Bartele Gallery

Title: Set of Three Original French Anatomical Foot and Lower Limb Lithographs by Jules Cloquet, Paris, 1821–1831 Description: An exceptional suite of three original anatomical lith...

Set of Four Original French Anatomical Lithographs by Jules Cloquet, Paris, 1821–1831 Description: An exceptional suite of four original anatomical lithographs from Jules Cloquet's ...

Set of Two Entomological Lithographs from Die Geradflügler, Germany, 1908 Description: An elegant pair of original color lithographs from Richard Tümpel's celebrated natural history...

Title: Monumental Orthoptera of Central Europe – Three Hand-Colored Lithographs, 1908 Description An impressive set of three original hand-colored lithographic plates from Richard T...

Mantis, Stick Insects & Grasshoppers – Antique Prints, Set of 3, 1908 Description: A striking set of three original color lithographs from Richard Tümpel's landmark natural history ...

Set of Two Entomological Lithographs from Die Geradflügler, Germany, 1908 Description: An elegant pair of original color lithographs from Richard Tümpel's celebrated natural history...

Title: Calopteryx & Lestes Damselfly Lithograph from Die Geradflügler, 1908 Description: An original color lithograph depicting several of Central Europe's most elegant damselfly sp...

Set of Three Dragonfly Lithographs by Richard Tümpel, Germany, 1908 Description: A superb set of three original color lithographs from Richard Tümpel's monumental work Die Geradflüg...

Title: Set of Three Dragonfly Lithographs from Die Geradflügler Mitteleuropas 1908 Description: A striking set of three original scientific lithographs depicting dragonflies and dam...

Title: Set of Three Dragonfly Lithographs from Die Geradflügler Mitteleuropas 1908 Description: A striking set of three original scientific lithographs depicting dragonflies and dam...

Renaissance Stair Hall with Armored Knight Figure, c.1900 Original color plate from the renowned Collection Henry d'Allemagne, depicting Galerie Renaissance (Escalier conduisant au ...

Medieval Revival Office Interior with Monumental Fireplace, c.1900 Original color plate from the celebrated Collection Henry d'Allemagne, depicting L'Office (Côté de la Terrasse), a...

French Art Nouveau Interior Study with Delft Faience Collection, c.1900 Original color plate from the celebrated Collection Henry d'Allemagne, depicting La Salle d'Études (The Study...

Title: Pompeian Elegance: A Grand Neoclassical Dining Room Interior, 1900 Description: An exceptional original antique color print depicting La Salle à Manger Pompéienne (Côté du Pe...

Title: The Oriental Chamber and Mirhab: Ottoman Interior Elegance, 1900 Description: An exceptional original antique color print depicting Chambre Orientale – Le Mirhab (Côté Opposé...

Title: The Oriental Chamber: Ottoman Comfort and Floral Ornament, 1900 An exquisite original antique color print depicting La Chambre Orientale (Côté Opposé à la Cheminée) from the celebrated Collection Henry d'Allemagne. The composition presents a richly furnished Ottoman-inspired salon, featuring luxurious divans, embroidered cushions, floral wall panels...

Title: The Oriental Chamber: An Ottoman Interior of Textiles and Carved Wood, 1900 Description: An exquisite original antique color print depicting La Chambre Orientale (Côté de la ...

Title: Renaissance Splendour: The Grand Dining Room of Henry d'Allemagne, 1900 Description: An exceptional original antique color print depicting La Salle à Manger (Côté du Cabinet ...

Title: Oriental Splendours: Two Historic Interior Views from Fin-de-Siècle France, 1900 Description: A highly decorative pair of original antique color prints depicting sumptuous hi...

Title: The Oriental Gallery: Ottoman Splendour and Islamic Ornament, Circa 1900 Description: An exceptional original antique color print depicting La Galerie Orientale (Côté du Vest...

Orientalist Interior Studies with Islamic Ornament and Architecture, 1900 Description: An attractive pair of original antique color prints depicting richly ornamented Oriental inter...

Title: La Salle de Billard, an Elegant Belle Époque Interior, Circa 1900 Description: An exceptional original antique color print depicting La Salle de Billard, Vue d'Ensemble (The ...

