Metal Sculptures

Eye-catching Murano glass duck figure / paperweight / sculpture. Manufactured by Formia Murano, Italy, 1960s. Black glass and clear glass richly decorated by silver flecks thorough. ...

Sculpture Year: 1900 Material: silver plated bronze We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at you...

Lot of three Vintage signed duck figurine by Malevolti, Italy. Each features a decoy type design with brass accented parts. Each has glass eyes and a hand painted body. A nice additi...

Miguel Berrocal ( 1933-2006) " Richelieu" , Signed and Numbered

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

A fabulous Art Deco bronze figure of a beautiful woman wearing a loose fitted figure hugging dress and high heels holding a riding whip, with excellent colour and very fine hand finished detail, signed Bruno Zach ADDITIONAL INFORMATION Height: 45 cm Condition: Very fine Original Condition with slight signs of wear Circa: 1925 Materials: Cold Painted Bronze Book Ref: Art Deco Sculpture by Victor Arwas Page no. 224 SKU: 261 ABOUT Zach Whip Girl Zach Whip Girl – Bruno Zach (Austrian, 1891 – 1945) – Bruno Zach was a prolific creator of tall, athletic, independent women in bronze and ivory. He depicted both the healthy outdoor pursuits, and also the dream mistresses of the demi monde...

PINK FLUORITE ON SMOKY QUARTZ Tiefengletscher, Furka, Uri, Switzerland 28.5 cm tall x 12.7 cm wide In the mineral kingdom there are hierarchies, not all of them actually correct. Bu...

This mid-20th century American Brutalist iron sculpture, titled Regatta, captures the dynamic energy of a sailboat race with bold, abstracted forms. The composition features four sai...

TOURMALINE Aricanga Mine, Sao Jose da Safira, Minas Gerais, Brazil 9 cm tall x 2.1 cm diameter Crystals of this type are sometimes referred to as "Parrot" crystals due to the multi-...

This is a pair of signed DeMott Sailboat sculptures. They rest on onyx bases and are constructed on burnished brass. They're made is the style of Curti...

Impressive bronze sculpture that represents a majestic couple of deer in the middle of nature. The piece stands out for its meticulous level of detail, capturing the realistic textur...

One of a kind Atomic Age large Mid-Century Modern style wall sculpture made of round black painted bent iron rod, in zig-zag form or atom rings with assorted metallic colored orbs (a...

A very fine antique Italian attributed grand tour bronze lidded censer applied with birds dating from around 1860. The censer stands raised on a square ba...

Sculpture in patinated bronze after Fernando Botero, Contemporary art, 21st century. Sculpture in patinated bronze after Fernando Botero, contem...

Classic early 1910s or older Vienna bronze figurine. This polychromed cold painted bronze is probably something you need if you’re a Vienna bronze collector. Found at an estate sale ...

Kinetic wall sculpture designed by Curtis Jere for Artisan House in the United States in 1983. This astonishing sculpture is made with a solid brass curved rod which holds several “V...

A beautiful 10 lb, gilt bronze statue of Tibetan White Tara. Seated in dhyanasana on a 4-tier lotus pedestal rising above holy beast on padmasana (single petal row lotus throne), both hands in Karana mudra to expel evils. Her small exquisite face with serene expression, with downcast eyes under high arched brows, wearing a high crown and long beaded necklaces ands rosette earrings. The beast with vivid expressions, bells and a saddle draped...

Pierre Cardin bookend silver elephants black base design, 1980.

Sheep Sculpture (Female) Cream Lacquer Antiqued Copper Hand Repoussé Limited Edition Contemporary Sculpture has a lacquered body and exposed copper face and feet which can patina ove...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

A very fine example of the work of the Bergmann Foundry. He must have really liked this one because it is signed in 2 places on the underside with his seal the letter "B" inside the...

A pair of finely cast Asian bronze bird animal statues. Age: Contemporary Size: Height 12.5 - 14.4 C.M. / Width 7.5 C.M. / Length 17.4 - 18.4 C.M. Condition: Nice condition overall.

The Bonnie range is designed around the stylised form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is ...

A vintage lost wax cast bronze snail sculpture from the mid 20th century with dark patina. We have several available. Created with the tradition...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

A lovely welded brass sculpture of a bird. The bird is mounted on a cylinder of Marble. The entire feeling that emits from this piece is wonderful - creative, with brass plumbs and...

The heart collection is the result of the extravagant creativity of two innovative designers, who are inspired especially by the human body. This collection is made by 4 beautiful...

A late 19th century / early 20th century bronze figure of Narcissus, after the Antique, He wears a wreath in his hair and carries a goat skin wine sack and stands on a circular base....

Bronze sculpture ‘Vela’ (eng. sail) by Giò Pomodoro (1930-2002) on a black stone pedestal. Signed and numbered at the back. Giò Pomodoro was the younger brother of Arnaldo Pomodoro. ...

A fine French bronze sculpture of the Greek figure 'Chysis'. By Andrée Guerval - a pseudonym for Raymonde Guerbe (1894 - 1995). Guerbe was both the student and wife of the famous Fr...

A circa 1960s Italian wall sculpture. Measurements: Diameter: 25.5" Depth: 2.75".

Raoul Larche (1860-1912) Monumental Inwell vide pouch. 'L'Idée, Allégorie sur un Rocher' A Gilt-Bronze Inkwell, circa 1900 Figural Centerpiece, Inkwell and vide pouch. Gilt-bronze H...

Our Magnificent Art Deco Edouard Marcel Sandoz silver bronze, Rabbit is in Beautiful conditions! it has a marble base and it is signed on the base Ed. M. Sandoz and Susse Freres Pari...

