Busts

Nice woman head made in plaster. This piece was made in Italy in the 50s. Found near Florence

Large Apollo Torso Sourced from Paris, France, by Martyn Lawrence Bullard Fitted with Mount and original hand-painting

Looking for a powerful and striking addition to your living space? Look no further than the Zeus bust from Lagu's special selection. Standing at 16.9 inches ...

A fine French 19th century patinated spelter bust figure of a young wearing a head scarf. The young lady, in a brown-copper patina, posing with a right-side gaze and wearing a beaded...

Antique early-20th Century French Art Nouveau terracotta sculpture of a female bust. This sculpture is beautifully made with fine detail and with a lovely patination. Signed by the I...

A handsomely carved male marble torso on a black marble base. The carving is detailed and realistic, clearly depicting the contours and muscles. The marble...

This expressive 18th century marble portrait bust is of Marie-Madeleine Guimard (1743-1816), a successful dancer and one of the most famous courtesans of pre-Revolutionary France. The bust is unsigned, but identical to one in the collection of London's V&A museum carved...

Green serpentine marble sculpture Late 19th century Height approx. 88 cm. The flying mercury and the bronzes While he was still busy working on the fountain in piazza Maggiore, the papal delegate Cesi asked Giambologna for a statue to be placed in the courtyard of the Archiginnasio, seat of the ancient and prestigious Bolognese university; he should have painted a bronze depicting the god Mercury with his index finger stretched towards the sky, a symbol of the divine origin of knowledge, which would have served as a warning to all students. The project was never completed, but Giambologna elaborated a model preserved at the Civic Museum of Bologna, which is only the first of the numerous bronzes with the same subject made by the artist, defined precisely as flying Mercury. In later versions, the sculptor transformed Mercury into a much more dynamic figure reaching upwards, as if ready to take flight, giving it an unprecedented freedom of movement and lightness. When he returned to Florence, the sculptor certainly proposed it to the Medici, who enthusiastically immediately ordered one to be sent to Emperor Maximilian II of Habsburg, as a diplomatic gift for the ongoing negotiations of the wedding between Francesco and Giovanna, sister of the sovereign. Giambologna replied with the two bronzes preserved in Vienna and Dresden and in 1580 cast the large Mercury now exhibited in the Bargello, originally intended for the loggia of the villa of Cardinal Ferdinando dei Medici to crown a fountain placed in the center of a magnificent decorative complex; the only variant with respect to the previous examples is constituted by the head of Zephyr placed under the foot of the god and from which a breath of wind blows it upwards, accentuating the sense of immateriality. In addition to the successful invention of the flying Mercury, Giambologna acquired immense fame by making numerous other bronzes for the Florentine collectors of the time; his first patron, Bernardo Vecchietti must certainly have owned many, given to him in part by the sculptor in exchange for his protection, but around the 1880s it can be said that there was no collector who did not aspire to own a work by Giambologna, especially those of small format. The development of this trend in Florence is largely due to the artistic passions of the Grand Duke Francesco I, who with the creation of environments such as the Studiolo in Palazzo Vecchio and the Tribuna degli Uffizi, provided new criteria for the exhibition of the works, pushing all collectors to imitate his extraordinary collection. In the Studiolo, in addition to the painted tables that decorated the doors of the cupboards filled with all kinds of things, there were 8 niches containing bronze figures of divinities; Giambologna painted the one depicting Apollo (1573-75), with the characteristic serpentine pose and beautifully finished. The placement of the statuette in the niche was no longer an impediment to the plurality of views as Giambologna endowed it with a sort of mechanism that allowed it to rotate. For the Tribune he instead created the six Labors of Hercules (1576-1589), small silver sculptures...

Bronze sculpture by Van Der Straeten, circa 1885, Napoleon III. Bronze bust of Jeune femme, Napoleon III period sculpture, 19th century, Paris, circa 1885 by Van Der Straeten . Dim...

Large stylized torso in glazierite by Roberto Estevez for Karl Springer, American 1980's. Glazierite was a resin composite created by Karl Springer’s artisans. This model was also ca...

The plaster cast of a herm with the head of Dionysos has a beautiful green patina and sits on a mahogany base France circa 1860-1870.

Important Italian bust "Antonino Pio" fine 19th Century Marmo di Carrara Measure: H: 76cm perfect conditions Titus Aurelius Fulvo Boyonius Antoninus (Latin: T. Aurelius Fulvus Boion...

Great mid century piece from the estate of modern architect John Mooney, NY. Pencil signed. Appears to be unfinished as it shows some pencil mark...