Chambre Orientale La Cheminée Ottoman Interior Print Henry d'Allemagne A remarkable original antique print titled "Chambre Orientale – La Cheminée" (Oriental Room – The Fireplace), ...

Title: Rare Persian Lustreware Albarello Chromolithograph, Henry Wallis, 1899 Description: An exceptionally rare original chromolithographic plate depicting a Persian albarello or apothecary jar from the 13th century. The vessel is richly ornamented with seated courtly figures framed by scrolling vegetal motifs and lustrous metallic decoration characteristic of the celebrated ceramic workshops of medieval Persia. Rendered in warm copper, gold, olive, and cream tones, the composition exemplifies the extraordinary artistic achievements of Persian lustreware production during the Seljuk and early Ilkhanid periods. The elegant figural imagery, combined with rhythmic arabesques and ornamental bands, reflects the refined visual language that made Kashan ceramics among the most admired luxury objects of the Islamic world. This plate originates from Henry Wallis's important folio Persian Lustre Vases, privately printed in London in 1899 in a strictly limited edition of only 200 copies. The publication remains one of the earliest scholarly studies devoted exclusively to Persian lustre ceramics, and individual plates from the work are today exceptionally scarce. This is an original 1899 chromolithograph and not a later reproduction. Sold unframed. Any images showing the print in a frame or interior setting are for visual impression only. Frame dimensions, matting proportions, and room presentations are not always to scale. Creator: Henry Wallis (1811–1891), published posthumously. Publication: Persian Lustre Vases, London, 1899. Date: 1899 Medium: Original chromolithograph on paper. Condition: Good antique condition with age-related toning, scattered foxing, and minor handling wear to the sheet edges consistent with removal from the original folio volume. The image remains bright, decorative, and well preserved. Provenance: From Persian Lustre Vases, London, 1899, privately printed in an edition limited to only 200 copies. Keywords: Persian art, Islamic art, Persian ceramics, lustreware, albarello, apothecary jar, Kashan pottery...

Title: Rare Persian Lustreware Vase Chromolithograph, Henry Wallis, Limited, 1899 Description: A rare original chromolithographic plate depicting a Persian lustreware vase from the 13th century, ornamented with geometric star motifs, scrolling arabesques, and the characteristic metallic sheen that made medieval Persian ceramics among the most admired artistic productions of the Islamic world. The composition emphasizes the refined balance between geometry and vegetal ornament typical of the Kashan workshops of the Seljuk and Ilkhanid periods. Rich golden, copper, and olive tones have been beautifully rendered through the sophisticated chromolithographic processes of the late Victorian era, faithfully preserving the luminous qualities of the original ceramic object. This print was published in Henry Wallis's important folio Persian Lustre Vases (London, 1899), a work printed exclusively for private circulation in a strictly limited edition of only 200 copies. Today, individual plates from this publication are exceptionally scarce and highly desirable among collectors of Islamic art, decorative arts, and rare nineteenth-century colour-plate books. This is an original 1899 print and not a modern reproduction. Sold unframed. Images showing the print in a frame or interior setting are provided for visual impression only. Frame proportions, matting, and room presentations are not always to scale. Creator: Henry Wallis (1811–1891), published posthumously. Publication: Persian Lustre Vases, London, 1899. Date: 1899 Medium: Original chromolithograph on paper. Condition: Good antique condition with light age-related toning, scattered foxing, and minor wear along the sheet edges consistent with removal from the original folio volume. The colours remain warm, attractive, and remarkably decorative. Provenance: From Persian Lustre Vases, privately printed in London in 1899 in an edition limited to only 200 copies. Keywords: Persian art, Islamic art, Persian ceramics, lustreware, Kashan pottery...

