Bartele Gallery

Jesus Blessing the Children – Antique German Catholic Chromolithograph, c. 1890 This beautiful late 19th-century German chromolithograph depicts one of the most tender and beloved scenes in Christian iconography: Jesus blessing the children. Christ stands centrally in a serene pastoral landscape, gently extending his hands in a gesture of protection and compassion, while two children approach Him with trust and reverence. The soft light of the halo frames His head, reinforcing the sacred presence, while the surrounding greenery and distant buildings create a peaceful biblical setting. This image reflects the powerful theme from the Gospel of Matthew, “Let the little children come to me,” and was widely used in Catholic devotional culture for home altars, schools, and parish settings during the late Victorian period. The gentle facial expressions, flowing robes, and rich harmonious colors are all characteristic of high-quality German chromolithography from the late 19th century. Chromolithography allowed for exceptional depth of color and painterly effects, closely imitating oil painting. This example shows especially fine tonal transitions in the robes, sky, and landscape, as well as excellent detail in the figures and foliage. The overall visual impression is warm, calm, and deeply devotional, making this print particularly appealing to Catholic art collectors and religious interiors. Pieces of this type were often displayed in framed settings above prayer corners, in churches, or in Catholic family homes and have become increasingly collectible as surviving examples in good condition grow scarcer. Its subject matter gives it lasting spiritual and decorative appeal and makes it a timeless devotional artwork. CONDITION REPORT Good antique condition overall. Light even age toning to the paper, consistent with late 19th-century chromolithographs. Minor softening at the edges and faint handling traces visible upon close inspection. No major stains, no tears, and no restoration observed. The colors remain vibrant and well preserved. FRAMING TIPS This print would be beautifully enhanced with a classic gold-leaf or champagne-gilt wooden frame combined with a wide ivory or warm cream mat. For a more contemporary sacred interior, a soft walnut or dark oak frame with museum glass would provide excellent contrast and visual depth while keeping the devotional character intact. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1890 KEYWORD BLOCK Jesus blessing children, Jesus the Friend of Children, antique catholic print...

Antique Coronation of Mary Religious Chromolithograph with Gold Tones This richly colored antique religious chromolithograph depicts the Coronation of the Virgin Mary, one of the most important devotional themes in Catholic iconography. The composition shows Mary seated among heavenly clouds, modestly inclining her head as Christ gently places the golden crown upon her, while God the Father looks on from the opposite side. Above them, the Holy Spirit appears in the form of the descending dove, radiating divine light. Surrounding the scene, four cherubs float among soft clouds, holding floral garlands and lilies as symbols of purity and divine grace. The scene is executed in vibrant late-19th or early-20th century chromolithography, a technique prized for its intense color saturation and painterly softness. The gold halos, crown, and heavenly glow give the print a luminous presence that shifts beautifully with changing light. The palette combines warm golds, rich blues, soft flesh tones, and delicate pastels, making this one of the most visually striking devotional compositions of its type. This image was most likely published in Germany for the Catholic devotional market, where high-quality chromolithographs were produced for churches, schools, and private home altars. The multilingual caption along the lower margin, referencing the Coronation of Mary in several European languages, confirms its international devotional circulation. The Coronation of Mary is a theological subject derived from the belief in Mary’s assumption into heaven and her role as Queen of Heaven. This theme became especially popular in 19th-century Catholic visual culture as part of renewed Marian devotion. The imagery here directly reflects that revival, emphasizing gentleness, divine hierarchy, and celestial harmony. Because of its powerful religious symbolism, radiant gold accents, and exceptional color quality, this print works beautifully both as a devotional object and as a decorative statement piece in classical, ecclesiastical, or traditional interiors. It also fits exceptionally well within collections of Catholic imagery, Marian iconography, or antique chromolithographs. Condition Good to very good antique condition. Light overall age toning consistent with age. Minor edge wear and soft handling marks visible at the margins. Colors remain strong and vibrant. No major tears or losses observed. Plate mark not present, as expected for chromolithography. Framing Tips This piece frames beautifully in a classic gold leaf frame to enhance the gold halos and crown. A deep dark blue, ivory, or soft champagne mat adds contrast and visual depth. For a more dramatic presentation, a black frame with gold inner slip also works extremely well. Technique: Chromolithograph Maker: German devotional publisher, late 19th–early 20th century Keywords: Antique Catholic print...