Bust of a young woman in marble and alabaster, height 68 cm for a width of 40 cm and a depth of 30 cm. Signed Prof. Besfi. Additional information: Material: Alabaster, Marble & onyx

A large Post Modern Deco style Plaster Bust Sculptures. Signed on top of the base "White Art ST C 80". Appears to be very similar, if not identical to the work of Lora Marx (Samuel Marx 's Wife). Please see photo included...Pair of Art Deco sculptures...

This vintage hand carved late 19th century Italian alabaster sculpture is signed E. Fiaschi. This exquisitely rendered depiction of a fashionable lady is presented wearing a tight se...

Luoise Brongniart bust, Brongniart marble sculpture, neoclassical sculpture. Fine portrait of the daughter of the famous neoclassical architect Alexandre-Théodore Brongniart (1739-18...

The piece is a unique representation created by our designer. The creations are completely made by hand. Ceramic and paint are water resistant.  

Intriguing 18th century Italian Santibelli in walnut. These small saint figurines were created in the spirit of the 'chreche' figurines (depiction of t...

Dal Modello di Gian Lorenzo Bernini (1598-1680) - Scultura, "Medusa" - 60 cm - Marmo - Fine XX secolo.

The **Antinous** statue, often referred to in the context of its finely finished marble representation, is a remarkable work of art depicting Antinous, a young Greek boy who was a fa...

Outstanding Benin Oba and his Queen, Lost Wax 'Bronze' Sculptures from the late 20th century Superbly cast and highly decorative contemporary pieces, not historical The centuries ol...

I could not identify the sitter. Socle base. From a Mississippi collection.

This 20th-century bust of Mithridates is a striking example of classical sculpture, depicting the powerful and enigmatic King Mithridates VI of Pontus. The bust captures Mithridates’...

French nineteenth century bronze of Napoleon Bonaparte, the bust mounted on socle and pedestal base.

Stucco head of a Roman figure. Signed on the back (unknown). The head is separate from the base.

In this expertly rendered black basalt bust, Mercury, the fleet-footed Roman god of commerce, communication and transport, is depicted in a winged h...

This pair of 19th century busts are after noted French sculptor Albert Ernest Carrier-Belleuse (1824 - 1887). The pieces are exquisitely detailed and depict the head and torso of a ...

Bring a coastal vibe to your decor with this vintage shell-encrusted bust of a man. Meticulously adorned with a variety of natural seashells, this unique piece blends classical desig...

Scultura, busto socrate, socrate, busto filosofo, busto romano antico, arte romana, arte classica, arte greca, busto, marmo bianco Carrara, scultura classica, scultura antica, busto ...

Rare marble head of Ulysses, king of Ithaca, beautiful sculpture mounted on a black marble base. Provenance from a private collection. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND Q...

Japanese Late Meiji Period Head of Buddha in Wood, Ca. 1910 DIMENSIONS: Height: 22 inches Width: 7 inches Depth: 7 inches ABOUT A serene and finely carved wooden Head of Buddha fro...

Italian Neo-Classic style (19/20th Cent) faux painted composition bust of a Roman Emperor wearing a red toga and mounted on a black square base.   

A fine Italian 19th-20th century lifesize carved marble bust of a lady wearing a hat, the beautifully carved marble bust of a lady posing with a gaze to her right, wearing a bonnet w...

An adorable and highly detailed Italian 19th century Alabaster bust. This wonderful bust of a young girl is raised on a circular mottled edge socle support. The bust above depicts a ...

- Late 19th-early 20th century lapis lazulli skull - Object of curiosity and wonder from a collector's cabinet of curiosities and wonder. Measures: 2" long, 1.75" high Cabinets o...

Jared French (American, 1905-1988) Portrait bust of Chuck Howard, 1951 plaster on wood base Titled and signed with “CH" mongram for Howard over the date...

One of a kind patinated bronze bust of a child on a stepped ebonized wood pedestal,François Duquesnoy school, decorated with tortoiseshell look alike inlays. The bust shows a clea...

