Gilt Clocks

A fine quality clock and barometer set by Carcany and Robin, after models on exhibition in the Louvre Museum, Paris. In the Louis XVI manner, of banjo form, the cases being in cr...

A very good quality 19th century French gilded ormolu and Sevres style porcelain mantel clock. Having a blue porcelain urn to the top with ormolu swags, scrolling gilded ormolu folia...

A fine early 19th century French Empire gilt bronze clock representing an allegory of astronomy; featuring two classically draped maide...

Three piece French gilt bronze clock set, the clock mounted with a foilated urn, white enamel dialed inscribed Crouille Filo, Ameins, ornately cast foliate body resting on rocaille p...

Three piece French bronze clock set with urn and swag pediment and lion head handles, embossed dial with inset porcelain numerals, along with conforming pair of 9 light candelabra, 1...

Restauration gilt bronze mounted crystal lyre mantel clock French, circa 1820 Measures: Height 67cm, width 23cm, depth 14cm This superb mantel c...

Victorian Antique Gilt Bronze Sèvres Style Porcelain Mantel Clock H. Bright Leamington English, Late 19th Century Height 39cm, width 24cm, depth 12cm This attractive late 19th-centu...

French porcelain and ormolu mantel clock with silver highlights mantel clock. A superb Napoleon III clock in the Louis XVIth style. The original fire/mercury gilt ormolu in very good...

A magnificent Sèvres-style gilt bronze and jeweled porcelain clock set. The fine pair of Sèvres-style ormolu mounted covered cobalt blue ground porcelain vases with hunting scene. ...

This Grecian style mantel clock was crafted at the end of the 19th century and retailed by the acclaimed Maison Marnyhac, which was based on the Rue de la Paix in Paris. Founded ...

Fine and important French ormolu and marble cherubs clock garniture Comprising a clock and a pair of five-light candelabra. Origin: Fr...

Striking carriage clock with a gilt-brass corniche case by Grohé, circa 1880. A most attractive eight-day striking carriage clock, signed on...

The combination of sumptuous, lustrous ormolu and finely decorated Sevres style porcelain makes this mantel clock an exceptional piece. Built in France and retailed by the prestigiou...

France, circa 1880 A fine French, gilt bronze ormolu mantel clock with its porcelain face, the case with elaborate garland decorations culminating in a volute krater of flowers ab...

19th century, French chiselled and gilt bronze table clock This table clock was made of chiselled and gilded bronze in the early 19th centur...

Antique mantel clock from the french Romantic period in patinated bronze, gilt bronze and antique very marble. On bracket feet and antique vert marble base the clock is surmounted by a superb patinated bronze sculpture of a seated Cupid with gilt bronze bow and quiver...

Medici vase-shaped cut crystal clock, ormolu mounted. Two gilt handles with foliage. Origin: French Date: circa 1810 Dimension: 14 x 8 3/4 x 4 1/4 inches

Table clock made of gilded bronze with a powerful base, enhanced with legs decorated with vegetal and architectural motifs of classicist inspiration and a series of details on the fr...

Amazing and rare 19th century French gilt bronze clock surmounted by two finely crafted cherubs riding a chariot drawn by a pair of wonderfully detailed goats. Clock is in working condition. The blue clock...

The magnificent neoclassical style clock set would make a beautiful addition to any elegant interior. The three-piece, antique French clock set comprising a central clock and a p...

Antique French Louis XVI portal clock, Paris, circa 1880 White and black marble, bronze, gilt. On gyratory feet and a recessed base, two angular baluster columns crowned with vases a...

Impressive three piece gilt bronze mounted Sevres robin egg porcelain clock set, center clock urn having amorial bow and quiver finial and rams head handles, body with hand painted c...

A Japonisme gilt-bronze and brass three-piece clock set French, Late 19th Century Clock: height 52cm, width 31cm, depth 12cm Candelabra: height 55cm, width 32cm, depth 9cm Made in F...

Antique French Louis XVI portal clock, Paris, circa 1880 White marble, bronze, and gilt. Two square baluster columns, crowned with a sloping roof, support ball feet and a recessed ba...

Refined French Empire-style portico clock, dating from the early 1800s, in black and white marble, richly adorned with finely chiseled gilt bronze. The enameled dial with Roman numer...

The acclaimed French bronze foundry, Delafontaine, created this remarkable mantel clock. At the time this piece was crafted, in c.1860, the company was directed by Auguste-Maximilien Delafontaine (1813-1892). The firm was famous for its high-quality artistic bronzes, which can today be viewed in major art collections, such as the Louvre in Paris. Shaped like an upside down ‘T’, this gilt bronze...

A gilt bronze and griotte marble French Empire clock depicting Apollo Greek God of Music Art Literature and Sciences. The clock shows a a gilt bronze winged figure of Apollo leaning against a griotte marble altar pedestal decorated with gilt bronze garlands. At the center of the pedestal is the clock’s dial and movement. Sitting on top of the pedestal is a standing harp, a mallet and a scroll. The whole is supported by a griotte marble base with a gilt bronze frieze showing a number of frolicking and dancing cupids playing music, drinking wine waving laurel wreaths, carrying a standard and even crowning a bust of Athena. The base sits on two owl feet...

A gilt bronze French Empire clock depicting an allegory to the earth’s water source. In this clock a classically draped nymph sits atop a rocky outcrop her right foot resting on the ...