Antique Map of Dutch Colonies in the Caribbean & Suriname - Dornseiffen 1884 This rare and historically important antique map depicts the Dutc...

Antique Map of Riouw, Lingga Archipelago, Singapore, Dornseiffen - 1884 This finely detailed antique map depicts the Riouw–Lingga Archipelago (Riau–Lingga), including Batam, Bintan,...

Antique Two-Sheet Map of the Lesser Sunda Islands by Dornseiffen, Dutch East Indies, 1884 This impressive two-sheet antique map set depicts the Lesser Sunda Islands (De Kleine Soen...

Antique Map of Ceram Ambon Banda Buru Moluccas Dornseiffen 1884 This finely detailed antique map depicts the central Moluccan Islands, focusing on Ceram (Seram), Buru, Ambon, and th...

Antique Map of Halmahera Ternate Tidore Moluccas Dornseiffen 1884 This finely detailed antique map depicts the northern Moluccan Islands with Halmahera (Gilolo) at its center, inclu...

Antique Two-Sheet Map of Celebes Sulawesi by Dornseiffen, Published in 1884 - Dutch East Indies This striking two-sheet antique map set depicts the island of Celebes (modern Sulawes...

Antique Dutch Map of the Moluccas & New Guinea by Dornseiffen 1884 Indonesia This decorative antique map depicts the Moluccan Islands (Spice Islands) and the western portion of New ...

Antique Colonial Map of Celebes Sulawesi & Lesser Sunda Islands 19th C This beautiful and highly detailed antique map depicts the island of Celebes (modern-day Sulawesi) together wi...

Antique Map Set of Western and Southern Borneo, Dutch East Indies Colonial Era This impressive two-sheet antique map set depicts the western and southern regions of the island of Bo...

Antique Map of Borneo Dutch East Indies Colonial Kalimantan Cartography This decorative antique map depicts the island of Borneo in full during the late Dutch colonial period, showi...

Antique Map of Sumatra Bangka Belitung and Riau Dutch East Indies 19th Century This large and highly detailed antique map depicts the island of Sumatra together with the surrounding islands of Bangka, Belitung, and the Riau archipelago during the late Dutch colonial period. The map presents Sumatra in full length from north to south, showing the dramatic natural geography of the island alongside its political and administrative organization under Dutch rule. Note: We do not sell the frame but only the sheet. Mountain ranges, river systems, coastal profiles, inland roads, settlements, and colonial districts are all rendered with remarkable precision. The map clearly illustrates the strategic importance of Sumatra within the Dutch East Indies, including key ports, plantation zones, and regional divisions. The Strait of Malacca and adjacent maritime routes are prominently shown, underscoring the island’s role in international trade and colonial logistics. Original hand-applied color highlights administrative boundaries and coastal contours, creating a striking contrast against the finely engraved topographic detail. The palette remains refined and well balanced, with soft greens, reds, and yellows enhancing both legibility and decorative appeal. The overall composition is elegant, authoritative, and highly suitable for wall display. This map represents Sumatra at a pivotal moment in its colonial history, just prior to the major political changes of the twentieth century. It offers not only visual beauty but also important historical insight into the infrastructure, governance, and territorial organization of colonial Indonesia. Highly desirable for collectors of Southeast Asian cartography, Indonesian history, plantation-era studies, and large-format colonial wall maps. It also works exceptionally well in libraries, offices, boardrooms, and curated interiors where scale and historical depth are appreciated. Condition report Very good overall condition with light, even age toning and scattered minor foxing consistent with age. Original color remains fresh and well preserved. No major tears, no heavy staining, and no losses. Clean, strong impression. We do not sell the frame but only the sheet! Framing tips This wide-format map is best framed with soft ivory or warm light-grey museum matting and a slim dark walnut, bronze, or restrained gilt frame. UV-protective museum glass is strongly recommended. The panoramic format works especially well above desks, sideboards, and along long wall sections. Technique: Color lithography Maker: Dutch colonial cartographic publication, Amsterdam, 19th century Keywords: antique sumatra map, dutch east indies map, colonial indonesia map...

Antique Map of Java Madura and Bali - Dutch East Indies Colonial Cartography This decorative antique map depicts the island of Java together with Madura and Bali, presenting one of ...

Four Matching Antique Maps Revealing the Full Coastline of Sumatra This impressive four-sheet map set presents a complete late 19th century cartographic survey of the island of Suma...

