Jersey
St. Louis Art Museum, St. Louis, Missouri
Springfield Art Museum, Springfield, Missouri
Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri
Arkansas Art Center, Little Rock, Arkansas
College of Architecture and Design, Kansas State University, Manhattan, Kansas
Fort Hays, Kansas State University, Hays, Kansas
Memorial Union Collection, University of Missouri, Columbia, Missouri
Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas
Hutchinson Community College, Hutchinson, Kansas
Johnson County Community College, Overland Park, Kansas
Lincoln College, Lincoln, Illinois
State Fair Community College, Sedalia, Missouri
Hallmark Cards Inc., Kansas City, Missouri
Sprint Corporation, Kansas City, Missouri
MacGraw Hill Publishing Co., New York City, New York
Pioneer Hybrid, Des Moines, Iowa
Pella Corporation, Pella, Iowa
Fort Smith Public Library (Commission), Fort Smith, Arkansas
Deloitte & Touche (Commission), St. Louis, Missouri
Publishing Enterprises, Inc. (Commission), Sedalia, Missouri
Parks & Recreation Department, Columbia, Missouri
United Telephone Systems, Inc., Kansas City, Missouri
American Family Doctors, National Headquarters, Kansas City, Missouri
DST Corporation, Kansas City, Missouri
Crown Center, Hallmark Art Collection, Kansas City, Missouri
Hewlett Packard Corporation, St. Louis, Missouri
Emerson Electric (Commission), St. Louis, Missouri
Mark Twain Bank, Creve Coeur, Missouri
Boone County Bank, Columbia, Missouri
Landmark Bank, Madill, Oklahoma
Septagon Industries (Commission), Sedalia, Missouri
KEO Building Corporation (Commission), Sedalia, Missouri
D & W Leasing, Sedalia, Missouri
1st National Bank, Rockford, Illinois
Mark Twain Bank Shares, Ladue, Missouri
Bank of Olathe, Olathe, Kansas
Blue Cross/Blue Shield of Missouri, St. Louis, Missouri
Cessna Aircraft...
Category
21st Century and Contemporary Abstract Expressionist Doug Freed Paintings
Materials
Canvas, Oil
Glowing
By Doug Freed
Located in Tulsa, OK
Glowing by artist Doug Freed is a red and white contemporary abstract landscape, oil on canvas, that measures 48 x 75 and is priced at $10,000.
Doug Freed attempts to capture the my...
Category
21st Century and Contemporary Contemporary Doug Freed Paintings
Materials
Canvas, Oil
WINTER II
By Doug Freed
Located in Tulsa, OK
WINTER II by Doug Freed is a Oil on Canvas measuring 24.00 X 18.00 in and is priced at $2,200.00.
Doug Freed attempts to capture the mystical light found in natural atmospheric effe...
Category
2010s Contemporary Doug Freed Paintings
Materials
Canvas, Oil
MORNING REFLECTIONS
By Doug Freed
Located in Tulsa, OK
Morning Reflections by artist Doug Freed is a blue, orange, green, and white contemporary landscape made with oil on canvas that measures 20 x 18 and is priced at $1,800.
Doug Freed...
Category
2010s Contemporary Doug Freed Paintings
Materials
Canvas, Oil
FOREST STUDY -LAVENDER
By Doug Freed
Located in Tulsa, OK
Forest Study - Lavender by artist Doug Freed is a dark blue and lavender contemporary landscape oil on canvas painting that measures 18 x 18 and is priced at $1,500.
Doug Freed atte...
Category
2010s Contemporary Doug Freed Paintings
Materials
Canvas, Oil
Divide
By Doug Freed
Located in Tulsa, OK
Divide by artist Doug Freed is a deep blue contemporary abstract landscape oil on canvas painting that measures 72 x 96 and is priced at $18,000.
Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the gray area between traditional landscape painting and its abstraction into color fields.
Artist Statement
For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes.
I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger.
I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to
distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The
compositions are about ambiguities of form and void, foreground and background and surface and deep space.
My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity.
My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition.