This clock set contains three pieces: namely, a mantel clock and a pair of flanking candelabra. The mantel clock is designed about a Japanese porcelain vase, known as Imari ware. This white ground vase, painted in reds and blues and ornamented with foliate forms, functions as the clock case, the dial centrally mounted and encompassed by Rococo style gilt bronze motifs. This vase is supported by a gilt bronze base, which is profusely ornamented with gilt bronze acanthus leaves, garlands, and, most distinctly, a pair of putti. The vase is mounted with lion head handles to each side, also of gilt bronze, while the lid of the vase is topped by a gilt bronze finial in the form of a putto. The candelabra are similarly decorated and of similar construction, each one being built about a smaller Imari...

Neoclassical style porcelain and gilt bronze clock set by Barbedienne French, late 19th Century Clock: Height 53cm, width 27cm, depth 24cm Candelabra: Height 56cm, width 19cm, dep...

Gilt and patinated bronze mantel clock, machine signed L. Moinet A Paris. France, early 19th century.

A fine 19th century French Louis XV mahogany and gilt bronze mounted Grandfather clock. The clock has beautiful mounts and parquetry inlay. The clock rings ...

This is an elegant French Louis XVI-style garniture set, comprising a mantle clock and a pair of matching candelabra, crafted in gilt bronze (ormolu) and veined marble Bought from a ...

An exceptional Louis XVI style champlevé enamel and gilt-bronze mantel clock with finely painted neoclassical scenes by Leroy & Fils. French, circa 1880. Stamped to the movement ‘LEROY & FILS A PARIS, 823’. This fine gilt-bronze and champlevé enamel clock has an arched case with outset bulbous columns to the angles, it is surmounted by a drum top with a pierced scroll and ball finial and applied with expressive cherub mounts. The front and sides of the clock are all exceptionally finely painted with neoclassical scenes of figures in an architectural setting and the top and base enriched with fine polychrome champlevé enamel. The clock has an enamelled chapter ring with Roman numerals interspersed with anthemion devices and a twin barrelled, eight-day movement striking on a bell. The firm of Leroy et Fils was founded by Bazile Charles Leroy in 1789. He was a clockmaker to the Emperor Napoléon, The Duke of Orleans, The Duke of Bourbon and Princess Pauline. In 1823, he filed a patent for self-winding atmospheric clock operated by weathervane and in 1840 a patent for wind clocks. When Charles Louis died in 1865 his son Louis Leroy...

This is a classic Directoire period clock by the famous clock maker Deverberie. The drum-shaped clock is surmounted by an ormolu basket of flowers with festoons of foliage and flower...

This beautiful mantel clock was crafted in c.1810 by the famous Parisian clock-making firm, Le Roy et fils. The company was founded by Basile Charles Le...

A mercury gilt bronze clock depicting two young women dressed in antique style sitting in Etruscan-style shepherdesses on either side of a draped table with claw feet, studying a map...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

Very large clock, halfway between a pyramid and an obelisk, in patinated and gilded bronze, resting on four antique-style lions and a cherry-red marble veneer base. Bas-relief orname...

A fine and rare pair of late 18th century to early 19th century French gilt bronze clock and Barometer set by Jean Antoine Lepine. Appointment to the King Jean Lepine moved to Par...

This beautiful porcelain mantel clock is designed in the shape of a shield which is propped up on a gilt bronze (ormolu) easel support, composed of two shields and a staff topped by ...

A magnificent 19th-century French clock garniture set in gilt bronze, richly ornamented in the Louis XVI Revival style All working 7 day duration Great patina to the gilt Circa 1880 ...

This three-piece clock and candelabra set is formed of malachite and is fitted with gilt and patinated bronze mounts. The malachite base of th...

An Empire mantel clock in gilded wood, made in Austria or Germany 1820-1830. It features a warrior dressed in classical armor with his arm resting atop the clock. The clock pillar is...

A French 19th Century Dore Bronze Chinoiserie Style Figural clock with a Woman Resting on a Seat. This is a beautiful example of French dore bronze craftsmanship mixed with the Chino...

This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honore, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honore...

A very pleasing 19th century French gilded ormolu and white marble mantel clock, having a cherub holding a torch and a bow and arrow, leaning against the inset eight day chiming clock.

Gilt-bronze and cloisonné garniture with angels figures, France, 19th century.

A fine Louis XVI style cobalt blue porcelain and gilt-bronze lyre clock garniture, with jewel set pendulum. French, circa 1900. The candelabra bearing a paper label to the und...

This large and impressive gilt bronze mantel clock is by the French Michel-François Piolaine. The clock body is raised by an architecturally formed, plinth-shaped base, set to the fr...

French Régence style gilt bronze clock garniture French, late 19th century Clock: Height 60cm, width 36cm, depth 20cm Candelabra: Height 67cm, width 25cm, depth 25cm This wonde...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

A mantel clock from the French “Restauration” era of 1815-1830 in fire-gilt bronze. The dial is enamelled white and the hours are depicted with Roman numerals. The figure represents ...

French Victorian gilt wood wall clock with a distressed gold and reddish frame

A mantle clock of very good quality from the French Restoration period c 1820. The neoclassical character represents the shepherd Paris, with requisite stick and hat, admiring a but...

A very fine French 19th c. Dore Bronze and Marble Clock with Love Birds. It is in working condition and signed by the Artist (A. SANDLER) with Foundry Markings (Cire JVALSHANI Perdu...

This set is a particularly fine example of this sort mantle ornament; The clock, surmounted by a Cupid with bow and arrow, is flanked by a pair of Campa...

French Empire pendulum clock finely crafted of gilt bronze, featuring a young spinner wearing a classical dress, seating on the dial near a lyre ...

This elegant clock is distinguished by its crisply modeled subject and the extraordinary completeness of its original finish. The seated figure is of Urania, muse of astrology, leani...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...