Four Antique Java Maps with Batavia Plan – Dutch East Indies Wall Set 1880s This impressive four-map wall set presents a continuous late 19th-century visual ...

Franzosen im Ruhrgebiet - Weimar Propaganda Portfolio A.M. Cay, 1923 This rare and complete 1923 propaganda portfolio documents the political and social tensions during the French o...

The Angelus at Sunset, After Millet, Antique European Chromolithograph This atmospheric late 19th-century European chromolithograph presents a devotional rural scene inspired by Jea...

The Angelus at Sunset, After Millet, Antique European Chromolithograph This atmospheric late 19th-century European chromolithograph presents a devotional rural scene inspired by Jea...

Harvest Workers in the Field, After Millet, Antique European Chromolithograph This powerful late 19th-century European chromolithograph depicts a rural harvesting scene inspired by ...

Guardian Angel Protecting Children by the Water, Antique German Chromolithograph This touching late 19th–early 20th century German chromolithograph depicts a classic Catholic devoti...

Holy Family in the Carpenter’s Workshop, Antique German Chromolithograph c.1900 This beautifully composed late nineteenth-century German chromolithograph portrays the Holy Family in an intimate domestic scene set in the carpenter’s workshop of Saint Joseph. Saint Joseph is shown at work with hand tools, shaping wood with calm concentration, while the young Christ stands beside him holding a carpenter’s mallet and plane, symbolically participating in the labor of His earthly father. The Virgin Mary sits quietly nearby, spinning or winding thread, watching over both with serene devotion. All three figures bear softly glowing halos, emphasizing their sacred presence within this everyday setting. The composition is rich in symbolic meaning. The carpenter’s tools and wooden beams reference Christ’s future Passion and the cross, while the youthful participation of Christ in Joseph’s trade underscores the themes of obedience, humility, and the sanctification of daily labor. The Madonna’s gesture toward her heart reflects maternal love and quiet contemplation. Through the open landscape beyond the wall, distant hills and buildings evoke the Holy Land and create depth and peace within the scene. This type of Holy Family imagery was especially popular in Catholic households at the turn of the century, intended as a model for family life rooted in faith, work, and devotion. The scene offered both spiritual instruction and emotional warmth, presenting the Holy Family not in glory, but in humble daily life. Such images were widely displayed in private homes, schools, convents, and parish buildings. The print was produced using traditional chromolithography, a complex multi-stone printing process that allowed for the rich, luminous colors and fine painterly detail visible in the drapery, skin tones, and landscape. The halos, floral elements, and wooden textures show exceptionally fine tonal control. This is a genuine period devotional chromolithograph and not a modern reproduction. The lower margin printing confirms German production for the Catholic devotional market. Large-format Holy Family scenes of this quality and color preservation are becoming increasingly scarce and are highly desirable to collectors of religious iconography and historic devotional prints. Condition report: Very good overall condition. Colors remain strong, fresh, and well saturated. Light age toning visible mainly in the margins. Minor handling wear consistent with age. No major tears, losses, or water damage observed. The image area itself is clean and visually striking. Framing tips: This print displays beautifully in a soft gilt or antique gold frame that complements the warm tones of the workshop setting. A light ivory or warm cream mat enhances the colors without overpowering the scene. Dark walnut or cherry wood frames also work exceptionally well for church, rectory, or classic interior settings. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 holy family carpenter workshop saint joseph carpenter print child jesus with tools virgin mary devotional art antique catholic chromolithograph holy family wall art german religious print christ child carpenter family devotion image religious home interior print antique christian wall art catholic household devotion sacred family scene turn of the century devotional saint joseph and child jesus holy family workshop scene printed in germany religious antique religious lithograph...