Title: Rare Persian Lustreware Flower Vase Chromolithograph, Henry Wallis, 1899 Description: An exceptionally rare original chromolithographic plate depicting a Persian flower vase from the 13th century, richly decorated in lustre ware with figural imagery, scrolling vegetal ornament, and elegant bands of Arabic calligraphy. The vessel features a seated courtly figure framed within intricate patterns, reflecting the artistic sophistication of medieval Persian ceramic production during the height of the Kashan tradition. Published in Henry Wallis's celebrated Persian Lustre Vases (London, 1899), this plate formed part of a privately printed edition limited to only 200 copies. The publication was among the earliest scholarly works dedicated exclusively to Persian lustre ceramics and remains an important reference in the history of Islamic decorative arts. Executed through the refined chromolithographic techniques of the late Victorian era, the print captures the metallic brilliance, warm copper tones, and delicate polychrome decoration of the original object with remarkable fidelity. Both academically important and highly decorative, it is an outstanding piece for collectors of Islamic art, Persian ceramics, and rare nineteenth-century colour plate books. This is an original 1899 print and not a later reproduction. Sold unframed. Any images showing the print in a frame or interior setting are for visual impression only. Frame sizes, matting proportions, and room presentations are not always to scale. Creator: Henry Wallis (1811–1891), published posthumously. Publication: Persian Lustre Vases, London, 1899. Date: 1899 Medium: Original chromolithograph on paper. Condition: Good antique condition with age-related toning, scattered foxing, and minor wear to the sheet edges consistent with removal from the original folio volume. The image remains bright, attractive, and highly decorative. Provenance: From Persian Lustre Vases, London, 1899. Printed for private circulation in a strictly limited edition of 200 copies. Keywords: Persian art, Islamic art, Persian ceramics, lustreware, Kashan pottery...

Title: Rare Persian Lustreware Vase Plate from Wallis, Limited Edition, 1899 Description: A rare and visually striking chromolithographic plate depicting a bottle-shaped Persian lustreware vase dating from the 13th century. Richly decorated with Arabic calligraphy, stylized birds, floral arabesques, and shimmering polychrome ornament, the original ceramic exemplifies the artistic refinement of medieval Persian pottery traditions. This plate was published in Henry Wallis's important study Persian Lustre Vases, privately printed in London in 1899 in a strictly limited edition of only 200 copies. Wallis was among the pioneering British scholars and collectors who helped introduce Islamic decorative arts to European audiences at the close of the nineteenth century. Printed using the sophisticated chromolithographic techniques of the Victorian era, the image faithfully captures the iridescent qualities and intricate surface decoration of the original vessel. The work possesses both scholarly significance and exceptional decorative appeal, making it ideal for collectors of Islamic art, Persian ceramics, and nineteenth-century design publications. Sold unframed. Framing images are for inspiration only. Creator: Henry Wallis (1811–1891), published posthumously, London. Date: 1899 Medium: Original chromolithograph on paper. Condition: Good antique condition with age-related foxing and light toning throughout. Minor edge wear and traces of removal from the original folio volume. The image itself remains bright and highly decorative. Provenance: From Persian Lustre Vases, London, 1899. Printed for private circulation in an edition limited to 200 copies. Keywords: Persian art, Islamic art, lustreware, Persian ceramics, Kashan pottery...

Title: Byzance–Constantinople: Archaeological & Topographical Map by MISN, 1938 Description: A rare and visually compelling archaeological and topographical map of Byzantine Constan...

Title: Vintage Tourist Map of Istanbul (Constantinople), Bosphorus & Marmara Sea, c.1950 Description: A highly decorative and detailed city map of Istanbul, depicting both the historic peninsula and the rapidly expanding modern districts on either side of the Bosphorus. Printed in Turkish and featuring an extensive index of public buildings, monuments, hotels, transportation hubs, and places of interest, the map captures the city during a transformative period of the twentieth century. The plan includes the historic quarters of Eminönü, Fatih, Beyoğlu, Beşiktaş, Üsküdar, and Kadıköy, together with the Bosphorus villages stretching northward. An inset map at upper left illustrates the wider metropolitan setting around the Sea of Marmara, emphasizing Istanbul's unique position between Europe and Asia. Designed for travelers and visitors, the map highlights principal roads, ferry routes, rail connections, and important civic institutions. The elegant graphic treatment of the waterways and the restrained palette lend the piece a refined modernist character while preserving its practical cartographic purpose. Today, such maps offer a fascinating document of Istanbul before its explosive late twentieth-century growth, preserving a cityscape in which Ottoman heritage, republican modernization, and international tourism intersected. An exceptional decorative piece for collectors of Middle Eastern cartography, urban history, Turkish travel memorabilia, or twentieth-century design. Presented unframed. Framed images are for inspiration only. Colors and proportions shown in photographs may vary slightly from the original work. Origin: Turkey Date: Mid-20th century, circa 1950–1965 Title on Map: Istanbul – Ölçek 1:26.500 Medium: Offset-printed folding tourist map on paper Dimensions: Sheet: approximately 68 x 48 cm (26.8 x 18.9 in.) Condition: Good original condition with the expected folds from use as issued. Minor age toning, light wear along fold intersections, and occasional small handling marks. Overall clean, well-preserved, and highly suitable for framing. Keywords: Istanbul map, Constantinople map...

