Jodi Dann Mixed Media

Black Angel in a bustling city, where towering buildings cast shadows and exhaust fills the air, a hidden struggle unfolds. Olamide silently prayed for her...

Gen Paul (1895-1975), an important French Expressionist painter, worked and Lived in Montmartre. Painting Depicts a mixed media gouache view of No...

Title : Sylvesters Head in The Clouds Materials : stamps, ink, crayon,marker,pen Date : 2017 Dimensions : 8.5x11"

Gérard Cambon was born in 1960 in Toulouse (Fr). He has a degree in political science and is a self-taught artist. In the earlier years of his life practiced and experimented with collage and model making. Later, with an interest in old machines and patinas he started collecting old and used objects, tools, and fragments of items whose previous lives remained obvious. When he travels, one of his greatest pleasures is to find materials in antique shops or ironmongeries. In 1994, he began creating Locomobiles and reliefs and presented them to the public for the first time at “La Jeune Peinture,” a Parisian art fair. In 1995 , he stayed during 8 months in the hospital for eight months (leukaemia) where he began preparing and creating plans for new Locomobiles and reliefs. As his health improved, he committed himself to his artwork and during the same year met a Parisian gallery owner who decided to organize a solo show for him, Le Galerie Beatrice Soulie in Saint Germain des Pres. He has shown his work since 1996 in Paris and since 2000 in the United States (New York, Los Angeles, Chicago, Seattle). He is currently being shown by galleries in France, Belgium, Switzerland, Luxembourg , Denmark, and the United States. He keeps on trying out new materials (fabric, leather, glass, plants, metals,…) that he integrates into his bas-reliefs: traction engines...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...

Mixed media assemblage sculpture/painting. Hand signed and dated recto and verso. Provenance: Galerie Alphonse Chave, bears their label verso Michel, Fernand (1913-1999) Born in 1913 in Neuviller-lès-Badonviller in the Vosges, Fernand Michel began working at the age of twelve in a Landes pottery factory. When his mother died, he went to live in Alsace with an aunt and became an art bookbinder. A lover of poetry, he bonded with Jean Vodaine, Jean Dubuffet and Alphonse Chave (Alphonse Chave was an art lover, dealer and collector. On November 15, 1947 in Vence, under the name Les Mages, he opened a contemporary art gallery which would also become a high place of art brut and unique art . The gallery took its final name - Galerie Alphonse Chave - in 1960. He exhibited Dado, Philippe Dereux, Jean Dubuffet, Max Ernst, Henri michaux, Louis Pons, Man Ray, Dorothea Tanning, Zao Wou-ki as well as other creators.) Around 1962, he began carving zinc after finding a plaque in a landfill. From this period, he made numerous assemblies, most often of large dimensions, which he called "zinc works" where buxom bathers, Venus callipyges, nuns and holy nitouches rub shoulders. The corroded and battered material over the years, used as is, gives his works a certain harshness, however softened by more ornamental pieces. Fernand Michel lived in Montpellier. He died in 1999. His work is present in the collection of La Fabuloserie in Dicy. Publications Revue "Création Franche" N ° 16, November 1998 Catalog "Donation Claude Massé", March 1999 Catalog "Collection Création Franche - 1989-2010", September 2010 Revue "Création Franche" N ° 38, June 2013 Franche Creation, Special Issue N ° 2, April 2015 His son Patrick Michel's collection is housed in Montpellier in the Musee d’arts brut, singulier and autres. "I used to accompany my father to his exhibitions since he was exhibited every year at the Galerie Chave in Vence. I still remember that Alphonse Chave once offered me a little toy (a car!) from his shop. I therefore met the artists Philippe Dereux, Armand Avril, François Ozenda, Pascal Verbena, Louis Pons, Jean Vodaine, Henri Comby, Fred Deux and Eugène Gabritschevsky- I took the decision to create the museum in order to save (and protect) my father’s work- my father was often classified under the ‘Art Brut’ label but in fact he belonged to the ‘Singular Art’ label... The term Art Brut exists since Jean Dubuffet gave it to us in 1945, covering self-taught and marginalised artists..The terms Outsider Art and Art Brut are fine with me- I place Nek Chand...

This is a one of a kind mixed media collage by southern California artist, Susan Osborn. Its dimensions are 32"x41". It is unframed. A certificate of authenticity will follow deliver...

Farmhouse Horse Painting 48 x 36” inches, Mixed Media: Digital, Watercolor, Acrylic, Stucco, Crackle Paste, Gel Medium One-of-a-kind 2019 in Los Angeles SPECIFICATIONS: - Fine art c...

My work is about dealing with the real world and above all using the images that surround us in everyday life. To lure a participant into new and perhaps unexplored area. I paint wha...

Works on paper glued into a school textbook by Purvis Young.

Frame size 79x64 cm.

In "Wuraola," Odetomi skillfully captures the attention of onlookers with the magnificent presence of a woman donning a striking gele. Gele, a traditional African headwrap, symbolizes grace, elegance, and the celebration of femininity. The artist's meticulous strokes and vibrant colors draw the viewer's gaze to the intricate folds and contours of the gele, which cascades dramatically around the woman's head, commanding awe and admiration. Enhancing the allure of the artwork are the woman's stunning earrings, depicted in exquisite detail. These bold and oversized accessories serve as a testament to African culture, where jewelry holds great significance. The intricate design and meticulous craftsmanship of the earrings capture the essence of African artistry, exemplifying a sense of heritage and grandeur. Abayomi Odetomi...