Walnut Case Pieces and Storage Cabinets

Antique Eastlake Victorian Carved Walnut 5 Tier Etagere Curio Whatnot Stand. Circa Late 19th Century. Measurements: 71" H x 44" W x 14" D.

Elegant 19th-century Louis Philippe commode featuring four spacious drawers with beautifully figured walnut veneer and classic turned wooden knobs. Its clean lines, molded top, and w...

This tall elegant armoire has a gracefully curved bonnet with canted corners. The wood is a fine burr walnut. The doors open wide to an interior with four Roomy shelves. It has a loc...

This antique gentleman's chest exemplifies the distinctive Eastlake Aesthetic Movement, dating to circa 1890. Crafted from rich walnut, the piece features striking burl wood veneer p...

Rare Italian bar cabinet produced in the 1940s, attributable to the design of Gio Ponti and enriched by two extraordinary hand-painted front panels signed by Edina Altara. The paint...

Baroque Chest of Drawers, 1750-60 Discover a remarkable Baroque Chest of Drawers, originating in Switzerland. This exceptional chest of drawers hails from the years 1750-60 and boast...

Bookcase library with solid walnut wood structure, with modular shelves and sides system according to furnishing needs. With 2 drawers module on the left side, with 2 doors modul...

Mid-19th century French Louis Philippe commode Burl walnut with dramatic book-matched grain throughout the drawer fronts and sides Gray marble top with rounded front corners and mold...

Italian antique chest of drawers, late 19th century. On the front four useful drawers. Characterized by a simple but elegant line with walnut feather on the front of the drawers. Ref...

A striking and highly decorative cabinet by Aldo Tura, Italy, dating to the 1960s, exemplifying the maker’s distinctive and inventive approach to surface and material. The cylindrica...

Vintage Low Laminate Top Walnut Petite Credenza has a durable, easy to clean surface and features splayed sculpted hardwood legs attributed to Adrian Pearsall's design style. A singl...

A gorgeous French Provincial or French Regency Louis XVI style dresser or chest of drawers By Baker Furniture, "Milling Road" Collection USA, Late 20th Century Carved walnut in or...

Stunning and extremely rare Italian wall-mounted sideboard from the 1950s, a truly unique piece designed in the manner of Paolo Buffa or Vittorio Dassi. Its exceptional character li...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

19th century French cabinet wine liquor greek key walnut regency sideboard. Direct from France, a superb 19th century cabinet with outstandi...

