Revival Decorative Objects

Beautiful pair of amphora vases in white and blue porcelain, richly decorated on each side with beautiful polychrome floral compositions framed by handles with openwork motifs of ori...

Edwardian Regency sterling silver jewelry box. Made by William B. Durgin in Concord, ca 1910. Rectangular with straight sides and hinged drop-front. Cover hinged and flat. On sides, ...

A plaster sculpture representing Michelangelo's famous Slave. This sculpture was molded at the Royal School of Fine Arts of San Fernando. Madrid Spain. It is a work of great quality,...

This Louis XV style gilt bronze lamp resume the taste of Rococo period decoration. As this, vegetal motifs are all-over this piece and it features great elegance and opulence in the ...

A fine pair of French 19th century Gothic-Revival neoclassical style five-light gilt-bronze candelabra. The finely chased gilt-bronze tripod-leaf base, surmounted with floral rosette...

Large pair of 19th Century English Terracotta Urns. The urns sit on a square substantial base and have beautiful detailing of Gothic Revival gargoyles on the handles. The Gothic Revi...

A beautiful Wedgwood Blue Dip Jasperware Bowl. Circa 1820, England. Decorated with ancient Egyptian style sprigged ornaments in white. Stamped Wedgwood to the underside as well as...

Pair of Georgian Rococo sterling silver candlesticks. Made by Dominick & Haff in New York in 1898. Each: Baluster shaft on raised and round shaped base. Concave socket with square de...

A most impressive and extremely high quality true pair of French 19th century Neo-Classical st. Egyptian Revival patinated bronze, ormolu and marble statu...

Antique Egyptian Revival Silver & Gilt Finished Sculpture of Camel & Rider on Onyx Base, C1900 Measures - 12.75"H x 13.25"W x 5.25"D

Wedgwood ceramic jug, England, 60s. English ceramic piece in olive green tone and white embossed details representing mythological scenes. Perfect condition. Marked and stamped on th...

Etienne Edouard Suc was a French sculptor born in Lorient (Morbihan) on June 29, 1802. He was a student of sculptor Henri Lemaire and in turn a teacher of sculpture. Prominent among ...

A pair of fine quality Egyptian Revival bronze candelabra with Egyptian masks around the centre candle cup and five arms with the additional candle cups. Th...

This rare 19th century white parian sculpture in the round features the goddess being attended by maidens and cherubs. From the base up, every living creature is in mid-action, creat...

Sculpture depicting the Sphinx in gilded bronze, resting on a black marble base, made in the 20th century Ø cm 23 Ø cm 15 h cm 32 The Sphinx is a mythological creature that has fas...

This striking pair of silver-plated candlesticks, model “Luise,” was produced by the esteemed German design house Lambert in the 1970s. Lambert is known for its high-quality craftsma...

Italian Large Bronze Relief of a Madonna and Child, Saint John and Saint Elizabeth, after Pierino da Vinci, Circa 1850 This 19th century bronze plaque...

This unusual pair of sphinxes resting upon rocky large bases are French we believe. Modeled and cast around the time of Carter's discovery of the tomb of Tutankhamun and showing some...

A Saxony art piece, large polychrome porcelain of a figurine of a male violinist and a women`s percussionist musicians decorated in the pierrot. A dreamlike motif of youth playing mu...

EGISTO FANTECHI - Renaissance Revival hand painted majolica center bowl - large size - featuring elaborate multi-color swan handles and painted details throughout - round base with s...

A wonderful pair of early nineteenth century porcelain urns probably made by either Coalport or Minton circa 1810. The elaborate gilded handles add a touch of extra elegance to an al...

Pair of 19th Century French Egyptian Revival Porphyry Obelisks w Ormolu mounts. Please note: Though a pair, one obelisk is 34 1/2" and the other 35" The shorter obelisk is due to a ...

A noble baroque style porcelain figurine ma designed by Alpinien Margaine (French, active after 1854) by the foundry Gibus et Cie (1853–1972) in Limoges, France in a baby blue motif,...

This very large Bronze ewer is finely cast and has many areas of after casting hand chasing and deeply sculpted details. Done in the Renaissance revival style most associated with th...

Attributed to Leon Messager for Francois Linke, with Rococo and seashell Decoration.

The term Vieux Paris, or "Old Paris" porcelain does not refer to one particular maker, but is used to describe French porcelain pieces made by one of more than thirty manufacturers o...

English Arts & Crafts 6 piece sterling silver desk Set with Egyptian scarabs and wing design. Desk pad, inkwell, pen tray, stamp box, roll blotter, letter holder. (PRICED AS Set) In...

Henri Etienne Dumaige 1830-1888 Cleopatra before Caesar, bronze This Orientalist group alludes to the spectacular meeting of Caesar and Cleopatra...

Pair of vases. Glazed porcelain, metal. XIX century. Pair of vases with a circular foot, a cylindrical body in the center and a long neck and mouth open towards the outside, decora...

Monumental Bronze Eagle Lectern Sculpture .. Symbol of Saint John the Evangelist .. Church Relic, ca. 1900 For the true connoisseur of ecclesiastical antiques and meaningful design, this remarkable bronze eagle sculpture offers a rare opportunity to own an object that is both spiritually symbolic and visually commanding. Originally crafted as a Bible lectern...

Impressive Italian antique Capodimonte vase with handles in shape of cherubs and golden lion heads in the sides. Handpainted in blue and gold. Damage to the base adds character and i...

