Stoneware Decorative Objects

A blue-glazed stoneware vase designed by Carl-Harry Stålhane and produced by Rörstrand, Sweden, 1960s. .

An absolutely stunning California design stoneware weed pot / vase by noted San Diego, CA potter Wayne Chapman, circa 1970. The pot is in very good vinta...

Product Description: Isak Isakkson, the maker of this beautiful vase, is a master in the art of creating glazings that truly blow you away. The artist is still active, has his own i...

This classic Scandinavian Modern Vase is from the Argenta series designed by Wilhelm Kåge for Gustavsberg. A beautiful example of Swedish Grace and Mid-Century design, the elegant va...

This commanding studio pottery vase is the work of Virginia artist Marlene Jack, a nationally recognized ceramicist whose practice merges Eastern aesthetic philosophy with American s...

With a nod to the spontaneity and privileged imperfection that is the human condition, all of my pieces imbue an energy of function and whimsy. The Lunar Wave Vase is a coil built d...

We offer for sale a large vase produced during the 70s by the Scheurich Keramik company (as attested by the adhesive label still present on the vase) which is part of the large produ...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A stunning stoneware vase with amazing sung glaze. Made by Gerd Bogelund for Royal Copenhagen, Denmark, 1950s. Great condition. Painted monogram signature "gb" and three waves for R...

A beautiful small stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 193...

A pair very large English ironstone urns with lids that have been converted to lamp bases. These pink glazed urns have a an overall gilded decoration as well as polychrome painted b...

Large sculptural vase #4 by Dena Zemsky. Hand-built, glazed stoneware vase form. Signed and dated on underside.

Violante Lodolo D'Oria, Variegated Aqua Blue Rosetta Vessel, 2024, glazed stoneware, multiple glazes, W41cm x H25cm New stunning piece created by ceramic artist Violante Lodolo d' ...

These original vintage objects were designed by Heinz Siery and produced by Carstens Tönnieshof in the 1960s in Germany. The have a straightforward and minimalistic design and are ma...

Rare, elegant and highly decorative studio pottery ceramic vase. No 08. Designed and made by famous German studio ceramic artist Ilse Ludwig-Korbel, Tittmoning, Germany, 1980s. Arti...

A beautiful stoneware vase with amazing glaze. Made by Claes Thell, in the artist's studio, Höganäs, Sweden, 1969. Excellent condition. Signed Thell '69. Claes Thell is a Swedish ...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Excellent condition. Impressed 'Rörstrand / ...

This stunning and hard to find vintage modernist Pietra Dura Italian stone hinged box has an elaborate butterfly in the center of the black marbl...

A striking Japanese woodfired stoneware vase, compact in form yet powerful in presence. Decorated with gestural abstract expressionist brushstrokes, smoke shadows, and natural kiln e...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1963. Excellent condition. ...

A large and unique stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Incised signature "NYLUND" and makers mark "R" for Rörstrand. Great...

A beautiful stoneware vase with amazing 'leopard' glaze. Made by Yngve Blixt, in his studio in Höganäs, Sweden, 1974. Excellent condition. Incised Yngve Blixt, Höganäs. Yngve Blix...

A brown and blue, glazed stoneware vase, designed by Gunnar Nylund and produced by Rörstrand, Sweden, 1950s.

No.106 stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: Ø 17 x H 28 cm Materials: black stoneware, satin cream glaze Variations of si...

A large and beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Imp...

Paul Dresler (1879-1950) for Grotenburg, Germany. Flowerpot / vase in glazed stoneware. Beautiful glaze in shades of green. 1930s / 40s. Measures: 11.5 x 10 cm. In excellent co...

Article: Ceramic pottery vase Origin: Germany Model: ROBOT Designer: Heinz Siery Producer: Carstens Tönnieshof, Germany Decade: 1960s Th...

A pair of beautiful stoneware vases with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Great condition. Incised signature "G.N." and makers mark, Rörstrand...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Exquisite glaze. Impressed 'Rörstrand / Löne...

Wonderful stoneware penguin sculpture signed by artist John Seymour, 1986.

Lucie Rie (b. 1902, d. 1995), Austrian-born British ceramist. Large modernist bowl in glazed stoneware. Beautiful glaze in light earth tones. Own workshop, approx. 1970. Measures:...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Unique stoneware vase with amazing relief decor and glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Great condition. Signed 'C-H S' and makers mark 'R' with ...

Unique piece of Scandinavian Modern design made by artist Ulla Winblad at "Alingsås Keramik" in Sweden in the 1960s. Handmade and hand decorated earthenware in colored glazing by Win...