Philips' Imperial Map of Turkey, Syria, Iraq & Transcaucasia, c.1926 A large and highly detailed folding map of the Near East issued by George Philip & Son as part of their celebrated Philips' Authentic Imperial Maps for Tourists & Travellers series, depicting Turkey, Syria, Iraq (Mesopotamia), Palestine, Trans-Jordan, Cyprus, and the Transcaucasian regions including Armenia, Georgia, and Azerbaijan. Published in London circa 1926, this map captures a pivotal historical moment in the aftermath of the dissolution of the Ottoman Empire and the establishment of new national boundaries under British and French mandates. Hand-colored border delineations emphasize the geopolitical transformations that reshaped the Middle East following the First World War. The map extends from Egypt and the eastern Mediterranean to Persia and the Caspian Sea, illustrating railway networks, roads, shipping routes, administrative divisions, and countless towns and villages. The inclusion of Transcaucasia reflects the continuing strategic importance of the region during the interwar period. Originally intended for tourists, diplomats, military officers, and travelers, these Philips maps combined practical utility with exceptional cartographic clarity. Today they offer an invaluable historical document of one of the world's most consequential regions during a period of dramatic political change. A fascinating decorative and scholarly piece for collectors of Middle Eastern cartography, imperial history, or early twentieth-century travel material. Presented unframed. Framed images are for inspiration only. Colors and proportions in the visuals may vary slightly from the original. Origin: London, circa 1926 Maker: George Philip & Son Title on Map: Turkey, Syria and Iraq (Mesopotamia) with Transcaucasia Medium: Color-printed lithographic pocket map on paper Dimensions: Sheet: 55 x 67 cm (21.65 x 26.38 in.) Condition: Good original condition for a working travel map of the period. Folded as issued and originally affixed to its printed wrappers. Wrappers worn at the extremities. A few small tears along fold intersections, minor tack marks in the upper corners, and light age toning. Remarkably clean overall with strong original color and excellent legibility. Keywords: Turkey map, Syria map, Iraq map...

Le Requin (Shark), Hand-Colored Engraving, 1840 An unusual and highly decorative natural history engraving portraying a stranded shark observed by elegantly dressed figures on a Eur...

La Pêche du Requin (Shark Fishing), Hand-Colored Engraving, 1840 A superb maritime engraving depicting sailors pursuing a large shark alongside a majestic sailing vessel under gathe...

Le Squale Scie (Sawfish), Hand-Colored Engraving, 1840 An energetic marine scene showing fishermen struggling to secure a powerful sawfish amid crashing waves and rocky shores. The ...

Le Dauphin Vulgaire (Common Dolphin), Hand-Colored Engraving, 1840 This charming hand-colored engraving depicts a common dolphin resting upon a Mediterranean shoreline, accompanied ...

Le Physale Cylindrique (Sperm Whale), Hand-Colored Engraving, 1840 A remarkable nineteenth-century depiction of a stranded whale dominating a rocky shoreline, surrounded by curious ...

Pêche de la Baleine (Whale Hunt), Hand-Colored Engraving, 1840 One of the most dynamic compositions from the series, this hand-colored engraving captures the peril and excitement of...

La Baleine Franche (Right Whale), Hand-Colored Engraving, 1840 An impressive hand-colored engraving portraying the enormous right whale amid towering Arctic ice formations. Small wh...

Le Cachalot Macrocéphale (Sperm Whale), Hand-Colored Engraving, 1840 A dramatic and finely executed natural history engraving depicting the mighty sperm whale (Physeter macrocephalu...