A bronze portrait of Sir Winston Churchill by Rufus Martin, 2023 This head and shoulders bronze bust is instantly recognizable as Sir Winston Churchill. He is wearing a British Warm greatcoat with epaulettes and has a half-smoked cigar in the left hand resting on his hip. His right hand is raised in his trade mark V-for-Victory salute. Signed ‘Rufus Martin 1/12’. Sir Winston Churchill (1874 –1965) was a British politician, army officer and writer. He was the Prime Minister of the United Kingdom from 1940 to 1945, when he led Britain to victory in the Second World War, and again from 1951 to 1955. Churchill represented five constituencies during his career as a Member of Parliament. Ideologically an economic liberal and imperialist, for most of his career he was a member of the Conservative Party, which he led from 1940 to 1955, but from 1904 to 1924 was a member of the Liberal Party. This portrait of Churchill by Rufus Martin is striking for its juxtaposition of this famous historical subject and the free and contemporary choice of presentation. Churchill’s tenure during the Second World War infused the nation with calm and confidence, providing the British people with strong leadership during its darkest hours. Martin succeeds in portraying Churchill’s unshakeable belief in a successful outcome for the Allies through his defiant stance, unwavering gaze and Victory V gesture. Together with the recognizable “Bulldog” facial features and broad shoulders, this bust captures the subject in terms of character as well as being an accurate physical portrait . Rufus Martin trained at Wimbledon College of the Arts, London, though his aptitude for 3D design and sculpture was apparent from a very young age. His mother, a portrait painter, showed him the portrait sculptures of Augusta Savage, Jacob Epstein and Augustine Rodin, which inspired him to create a bust of his late mentor, Michael Howells. He sculpts ‘intriguing individuals, always hoping to capture some element of their past or current struggles and to create something for the good of the community they inhabit and wherever possible for posterity’ – an ambition he has most successfully fulfilled with this powerful portrait. After leaving college in 2017, with first class honours, Martin has won many prestigious prizes including the Tiranti Prize at the FACE, the Signature Art Award, the Chelsea Arts Club show for ‘Amy’, the True Blue Show, the Salmagundi Open Show, New York, Green & Stone Summer Show, the Chelsea Arts Society Summer Show, RBA Rising Stars, the Royal Cambrian Academy Open, the Binny Mathews & Sons joint show, The Next Big Thing and has been published in the Kings House...

A French Art Deco craquelé ceramic bust of a young faun with pointed ears and a garland of leaves on his head. Marble base. Weight: 4.5 lbs. Please refer to photos for more details. ...

Possibly Beatrice, but likely a Grand Tour bust figure, painted plaster over wood. Marked 921 to verso. Barely a few losses to paint. Enchanting and remarkable bust of a young medieval woman. Grand Tour busts were popular souvenirs for wealthy Europeans, particularly British aristocrats, who traveled around Europe, especially Italy, from the 17th to the 19th centuries. These busts often depicted historical figures, mythological characters, or, as seen here, idealized figures in classical style. The provided search results and image descriptions suggest that this could be a 19th-century polychrome painted plaster cast bust...

A striking marble bust of Mithridates, the legendary King of Pontus, renowned for his resilience and strategic brilliance. This 20th-century sculpture captures the strength and regal...

Bust Pope Gilt Metal Bust on Hand Carved Wood Base Sculpture Antique Dealer LA . An amazing 19th Century bust depicting figure of Pope of Rome Leo XIII compo...

Incredible and monumental size bust in bronze representing Platao circa 1850

1990s bust of a Roman general, hand carved by craftsmen using Carrara white marble for the head and Alicante red for the toga, where the white and red contrast give movement and real...

A fine French early 20th century Art Deco white marble figure of a kneeling nude beauty, attributed to Affortunato Gory (Gori) (Italian, 1895-1925). The kneeling nude figure of a you...

An elegant early 20th century Italian marble bust of Homer, the legendary ancient Greek poet traditionally credited as the author of the Iliad and the Odyssey—two foundational works ...

The Annabel Bust in Pink Marble is a delicate and graceful sculpture that captures timeless beauty and femininity. Hand-carved from exquisite pink marble, this bust showcases soft, f...