Mandrill sculpture designed by Vicke Lindstrand for Uppsala Ekeby Sweden, 1940s Stoneware. Signed. H: 31 cm / 1'' L: 43 cm / 1'' 1' 3 / 4

A part of a captivating new line blending ancient Greek pottery with contemporary design, the ‘Fern’ vase showcases delicate black underglaze illustrations t...

Scandinavian Modern Anna-Lisa Thomson stoneware vase in Jade green, Uppsala Ekeby, Introducing the stunning jade green vase by Anna-Lisa Tho...

Huge ceramic bowl by Guido Gambone with brown and orange glaze. Signed on the bottom with the donkey mark. Guido Gambone (1909 – 1969) is one of ...

Mason's Ironstone Garniture of Three vases, circa 1835 The three hexagonal-shaped vases are painted with polychrome flowers on a mazarine blue ground. The open-work handles, rim ...

Toshiko Takaezu (American, 1922-2011) Polychrome Glazed Stoneware Charger, incised "TT" signature to underside. 2" H x 12" Diameter. Provenance: From 333 East 75th Street Estate.

Article: Pottery ceramic vase Producer: Marzi and Remy, Germany (signed MR) HÖHR-GRENZHAUSEN Decade: 1960s Description: Ori...

Striking, large “Veckla” bowl by Stig Lindberg. Rare model with the characteristic, smoothly folded design. Made in carrara stoneware.

Sunset Sculpture Vase by Maria Lenskjold Dimensions: H 30 cm Materials: Stoneware Maria Lenskjold’s practice is based on a consi...

Untitled No. 49 Vase by Marea Hildebrand Handmade Dimensions: D 32 x W 32 x H 37 cm Materials: Stoneware with slip. Marea Hildebrand (b. 1989) is a Zurich-based ceramic artist with...

A beautiful and unique stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden, 1962. Excellent condition. Incised "Stig L" and Gustavsberg studio han...

An exceptional stoneware bowl by Carl-Harry Stålhane, one of Sweden’s most celebrated mid-century ceramic artists. Crafted in the 1950s for the prestigious Rörstrand studio, this pie...

Footed vase, ‘Spirea’ designed by Wilhelm Kåge for Gustavsberg, Farsta, Sweden 1956 Stoneware. Signed. H: 15.5 cm / 6 1/8" Dia: 14.5 cm / 5 11/16"

Article: ceramic pottery vase. Origin: Germany. Producer: Walter Gerhards, Germany. Decade: 1970s. This original vintage pottery object was designed and produced by WALTER...

Ceramic vase designed by Giovanni Gariboldi in the 1930's for Richard Ginori, San Cristoforo, Italy. Bulbous white ceramic vase with a small opening and gold gilding. Richard - Gino...

1. Height 4 cm Width 11 cm Depth 11 cm 2. Height 3 cm Width 9 cm Depth 9 cm This set of 2 miniature bowls was designed by Gunnar Borg for the Swedish manufacture Höganäs Kerami...

Nils Kähler Large planter in light grey stoneware. Height: 33 cm Diameter: 33.5 cm. Signed on the base with "HAK" (Kähler). Denmark, 1950-1960. This exquisite planter by renowned ...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Excellent condition. Impressed 'Rörstrand / ...

Greenlandica. Hand painted unique stoneware figure. Inuit in traditional hunting clothes. circa. 1970s. In perfect condition. Signed illegibly. Dimensions: W 9.0 x H 20.5 cm.

In solid slate blue jasper, with inlaid foot; decorated with numerous reliefs typical of the period. Engine turned decoration and lapidary polished interior. Exhibited: Wedgwood, Ma...

‘Dal Visage’ Ceramic Vase This vase is part of a new series inspired by iconic Art (and more precisely paintings) movements. Here is our DAL model with motifs based on portrait i...

A beautifully designed, richly, and deeply blue-colored/ glazed ceramic bowl by famed Swedish designer Carl-Harry Stålhane for Rörstrand, Sweeden. The craftsmanship and color are stu...

A double handled antique Portuguese stoneware jug. Late 19th century. The jug has one flattened side for it to be stored on its laying down. Jugs such as these were used throughout I...

A stoneware art deco vase with beautiful brown glaze. Foot and mouth detailed in gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Excellent condit...

This antique square bowl by Mason’s Ironstone, featuring the classic Fruit Basket pattern in blue, is a beautifully preserved example of early 19th-century English ceramics. What mak...