Johnston's Travelling Map of India on Linen in Original Cloth, 1857 An exceptionally rare and historically important travelling map of the Indian subcontinent, published by the reno...

Edward Stanford, Map of the World on Mercator's Projection Illustrating the Routes to and from New Zealand, Folding Map, c.1880 A rare and highly evocative Victorian emigrant and tr...

Title: The Hunter, Samuel Howitt Georgian Equestrian Engraving, England, 1799 An elegant original copperplate engraving by celebrated British sporting artist Samuel Howitt, depicting a finely saddled hunter standing before a rustic stable. The composition exemplifies the refined equestrian imagery that made Howitt one of the foremost animal painters and engravers of the Georgian period. The plate bears the inscription "Howitt inv. et f.", indicating that the artist both designed and engraved the work himself. At lower right the publication line reads "Published Oct. 23, 1799," confirming its original eighteenth-century publication. Samuel Howitt (1756–1822) was renowned for his depictions of horses, hunting scenes, dogs, and rural sporting life. His engravings were highly regarded among the English gentry and remain sought after today by collectors of antique sporting art and equestrian imagery. The restrained composition, exceptional line work, and noble portrayal of the horse make this a wonderful decorative piece for a country house, library, gentleman's study, stable office, or contemporary equestrian interior. Creator: Samuel Howitt (British, 1756–1822) Origin: England Date: Published October 23, 1799 Medium: Original copperplate engraving on laid paper Image dimensions: 26.5 cm × 21.3 cm Presented unframed. Framed photographs are for inspiration only. Condition: Good antique condition with age-appropriate toning, minor handling wear, and light creasing consistent with more than two centuries of age. Wide original margins remain intact, and the impression is strong and well-preserved. Keywords: Samuel Howitt, The Hunter, horse engraving, hunting horse print, Georgian sporting art, antique equestrian print, English country house decor, original copperplate engraving, British horse art, sporting print, eighteenth century engraving, hunting lodge decor, stable interior, laid paper engraving, English rural life, antique animal art...

Title: The Racing Stallion – Original Samuel Howitt Georgian Equestrian Engraving, England, 1800 An elegant and highly decorative original copperplate engraving by renowned British sporting artist Samuel Howitt, depicting a spirited racing stallion being presented by its handler within an idyllic English landscape. Several figures and an additional horse appear in the background, emphasizing the social and aristocratic culture surrounding horse breeding and racing during the Georgian era. The plate is signed in the image "Howitt inv. et f.", indicating that Samuel Howitt both designed and engraved the work himself. The lower right publication line reads "Published March 1, 1800," confirming its original issue at the dawn of the nineteenth century. Samuel Howitt (1756–1822) was among Britain's foremost painters and illustrators of horses, hunting scenes, and rural sporting life. His engravings are celebrated for their remarkable understanding of equine anatomy, movement, and character, making them enduring favorites among collectors of antique sporting art. Today, works such as The Racing Stallion remain highly desirable decorative pieces for country houses, libraries, gentlemen's studies, stables, and contemporary equestrian interiors. Creator: Samuel Howitt (British, 1756–1822) Origin: England Date: Published March 1, 1800 Medium: Original copperplate engraving on laid paper, unframed Image dimensions: 26.5 cm × 21.3 cm Presented unframed. Framed photographs are for inspiration only. Condition: Good antique condition with age-appropriate toning, minor handling wear, light creasing, and generous original margins. The engraving remains strong and well-preserved, displaying beautifully more than two centuries after publication. Keywords: Samuel Howitt, Racing Stallion, horse engraving, equestrian art, Georgian print, English sporting art, racehorse print, antique horse engraving, original copperplate engraving, British animal art, country house decor, stable decoration, hunting lodge interior, English rural landscape, sporting gentleman, laid paper engraving, eighteenth century print...