Master Italian Glass Artisan Ermanno Nason (1928-2013) created this smoked glass young female bust with ponytail sculpture in 1975. The only other example I found in my research was in his own gallery /museum, now temporary closed. Some minor surface scratches, mainly to bottom. Etched signature E. Nason '75 to base. Ermanno Nason was born in Murano in, from one of the oldest families of glassmakers on the island and appeared at his father Italo’s furnace at the age of ten. Ermanno left elementary school spending his time between the furnace and the school for Apprentices Masters “Abate Zanetti” (managed by Professor Vittorio Zecchin) and made his first experiences in more realities, including Pinzan & Cimarrosti where he was proclaimed Master at age of eighteen. In his youth, Ermanno also worked at the Mazzega I.V.R. collaborating on the great project of Egidio Costantini, which contemplated extraordinary artists of various types brought together: painters, sculptors and master glassmakers, to whom, in 1958, Jacques Cocteau gave the name of “Fucina degli Angeli”. This experience gave him the opportunity to start his personal search and the opportunity to meet with renowned painters and sculptors. Ermanno worked with all the greatest contemporary artists, from Marc Chagall to Oscar Kokoschka, from Pablo Picasso to Renato Guttuso, from Jacques Cocteau to Braque, from Jan Arp to Max Ernst, from Autun Motika to Alexander Calder. From 1953 to 1959 he was at I.V.R. Mazzega , assigned to carry out artists' designs for Egidio Costantini 's Fucina Degli Angeli , including ones by Georges Braque , Marc Chagall , Jean Cocteau , Pablo Picasso , and Gio Ponti. Around 1955 begins to collaborate with the Yugoslavian sculptor and painter Antun Motika, also the Kristal-Samobor glasworks in Maribor. Then he carried out designs by the painter Aldo Bergamini, which are exhibited in Warsaw in 1965. From 1958 collaborates with Fulvio Bianconi . During 1959-61 had his workshop in Murano Campo San Bernardo; continues for Bianconi, Costantini and Motika, as well as for Raoul Goldoni, among others. He has been partner in and designer at the Scarpa & Nason factory for utilitarian glass. From 1964 to 1971 he has been first master glassblower at Gino Cenedese . Makes works based on his own designs and in close collaboration with the leading designer Antonio Da Ros . In 1969 he carries out monumental glass sculptures...

Large oversize round Asian decorative head in red and gold. This piece is perfect for a bookshelf, or as a statement piece for a side table. Painting i...

Fabulous Art Deco display female shop mannequin. She's in good vintage condition with the usual bumps and bruises one would expect but no serious damage...

Modernist african inspired german hand-crafted stone sculpture with marble base By: Henry Moore (in the style of), Constantin Brancusi 2 (in the style of) Material: stone, marble Te...

Italian neoclassic style cast bronze Poseidon bust with black metal stand (19th century).

Studio Bust by Charles Filleul – Mustached Man, Early 20th Century This studio bust, in plaster or terracotta, was crafted by Charles Filleul and originates directly from his worksh...

Decorate a study or an office with this highly detailed antique white marble composition. Crafted in Italy, circa 1920, the carved sculpture features two young sisters beauties huggi...

This terra cotta bust of a monsignor from Dinard, France is signed by the artist with the accompanying date of 1912. An engraving under the left shoulder indicates that the bust was a gift to a Monsignor Blanchet, a well-respected parish priest of Dinard. Msgr Blanchet is depicted wearing a four peak...

Terracotta sculpture call "TOTEM" signed and dated by Barbara Tribe, 1966. Barbara Tribe (1913-2000) was a Australian-born sculptor who spent much of her life living and working in St Ives (Cornwall UK). She was the first sculptor and the first woman artist to be awarded the coveted New South Wales Traveling...

Sculpture, Bust of Diana the huntress - 82 cm - Marble ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND QUOTE FOR SHIPPING COST CAN BE REQUEST ...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional states that confer their unique identities. These precious ceramic sculptures, entirely handcrafted and decorated, represent female Moor’s heads. They were conceived as an expression of an introspective journey that relates Vanessa’s Sicilian origins and to her professional experience in the fashion stylistic field. The artist introduces, for the first time, the repeated use of sociological themes of current relevance through a visually immediate language, represented in her art works with a contemporary pop aesthetic. “Grimilde” is an artwork that addresses the dilemma of envy within the context of the seven deadly sins, through a representation that merges the wicked characters from fairy tales into a single figure. In it, there are recognizable references to Grimhilde, the witch from “Snow White”, the Queen of Hearts from “Alice in Wonderland,” and Cruella De Vil, all aimed at portraying envy in a world dominated by social media and the constant quest for approval and affirmation. The artwork is named after the evil queen from Snow White, and her figure is made evident by the turban that frames the face, emphasizing its features and wrinkled expression. The dress, with a black and white checkered pattern with red details, evokes that of the Queen of Hearts, as seen in the large red hearts decorating the crown, replacing the traditional acanthus leaves of typical Sicilian Moorish heads...

Magnificent Statues " The 4 Seasons " Terracotta Impruneta late 20th Century Height (Cm) 140 Base Dimensions (Cm) Ø43 Weight (Kg) 70 good condition Shades and differences in colors...