Earthenware Serveware, Ceramics, Silver and Glass

Antique 19th century neoclassical Vase By Gerbing & Stephan Germany 1892. Ebonised earthenware, of baluster form with horned mask handles, on a circular footed base, with impresse...

Add character and color to a wet bar or dining display with this charming trio of antique majolica pitchers. Crafted in England circa 1890, each hand-painted jug features a jovial se...

Shiny orange cup or vide-poches by Jacques et Dani Ruelland, 1960s. Signed on back Measures: Diameter 20 cm. Nice condition Bibliography : Les Ruelland Céramistes / JJ Wattel

German Majolica galleon centerpiece, circa 1880.

Dutch Delft Bough Hanging Pot, early 18th Century or possibly earlier, with a blue-and-white floral design, a perforated top, a flat back, and side holes for hanging.

Made in Italy, 1980s. This catchall / vide-poche / decorative plate is made in glazed earthenware. It is signed by Pino Castagna. This is a vintage piece, therefore it might show sl...

Enhance a shelf, dining table, or kitchen island with this important antique Quimper blue and white Porquier Beau platter. Crafted in France circa 1895...

Elegant white and blue sink lavabo made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar...

Raija Uosikkinen for Arabia, Finland. Round ‘Ali’ dish in faience. Circa 1960. In perfect condition. Marked. Dimensions: D 26.0 cm. x H 2.0 cm.

A fine and early pair of antique Italian Cantagalli maiolica (majolica) hand-painted Istoriato plates, Florence, Italy, circa 1880. This very fine pair of plates decorated in the Is...

Late 17th-century Blue Delftware dish featuring Wanli “Kraak” style decoration of an oriental figure, framed by alternating floral and geometric panels that extend to the rim, exemplifying the decorative finesse of early Delft potters. The reverse with alternating X's and O's. This dish reflects the strong influence of Chinese Wanli porcelain...

A very fine 18th century Dutch Delft pottery vase or jar. Of typical vasiform shape with medium and deep blue Chinoiserie landscape decoration, dot border to the top rim, and swag...

This set of two vintage brown transferware plates from Booths England, part of the classic "British Scenery" series, is a charming example of early 20th...

18th-19th century hand painted Delft platter, 12 1/8” diameter.

Dutch Delft Blue and White 'Peacock' plate, late 18th century, with brown rim, the center decorated in a vase containing an arrangement of peacock feathers and flowers. The rim decor...

This is a rare set of a hand painted earthenware large wash bowl and jug. Their background are white adorned with gilt rims followed by wide royal blue and fine golden bands. The han...

I offer for sale an extremely decorative and fun element to set your table. Made in Italy between the 70s and 80s, this Jug is part of a successful series that included numerous tabl...

From W.T. Copeland & Sons pottery in Stoke-on-Trent, Staffordshire England, a handled server, circa 1860-1875. Glazed in a deep, luscious green, showing an overlapping leaf patter...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

An earthenware coffee service made in the USA by Franciscan, in their ‘Madeira’ pattern, produced between 1967 and 1983. A mid century tan floral motif scrolls across the body of the...

This stunning pitcher, inspired by the creations of the renowned Onnaing manufactory, is a true work of art in earthenware. Featuring an elegant and refined design, this pitcher stan...

English Delftware plate decorated in polychrome colors with a chinoiserie landscape, attributed to Bristol delftware. The design features scattered flowering shrubs and leafy mounds ...

Made in Italy, 1970s. Made in glazed earthenware. It's a vintage piece, therefore it might show slight traces of use, but it can be considered as in perfect original condition and re...

Cartouche-shaped with a lady standing beside a fence on a terrace amongst blossom sprays and peonies with an acrobatic bird and insect flying overhead. The border in moulded relief w...

Large 19th Century Victorian Cucumber Platter or Tray George Jones. 17 by 9.5 inches.

This collection is a 19th-century majolica fruit service manufactured by the renowned Swedish ceramics company, Rörstrand. Victorian Majolica / Palissy Ware style Leaf-shaped pieces...

White Chalice cup is an original decorative object realized in the 19th century by the Giustiniani manufacture in Naples, Italy. Del Vecchio factory. Th...

Hang this fausse pair of uniquely large, colorful Majolica plates on your kitchen wall or display them on a shelf. Sculpted in France circa 1880 in the manner of Longchamp, and hand ...

Serve coffee or tea in this elegant faience coffee set. Crafted in Blois, France circa 1920, the set includes a large oval tray, two cups with saucers, a cream pitcher, a sugar bowl ...

Earthenware Bowl England, 1890 Earthenware bowl with deep circular form, decorated to the interior with a simple roundel, freely trailed with short radiating strokes and enclosed b...

A pair of Delft chargers with polychrome decoration, each centered with a mounted figure within a double blue line border. The rims are decorated with alternating stylized leaves and...

Discover a stunning piece of Aesthetic Movement French faïence: an asparagus plate by Keller & Guérin, St. Clément, circa 1890–1900, in the Art Nouveau style. This exquisite plate fe...

Gray glazed stoneware beer stein with a curved ceramic handle with a domed pewter lid with a pewter thumb-lift. Transfer printed in blue is a scene of a soldier, a religious Jew, scales on a table, and a fox. Titled “Trau keinem Fuchs auf gruner Heid, und keinem Jud bei seinem Eid” ("Trust no Fox on his green Meadow and no Jew on his Oath”), Germany, 1920s. The scene shown is of an argument between a soldier and a Jewish judge. The Jew raised his hand showing the soldier he has to take an oath to tell the truth. The hair of the judge turns up like the horns of Satan. The soldier is accusing a fox of killing his hare, and the fox is shown sneaking away, for he is probably responsible for the death of the hare. The judges table...

