Stone Case Pieces and Storage Cabinets

Reproduction of the original - The original Badminton Cabinet is a monumental piece of furniture from the 18th century that twice set the record for ...

Vintage French ebonized marble-top commode in the Directoire manner.

An English pair of side chests, with lower shelf and marble tops, from the early 20th century. These antique side chests from England are each toppe...

This is a large scale pair of Regency style hand crafted faux bamboo chests. They date to the 1980s and are in very good condition. My shipping is running two to five weeks. These ...

A French Neoclassic painted wood commode with marble top from the early 19th century. This antique chest from France features a rectangular-shaped white/gray marble top, above a case...

Fabulous brutalist credenza or long dresser by Bert England for John Stuart. Bi fold doors open to reveal 8 total drawers and a shelf. Walnut mosaic panels which are framed. Marble top on 90 % front edge is walnut. Brass tubular base with walnut sabots. A true quality piece. Signed John Stuart. Has been refinished. All doors...

An exceptional Neoclassical or Empire style dresser, commode, or chest of drawers By Baker Furniture USA, Late 20th Century Gorgeous burl wood,...

A French walnut sideboard from the 19th century with white marble top and three drawers over three doors. Created in France during the 19th century, this walnut sideboard features a ...

With glass on three sides, this French Louis XVI style mahogany vitrine from the mid nineteenth century is ideal for displaying any fine collection. Resting on turned finial feet det...

French Victorian narrow walnut and inlaid semanier, 7 drawer chest with a marble top.

Vitrine from France in the Transition style from the late 19th century made of wood with a striking rosewood and tinted rosewood parquetry across the doors and sides. The two doors a...

Vintage Italian classical fluted column pedestal side table with single door cabinet in striking Gold gilt with red ground interior & white ...

Antique French Louis XVI Marble Top Burl Wood Buffet is an elegant expression of the neoclassical form, rendered in exquisitely veined contoured and be...

Signed " Meubles D’Art, M. Lerolle, Fabricant, 61, Rue des Sts-Peres. Paris " Remarkable carved wood cabinet, richly sculpted in the Neo-Renaissance style, and inlaid with vert de m...

This exquisite Commode is a French Louis XVI Period and it is made of rosewood with a saint-Anne marble top. It has its original varnish. Provenance: Paris (France)

Louis XV Chinoiserie Style Bronze Mounted Marble Top Lacquered Commode. Commode features two locking draws with key. Chest has a serpentine front with cabriole legs and scrolled feet...

A MAGNIFICENT BRASS-MOUNTED PIETRA DURA, EBONY AND EBONISED CABINET-ON-STAND, DUTCH, CIRCA 1650-80, THE PIETRA DURA PANELS FLORENTINE, MID 17TH CENTURY. Inset overall with paired Fl...

French Louis XVI Style Demilune Mahogany Vitrine / Showcase Cabinet Maison Jansen Louis XVI style chest or étagère. The nice bowed white marble top with a three-quarter pierced bras...

A French Louis XVI style chest, with its original marble top, from the 19th century. This antique commode from France, designed in Louis XVI style, houses three full-sized drawers, a...

Stunning teakwood Sideboard and/or Vanity Dresser manufactured by La Permanente Mobili Cantù in the 1950s. Its aesthetic uniqueness is given by the original soft sculptural shape de...

This is a stunning signed on bronze, Haentges Freres sideboard, and features superb cast bronze ormolu in dore' gold gilt with paw feet and a rare marble backsplash that matches the ...

Chest of drawers showcases Empire-style grandeur with walnut veneer and solid brass accents. Its classic white marble top adds a luxurious touch, making it a striking focal point. W...

Dimensions: Height: 33 1/2 in Width: 45 3/4 in Depth: 19 1/2 in This antique 19th century French Louis XV style marble top commode, chest of drawers is a great example of quality F...

Awesome midcentury Hollywood Regency small two door credenza cabinet in the style of James Mont or Dorothy Draper by Lane Alta Vista. It is in great original vintage condition but does have signs of age. I call that patina. We will give it a new custom finish for you at an additional charge of $500.00. Please see photos for original look plus mock-ups of some optional colors, circa 1960s. Holy Toledo! This is an awesome credenza. It is the epitome of Hollywood Regency with its large oval shaped gold medallions. Right out of a room done by James Mont or Dorothy Draper. This is a Lane cabinet...

Narrow, Neoclassical style, painted hall chest, by Baker; having a painted finish, its rectangular top of rouge marble with rounded corners, on conforming base, its fluted stiles fla...

Row buffet in moulded and veneered solid oak and mahogany. Front part is made with a slight central opening projection by four leaves, punctuated by fluted uprights, those at the end...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

19th Century French Louis Philippe Marble Top Burl Walnut Commode ~ Chest of Drawers is a superlative example of the tailored architecture and restrained ornamentation that has made ...

