French Sculptures

Bofill silvered bronze owl - Hibou Desk Paperweight / Car Mascot / Hood Ornament. France 1910-15. Silver plated bronze, signed. Excellent original conditions. HIBOU Par Antoine ...

French country majolica rooster tureen, circa 1950 signed Caugant.

French sculpture in terracotta of an antique female torso 1970s The torso is floating and has a kind of wall in the back for mounting. The supporting wall is attached to a small mar...

This is really very early and has incredible presence in person. Looks like many of the artifacts I've seen in the museums. It originated from the countryside of France and is a grea...

The "Bacchanale" Dancer Sculpture , by Janle for Max Le Verrier, is a captivating depiction of a lively and joyous dancer. The sculpture portrays a female nude figure in graceful mo...

An exceptional, fine and impressive antique French 18k yellow gold ornament of a double bass; part of our ornamental silverware collection. This exceptional antique cast French 18k ...

An Art Deco cold painted bronze sculpture by Pierre Le Faguays (1892 - 1962). Set over original limestone base and signed 'Fayral' to base. Dimensions: H 49cm W 44cm D 10cm Origi...

Beautiful weathered oak panel with an wonderful primitive angel figure. On the bottom of this angel you can also see two small eagle heads. France, circa 1550-1650, weathered, small...

Like In Water Wall Sculpture by Dora Stanczel One of a Kind. Dimensions: D 10 x W 26 x H 43 cm. Materials: Porcelain, metal and gold. I create bespoke and luxurious porcelain pieces...

Table lamp “Reverie” Reverie is French for musing. Sculpture / Figure. Nude lady holding a lighted glass ball. Designed in France during the roaring 1920s by “Raymonde Guerbe” (1894-1995) She was married with the famous sculptor...

“Aube” (French. break of dawn) Designed in France during the roaring 1920s by “Fayral”, which is one of the pseudonymes from “Pierre Le Faguays” (1892-1962). His good friend and col...

Agathon Leonard's Jeu de l’echarpe recalls the poses of the legendary eighteenth-century muse, Emma Hamilton. Beloved by society artists George Romney and Elisabeth Vigee-Lebrun, pai...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

Art Deco silver plated bronze sculpture of a rabbit hare. Lovely paperweight. Edouard Marcel Sandoz (1881-1973). Signature/ Marks: Ed.M. Sandoz - Susse Fre'...

Rare Bauhaus bust mannequin designed by modernist master René Herbst (1891 - 1982) Siegel, Paris France 1930s Lacquered aluminum, plexiglass This rare version of Herbst's bauhaus ...

French Art Deco gull crackle glaze ceramic sculpture by GEO CONDE at Saint-Clement, France, 1920s. Width: 10"(29cm), Height: 6.1"(20cm), Depth : 3.5"(17cm). Marked in the mold...

Étienne-Maurice Falconet (1716-1791), "The Bather" or "The Nymph Bathing" (1757) Artistic Explanation: The Nymph Bathing is a masterpiece of 18th-century French sculpture, created...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This purple and blue hydrangea is handmade in glazed porcelain, with handpainted copper leaves ...

A game in which the objective is to throw or roll heavy balls (called boules in France, and "bocce" in Italy) as close as possible to a small target ball. Early 1900s, great accents,...

Decorate a lady's office with this elegant antique figure. Sculpted in France, circa 1870, the terracotta composition depicts two young female beauties looking at two love birds. Wonderful details throughout. The sculpture is in excellent condition commensurate with age and use, and adorns a rich patinated clay finish. Signed in the back, Cordier, and listed in the Benezit (see last picture). Charles Henri Joseph Cordier (1827-1905) was a French sculptor of ethnographic subjects. Cordier was a student of the Beaux-Arts in Paris and entered the workshop of Rude in 1847. He traveled extensively in Africa. He is known for his polychrome sculptures in the later realist phase of Orientalism. Charles Cordier (Best known for his orientalist statues...

Olivier Giroud Realized in 1977, signed under the base. Abstract stoneware ceramic sculpture. Original midcentury design form with brown stonew...

Armand PETERSEN (1891-1969) : "Hippopotamus" White mat enameled porcelain edited by Bing & Grundahl between 1932 and 1955 Originally planned for a 55 pieces edition, this exceptio...

1920´s Art Deco polo match bronze sculpture. Scene of two polo players on their horses. Made of Silvered Bronze mounted of a Italian Portoro marble base...

“Aube” (French. break of dawn) Designed in France during the roaring 1920s by “Fayral”, which is one of the pseudonymes from “Pierre Le Faguays” (1892-1962). His good friend and col...

Beautiful antique bookends signed by the french artist "Franjou". Zinc Cast on a marble base.

Sculpture entitled “Eva” in black lacquered metal, a stabile whose different parts can be tilted to obtain different shapes resting on a rectangular travertine base. Work of contemp...

This pair of cast plaster Gothic finials exudes the elegance and intricacy of Gothic architectural design. Each finial is adorned with floral form crockets, meticulously crafted to r...

A Fine French Gilt Bronze Study of Two German Shepherd Dogs by Louis Riche This impressive bronze is finely detailed. It portrays two w...

Pair of French mid century Patinated neoclassical bronze female figures designed as torchieres. Sockets, wiring and glass shades may be added upon request.

Originating from France and created around 1990 by an unknown artist, this captivating kinetic sculpture embodies the essence of motion and creativity. Constructed from a combination...

LOUIS JULIEN (JULES) FRANCESCHI French, 1825-1893 The Goddess Isis Patinated bronze signed to the edge of base "J. FRANCESCHI" cast circa 1890-1900 Item # 409LRJ22W A very fi...

