Bronze Vases and Vessels

A Pair of Late 19th Century Bronze Mounted Sèvres Style Iridescent Vases Each of elongated baluster form, finely painted romantic scene , the reverse a river scene with a castle in ...

A handsome and richly decorated pair of French 19th century Renaissance st. silvered bronze, ormolu and patinated bronze ewers. Both are raised by a square ormolu base with rounded c...

A most impressive and large scale French 19th century Louis XVI st. granite and patinated bronze lidded urn. The urn is raised by a square granite base below the fine socle pedestal ...

Striking pair of hand painted and glazed urns with gilt bronze mounts. Marked "Made in France" on the base of each.

A stunning pair of French 19th century neo-classical st. silvered bronze and ormolu decorative ewers. Each ewer is raised on an ormolu circular raised ...

A Fine pair of French 19th century, bronze, marble and ormolu tazzas, with lids. The pair are raised by Egyptian designed ormolu supports below a black Belgian, red and black veined ...

A sensational pair of French early 19th century First Empire period patinated bronze and ormolu urns attributed to Claude Galle. Each urn is raised by a square patinated bronze base ...

A handsome pair of French 19th century Neo-Classical st. patinated bronze and Rouge Royale marble urns. Each urn is raised by a circular Rouge Royal marble base with a Fine mottled b...

A Nice Pair of Late 19th Century Gilt Bronze and French Crystal Lamps Fine cut crystal bodies with bronze mounts standing on lion paw feet. Deta...

A striking French 19th century Louis XVI st. Belle Époque period ormolu, silvered bronze and Rouge Griotte marble garniture set. The garniture set...

1940s Indian bronze urn with beautifully detailed hand-chasing and guilting.

Remarkable, large, solid bronze and gilt bronze French planter on a stand. The central vessel in beautiful repoussé featuring a band of dragon forms. The entirety of the gilt bronze ...

Large teak wood vase with bronze smaller vases is Mid-Century in period and design as well. Colors in shades of green and bronze tones with the two smaller vases being heavy bronze a...

A Fantastic Late 19th Century Empire Style Gilt Bronze and Fleur De Pecher Marble 3 Piece Garniture The tazza modeled with three classical muses supporting ionic capitals and a fla...

An impressive late 19th century gilt bronze mounted three-light marble lamp The Verde green marble with bronze foliage designs, the corners with thre...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

A Large And Rare Pair of ‘Neo-Grec’ Style Multipatinated Bronze Amphora Vases by Ferdinand Levillain and Ferdinand Barbedienne. Signed to the cast ‘F. Levillain Fecit 1880’ and ‘F. Barbedienne’. This large pair of multipatinated vases are of amphora form modelled in the ‘Neo-Grec’ style with trumpet shaped necks and scrolling handles terminating in masks; the vases are raised on circular spreading bases put down on plinths. Each vase is finely ornamented with laurel leaves and garlands to the neck, the main body with a superb banded frieze cast in low relief depicting the Centauromachy. In the Centauromachy, the Lapiths battle with the Centaurs at the wedding feast of Pirithous. An enduring classical theme linked with the idea of culture versus nature, the Centauromachy was widely depicted in ancient Greece from the Southern Metopes of the Parthenon Freieze to the Temple of Apollo Epikourious at Bassai, it also appears as a subject on numerous Attic vases such as the Ilioupersis krater. A popular theme for artists from the Renaissance onwards it was depicted by amongst others, Michelangelo, Piero di Cosimo, Luca Signorelli, Sebastiano Ricci...

An unusual early 19th century bronze & ormolu Penholder surmounted by “Sander” in the form of classical urn with allegorical figures, supported on square plinth base.

A Very Fine French Late 19th Century Rose Granite and Gilt Bronze Mounted Centerpiece Of oval form, the sides with lion masks, and the incurved top surmo...