Christ on the Mount of Olives, Antique German Chromolithograph c.1900 This striking late 19th to early 20th century German chromolithograph depicts Christ in the Garden of Gethsemane, the solemn moment of prayer and surrender before His arrest. Christ kneels in contemplation beneath the night sky, gazing upward toward a descending angel who brings the chalice of suffering, symbolizing the Passion that is about to unfold. At the left, the sleeping apostles Peter, James, and John lie overcome with weariness, emphasizing the solitude of Christ’s sacrifice. The composition is rich in devotional symbolism. Christ’s folded hands, bowed posture, and softly glowing halo express humility and obedience to divine will. The angel’s flowing white robes and green mantle are dramatically illuminated against the darkened sky, while the radiant chalice floats above as a direct reference to Luke 22:42, “Father, if thou be willing, remove this cup from me: nevertheless not my will, but thine, be done.” Palm trees and distant buildings subtly root the scene in the Holy Land. This image was created for private devotion and contemplation and would originally have been displayed in chapels, monasteries, religious schools, or Catholic homes. Passion scenes of this size and quality were specifically intended to guide prayer during Lent and Holy Week. The calm dignity of the composition, paired with its dramatic spiritual symbolism, makes this a powerful and emotionally resonant devotional work. The print was produced using the demanding chromolithographic process, requiring multiple stone plates to achieve its luminous color depth and fine tonal transitions. The halo effects, delicately layered drapery, and atmospheric landscape demonstrate the high technical standards of German devotional printing at the turn of the century. This is a genuine period chromolithograph and not a later reproduction. The printed attribution along the lower margin confirms German production for the Catholic market. Large-format Passion scenes in strong, unfaded condition are increasingly scarce and are highly sought after by collectors of Catholic iconography and museum-quality devotional art. Condition report: Very good overall condition. Colors remain strong and unfaded. Light age toning mostly confined to the margins. Minor handling wear consistent with age. No major tears, losses, water damage, or restoration observed. The image area remains clean and vivid. Framing tips: This work presents beautifully in an antiqued gold-leaf or warm gilt frame to enhance the sacred glow of the halos. An ivory or soft parchment mat complements the night sky without overpowering the colors. A dark walnut frame also works well for church or monastery interiors. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 christ mount of olives agony in the garden garden of gethsemane print christ praying chromolithograph antique catholic devotional art religious german chromolithograph passion of christ print holy week wall art lenten devotion image christ angel chalice biblical prayer scene antique christian wall art sacred jesus artwork turn of the century devotional printed in germany religious catholic passion art jesus gethsemane antique religious lithograph...

Saint Joseph Visited by an Angel, Antique German Chromolithograph c.1900 This deeply symbolic late 19th–early 20th century German chromolithograph presents the powerful biblical mom...

Jesus Blessing the Children, Antique German Chromolithograph after Meithheuser c.1900 This exceptionally moving late 19th–early 20th century German chromolithograph depicts one of t...

St Mary Protectress of Innocents, Antique German Chromolithograph c.1900 This exceptionally tender and beautifully composed late 19th–early 20th century German chromolithograph depi...

St Joseph and Child Jesus with Lily, Antique German Chromolithograph c.1900 This beautifully composed late 19th–early 20th century German chromolithograph presents a tender devotional scene of Saint Joseph with the Child Jesus, one of the most beloved themes in Catholic sacred imagery. Saint Joseph is seated in a humble workshop interior, gently resting his hand on his chest while the Christ Child offers him a white lily, the universal symbol of purity, obedience, and divine election. Both figures are encircled by radiant halos, reinforcing the sacred intimacy of this quiet, fatherly moment. The composition is rich in symbolic detail: the carpenter’s tools behind Joseph reference his earthly labor and humility, while the soft pastoral landscape visible through the opening suggests God’s providence beyond the domestic sphere. The infant Christ, rendered with luminous skin tones and expressive gaze, embodies both innocence and divine authority. The lily rises vertically between them as a visual axis of spiritual virtue, creating a powerful yet gentle devotional message. This print was produced using true chromolithography in Germany around 1900, a technique requiring multiple lithographic stones—one for each color layer. The softness of the tonal transitions, the saturated yet harmonious palette, and the velvety matte surface all confirm authentic period production. The lower margin bears the multilingual title “Hl. Joseph / St. Joseph / S. Giuseppe / S. José / Swięty Józef,” as well as the ecclesiastical approval line “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirming official Church authorization for devotional distribution. The imprint “Printed in Germany” further supports its origin within the great German religious printing houses of the era. This type of high-quality devotional chromolithograph was originally intended for Catholic homes, chapels, schools, and religious institutions. Surviving examples in strong condition are now increasingly sought after by collectors of sacred art, Christian iconography, and historical devotional imagery. Condition report Very good condition. Strong, unfaded colors with excellent contrast. Light natural toning to the margins. Minor handling marks consistent with age. No tears, creases, restorations, or losses observed. The printed text and imprimatur remain crisp and fully legible. Framing tips This print presents beautifully in a warm gilt or dark walnut frame with a soft ivory mat to enhance the golden halos and the warm burgundy and olive tones of Joseph’s garments. For a more contemporary devotional presentation, a matte black frame with wide museum-style matting works equally well. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 SEO keyword block: saint joseph st joseph with child holy family art...