A Carved and Polychrome-Painted Group of the Virgin and Christ, 18th Century The modelled standing in robes holding the Christ child, on a rockwork base with a seraphim mask to the ...

Chaumet Paris, A French Silver-Gilt Seahorse Mounted Rhodochrosite cup Circa 1980. An exceptional object A quadrangular cut cup in rhodochrosite and the handle made of a sea...

An attractive modern limited edition bronze study of a resting rabbit with excellent smooth tactile surface and good colour, signed, numbered and stamped Landowski Foundry ~ Cire Per...

Bronze with a brown patina signed by the French sculptor Pierre Jules Mêne (1810-1979). Mêne, a pioneer in animal sculpture, is known for the quality and perfection of his works. Thi...

Patinated bronze statue of a falconer after the original model by Adolphe Martial Thabard (1831-1905). A winner of multiple medals at the Paris Salon, this particular model won the ...

19th century wooden horse. Dry scraped to charming time worn patina.

French Art Deco Tennisman Porcelain Bottle by Georges Bastard (Paris), France, circa 1924, for Abercrombie & Fitch (New York, USA). This striking French Art Deco porcelain bottle, cr...

An exceptional quality French Art Deco opalescent glass figure of a standing nude by Marius Ernest Sabino (1878-1961) and dating from circa 1931. Born in Sicily Sabino moved to Franc...

Rare Terracotta Majolica Owl signed Filmont Bavent Normandy.

Early 20th Century Shop Display Mannequin Bust A very sculpture early 20th century French (Paris) shop display caged neck bust. Made from layers of paper Mache and card, fitted wit...

French Art Deco white boxer porcelain bottle by Georges BASTARD (Paris), France, ca.1924. Designed by Margerie. White porcelain made in Limoges. Height : 10.4"(26.5cm), Width : 3.9"...

Unique piece born from the artistic exploration of Jeremy Maxwell Wintrebert. An innovative exploration of glass through shape and colour making this piece a truly singular work. Al...

PRESENTING A LOVELY late 19C Bronze Sculpture of Napoleon Crossing the Alps. 19th Century Bronze of Napoleon on Horseback in Battle, with c...

Bronze bust of Salvator Rosa, an Italian Baroque painter, poet and printmaker, known for romanticized landscapes and historical paintings. The well cast bronze bust with a fine deep ...

This elegant figure composition was crafted in France circa 1880. Built of spelter, the statue stands on a shaped black and grey marble base, and depicts a young female beauty seated...

This beautiful, antique sculpture of the Virgin Mary in prayers was created in Pyrenees of France, circa 1860. Embellished with gold leaf and polychrome finish, the Classic religious...

Art Deco style lamp monkey with umbrella PLUIE by Max Le Verrier. Patinated metal on marble base, frosted glass umbrella shade. Design 1927. Po...

PLAY BALL Unique and poetic work. Bird and Humans sculpture ceramic. Made by a French sculptor, painter and ceramist, Pierre KOPPE. Greige and cobalt blue color. Signed on the back...

A fine pair of antique French gilt bronze vases. Decorated with an assembly of musical instruments, a gourd, and even a hat. Extremely solid and finely cast, these urns or vas...

Wonderful and unique small hand carved oak lion fragment. Beautiful weathered. France circa 1650-1750 Weathered. measurements include the wooden pedestal. H:11cm W:6cm D:5,5cm

Set of 3 white TOTEM in enamelled ceramic, floor lamps set bringing to your space an amazing light experience when the night falls, and a stunning sculptural presence during the day....

Adorable "rubber ducky" looking concrete duck. Could be used inside or out. A touch of whimsy to any decor.

After Alfred Barye (FRENCH, 1839–1882) bronze lion sculpture, "Lion - Tuant un Sanglier," a male lion standing over his prey, a wild boar; signed on base on right side, raised on a c...

An extraordinary marble bust, characterized by greyish veins, depicting the Maid of Orléans, Joan of Arc. The attribution is confirmed by the inscription "Jeanne d'Arc" on the front....

Scroll down and click "view all from Seller" to see more than 400 other unique products. In Stock in Los Angeles White Mickey Mouse Rock Pop sculpture fi...

French Brutalist sculpture in chamotte clay. Hand-crafted, hand-made ceramics. Nice vintage condition, please note slight traces of age (see photos). Unidentified artist.

Beautiful roaring lion in gold patinated bronze by the artist and sculptor Louis Vidal (1831-1892) of the Romantic period, France 19th century. Dimensions in cm ( H x L x l ) : 17 x 36 x 9 Secure shipping. Louis Vidal, Vidal the blind or Vidal-Navatel is a French sculptor born on December 6, 1831 in Nîmes and who passed on May 9th, 1892 in the 12th district of Paris. Born to an unknown father and Sophie Vidal-Navatel, he grew up in a family of artists, having for stepfather the painter Alexandre Colin who married his mother in second marriage and for half-brother Paul-Alfred Colin. He studied anatomy but became blind around 1853, which prevented him from pursuing this path. He studied with the animal sculptors Antoine-Louis Barye and Pierre Louis Rouillard and became an animal sculptor himself by replacing sight with touch. This faculty enabled him to create portraits, he perceived the shape of faces by touching them and sculpted them in clay, and remains known as the author of a sculpture representing a roaring lion, as well as that of a bull in bronze, donated by the State to the Musée des Beaux-Arts de Nîmes in 1867. Louis Vidal worked in particular with Alfred Barye, son of his master Antoine-Louis Barye. He became a professor of modeling in 1888 at the École Braille in Paris. A portrait of the artist taken by the photographer Étienne Carjat...