SELECTED PUBLIC COLLECTIONS
K.U. Medical Center, Wichita, KS
Museum of Art & Archeology University of Missouri, Columbia, Missouri
Hoecht Marion Roussel (Commission), Kansas City, Missouri
FBL Financial Group, Des Moines, IA
Kemper Museum of Contemporary Art, Kansas City, Missouri
Wichita Center for the Arts, Wichita, Kansas
Daum Museum of Contemporary Art, Sedalia, Missouri
The Newark Museum, Newark, New Jersey
St. Louis Art Museum, St. Louis, Missouri
Springfield Art Museum, Springfield, Missouri
Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri
Arkansas Art Center, Little Rock, Arkansas
College of Architecture and Design, Kansas State University, Manhattan, Kansas
Fort Hays, Kansas State University, Hays, Kansas
Memorial Union Collection, University of Missouri, Columbia, Missouri
Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas
Hutchinson Community College, Hutchinson, Kansas
Johnson County Community College, Overland Park, Kansas
Lincoln College, Lincoln, Illinois
State Fair Community College, Sedalia, Missouri
Hallmark Cards Inc., Kansas City, Missouri
Sprint Corporation, Kansas City, Missouri
MacGraw Hill Publishing Co., New York City, New York
Pioneer Hybrid, Des Moines, Iowa
Pella Corporation, Pella, Iowa
Fort Smith Public Library (Commission), Fort Smith, Arkansas
Deloitte & Touche (Commission), St. Louis, Missouri
Publishing Enterprises, Inc. (Commission), Sedalia, Missouri
Parks & Recreation Department, Columbia, Missouri
United Telephone Systems, Inc., Kansas City, Missouri
American Family Doctors, National Headquarters, Kansas City, Missouri
DST Corporation, Kansas City, Missouri
Crown Center, Hallmark Art Collection, Kansas City, Missouri
Hewlett Packard Corporation, St. Louis, Missouri
Emerson Electric (Commission), St. Louis, Missouri
Mark Twain Bank, Creve Coeur, Missouri
Boone County Bank, Columbia, Missouri
Landmark Bank, Madill, Oklahoma
Septagon Industries (Commission), Sedalia, Missouri
KEO Building Corporation (Commission), Sedalia, Missouri
D & W Leasing, Sedalia, Missouri
1st National Bank, Rockford, Illinois
Mark Twain Bank Shares, Ladue, Missouri
Bank of Olathe, Olathe, Kansas
Blue Cross/Blue Shield of Missouri, St. Louis, Missouri
Cessna Aircraft...
Category
2010s Abstract Doug Freed Paintings
Materials
Canvas, Oil
NIGHT FALL -SKY
By Doug Freed
Located in Tulsa, OK
Artist Statement
For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those reference...
Category
21st Century and Contemporary Modern Doug Freed Paintings
Materials
Canvas, Oil
DARKEN
By Doug Freed
Located in Tulsa, OK
Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the grey area between traditional landscape painting and its abstraction into color fields.
Artist Statement
For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes.
I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger.
I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to
distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The
compositions are about ambiguities of form and void, foreground and background and surface and deep space.
My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity.
My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition.
SELECTED PUBLIC COLLECTIONS
K.U. Medical Center, Wichita, KS
Museum of Art & Archeology University of Missouri, Columbia, Missouri
Hoecht Marion Roussel (Commission), Kansas City, Missouri
FBL Financial Group, Des Moines, IA
Kemper Museum of Contemporary Art, Kansas City, Missouri
Wichita Center for the Arts, Wichita, Kansas
Daum Museum of Contemporary Art, Sedalia, Missouri
The Newark Museum, Newark, New Jersey
St. Louis Art Museum, St. Louis, Missouri
Springfield Art Museum, Springfield, Missouri
Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri
Arkansas Art Center, Little Rock, Arkansas
College of Architecture and Design, Kansas State University, Manhattan, Kansas
Fort Hays, Kansas State University, Hays, Kansas
Memorial Union Collection, University of Missouri, Columbia, Missouri
Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas
Hutchinson Community College, Hutchinson, Kansas
Johnson County Community College, Overland Park, Kansas
Lincoln College, Lincoln, Illinois
State Fair Community College, Sedalia, Missouri
Hallmark Cards Inc., Kansas City, Missouri
Sprint Corporation, Kansas City, Missouri
MacGraw Hill Publishing Co., New York City, New York
Pioneer Hybrid, Des Moines, Iowa
Pella Corporation, Pella, Iowa
Fort Smith Public Library (Commission), Fort Smith, Arkansas
Deloitte & Touche (Commission), St. Louis, Missouri
Publishing Enterprises, Inc. (Commission), Sedalia, Missouri
Parks & Recreation Department, Columbia, Missouri
United Telephone Systems, Inc., Kansas City, Missouri
American Family Doctors, National Headquarters, Kansas City, Missouri
DST Corporation, Kansas City, Missouri
Crown Center, Hallmark Art Collection, Kansas City, Missouri
Hewlett Packard Corporation, St. Louis, Missouri
Emerson Electric (Commission), St. Louis, Missouri
Mark Twain Bank, Creve Coeur, Missouri
Boone County Bank, Columbia, Missouri
Landmark Bank, Madill, Oklahoma
Septagon Industries (Commission), Sedalia, Missouri
KEO Building Corporation (Commission), Sedalia, Missouri
D & W Leasing, Sedalia, Missouri
1st National Bank, Rockford, Illinois
Mark Twain Bank Shares, Ladue, Missouri
Bank of Olathe, Olathe, Kansas
Blue Cross/Blue Shield of Missouri, St. Louis, Missouri
Cessna Aircraft...