The oak sideboard transforms premium oak veneers into a striking sunburst pattern across its facade. The light cerused finish highlights the wood's natural grain, while geometric pan...

18th Century Commode by the great Artist Mathieu Criaerd with gilded bronze mounts. Devonian of the Ardennes Marble Top. Rare Example. Chest of drawers with curved front opening w...

French Empire style sideboard buffet with a marble top. late 19th/ early 20thc. The buffet is fitted with four drawers, central dual cabinet doors opening to a shelved interior, fl...

Interior crafts marble top cabinets - pair Each cabinet measures: 44 wide x 21 deep x 34 inches high We take our photos in a controlled lighting studio to show as much detail as po...

Secretary from France in the Empire style. This piece is made of mahogany that has been ebonized and finished with a lustrous French polish of museum quality. The cabinet boasts two ...

More information coming soon… This early 1900s chevet was hand-carved in the style of Louis Philippe, with a thin marble top that slightly overhangs the more recently bleached wood....

This elegant antique chest of drawers was crafted in France, circa 1870. Built of walnut, the traditional commode with simple lines stands on front ogee bracket feet over a thick and...

Beautiful Art Deco period Sideboard / Buffet in Walnut Veneer with curved front from France about 1930 Walnut veneered, hand-polished with shellac (french polish). Original, nickel...

Harmony sideboard is the perfect balance between form and function. With its gently curved corners, natural stone top, fluted door fronts and contrasting shades of solid wood and v...

A rosewood Florence Knoll credenza with travertine top.

We have a travertine and cane sideboard that combines the natural, elegant appeal of travertine stone with the warmth and texture of cane detailing. The top and sides are travertine ...

Chest from the Louis XVI period in France made of solid wood construction, primarily mahogany. This piece has been finished with a lustrous French polish of museum quality. There are...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

Antique French Louis XVI style bar buffet topped with a white Carrara marble, bronze and brasse details, fluted legs finished with golden bronze clogs. One dovetailed drawer and two ...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

Antique 18th C. Italian Venetian Rococo Hand Painted Marble Top Commode Chest of Drawers. Item features an inset pink rouge marble top, gold gilt trim, hand polychrome painted flower...

Art Deco style Biloba Sideboard, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Biloba marble sideboard celebrates Po...

Sahara Cocktail Cabinet, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Sahara marble sideboard is a masterpiece of organic design, crafted with the fi...

Presented at the Universal Exhibition of Paris in 1889 Important sculpted and engraved natural wood, patinated bronze and Griotte de Campan red marble inlaid Neo-Renaissance style cabinet. The upper part is composed of a frieze of bronze medallions separated by triglyphs and supported by ribbed columns with Corinthian capitals. There are eight of these columns paired at the front and two simple columns at the rear. The facade presents an alternation of bronzes in niches and cartouches, of marble slates in cartouches sometimes flanked by palmettes, and of engraved motives of laurel and foliage scrolls. The upper part opens with three leaves and three mobile compartments. The belt carved with acanthus leaves opens with two drawers. This cabinet is supported by four richly sculpted tapered feet ending with claws. Four fluted pilasters are inscribed in the moulded back as counterparts. The whole ensemble stands on a moulded plinth and eight rounded feet. Neo Renaissance Cabinet...

Exquisite antique king wood with bronze mounts in Louis XV style. This Commode is in excellent original condition. Featuring beautiful brass or...

Add a brutalist flare to your interior with this piece by Swiss architect Willy Guhl. A sculptural concrete cube with a hollow interior and curved edges, this object would make for a...

A large and stunning sculpted-front cabinet by Paul Evans (1931-1987), model PE-42, made in 1970 in his studio for Directional. The model was one of the largest case pieces made by P...

A vintage Italian wooden cabinet featuring two doors with faceted geometric fronts, which open to reveal one center shelf. This brutalist piece has a rectangular pedestal base and an unfilled travertine...

This is a rare acajou mahogany and fluted brass leg Carrara marble top commode. The commode is made of rare acajou mahogany. The case is faded but the rest is in good condition with ...

Beautiful early 19th century French or Baltic neoclassical walnut and marble top 2 door cabinet with canted corners and turned legs. This cabinet came from an incredible apartment in...

19th Century French Neoclassical Henri II marble top walnut buffet will make a great addition to any room, for a wide variety of purposes, and do it in style! The luxuriously veined ...

N.O. Møller (1920–1982) Design. A sophisticated cabinet crafted from teak, featuring shelves and drawers in light maple behind its doors. This piece was produced by J.L. Møller's fa...

19th century French neoclassical bar ~ counter with Carrara marble Top was originally designed as a beer and wine bar, and sports...

This elegant early 20th-century Louis XVI-style sideboard features a mahogany frame, a refined white marble top, and brass hardware. The clean lines, fluted legs, and brass inlays hi...

Antique French Louis XVI Mahogany Commode with Carrara Marble embodies the concept of tailored elegance! Exotic imported mahogany lends a richness that cannot be denied, defined by ...