Renaissance cabinet from Burgundy Or Lyon Region Origin : Burgundy Or Lyon, France Period : Second Half 16th Century, C. 1580 Height : 209cm Length : 184cm Depth : 71cm Good condition Walnut wood, original keys and keyholes Around the middle of the 16th century the conception and ornamentation of French furniture evolves. The start of major building projects, such as the castle of Fontainebleau, gives artists a new impulse. Inventive and rich formulas are developed there, before spreading to all of Europe thanks to engravings and printed leaflets. Furthermore, Italian artists working on such construction sites bring French artists and patrons a renewed taste for the Antique. Regarding the art of furnitures, the most complex scenes and figures are drawn from illustrated books, ornament and emblem compendiums and engraving compilations. Rather than copying those images the artisans feed their inspiration and decline the motifs in numerous variations. The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 1540-1550 that we have to look for the origin of leather cut-outs, masks, chimaeras, harpies, sheathed figures, fruit and flower garlands that soon enrich every pieces of French furniture. The structure of the pieces of furniture also evolve thanks to the re discovery of Antique architectures, rigorously used as a model. This cabinet presents an imposing structure and a rich and original decor exemplifying the production of the late 16th century, infused with Italian, Antique and Fontainebleau influences. It stands on a moulded base ornate with palm leaves. It opens with four door-leaves and two drawers in the belt. Six whimsical terms divide the facade. The lower body is horizontally divided by three sheathed female terms. The two standing on the lateral posts are topped with fruits while the body is covered by acanthus leaves carved with precision, belted at the waist. The term standing on the central door-jamb is crowned with laurel leaves and is draped in the Antique fashion. A wincing mask hides the key hole. The two door-leaves are centred by a beautiful mask carved in a strong relief. They wear stylised feathered headdress and are set on draperies. Straps, leather scrolls, acanthus leaves and a shell are spread around the masks. The recessed panels are secured in frames ornate with acanthus leaves. The belt is flanked by two large mouldings enriched with variations of acanthus leaves. The drawers are carved with choux bourguignons and palm leaf motifs minutely executed. The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong and nervous musculature, their manhood hidden by drapes secured thanks to a winged lion head. The term on the left appears to be younger and is wincing while the one on the right has a beard. The central female term brings contrast with her youth and sensuality. As it is the case on the lower body, the key hole is hidden behind the mouth of a faun’s mask placed on the drapes barely covering the intimacy of the caryatid. The panels of the upper body present an idealised architecture comprising pilasters and sinuous broken pediments. The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask. The terms of the upper body support the cornice. The entablature carries palm leaves and roses alternating as well as an egg-and-dart frieze. The cornice is adorned with acanthus motifs. On the sides, the carving is executed flat. A central rose is surrounded by scrolls, flowers and choux bourguignons. We can admire the variety of the elements employed. The artist vary with great genius many different ornamental motifs : palm leaf, egg-and-dart, laurel leaf, roses, scrolls … But the artist went even further as each profile and each face is individualised and presents different features. You can take a look at the faces of the satyrs flanking the upper body’s panels. The talent of the artist is undeniable. It makes no doubt the patron who commissioned this cabinet was an aesthete looking for the greatest quality. The artist who authored this cabinet had a great mastery of composition both in the general design and in the individual panels. They probably drew inspiration from engravings and drawings made especially for the making of this piece of furniture or not. They seem to be familiar with the style of Jacques Androuet du Cerceau. Indeed, we can find in Du Cerceau’s engravings the same juxtapositions of leather cut-outs, masks and fruits. The terms and caryatids used on the facade could very well be inspired by his work as well. The cabinet-maker was also undoubtedly observant of Hugues Sambin, the most famous cabinet-maker and sculptor in the Burgundy of the time. Like Du Cerceau, Sambin left an important ensemble of models particularly useful for the design of cabinets. His publication De l’Oeuvre de la diversité des termes dont on use en architecture (1572) was an essential book for every artisan. All the motifs testify of the artisan’s high knowledge of forms as well as the precision of their tools : super imposition of ornamental elements, foliages, architectural cut-outs, flat and high reliefs alternating, palm leaves inscribed in circular spaces, wincing faces. It is also a testimony of the artisan’s familiarity with Italian and Fontainebleau productions. Because of the proficiency of the cabinet-maker in so many different models, this cabinet truly is a master-piece authored by the hand of an authentic master. The generous carvings executed with great rigour and virtuosity evoke an origin close to Burgundy and Lyon workshops. This cabinet was made by a master of the region during the Second French Renaissance. Literature BOCCADOR Jacqueline, Le mobilier français du Moyen-Âge à la Renaissance, Édition d’art Morelle Mayot, 1996 BOS Agnès (dir.), Mobilier du Moyen âge et de la Renaissance, La collection du musée du Louvre, Louvre éditions...

Grand 19th century Spanish armario or wardrobe armoire constructed from walnut. Features a coffered case fronted by two doors. This massive cabinet made in Spain features beautiful w...

Great quality late 19th century French Empire period bookcase. Having a moulded cornice above a pair of shaped glazed doors with original old glass and flanked by pilasters terminati...

Fabulous, original 1930s Art Deco display cabinet. This lovely figured walnut veneered mid-tone cabinet features a generously sized interior display area for your 'collections'. Beau...

Antique Eastlake Victorian Walnut Secretary Desk C1880 Measures - 83 1/2" x 43" x 21 1/4" An Eastlake Victorian secretary desk from circa 18...

Impressive two-door baroque cabinet or armoire in oak and walnut. From a Danish manor house, c. 1730-1750. This large-sized cabinet features an architecturally architecture includi...

Hello, This exquisite, early Biedermeier walnut chest of drawers was made in Vienna circa 1825. Viennese Biedermeier is distinguished by their sophisticated proportions, rare and re...

Antique George I quality walnut chest of drawers having a quality walnut rectangular top with a moulded edge above two short and three long walnut crossbanded drawers with attractive...

For sale is this very unique large executive boomerang desk. The top is made out of laminate and the bottom is solid wood.