Antique Moth Pair Xylina Lambda Ortholithia Sepp Brants 1905 Handcolor This refined matching pair of antique moth engravings originates from Parts 7–8 of...

Antique Moth Pair Plusia Moneta Sepp Brants 1905 Handcolored Diptych This elegant matching pair of antique moth engravings originates from Parts 7–8 of t...

Antique Moth Pair Sciapteron Xystophora Sepp Brants 1906 Handcolor This striking matching pair of antique moth engravings originates from Parts 3–4 of th...

Antique Butterfly Pair Satyrus Statilinus Sepp Brants 1905 Handcolor NOTE: WE SELL THE PRINTS UNFRAMED. THE PRINTS ARE ORIGINAL AND GUARANTEED OVER 100 YEARS OLD. This refined matching pair of antique butterfly engravings originates from Parts 1–2 of the rare third and final series of 'Nederlandsche Vlinders', published in The Hague by Martinus Nijhoff between 1905 and 1913. The work was executed under the direction of A. Brants as a continuation of the legendary Sepp tradition in Dutch entomological illustration, first begun in 1728. This late series represents the final chapter of one of the most important illustrated natural history projects ever produced in the Netherlands. Both plates depict the life cycle of Satyrus Statilinus, showing the butterfly in multiple wing positions alongside detailed studies of caterpillar, chrysalis, egg, and host plant. The scientific accuracy is paired with remarkably subtle hand coloring, revealing soft browns, muted greens, and carefully shaded contours. These plates reflect the transition from the great 18th-century copper engraving tradition into early 20th-century scientific illustration while fully preserving artisanal coloring techniques. This offering includes not only the two original hand-colored copper engravings, but also the complete original printed text leaves (in Dutch language) from Part 1–2, allowing the set to be preserved as a true historical entomological unit rather than isolated decorative prints. The plates come from the library of the noted Dutch lepidopterist Jan Hendrik Ernst Wittpen (1878–1956), with his library stamp present, adding strong scientific provenance. The third series of Sepp’s butterflies is markedly rarer on the market than the earlier volumes and is highly sought after by collectors of natural history, scientific art, and museum-quality wall decor. Presented as a matching diptych, this pair works especially well for libraries, studies, and refined contemporary interiors where historical scientific imagery adds quiet authority and warmth. Condition report Both engravings and accompanying text leaves are in excellent, near-mint condition. Clean impressions, fresh original hand coloring, strong plate marks visible, no foxing, no tears, no stains. Exceptionally well preserved. Framing tips This pair is ideally suited for a horizontal diptych presentation. Use soft ivory or warm light-grey museum matting with slim walnut, bronze, or muted gilt frames. Museum glass is strongly recommended to preserve the original coloring. Hanging the two plates with 4–6 cm spacing creates a balanced and elegant wall composition. NOTE: WE SELL THE PRINTS UNFRAMED. Technique: Hand-colored copper engraving Maker: A. Brants after Sepp tradition, The Hague, circa 1905–1913 SEO keyword block antique butterfly engraving, sepp butterfly print, brants entomology, satyrus statilinus, dutch natural history art, hand colored insect print, antique scientific illustration...

Antique Caracas Venezuela Monte Ávila Landscape 1888 Tinted Lithograph This refined 19th-century tinted lithograph depicts a wide agricultural valley on the outskirts of Caracas, Ve...

Antique Venezuela La Guaira Landscape 1888 Dutch Colonial Tinted Lithograph This atmospheric 19th-century tinted lithograph depicts a rural landscape in the La Guaira region of coas...

Aruba Landscape & Mountain Views Dutch West Indies by Karl Martin 1888 This rare matched pair of Aruba landscape views was published in 1888 as part of Karl Martin’s important scien...

Aruba Petroglyph Symbols Fontein Cave Ethnographic Plate by Karl Martin 1887 This rare and highly intriguing ethnographic plate illustrates a collection of indigenous petroglyph dra...

Christoffelberg Curaçao Summit Ascent Antique Landscape Illustration 19thC This rare antique illustration depicts the ascent and summit of the Christoffelberg, the highest peak on t...

Antique Caribbean Island Group Panorama 1888 Dutch West Indies Seascape This refined panoramic seascape plate was published in 1888 as part of Karl Martin’s important scientific and...