A gilt bronze garniture de fireplace by Elkington and Company Conceived in the Rococo manner, the gilt bronze being excellently cast and planished, the suite consisting of a central two handled baluster form vase, two similar and smaller, and a pair of ewers, marked to the underside with the makers mark, circa 1850 Elkington and Company, formed by the brothers George and Henry, was founded in the 1830s, after perfecting their newly patented method of electro plating in gold and silver, for which their first patent was granted in 1840. They exhibited at the European and British 19th century Great Exhibitions, and were given permission by Queen Victoria in 1868 to copy the collection of Royal Plate...

Attractive pair of French 19th century gothic revival gilt patinated bronze and marble urns. Finely chiselled and authentic condition.

Charles Vital-Cornu (French, 1851 - 1927), Jouffroy’s and Pils’ pupil, he acquired a skillfulness mastery in carving marbles and producing bronzes. He used several patinas in his production. Indeed, if his pieces' embodiments are often golden-brown colored, the hollow part are darker. His figures, hands, faces, and bodies are of a great quality. Charles Vital-Cornu had participated in numerous annual ‘‘Salons’’ organized in Paris by ‘‘la Société des Artistes Français’’ where he got several awards, such as a mention of Honor in 1880 and 1881, a third class medal in 1882, a travelling grant in 1883, a second class medal in 1886, a bronze medal at the 1889 World Fair and, finally, a silver medal at the 1900 World Fair at the Grand palace...

Cut-glass centerpiece with gilt bronze mounts. Hair line crack in bowl.

A large pair of early 19th century bronze campana-shaped urns, having flower moulded and beaded rims, above scrolled carrying handles and acanthus decoration below, raised on fluted ...

'The Temptation' by Eugene-Victor Cherrier. A fine patinated bronze ewer modeled in high relief depicting Adam and Eve in the Garden of Eden. Sig...

A smart pair of 19th Century bronze Neo-classical urns of good size, with flambeau finials, tapering wrythen fluted caps, above bands of vetruvian scrolls and rams heads with swags, ...

Patinated bronze and marble cup. Lost wax casting. On a square base resting on volutes and decorated with plant motifs stands the cup, formed by a foot and handles with bronze masks...

A fine pair of patinated bronze and rouge griotte marble urns and covers, in the manner of Clodion. Of fine patina each urn has an ovoid shaped body cast in high relief with vine ...

Depicting a figure chasing the bronze vase on rouge marble base.

Pair of French bronze figural and glass vases, circa 1880.

Two cups on pedestals and a clock. The French style known as Louis XVI is characterized by its inspiration in classicism and covers approximately from 1760 to 1789. In the 19th cent...

Pair of gilt bronze two handled covered urns on marble bases, French, circa 1890.

Good pair of 19th Century French gilt bronze compana vases on marble base. These vases were often used as mantel garnitures or centerpiece accents in salons and châteaux. Their class...

Dive into the extraordinary with this captivating pair of vintage cast bronze octopus vases. A true testament to masterful craftsmanship, each vase is scu...

The Rolling Vase #3 is the result of the sculptural work made from our Atelier in order to generate a dialogue between two really different and contrasting materials. The Travertine ...

The Rolling Vase #2 is the result of the sculptural work made from our Atelier in order to generate a dialogue between two really different and contrasting materials. The Travertine ...

This elegant pair of French Mid-19th Century Greek Revival bronze tazze showcases intricate Neoclassical-style craftsmanship, with shallow bowls adorned in detailed Bacchanalian reli...

Tricci Vessel by BRNV Studio Dimensions: D 10 x W 90 x H 50 cm (Dimensions may vary). Materials: Lundhs sustainable stone, bronze. Based on Vivee Barengo's mother, Tricci is an arti...

Antique Japanese Bronze Vase with Painted Accents - F8191 This is a heavy, very ornate Japanese bronze vase in very good condition. It features Japanese birds and plants in high rel...

Bronze high vase by Tipstudio Numbered Edition Dimensions: Ø 15 x 30 cm Materials: Slags, Statuario Bronze Weight: 10 kg Tipstudio, Imma Matera and Tommaso Lucarini, has chos...