Title: 1799 Samuel Howitt "Shooting Pony" Engraving – Original Georgian English Equestrian Print Creator: Samuel Howitt (British, 1756–1822) Title: Shooting Pony Date: Published August 3, 1799 Medium: Original copperplate engraving on laid paper, unframed Country of Origin: England An original Georgian copperplate engraving by the celebrated British sporting artist Samuel Howitt, depicting a finely trained shooting pony standing within an idyllic English landscape. A huntsman appears in the background beside a gate, reinforcing the sporting character of the composition. The plate bears the inscription "Howitt inv. et f.", indicating that Samuel Howitt both designed and engraved the work himself. At lower right the print is dated "Published Aug. 3, 1799," confirming its eighteenth-century publication. Samuel Howitt ranks among the most important British animal and sporting artists of the Georgian period. Best known for his naturalistic representations of horses, hunting scenes, dogs, and wildlife, his works were widely admired by the English gentry and country estates. His engravings combine elegant composition with an extraordinary sensitivity to the anatomy and character of animals. This authentic late eighteenth-century engraving makes a superb addition to collections of sporting art, equestrian memorabilia, or traditional English country-house interiors. Condition: Good antique condition with age-appropriate toning, minor creasing and handling wear consistent with more than two centuries of age. The sheet retains generous margins and displays exceptionally well. Presented unframed. Framed images are for inspiration only. Keywords: Samuel Howitt, Shooting Pony, horse engraving, equestrian print, Georgian engraving, sporting art, English country house, antique horse print, original copperplate engraving, British sporting print, hunting art, riding horse, eighteenth century engraving, 1799 print, English rural landscape, laid paper engraving, country estate decor, stable decoration, equestrian collectible, antique animal art.

Title: 1799 Samuel Howitt "Mares & Foals" Engraving – Original Georgian English Equestrian Print Creator: Samuel Howitt (British, 1756–1822) Date: Published February 1, 1799 Medium: Original copperplate engraving on laid paper, unframed Country of Origin: England An original late Georgian copperplate engraving titled Mares & Foals, designed and engraved by the distinguished British sporting artist Samuel Howitt. The print depicts a tranquil pastoral scene with mares and their young gathered beneath a magnificent tree in an English countryside setting. The plate is signed in the image "Howitt inv. et f.", indicating that Howitt both conceived and executed the engraving himself. At lower right it bears the publication line "Published Feb.y 1st, 1799," confirming its eighteenth-century origin. Samuel Howitt was among the foremost British animal and sporting artists of his generation. Renowned for his naturalistic depictions of horses, hunting scenes, and wildlife, his works were widely admired by the English gentry and remain highly collectible today. His engravings combine elegant composition with remarkable observational detail, making them timeless decorative works. This authentic Georgian print offers exceptional appeal for equestrian interiors, country houses, libraries, and collectors of antique sporting art. Condition: Good antique condition with light age toning and minor handling wear consistent with more than two centuries of age. The sheet retains generous original margins and presents beautifully. Presented unframed. Framed images are shown for inspiration only and not always to scale. Keywords: Samuel Howitt, Mares & Foals, horse engraving, equestrian print, Georgian engraving, sporting art, English countryside, antique animal print, original copperplate engraving, British horse art, pastoral landscape, 1799 engraving, country house decor, stable decoration, laid paper print, eighteenth century print, English sporting print...

Title: Original 1924 Ottoman Architectural Print – Mihrab of the Süleymaniye Mosque, Istanbul Date: 1924 (after the original monument of 1550–1556) Origin: Paris, France Medium: Col...

