Sam Son Art

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Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Dragon Scales is an expandable system of geometrically-surfaced low-resolution LED panels. Cardstock shells are shingled and embedded with LEDs, hiding t...

Poly-Mer is a light sculpture art piece which repurposes the plastic trays that contact lenses are packaged in, and layers them into a shingled translucent surface. The material surf...

GARDENS & GALAXIES: HELICONIAS (2020) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42”...

A tribute to the Ansonia, a luxurious building on the Upper West Side of Manhattan (Broadway and 73-74th St., Erected between 1899 and 1904) First built as a hotel by William Earle D...

Information about the art: Neon colors may change. With the choice of LEDs, neons, optical fibers and mirrors as materials, his works are experienced live by the spectators. Playing with spaces between play of light and effects of infinity, Falcone places himself directly in the line of kinetic artists." Information about the artist: Falcone is a self-taught designer and artist whose roots are firmly anchored in the history of art. The art foundation of his grandfather, who was passionate about geometric and kinetic artworks, was his childhood playground. The unstructured paintings of Carmelo Arden...

see video link here: http://youtu.be/mkjjCPJCl4Q

Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42” w Image Size: 20” x 37” includes a 2”...

Limited Edition, Light box Falcone is a self-taught artist and designer with deep roots in the history of art. The art foundation of his grandfather, passionate about geometric and kinetic works, was the playground of his childhood. Carmelo Arden Quin's unstructured paintings intrigued him, he played with the reliefs of Agam and those of Soto. Circles, squares, endlessly supported by shape and color, lead him to go further, to multiply the image without end. He positions his creations between experience and contemplative work. The artist chooses LEDs, neon lights, optical fibers...

Contemporary Chinese papercut of a still life of rocks and grass that is back lit with an LED video loop of a dancing female figure in red. There is a button at the bottom of the pie...