Beautiful and elegant palm tree holder made of painted and gilded wood, in the shape of a pod vase. The vase has a two-handed finish and recalls the classic style of the ancient "kan...

Middle Eastern Egyptian style (1st qtr 20th Cent-Czech) small blue and beige vase with glazed classical figure & motifs.

A Sphynx paper-weight made in Austria. An unusual desk paper-weight, created in Vienna Austria back in the 1870. This beautiful piece was designed with Egyptian revival and grand to...

Some fifty of these vases were made in 1930 to mark the 200th anniversary of the birth of Josiah Wedgwood. The inscription reads: CC post natum conditorem anno viget ars Etruriae red...

A very attractive 19th century Egyptian Revival bronze furniture mount, cast in the form of a bust of a goddess wearing a tasseled robe, and ado...

Impressive pair of large neo-Gothic church candelabras with eleven candle holders on three levels, in finely cut brass and bronze, decorated with leaves, flowers, scrolls, lily flowers and glass beads. Lion claw feet. In the spirit of Viollet Le Duc...

Small French Majolica cache pot Onnaing, Circa 1890. Decorated with ram heads and pink flowers.

Our important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...

American Post-War Design terra cotta Egyptian design vase with hieroglyphics in carved relief with faces, symbols and birds (signed by ROBERT BENTLEY)

A fine and large continental 19th-20th century Renaissance revival carved walnut judica figure of "Moses with the Ten Commandments". The baroque wood carving...

Decorative 19th century sculptural candleholder from the so-called "Baroque revival" period around 1880. Made of solid, fire gilt brass, this artfully crafted candleholder from the s...

Table clock. Gilt and blued bronze, marble base. Possibly France, late 19th century. Working. Table clock with Paris machinery in working order that has a rectangular light marble base with the front slightly forward to allow space for the clock case. It has a white dial, Louis XVI type hands and Roman numerals for the hours and Arabic numerals five by five for the minutes. This part is sheltered in a golden marble pedestal, which has a base of Greek fretwork...

A mid-19th Century well-cast Model of the Sphinx of Giza mounted on veined marble base.

Tall white marble statue possibly representing Livia or Pudicity, an 18th / 19th century "Grand Tour" copy after the antique. The original , larger sculptu...

Ancient Egyptian Revival: 19th century, carving of Horus in the form of a falcon - Beautifully carved classical composition in low relief ...

Beautiful weathered white marble statue representing Saint John the Evangelist. Christian tradition says that John the Evangelist was John t...

The model of these Etruscan Amphoras has been exposed at the 1878 Paris Universal Exhibition. Each with a waisted neck raised with bearded satyr ma...

An Elkington & Company Silver Gilt Presentation Casket Hall Marked for Birmingham, 1891 and the maker; the casket, in the Victorian Gothic manner, with cluster columns at the angles...

This clock set is designed in the Egyptian Revival style, which was in vogue in Europe and America in the 19th century. The fashion was kick-started by Emperor Napoleon I’s campaign in Egypt in 1798-1799. This led to the publication of ‘Le Description de l’Égypte’ (The Description of Egypt) in 1809 (and a second edition in 1830), which documented various aspects of Egyptian culture, including the pyramids, antiquities, ancient and modern buildings, Egyptian clothing...

Pair of German silver Renaissance hunting figures, ca 1890. The man wears doublet over baggy chemise and hose with belt hanging loosely around hips. A long hat feather drapes gracefully along his arm. The horn is raised expectantly while the other hand rests on his sword. The woman wears a bodice-revealing fitted hip-length coat over a pleated skirt. Her braids are coiled in the back and her hat sports a jaunty feather. On a raised arm perches a falcon. The figures stand on rocky mounds with scattered vegetation; at the man’s feet...

A late 19th century French gilded bronze clock on a gilded wood base. On the left side of the Rococo-style base which resembles rolling wave...

A Garniture de Cheminée in The Egyptian Manner Constructed in Algerian onyx and ormolu, comprising a large clock and two side pieces; rising f...

Bronze sculpture, "Lady with amphora". The base of the figure (with curved profiles) rests on lion legs highlighted with plant motifs. The young woman is sitting, resting a large ...

Vintage large set of 24 pcs 3,5” large Christmas Ornaments balls, made in old European tradition- blown glass silvered from inside and Handpainted outside. Santa’s, snowmen, teddy be...

Antique French Egyptian Revival Clock. Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Pair of candelabras. Rouge Griotte marble, gilt bronze. France, possibly Napoleon III, 19th century. Pair of candelabras with seven lights each made of marble and mercury-gilded bro...

A Large 19th Century French Onyx, Silvered, and Gilt-Bronze Vase Attributed to Charpentier & Cie. The vase consists of an onyx body with a flared, slightly everted rim and a taperin...

Pair of lovely and very large antique (late 19th century, Art Nouveau period) porcelain vases, attributed to Sevres, exquisitely painted with figures of a fairies or Greek nymphs wit...

This unusual garniture was made in France and is marked correspondingly by the pottery company Alexander Bigot. Created from hand shaped terracotta which has been glazed then hand painted in gold and polychrome colors. The painting is done in the Egyptian taste and features acanthus leaves, scarabs, papyrus leaves and armed soldiers which are shown in a left and right posture making this a true set. The decoration is done and signed by Pinon Heuze...