Title: Original 1924 Islamic Architectural Print – Mihrab of Sultan Mehmed I, Bursa, Ottoman Empire Date: 1924 (after a monument completed in 1421) Origin: Paris, France Medium: Color lithograph on paper Dimensions: Approximately 49 x 35.5 cm (19.3 x 14 inches) Unframed. Any framed images are provided for visual inspiration only. Description: An original architectural lithograph depicting the magnificent mihrab of the Turbé (mausoleum) of Çelebi Sultan Mehmed I in Bursa, completed in 1421. This remarkable plate forms part of Alexandre M. Raymond’s monumental publication *L’Art Islamique en Orient – IIe Partie*, among the most important early twentieth-century surveys of Islamic and Ottoman decorative arts. The composition presents one of the masterpieces of early Ottoman ceramic and architectural ornament. Richly adorned with Qur'anic inscriptions, geometric borders, floral arabesques, and luminous turquoise and cobalt tilework, the mihrab exemplifies the refined aesthetic developed in Bursa during the formative years of the Ottoman Empire. The tomb of Sultan Mehmed I—known as Çelebi Mehmed, the ruler who reunified the empire after the Ottoman Interregnum—stands among Bursa's most significant monuments. Its celebrated Green Tomb (Yeşil Türbe) remains one of the greatest achievements of fifteenth-century Islamic architecture. Raymond’s plate preserves these decorative details with exceptional precision while maintaining the artistic elegance characteristic of the original publication. Soft celadon, turquoise, and muted earth tones create an atmospheric image that appeals equally to collectors of Islamic art, architectural historians, designers, and admirers of Ottoman heritage. The intricate calligraphy and layered ornament make this one of the most visually compelling plates from the series. Original examples from *L’Art Islamique en Orient* are increasingly scarce on the market and remain highly desirable for both private collections and institutional holdings. Condition: Good antique condition with age-appropriate toning, scattered foxing, minor handling marks, and slight edge wear consistent with a century of age. Colors remain delicate and attractive. Please refer to photographs, which form part of the condition description. Framing Recommendations: Sold unframed. We recommend a dark walnut or ebonized frame with a wide ivory museum mat and UV-protective glazing. The restrained presentation complements the subtle palette while emphasizing the remarkable intricacy of the Ottoman tile...

Title: Original 1924 Islamic Architectural Print – Sultan Selim II Mosque Minbar, Istanbul Date: 1924 (after 16th-century Ottoman sources, 1574) Origin: Paris, France Medium: Color ...

Title: Original Alexandre Raymond Lithograph of the Ulu Mosque Mihrab, Bursa, 1924 Description: An original antique architectural lithograph depicting the magnificent mihrab of the ...

Title: Alexandre Raymond Ottoman Mosque Facade Lithograph, Bursa (Bayezid Yıldırım), c. 1920 Description: An original architectural lithograph depicting the façade of the Bayezid Yı...

Title: Original 1924 Ottoman Mosque Facades Print, Yeşil Djami & Sultan Murad Mosque, Bursa Description: An original architectural plate from Alexandre M. Raymond's celebrated publi...

Title: Original 1924 Ottoman Mosque Facades Print, Yeşil Djami Iznik & Muradiye Mosque Bursa Description: An original architectural plate from Alexandre M. Raymond's monumental publ...

Title: Pair of Ottoman Hammam Architectural Plans, Bursa Thermal Baths, Alexandre M. Raymond, 1924 Description: An exceptionally decorative and historically important pair of origin...

Antique Ottoman Door Knocker Designs, Bursa, 13th Century, Alexandre Raymond, 1924 Original colour lithograph from Alexandre M. Raymond's monumental publication *L'Art Islamique en ...

Antique Ottoman Window Grille and Tile Designs, Alexandre Raymond, 1924 Original colour lithograph from Alexandre M. Raymond's celebrated publication L'Art Islamique en Orient – IIe...

Antique Ottoman Wrought Iron Grille Designs, Istanbul & Bursa, Alexandre Raymond, 1924 Original architectural colour lithograph from Alexandre M. Raymond's monumental publication *L...

Antique Ottoman Glazed Brick Ornament Print, Bursa & İnegöl, Alexandre Raymond, 1924 Original architectural lithograph from Alexandre M. Raymond's landmark publication *L'Art Islami...

Antique Ottoman Painted Ceiling Design Print, Old Bursa School, Alexandre Raymond, 1924 Original architectural lithograph from Alexandre M. Raymond's monumental publication *L'Art I...

Antique Ottoman Wooden Ceiling Design Print, Yenişehir (Yéni-Cheïr), Turkey, 1340 – Alexandre Raymond, 1924 Original architectural lithograph from Alexandre M. Raymond's celebrated ...

Antique Comparative Minarets Print, Bursa, Istanbul, Damascus & Cairo, Raymond, 1924 This original architectural plate presents a fascinating comparative study of Islamic minare...

Antique Ottoman Stained Glass Window Design Print, Yenişehir, Anatolia, Raymond, 1924 This original architectural plate illustrates a remarkable stained-glass façade design from Yen...