Category
21st Century and Contemporary Abstract Expressionist Doug Freed Paintings
Materials
Canvas, Oil
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Order
By Doug Freed
Located in Tulsa, OK
Order by artist Doug Freed is a blue and grey contemporary abstract landscape, oil on canvas, that measures 20 x 60 and is priced at $4,000.
The compositions are about ambiguities o...
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21st Century and Contemporary Contemporary Doug Freed Paintings
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Mood
By Doug Freed
Located in Tulsa, OK
Mood by artist Doug Freed is a black and white contemporary abstract landscape, oil on canvas, measuring 48 x 75 and is priced at $10,000.
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Oil
MORNING LIGHT
By Doug Freed
Located in Tulsa, OK
Morning Light by artist Doug Freed is an orange and green contemporary landscape made with oil on canvas that measures 20 x 16 and is priced at $1,800.
Doug Freed attempts to captur...
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2010s Contemporary Doug Freed Paintings
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WINTER I
By Doug Freed
Located in Tulsa, OK
WINTER I by artist Doug Freed is a grey, white, and black contemporary abstract landscape that measures 24 x 18 and is priced at $2,200.
Doug Freed attempts to capture the mystical ...
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2010s Contemporary Doug Freed Paintings
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STEEPED
By Doug Freed
Located in Tulsa, OK
Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the grey area between traditional landscape painting and its abstraction into color fields.
Artist Statement
For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes.
I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger.
I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to
distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The
compositions are about ambiguities of form and void, foreground and background and surface and deep space.
My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity.
My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition.
SELECTED PUBLIC COLLECTIONS
K.U. Medical Center, Wichita, KS
Museum of Art & Archeology University of Missouri, Columbia, Missouri
Hoecht Marion Roussel (Commission), Kansas City, Missouri
FBL Financial Group, Des Moines, IA
Kemper Museum of Contemporary Art, Kansas City, Missouri
Wichita Center for the Arts, Wichita, Kansas
Daum Museum of Contemporary Art, Sedalia, Missouri
The Newark Museum, Newark, New Jersey
St. Louis Art Museum, St. Louis, Missouri
Springfield Art Museum, Springfield, Missouri
Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri
Arkansas Art Center, Little Rock, Arkansas
College of Architecture and Design, Kansas State University, Manhattan, Kansas
Fort Hays, Kansas State University, Hays, Kansas
Memorial Union Collection, University of Missouri, Columbia, Missouri
Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas
Hutchinson Community College, Hutchinson, Kansas
Johnson County Community College, Overland Park, Kansas
Lincoln College, Lincoln, Illinois
State Fair Community College, Sedalia, Missouri
Hallmark Cards Inc., Kansas City, Missouri
Sprint Corporation, Kansas City, Missouri
MacGraw Hill Publishing Co., New York City, New York
Pioneer Hybrid, Des Moines, Iowa
Pella Corporation, Pella, Iowa
Fort Smith Public Library (Commission), Fort Smith, Arkansas
Deloitte & Touche (Commission), St. Louis, Missouri
Publishing Enterprises, Inc. (Commission), Sedalia, Missouri
Parks & Recreation Department, Columbia, Missouri
United Telephone Systems, Inc., Kansas City, Missouri
American Family Doctors, National Headquarters, Kansas City, Missouri
DST Corporation, Kansas City, Missouri
Crown Center, Hallmark Art Collection, Kansas City, Missouri
Hewlett Packard Corporation, St. Louis, Missouri
Emerson Electric (Commission), St. Louis, Missouri
Mark Twain Bank, Creve Coeur, Missouri
Boone County Bank, Columbia, Missouri
Landmark Bank, Madill, Oklahoma
Septagon Industries (Commission), Sedalia, Missouri
KEO Building Corporation (Commission), Sedalia, Missouri
D & W Leasing, Sedalia, Missouri
1st National Bank, Rockford, Illinois
Mark Twain Bank Shares, Ladue, Missouri
Bank of Olathe, Olathe, Kansas
Blue Cross/Blue Shield of Missouri, St. Louis, Missouri
Cessna Aircraft...
Category
21st Century and Contemporary Abstract Expressionist Doug Freed Paintings
Materials
Oil
Endless
By Doug Freed
Located in Tulsa, OK
For nearly twenty years, Doug made non-objective grid structured paintings. He started to see references to landscape in these works. He has literalized those references by painting ...
Category
21st Century and Contemporary Doug Freed Paintings
Materials
Oil, Paper
Doug Freed paintings for sale on 1stDibs.
Find a wide variety of authentic Doug Freed paintings available for sale on 1stDibs. If you’re browsing the collection of paintings to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Doug Freed in oil paint, paint, canvas and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Doug Freed paintings, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Betty Jo Costanzo, Norman Carton, and Craig Mooney. Doug Freed paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,200 and tops out at $18,000, while the average work can sell for $4,000.