Suriname Indigenous People & Tribal Objects Ethnographic Lithographs 1888 This rare and highly evocative three-plate ethnographic set was published in 1888 as part of Karl Martin’s ...

Suriname Jungle Life & Sacred Stone Lithograph Pair by Karl Martin 1888 This rare and evocative paired set of lithographic plates was published in 1888 as part of Karl Martin’s impo...

Tafra Island Suriname River View 1888 Dutch West Indies by Karl Martin This atmospheric river landscape depicting Tafra Island in Suriname was published in 1888 as part of Karl Mart...

Antique Geological Survey Map of Surinam 1888 Hand Colored This impressive hand-colored geological survey map of Surinam was published in 1888 as part of Karl Martin’s monumental sc...

Geological Map of Bonaire 1888 Dutch West Indies by Karl Martin This finely executed geological map of Bonaire was published in 1888 as part of Karl Martin’s major scientific work B...

Geological Map of Aruba 1888 Dutch West Indies by Karl Martin This finely detailed geological map of Aruba was published in 1888 as part of Karl Martin’s authoritative scientific st...

Geological Map of Curaçao 1888 Dutch West Indies by Karl Martin This exceptionally detailed geological map of Curaçao was published in 1888 as part of Karl Martin’s landmark scienti...

Dutch West Indies Geology Fossils 1888 Scientific Lithograph Plates This rare matched pair of geological plates originates from the monumental 1888 scientific work Bericht über eine...

Antique Lichen Prints Set of 6 – German Scientific Lithographs 1874 Description This exceptional wall set of six original 19th-century scientific lithographs comes from the 1874 Ger...

Antique Lichen Prints Set of 6 – German Botanical Lithographs 1874 This remarkable wall set of six original scientific lithographs comes from the rare 1874 German publication “Cryptogamen-Flora – Flechten,” devoted entirely to the detailed study of lichens. Issued in Gera by the respected scientific publisher C. B. Griesbach and prepared by Otto Müller and G. Pabst, this series represents one of the most precise 19th-century visual documents of cryptogamic botany. Each plate is densely populated with finely rendered lichen specimens, shown in multiple growth stages with accompanying microscopic structural details. The compositions are carefully balanced across each sheet, creating an extraordinary rhythm of organic textures, cellular formations, and natural pattern systems. Together, the six plates form a powerful scientific grid that is visually striking both at close inspection and from a distance. Produced during the golden age of European botanical taxonomy, these lithographs were created as serious reference tools for pharmacists, physicians, and natural scientists. Unlike decorative flower books intended for the general public, true cryptogam atlases such as this were printed in far smaller numbers and were subjected to hard professional use. As a result, intact matching sets have become increasingly scarce on the market. The restrained monochrome palette gives this set a timeless graphic quality that integrates effortlessly into both classical and contemporary interiors. Displayed as a horizontal 3×2 wall arrangement or in vertical pairing formats, the set works exceptionally well in studies, medical offices, libraries, design hotels, law firms, galleries, and minimalist residential spaces. The scientific precision combined with the abstract beauty of lichen morphology makes this set particularly attractive to modern interior designers seeking authentic historical material with strong visual structure. This is a cohesive original 19th-century wall ensemble, not a later reproduction or decorative reprint. Each plate is an authentic lithograph pulled from the original 1874 publication. Condition Report All six plates are in very good antique condition. Light, even age toning consistent with 19th-century paper. No tears or losses observed. Margins remain intact. Image impressions are crisp and well preserved. Minor surface marks or faint edge handling wear may be present but do not detract from display quality. Framing Suggestions This set presents beautifully in slim natural oak or walnut frames with deep ivory museum mats for a clean, contemporary gallery look. For a more dramatic, archival presentation, matte black frames with soft off-white mats will emphasize the fine line work and give the set a striking museum-style presence. UV-protective glazing is recommended for long-term preservation. Technique: Lithography Maker: Otto Müller & G. Pabst, Germany, 1874 SEO Keyword Block antique botanical prints, lichen lithographs, cryptogam flora, 19th century science prints, german botanical art, medical wall art, pharmacy decor, scientific wall set, black and white botanical prints, natural history lithographs, antique plant prints, lichen study plates, interior designer wall art, antique scientific illustration

Constantinopel Ottoman Street Scene Antique Dutch Engraving c1870 This atmospheric 19th-century engraving depicts a street scene in Constantinople, present-day Istanbul, centered ar...

