Gregory Hardy Art

Large Original Painting of a Classic 1990's Busy New York City Scene in the Rain, with Yellow Taxis, Cars and Figures, by British Urban Landscape Artist, Angela Wakefield. This is a ...

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...

This work is one of two panels depicting a traditional wildflower meadow in full bloom, which when hung together would form a diptych as shown in the 'in situ' illustrations. Althoug...

Fifth Avenue Manhattan New York City Panoramic Painting by Contemporary Artist, Angela Wakefield. This is a major work from her New York Series. Art measures 48 x 24 inches Frame me...

This is a beautiful and tranquil acrylic painting. At a first glimpse, the painting looks subtle, but multiple soft and fine nuances, forms, and textures appear when you near in. The painting evokes a feeling of Nordic minimalism. The painting is made by Danish artist Anette Holmberg...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

In Outside In, Andra Samelson creates a mesmerizing field of deep blues and undulating forms that seem to float in constant motion. Layers of pigment and intricate linework suggest r...

Ghost 2 is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 92 × 65 cm (36....

Original Painting of The Chrysler Building on 42nd Street New York City by Contemporary British Artist Angela Wakefield. The warm yellow colours used in the sky creates a vivid contr...

This is the silhouette of a Japanese aralia (paperplant, false castor oil plant, fatsia japonica). The big leaves have nine lobes and spread out wide. The sky is painted a pale peac...

Early Triptych Abstract Trees Forest Landscape Painting by British Urban Artist, Angela Wakefield. This rare early work is from an intense body of abstract work that formed the very ...

Painting of Figures at the Empire State Building in New York City at Night by Contemporary British Artist, Angela Wakefield. Part of her New York Series. This original illustrates An...