A good pair of antique early 18th century Italian majolica portrait apothecary Jars, Venice, circa 1700. The jars of baluster form with a cobalt blue glaze, hand-painted with foliate...

The Netherlands Circa 1630 – 1640 A bold painted blue and white Dutch Delft tile with the decoration of an Elephant. A very rare decoration to find on a Dutch tile. This exotic crea...

Rörstrand Japan series, set of six dinner plates. Dinner plates in faience with oriental-inspired decoration in polychrome colours and finely detailed painting in Japanese style, cha...

Large Vintage Glazed Earthenware Teapot by Peter Shire, 1982. Earthenware and Enameled Metal construction, Hand-Built. Approx: 15 1/2" high x 12" wide x 25" long Peter Shire: ...

Discover this rare 19th-century polychrome earthenware set, featuring a covered asparagus server with a matching platter. This French Barbotine asparagus server is a true collector's...

Antique Delft Tin-glazed earthenware plate decorated in blue on a white ground, featuring a chinoiserie inspired landscape with a figure holding a bird. Dutch, Delft, second half 1...

A late 18th-century Dutch tin-glazed earthenware plate, unmarked, decorated in underglaze blue with a Chinoiserie motif of flowering plants, shrubs, and trees. Ochre rim Condition:...

Beautiful set of 2 earthenware tea cups in the "George Sand" collection. These tea cups feature an elegant and detailed design, adorned with a raised pattern of strawberry leaves, ...

Decorative pitcher by Stig Lindberg, Sweden, circa 1950, by Gustavsberg. An artistic jack-of-all-trades, Stig Lindberg was accomplished in industrial design, textile design, paintin...

Decorate a shelf or a kitchen counter with this elegant antique milk pitcher. Created attributed to Sarreguemines, France in the 1900s. The milk j...

Dutch Delft blue and white 'Peacock' platter, second half 18th century, with ochre rim, the center decorated in cobalt with a vase containing an arrangement of peacock feathers and f...

Small ceramic sculptures with peony by Antonietta Mazzotti Emaldi, 2018, Glazed earthenware (majolica) and 24ct gold, entirely handmade, unique piece. Customisation available in terms of colour of both for base and flower. Antonietta Mazzotti (Faenza, Italy 1950) attended the Istituto d’Arte per la Ceramica in Faenza and opened her first workshop in her hometown taking part in group and solo exhibitions at international level. In 1976 she has transformed the neo-gothic greenhouse of Villa Emaldi in her workshop. Antonietta Mazzotti has worked for some of the most important international museums and has received several important recognitions worldwide. Her works have been featured in major Italian magazines of interior design and she has acquired international visibility being featured in major international press publications, such as The New York Times. She still lives and works at Villa Emaldi in Faenza where she continues her research on historical decor...

French Majolica oyster plate with seaweeds Salins (East of France) circa 1890.  

French Faience dog Oyster Dog Plate Saint Clement, circa 1890. Each shells is decorated with a differents insects, Rustic, Country style.

Decorate a wall or a shelf with this colorful set of hand painted Majolica asparagus plates. Crafted in France, circa 1920, each plate with scalloped edges, features seven asparagus ...

Decorative wall plaque from the renowned Henriot faïencerie in Quimper, Brittany, dating to circa 1880. Measuring 20.25 inches wide by 10.5 inches high, this elongated oval plaque is hand-painted with a vibrant Breton folk dance scene, featuring villagers in traditional costume celebrating outdoors to the sound of musicians, while others look on. Above the scene, a finely detailed armorial crest inscribed with “AMAVIE” lends a noble touch, framed by intricate cobalt blue scrollwork on a cream ground with ochre edging. Henriot Quimper, established in the late 17th century, became one of France’s most celebrated faience producers, known for its distinctive regional themes and hand-painted craftsmanship. This piece bears the Henriot Quimper signature and the model number 155 on the reverse, along with its original wire for wall display. A superb example of antique Breton...

This large turquoise pot holder in glazed earthenware was made by the reknowned ceramist Théodore Deck at the end of the 19th century. Its beautiful bl...

Decorative glazed ceramic dish with high relief decoration featuring scorpion fish, sea cicadas, scallops, cockles, oysters, seaweed, etc. on a black glazed serving dish. Story The...

Modernist strawberries leaf design glazed ceramic platter, Portugal, 1950s A beautiful hand painted Majolica ceramic leaf with strawberries large plat...

This lovely set of three English Mason's Ironstone Regency period jardineres with handles are decorated in the vivid Japonesque Imari colors and pattern. The two smallest urns meas...

An 18th-century Dutch Delft tin-glazed earthenware plate, with a Chinoiserie decoration. The central scene depicts a bird in flight above a flowering tree, with a second bird perched...

A 19th century French Gien faience decorative charger or shallow bowl, hand-painted in orange, green and light blue on cobalt blue ground with Renaissance style imagery including a c...

Decorate a wall of a shelf with this colorful set of decorative plates. Crafted in England circa 1880, each plate is heavily textured and brig...

Strasbourg faience floral plate. Antique faience plate with large floral bouquets and lobed rims with further floral sprays and insects; with blue u...

Vintage majolica large serving bowl was handmade of high fired terra cotta by Ceramica Artistica Solimene in Vietri, Italy. The pieces are hand painted in their trademark Decoro Camp...

Mid-Century Danish Studio Pottery Teapot, 1976, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Earthenware Styles: Mid-Century Modern Country of ...

Enhance your kitchen wall or shelf with this rare and charming antique egg holder with carrying basket. Created in Normandy France circa 1910, this exquisite faience egg server is a ...