A large fine Art Deco patinated bronze figure of "The Riverman" by Maurice Guiraud-Rivière (French, 1881-1947), circa 1920 in date. This powerful sculpture is modelled and cast a...

Carrying import marks for Chester in 1903 by Berthold Muller, this charming, Antique Sterling Silver Model of a Pig, is wonderfully modelled, and features a removable head. The pig m...

Mid Century Modern vintage bootjack from cast iron beetle like shape circa 1970s. Manufactured by Luber Guß Vienna. The vintage condition is good. approx. measures: Width: 15 cm Len...

"Cellist" by Bernard Kim A striking mid 20th Century modernist bronze study of a seated man playing a cello with very fine colour and detail ADDITIONAL INFORMATION Height: ...

Lumina Famous, very decorative Art Deco object. Slightly smaller than the famous Clarté Designed in France during the roaring 1920s by “Max Le Verrier” (1891-1973) Original Max Le Verrier, signed Art Deco style, France Lighted sculpture made in Régule (spelter) Socle in black marble (could have a different marbleization than the picture) Green patina, handwork, patina could be different Dimensions: Width 36 cm Height 65 cm (with glass ball) Height 54 cm (without glass ball) Depth 16 cm. The story behind: In 1928, Max Le Verrier designed after a live model, the famous CLARTÉ, a woman with a illuminated ball - the main piece of his artistic work. In fact, he needed three different models: one for the head, one for the upper part of the body and one for the legs. For this last part he asked an African-American dancer...

This is a stunning piece of Grupo Gal Sterling Silver and Amethyst in the shape of a pineapple.

Classic 1920s Art Deco Winners Lantern lighter on Marble Pedestal Ashtray. This exquisite German Art Deco ashtray is a testament to the opulence and c...

Antique Cast Bronze 9" Dante Dantes Alighieri Bust Sculpture Statue. Circa Late 19th Century. Measurements: 9" H x 11" W x 6"

Unique Arts & Crafts / Jugendstil table or altar crucifix and a wonderful work of religious art. For us the most powerful statement will always be 'the truth will set you free'. It ...

Beautiful musicienne par flora sculpt of Female playing the violin. Bronze on marble base signed "musicienne par flora sculpt" having beautiful patina.

LIDDICOATITE TOURMALINE WITH QUARTZ Anjanbonoina, Antananarivo Prov., Madagascar 7.1 cm tall x 6.8 cm wide Liddicoatite is an uncommon form of tourmaline. It was first discovered in ...

Mid-Century Modern iconic Italian door handle by the enameller and painter Paolo De Poli (1905–1996) in collaboration with Gio Ponti. Made of red e...

Product Information: Specimen Name: Aquamarine on Muscovite Matrix Weight: 311 grams Dimension: H: 6.5 x W: 8.5 x D: 4 cm Treatment: None Origin: Nagar Valley, Skardu District, Gil...

A very fine and unusual early 20th Century cold painted Austrian bronze study of a curled snake on the move with superb naturalistic colour and excellent hand chased surface detail, ...

19th century antique bird paperweight/hunting trophy in chased and patinated bronze on a gold marble base. Signed HINGRE (Louis Théophile Hingre...

Magnificent Antique French Bronze Sculpture, "Diana the Huntress" by Alfred Boucher (1850-1934). Boucher was a contemporary of Rodin. This sculpture was cast by F. Barbedienne. ...

This powerful 20th Century Swiss Bronze Bird Sculpture is the work of French artist Charles Reussner (1886-1961). Reussner was well known and highly sought out for his sculptures. Th...

Characteristic for Swedish artist, Björn Selder, are powerful, expressive sculptures, such as this piece, in heavy materials like bronze, iron, and stone....

We are delighted to offer for sale this stunning limited edition 1/25 Alan Biggs signed statue of an Owl. A very decorative and well made piece, the finished so smooth and tactile, I absolutely love it and don’t really want to let it go. It is in bronzed which has a wonderful patinated finish, signed A Biggs to the rear with the edition number 1/25 Condition wise we have deep cleaned, hand condition waxed and hand polished it from top to bottom, it is in gallery perfect order. Dimensions Height:- 27cm Width:- 7.5cm Depth:- 10.5cm Please note all measurements are taken at the widest point. Alan Biggs From full length life-size public commissions to intimate portrait heads, Alan works from sittings, photographs and measurements. For public commissions and outdoor pieces a site visit is essential. Each mould is created from a clay model, and subsequently cast in bronze or resin bronze. Alan works with a foundry in Birmingham. Alan is a sympathetic portrait sculptor of children...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Beautiful vintage Murano hand blown Pulegoso bubbles, over black core and gold flecks Italian art glass cat sculpture. Documented to designer Alfredo Barbini, circa 1950s. The cat stands...

Vintage signed duck figurine by Malevolti, Italy. It features a decoy type design with brass accented parts. It has glass eyes and a hand painted body. A nice addition to the Hollywo...

Pair of 18th century Italian fragments with a gold flower relief decorated with natural forming baroque pearls to emulate the flower on a matrix of barite and double terminated calci...

Carved and painted wood bull sign. Life size head with carved and painted details, real horns fitted to the head by lead sleeves. The top of the head fashioned from a thick sheath of...

English Modern Chrome & Resin "Le Garcon" Mannequin by Lindsey B. England , Circa 1980s A rare iconic design of English Modern, The silver and black lacq...

Quirky and characterful bronze pixie - or fairey - shown reading a book We believe he is reading the elph and safety manual to avoid further workplace bad jokes Just look at the pati...

Contemporary artist Val Bertoia's pair of Sound Sculptures made in 2012 are part of the Bertoia Sonambient series. The full circle piece is made of 10 ...