French Art Deco Buffet, Walnut and Aluminum, Bowed Doors, 1930s. This low buffet is constructed in figured walnut veneer over a hardwood carcass, with warm reddish tones and pronoun...

A real treasure from the 1930s is this Art Deco cupboard. Originally a bedroom piece with two very spacious, very generously sized open shelves with a sectioned area at the base for shoes. However this piece would also lend itself very well as a piece of office furniture. On first viewing this piece one can't not be impressed by the obvious quality and size, made from solid mahogany for the carcass with bleached blonde walnut...

Drexel Viewpoint 70 Gentlemen’s chest \ dresser. Tons of drawers for maximum storage. The left side drawers make a perfect jewelry storage space. R...

Florence Knoll for Knoll International Oval Desk with Drawer in Walnut, 1960 Iconic International Style design inspired by Mies van der Rohe. Material: Walnut oval surface, chrome-pl...

CraftAssociates Credenza, Milo Baughman Credenza, Walnut The Milo Baughman Walnut Sideboard for Craft Associates® Furniture is expertly crafted. This piece can be customized in size...

This extraordinary bar cabinet has a glossy case made from walnut veneers and a rotating door covered in book-matched walnut burl. The door is opened by pressing on one side. The action is smooth and polished as the door swings open to reveal three glass-covered shelves and various holders for round and square bottles. The light-colored interior is made from birch. The upper shelf holds the wine or liquor bottles and has room for serving utensils and an ice tray. The two lower shelves are ideal for glassware. This is a fine example of "Budapest Deco"; the simplified form of Art Deco design that was prevalent in Budapest, Hungary in the 1930's and 40's. Hungarian Deco...

Vintage White Furniture Company Italian Provincial / Regency Style Fliptop Sever or Dry Bar, Circa 1970s. Features a rectangular form made from walnut with over lower cabinet that o...

1970's Vintage Traditional style Dry Bar Storage Cabinet by Lane Furniture Company. Doors open to reveal bottle/ glass and supply storage. Very good condition. Miami Beach estate pur...

- Item has been carefully refurbished - The mirror dimensions are: height: 125cm, width: 60cm, depth: 6cm - Quality craftsmanship work.

Classic, flowing and gentle contours, Il Pezzo 2 gives its own reading of time, old pieces inspiring familiar and comforting sensations. Crafted entirely from solid American walnut, ...

This superb pair of Swedish Gustavian style commodes embodies the timeless elegance and rustic charm associated with Scandinavian design. Finished in a soft white paint with a lightl...

Gorgeous single English Sheraton style low openfront bookcases hand crafted from walnut This bookcase is made to order bespoke - turnaround time 2-4 weeks and measurements can be adj...

Beautiful, retro Mid-Century Modern detailed proportioned walnut buffet China cabinet in great original condition. The hutch is one solid-piece, featuring two sliding glass doors on ...

Bert England Hanging Wall Cabinet for Johnson Furniture Company of Grand Rapids Michigan. Simple and Elegant! Walnut body with vinyl covered doors and square bullets. Perfect for ...

Sourced in Provence, France, this mid-19th century Louis Philippe commode is veneered in richly figured walnut and retains its original gray marble top with rounded front corners. Th...

This unique American walnut dresser features stunning vintage craftsmanship, evident in it's simple yet elegant details. From rounded corner tapered legs to sculpted cabinet front, t...

Introducing a stunning vintage walnut dresser designed by Richard Thompson, crafted by Glenn of California in the 1950s. This piece embodies mid-century modern elegance and functiona...

This is a fabulous antique Dutch marquetry walnut chest of drawers, circa 1820 in date. It has been accomplished in walnut with exquisite hand-cut marquetry decoration of urns and c...

Lovely mid 19th century chest of drawers from thefamous so-called "second" Biedermeier period in Austria around 1860. This great old restored three drawer commode (we have additional...

Vintage Italian walnut library cabinet. The top has three compartments with adjustable glass shelves. The bottom has three doors with wood shelves insi...