Chikanobu Triptych – Shogun Returns from the Hunt in Koganehara, c.1897 This powerful and dynamic triptych by Toyohara Chikanobu (1838–1912) depicts the Shogun and his retinue returning from a falconry hunt across the vast grasslands of Koganehara. The print is part of the celebrated Meiji-era series Chiyoda no Omote (Outer Palace of Chiyoda), which portrayed ceremonial and military scenes from the life of the Tokugawa shogunate. This series blends historical reverence with a modern Meiji sensibility, celebrating Japan’s warrior heritage at a time of rapid transformation. Rendered in rich color and vivid linework, the triptych shows a noble procession in motion: the mounted Shogun at center turns back toward the viewer, while falconers and warriors in elaborate dress surround him. Attendants carry game and falconry equipment, and a dense forest line marks the horizon behind them. The sweeping composition emphasizes both movement and status, with the central figure visually dominant and placed against a pale, open sky. The triptych is signed by Chikanobu with the toshidama cartouche and published by Fukuda Hatsujirō around 1897. Chikanobu, one of the last great ukiyo-e masters, was celebrated for his ability to capture imperial ceremony, samurai culture, and the feminine elegance of the court — often in triptych format for dramatic impact. While the work shows some age-related signs, it retains strong visual appeal and is a compelling historical document of samurai-era tradition as imagined through Meiji eyes. Condition report: Good overall condition considering age. The three sheets are mounted together on old Japanese paper backing (verso), which is loosening slightly along the joins. Light overall toning and minor wrinkling across the panels. Colors remain well preserved with strong impression and no major losses or tears. Margins present, minor handling wear visible. A stable and attractive display piece. Framing tips: We recommend float mounting the full triptych in a custom horizontal frame, allowing the slight backing and joins to remain visible as part of its historical charm. Use a dark walnut or black lacquer frame with an off-white or light beige acid-free mat. Proper archival mounting can help preserve the integrity of the backing while enhancing its display quality. Technique: Woodblock print (ōban triptych) Maker: Toyohara Chikanobu, Japan, c.1897 Publisher: Fukuda Hatsujirō Keywords: Chikanobu triptych, samurai falconry print, Japanese woodblock print, Meiji print, Chiyoda no Omote, shogun artwork, Koganehara, antique Japanese triptych...

Fortress Assault Triptych – 1894 Japanese Meiji War Woodblock by Gekko This powerful Meiji-era woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic assault on a Chines...

Meiji-Era Triptych of the Battle of Pyongyang in the Sino-Japanese War, 1894 This striking 1894 woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic Battle of Pyongyan...

Caen – Antique Hand-Coloured Normandy Town Plan Engraving (1666) This 17th-century copper engraving offers a finely detailed early plan of Caen, published in Antwerp in 1666 for the...

Cherbourg – Antique Hand-Coloured French Coastal Town Engraving (1666) This 17th-century copper engraving presents a finely detailed early plan of Cherbourg, published in Antwerp in...

Dieppe – Antique Hand-Coloured French Coastal Town Engraving (1666) This charming 17th-century copper engraving presents an early bird’s-eye plan of the fortified port town of Diepp...

Vue des Restes d’un Temple de Vénus, Isle de Nisida – Antique Engraved Gulf of Naples View (1760s) This impressive 18th-century French engraving presents a sweeping coastal view of ...

Anfiteatro Flavio detto il Colosseo – Antique Hand-Coloured View of the Colosseum (c.1840) This finely hand-coloured 19th-century engraving presents a clear and atmospheric view of ...

Piazza di S. Pietro – Antique Hand-Coloured View of St. Peter’s Square (c.1840) This elegant 19th-century hand-coloured engraving presents a sweeping panoramic view of St. Peter’s S...

Interno della Basilica Vaticana – Antique Hand-Coloured Interior View (c.1840) This richly detailed 19th-century hand-coloured engraving presents a magnificent interior view of St. ...

Isola Bella Italy – Antique Lake Maggiore Lithograph View (c.1830) This early 19th-century lithograph offers a calm and finely detailed view of Isola Bella on Lake Maggiore, capturi...

Trevi Fountain Rome – Antique Hand-Coloured Italian View by Gigli (c.1850) This finely hand-coloured 19th-century view shows the celebrated Fontana di Trevi in Rome, rendered with c...