Eef de Graaf Paintings

David E. Peterson Puzzle #83, 2013 Acrylic, Exotic wood, MDF, UV resin 2 piece set of 60h x 8w x 2d in (30h x 7w x 2d in. and 30h x 8w x 2.5d inches) 152.40h x 20.32w x 5.08d cm Thi...

Acrylic on 3 wood panels Each panel is 36 x 18 x 1 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall dimensions: 36 x 56 x 1...

Paisley and floral patterned wall sculpture by Jessica Godisak (American, b. 1977). This dimensional piece is constructed of several wood forms joined together. There is empty space ...

Cheung Yee, Cast Paper painting, wall sculpture, black, edition CHEUNG YEE (1936–2019) The Chinese artist Cheung Yee, a pioneer of the contemporary art scene in Hong Kong, died in Los Angeles on December 4 at the age of eighty-three. The Hong Kong Museum of Art confirmed his passing. Best known for his paper castings; bronze relief; and wooden, stone, and bronze sculptures, which mixed Western modernism, traditional Chinese aesthetics, and elements of folklore and ancient philosophies, Cheung cofounded the avant-garde Circle Art Group with Hon Chi Fun, Wucius Wong, and several other peers. The group was active from 1964 to 1971. Born in Guangzhou, China, in 1936, Cheung was raised in Hong Kong but was forced to leave the region when the Japanese invaded China during the Second Sino-Japanese War; his family relocated to Guangzhou. When the conflict ended, Cheung returned to the region and began learning Gongbi, a realist brush technique in Chinese painting. In the 1950s, he studied art at Taiwan Normal University in Taipei, where he met his wife. Throughout his schooling, Cheung pursued his interests in archaeology and began experimenting with different materials and with approaches to copperplate etching, welding, and modeling. In 1964, Cheung’s first major retrospective was organized by the City Museum and Art Gallery at Hong Kong City Hall. The following year, he received a grant from the Institute of International Education to study in the United States and Europe. Since then, he has had solo exhibitions at the Hong Kong Museum of Art, AO Vertical Art...

Maki's work is influenced by early Modernist Abstraction, while her combination of materials and technique make the pieces uniquely her own. This work, in subtle shades of white, gra...

David E. Peterson Puzzle # 97, 2016 Maple, mdf, acrylic and uv resin approx 24h x 10w x 1.50d in / 60.96h x 17.78w x 3.81d cm DAVID E. PETERSON (b. 1979, USA) An abstract painter i...

2452 ACRYLIC PAINTED DOWELS IN ARCHITECTURAL PLYWOOD WITH BEVELED EDGES. Matt Bilfield is no stranger to process oriented art, as the Fox Sports Lead Animation Designer, he is build...

This textured abstract diptych by Teodora Guererra features a light blue-green palette with warm yellow accents throughout. The artist layers thick strokes of paint using a palette k...

"Girl / Boy (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measuring appr...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

"Havabanana / Sleep (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measur...

David E. Peterson Puzzle # 82, 2014 acrylic, birch, MDF, UV resin 14h x 14w x 3d in 35.56h x 35.56w x 7.62d cm DAVID E. PETERSON (b. 1979, USA) An abstract painter inspired by Prod...