This carved walnut antique Italian neoclassical paw foot grand sideboard is a magnificent example of 19th-century craftsmanship, blending monumental scale with refined architectural detailing. Constructed from richly grained walnut, the sideboard features an impressive raised backsplash with paneled and fluted details, lending both presence and sophistication to its form. The front is divided into three paneled doors, each framed with intricate carving and centered with classical roundels, complemented by fluted pilasters and acanthus leaf embellishments. Above, three drawers provide convenient storage while echoing the symmetry and balance characteristic of the neoclassical style. The apron is further enhanced with carved rope and egg-and-dart molding, demonstrating the artisan’s attention to detail. The sideboard rests on massive carved paw feet, a hallmark of Italian neoclassical design, symbolizing strength and grandeur. Its generous proportions make it ideal for a formal dining room, grand hall, or stately living space, where it can serve both as a functional storage piece and as an architectural focal point. Collectors and interior designers will appreciate this sideboard’s commanding presence, superb craftsmanship, and timeless elegance—a true heirloom-quality piece that embodies the grandeur of antique Italian neoclassical furniture.

Beautiful 1960s Kent-Coffey Perspecta highboy dresser. Lots of storage with three lower pull out drawers and two additional + two shelves hidden behind the upper doors. In good vin...

Italian neo classical style walnut and fruitwood chest of drawers, circa 1960. With a rectangular top, two top drawers and two lower drawers all with inset brass trim and brass drawe...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

Vintage Mid Century Modern tall highboy dresser from the “Mayan” line by Bassett Furniture Company. The restored case has more depth and clarity to the finish than the original factory finish. The block carved tiki handles provide a striking contrast to the book matched walnut case. The original signature Bassett Mayan” Collection...

Our Dovetail Vinyl storage cabinets with equipment shelves are sized to fit the most popular Sonos speakers and works with Sonos one, play 1, play 3, play 5, beam, Playbase & Pla...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

A beautiful Queen Anne walnut secretaire chest / escritoire, circa 1710 in date. The upper section features a moulded cornice above a secret bulge front frieze drawer, this is above a hinged fall front clad in burr walnut-figured book veneers framed in broad cross-banded borders edged with feather-banding. The interior housing three pairs of pigeon holes concealing secret compartments above a central cupboard flanked by three side drawers on each side with six further drawers below, all clad in burr figured veneers edged with feather banding and fitted with brass pendant handles. The rear of the central cupboard is a concealed panel that sildes away to reveal four further secret drawers. The base of the chest comprises two half-width drawers above two full width drawers, all fitted with pendant shaped brass drop handles, The cabinet is raised on bracket feet. The walnut secretaire is outlined throughout with decorative herringbone stringing. Complete with working locks and original keys. Condition: In excellent condition having been beautifully cleaned polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 176 x Width 102 x Depth 59 Dimensions in inches: Height 5 foot, 9 inches x Width 3 foot, 4 inches x Depth 1 foot, 11 inches Anne was Queen of England, Scotland and Ireland from 8 March 1702 until 1 May 1707. On 1 May 1707, under the Acts of Union, the kingdoms of England and Scotland united as a single sovereign state known as Great Britain. Anne continued to reign as Queen of Great Britain and Ireland until her death in 1714. The Queen Anne style of...

"Metropolitan" contemporary cabinet is omnipotent and brings a vibrant and luminous design for home decor creating a luxurious living space. Materi...

This elegant Mid-Century Modern six-drawer lowboy dresser, a highly sought-after design by T.H. Robsjohn-Gibbings for the Widdicomb Furniture Company, epitomizes sophisticated 1950s ...

This rare and important pair of 18th century Venetian commodes exemplifies the artistry and sophistication of period Venetian furniture. ...

Two small chests support the glass front display unit, vitrine. This versatile set can be used as shown, or separated into two dressers and a long glass display case. Selling three p...

A walnut dresser designed by Merton Gershun and produced by Cavalier, USA, c. 1950s. Refinished. Minimal wear to top surface. Minor to moderate imperfections on unfinished outer b...

Handsome Italian Modernist Silvio Cavatorta two-piece desk and table set in deeply sculpted Italian Walnut with green glass surfaces. (ca. 1950, Italy). Boasts dramatic lines and ric...

From Northern Spain, constructed of solid oak, the rectangular top with molded edge atop a conforming case housing three drawers over four doors, the doors paneled with solid walnut,...

19th Century Italian Neo-Classical inspired bookcase in patinated wood. The front divided by fluted pilasters and arranged with a series of well proportioned open shelves. The mould...