Bronze vase by Tipstudio Numbered Edition Dimensions: Ø30 x 13 cm Materials: Slags, Statuario Bronze Weight: 10 kg Tipstudio, Imma Matera and Tommaso Lucarini, has chosen to ...

Black acid bronze vase by Lupo Horio¯kami Dimensions: diameter 20 x height 13 cm Materials: Bronze medium acid “The artwork [...] arises when the mind is willing to accept reali...

Bowie vase by Fakasaka Design Dimensions: W 34 cm D 8 cm H 17.5 cm Materials: dark bronze. FAKASAKA is a design company focused on production of high-end furniture, lighting, d...

Round Vase in Dark Bronze by FAKASAKA Design Dimensions: W 35.5 x D 15 x H 41 cm Materials: Dark bronze.  

Vase in dark bronze by FAKASAKA Design Dimensions: W 34 x D 8 x H 17.5 cm Materials: Dark bronze.  

Long vase in dark bronze by FAKASAKA Design Dimensions: W 19 x D 12 x H 41.5 cm Materials: Dark bronze.  

Ava box by Fakasaka Design Dimensions: W 16 cm D 16 cm H 28.5 cm Materials: polished bronze. FAKASAKA is a design company focused on production of high-end furniture, lighting,...

Apple vase by Fakasaka Design Dimensions: W 11 cm D 11 cm H 18.5 cm Materials: polished bronze. APPLE VASE / PEN CUP FAKASAKA is a design company focu...

Ava box by Fakasaka Design Dimensions: W 16 cm D 16 cm H 28.5 cm Materials: black/brown bronze. FAKASAKA is a design company focused on production of high-end furniture, lighti...

Aretha box by Fakasaka Design Dimensions: W 15 cm D 15 cm H 9.5 cm. Materials: black/brown bronze. Also available in polished bronze. FAKASAKA is a d...

Supert vase by Fakasaka Design Dimensions: W 35.5 cm D 15cm H 41 cm. Materials: Dark bronze. FAKASAKA is a design company focused on product...

Garrym vase by Fakasaka Design Dimensions: W 19 cm D 12 cm H 41.5 cm. Materials: Dark Bronze. FAKASAKA is a design company focused on produc...

Kernos vessel by Acoocooro Dimensions: Ø 13 x H 23 cm. Materials: Stackable set of two "crema maya" marble bowls and cast bronze bowl and lid; vessel, container, or burner. Kernos (plural kernoi), a very peculiar form of compound vessel or, simply put, «a plurality of bowls,» that was utilized for ceremonial purposes from as early as the Neolithic period. It may have been part of the rites and offerings to goddesses like Demeter, Kore, and Attis; but there are those who believe it was nothing more than table dishes. The two crema maya vessels...

French 19th century clockset with dore bronze and marble. Urns measure to be 12" H x 3.25" D.

A Fine Pair of 19th-Century French Japonisme Gilt Bronze-Mounted Porcelain Vases with Double Handles, Resting on Black Marble Bases, by Louis Pierre Malpass. The vases have an elonga...

Each exuberantly modeled with trailing acanthus on a pounced ground, with dragon- form handles and spiral-fluted stem, the slate base of square section supported by four stylized do...

'Them Romans' is a mirror-finish bronze sculpture in the form of a triptych. 'Them Romans' is a continuation of Kyttanen’s exploration of generative design, an approach in which the ...

A French empire garniture in bronze and marble. The bronze with a dark patina in some places. An ormolu and gold French eagle on the front and a wreath at the bottom of the urn. Cir...

Antique English Faux Tortoise and Cut Crystal Tantalus of Unique Design for Perfumes, Circa 1900's.

A high quality pair of French 19th century Renaissance st. patinated Bronze, Ormolu, black Belgium and Rosso Antico marble ewers. The pair of urns are raised by square Belgium marble...